The Well-Tempered Ear

Classical music: The Middleton Community Orchestra impresses in a concert of “non-holiday” music for the holidays. Plus, what music is best to greet the Winter Solstice today?

December 21, 2018
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ALERT: Today we turn a  corner when the Winter Solstice arrives at 4:23 p.m. Days will start getting longer. What music would you celebrate it with? Antonio Vivaldi’s “Winter” section of “The Four Seasons”? Franz Schubert’s “Winterreise” or “Winter Journey”? Let The Ear know in the COMMENT section with a YouTube link if possible. Here comes the sun!

By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also took the performance photos.

By John W. Barker

On Wednesday night at the Middleton Performing Arts Center, the mostly amateur Middleton Community Orchestra (below) proudly presented an alternative Christmas program of music, none of which had any connection whatsoever with that otherwise inescapable holiday.

It was a program of great variety, full of novelties.

It began soberly with Gustav Mahler’s early song cycle, the Lieder eines fahrenden Gesellen (Songs of a Wayfarer). This venture into German orchestral song (with a folk song background) provided symphonic inspiration for his First Symphony, the so-called “Titan,” so it unites many strains in the composer’s work.

Baritone Paul Rowe (below), of the UW-Madison’s music faculty, sang these songs. Rowe has a strong feeling for German, and he used clear diction to capture the dramatic meanings of the four song texts.

A contrast then, and a particular novelty, was the appearance of Matthew Coley (below), of the percussion ensemble Clocks in Motion, playing the cimbalom, the intensely Hungarian version of the hammered dulcimer. 

He was joined by the orchestra for a fancy arrangement of the Hungarian dance, the popular Czardas by Vittorio Monti. (You can hear Matthew Coley play the same piece on the cimbalom in the YouTube video at the bottom.) He followed this with an encore, a hand-me-down arrangement of a movement from one of Johann Sebastian Bach’s solo cello suites.

More contrast came with the mini-ballet score by Darius Milhaud Le Boeuf sur le toit (The Ox on the Roof) of 1919. This was one of the French composer’s trailblazing introductions of American jazz styles into European music.

It really works best with a small orchestra, so Middleton’s was a bit overblown for the assignment. But the elaborate solo role for violin was taken by Naha Greenholtz — concertmaster of the Madison Symphony Orchestra and wife of the evening’s guest conductor, Kyle Knox, who is the music director of Wisconsin Youth Symphony Orchestras and the Associate Conductor of the Madison Symphony Orchestra. There are some fiendish passages in the solo work, and Greenholtz brought them off with unfailing flair.

The final part of the program was devoted to the orchestral suite that Zoltan Kodaly derived from his Singspiel of 1926, Hary Janos, in which a comic Hungarian soldier upstages even Napoleon.

This is a satiric and highly colorful assemblage that offers wonderful opportunities for all of the instruments and sections to show off. And Coley was back with his cimbalom for Hungarian spice. The players clearly were having a great frolic, and conductor Knox drew the best out of them in a bravura performance.

Ah yes! Christmas without “Christmas” music. A wonderful idea to refresh the ears in December!


Posted in Classical music
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Classical music: The amateur Middleton Community Orchestra performs a non-traditional “holiday” concert of Mahler and Kodaly this Wednesday night

December 17, 2018
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By Jacob Stockinger

During the holiday season, many — maybe even most — classical music groups program music that goes with the theme of the holidays from Christmas and Hanukkah to Kwanzaa and the New Year.

But some groups wisely give listeners a respite from holiday fare.

That happened one week ago when the University of Wisconsin-Madison Choral Union and the UW Symphony Orchestra, under the baton of Beverly Taylor, performed a memorable program that featured the brassy “Te Deum” by Zoltan Kodaly and especially the calming Requiem by Maurice Duruflé.

Something similar will happen again this Wednesday night, Dec. 19, at 7:30 p.m. in the comfortable Middleton Performing Arts Center, attached to Middleton High School, 2100 Bristol St.

That is when the mostly amateur but critically acclaimed Middleton Community Orchestra (below, in a photo by Brian Ruppert) will perform its “holiday” concert that is holiday-ish more as a matter of timing than of content or theme, since you won’t hear any carols or sing-alongs or the usual or traditional holiday fare. The Ear thinks it’s a smart approach and a welcome break.

The non-holiday “holiday” program includes “Songs of a Wayfarer” by Gustav Mahler, sung by UW-Madison baritone Paul Rowe (below).

Also on the program is “Le Boeuf sur le Toit” (The Steer on the Roof) by Darius Milhaud with violinist soloist Naha Greenholtz (below, in a photo by Greg Anderson), who is the concertmaster of the Madison Symphony Orchestra.

Matthew Coley (below top), a member of the acclaimed Madison-based percussion group “Clocks in Motion,” will perform two pieces of Hungarian music that use the rarely heard cimbalom (below bottom): the “Czardas” by Vittorio Monti and the “Hary Janos Suite” by Kodaly. (You can hear Monti’s familiar “Czardas” in a version for violin and piano in the YouTube video at the bottom.)

Kyle Knox (below), who is the new music director of the Wisconsin Youth Symphony Orchestras and the new associate conductor of the Madison Symphony Orchestra, and who is also the husband of Naha Greenholtz, will once again be the guest conductor.

Admission is $15 for the general public with students and young people getting in for free. Tickets can be bought at the Willy Street Co-op West and at the door. The box office opens at 6:30 p.m. and doors to the hall open at 7 p.m.

As usual, there will be a meet-and-greet reception (below) – complete with Christmas cookies, you can be sure – at the end of the concert.

For more information about future MCO concerts, reviews of past concerts and details about how to join the orchestra or support it, go to: http://middletoncommunityorchestra.org/home


Posted in Classical music
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