The Well-Tempered Ear

Just Bach concludes its season this Wednesday morning with highlights of the past season

May 18, 2021
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By Jacob Stockinger

The Ear has received the following announcement to post about this season’s final Just Bach online concert this Wednesday:

Greetings from Just Bach!

We hope this finds you all well, enjoying the spring, and ready to experience more of the timeless beauty of Bach’s music.

Our May concert features musical highlights from this extraordinary past season.

The complete program listing is below. It is organized in two parts, corresponding to the two semesters.

Indoor singing was risky during the pandemic, so the bulk of our programming was instrumental, with strings and keyboard for the most part (below in a photo by Barry Lewis).

The Sinfonia from the Christmas Oratorio was recorded at St. Matthias Episcopal Church in Waukesha, because of the Dane County Emergency Order prohibiting indoor gatherings in November and December during the pandemic.

We were back at Luther Memorial Church for the January concert, and by April we were able to include woodwinds (below, in a photo by Barry Lewis)

You can view the May concert here, starting at 8 a.m. this Wednesday, May 19, and then staying available indefinitely:  https://justbach.org/concerts/

Please join us for a half-hour live Zoom post-concert reception on Wednesday night, May 19, at 7 p.m. Chat with the performers by following the link: https://us02web.zoom.us/j/85144014343?pwd=RmVURXBBU1hMcloyalJhbUdCQ1NmQT09

Viewing the concerts is FREE, but we ask those who are able, to help us pay our musicians by making a tax-deductible donation at: https://justbach.org/donate

Just Bach will take a break for the summer, and concerts will resume in September.

Here is the May program:

• Welcome

Part I – Fall Semester

• Cantata 146: Sinfonia

• Violin Sonata, BWV 1001: movement 4 Presto

• Double Violin Concerto: movement 3 Allegro (in the YouTube video, with an animated graphic, at the bottom)

• Christmas Oratorio, Part II: Sinfonia

• Christmas Oratorio: Chorale “Ich steh’ an deiner Krippen hier” (I stand here by your crib)

Part II – Spring Semester

• Cantata 35: Sinfonia

• Trio Sonata, BWV 526: movement 2 Largo

• Violin Sonata, BWV 1019: movement 5 Allegro 

• Flute Sonata BWV 1034: movement 1 Adagio ma non tanto

• Cantata 42: Sinfonia

• Cantata 149: Chorale “Ach Herr, laß dein lieb Engelein” (O Lord, let your dear little angel)

Performers are: Kangwon Kim, Christine Hauptly Annin, Leanne League, Xavier Pleindoux, Nathan Giglierano and Aaron Yarmel, violin; Marika Fischer Hoyt, viola; Charlie Rasmussen and Lindsey Crabb, cello; Linda Pereksta and Monica Steger, traverse flute; Marc Vallon, bassoon; Grammy-winner Sarah Brailey, soprano; John Chappell Stowe and Jason Moy, harpsichord; Mark Brampton Smith, organ; and Bruce Bengston, organ.

Dave Parminter is the videographer and Barry Lewis is the photographer.

For more information, go to:

https://justbach.org

facebook.org/JustBachSeries

youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ


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Classical music: University Opera updates and stages Mozart’s “Cosi fan tutte” on this Friday night, Sunday afternoon and Tuesday night. Plus, here are the winners of the Madison Symphony Orchestra’s Final Forte

February 27, 2020
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NEWS UPDATE: If you missed it, here are the results of Wednesday’s night Final Forte teenage concerto competition with the Madison Symphony Orchestra, which was broadcast live from Overture Hall on Wisconsin Public Radio and PBS Wisconsin (formerly Wisconsin Public Television).

First and second place prizes of a $2,000 scholarship went to pianist Michael Wu and pianist Jessica Jiang, respectively. The two runners-up — violinists Emily Hauer and Jonah Kartman — each received a scholarship of $1,000.

Here is a link to more information, photos and background – including teachers — for each of the four contestants as well as the dates for rebroadcasting the finalists’ concert on radio and TV.

https://welltempered.wordpress.com/2020/02/23/classical-music-this-wednesday-night-four-teenage-soloists-compete-in-this-years-final-forte-competition-with-the-madison-symphony-orchestra-attend-it-live-for-free-or-watch-and-hear-it-l/

By Jacob Stockinger

The prize-winning University Opera and UW Symphony Orchestra will stage three performances of “Cosi fan tutte” (So Do They All, or Women Are Like That), the late comic and seriously satirical opera by Mozart about love, gender roles and cheating on partners.

The performances are in Old Music Hall on Bascom Hill on this Friday night, Feb. 28, at 7:30 p.m.; Sunday afternoon, March 1, at 2:30 p.m.; and Tuesday night, March 3, at 7:30 p.m.

Tickets are $25 for general admission with reserved seats, $20 for seniors (62 and up) and $10 for UW students.

As usual, UW students will alternate certain roles during the three performances. (Below is returning singer Anja Pustaver, one of the three Despina’s in the production.)

The stage director is David Ronis, the head of the opera program at the UW-Madison’s Mead Witter School of Music. He has won numerous national awards during his tenure at the UW-Madison for his inventive re-imaginings of well-known operas and musicals.

The student orchestra will be conducted by Oriol Sans, the acclaimed new professor of conducting and director of Orchestral Activities at the UW-Madison. (In the YouTube video at the bottom, you can hear the Overture to  “Cosi” played by the Metropolitan Opera conducted by James Levine.)

Below is a studio photo by radio host Norman Gilliland of members of the production when they appeared on Wisconsin Public Radio. From left are: conductor Oriol Sans, director David Ronis, soprano Julia Urbank and soprano Cayla Rosche.

The opera has been updated to the Roaring Twenties, at a time when the women’s suffrage movement and other women’s rights issues were gaining traction. The re-staging also seems especially timely and contemporary, given the #MeToo and Time’sUp movements.

Here is a link to the full press release with the complete cast and production staff as well as a sketch of the abstract stage set (below) designed by Joseph Varga and other information, including a detailed synopsis and an explanation of the reason for setting the opera by in the Roaring 20s: https://www.music.wisc.edu/2020/02/10/cosi-fan-tutte/

Here is a link to a shortened version – with information about tickets and parking — on the Mead Witter School of Music’s home website under Concerts and Events: https://www.music.wisc.edu/event/university-opera-mozarts-cosi-fan-tutte/2020-02-28/

 


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