The Well-Tempered Ear

Classical music: Mozart masterfully melds the emotional and the intellectual, says maestro Gary Thor Wedow, who will conduct two performances of “The Magic Flute” this weekend for the Madison Opera. Here is Part 1 of his two-part interview with The Ear

April 18, 2017
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By Jacob Stockinger

The Madison Opera will stage Wolfgang Amadeus Mozart’s The Magic Flute this Friday night, April 21 at 8 p.m. and Sunday afternoon, April 23, at 2:30 p.m. in Overture Hall. (Production photos are courtesy of the Arizona Opera, from which the Madison Opera got its sets and costumes.)

Here are an introduction and some details, courtesy of the Madison Opera:

Written in the last year of his life, Mozart’s opera is part fairy tale, part adventure story, and is filled with enchantment.

Set in a fairy-tale world of day and night, the opera follows Prince Tamino and the bird-catcher Papageno as they embark on a mission to rescue Pamina, the daughter of the Queen of the Night. Pamina had been kidnapped by Sarastro, the leader of a religious order. But it turns out that exactly who is “good” and who is “evil” is not always what it appears.

Along the way to happily-ever-after, Pamina, Tamino and Papageno face many challenges, but are assisted by a magic flute, magic bells, a trio of guiding spirits and their own clear-eyed sense of right and wrong.

“The Magic Flute has been beloved around the world since its 1791 premiere,” says Kathryn Smith (below in a photo by James Gill), Madison Opera’s general director. “It has been called a fairy tale for both adults and children, with a story that works on many levels, all set to Mozart’s glorious music. I’m so delighted to be sharing it again with Madison, with an incredible cast, director and conductor.”

The opera runs about 2 hours and 45 minutes with one intermission.

Tickets are $18 to $130.

“The Magic Flute” will be sung in German with English supertitles.

For more about the production and cast, go to:

http://www.madisonopera.org/performances-2016-2017/the-magic-flute/

And also go to:

http://www.madisonopera.org/performances-2016-2017/the-magic-flute/cast/

Dan Rigazzi, who has been on the directing staff at the Metropolitan Opera for 10 years, makes his Madison Opera debut with this beautiful production that incorporates some steampunk elements into its fairy-tale setting.

Gary Thor Wedow, a renowned Mozart conductor, makes his mainstage debut with this opera, after having conducted Opera in the Park in 2016 and 2012.

Conductor Wedow (below) recently agreed to do an email Q&A with The Ear:

Could you briefly introduce yourself to readers?

Hello! I’m an American conductor, born in LaPorte, Indiana. A faculty member at The Juilliard School, I spend a lot of time with music of the 18th century — Handel and Mozart and often earlier, like Monteverdi, Purcell and Cavalli. But I conduct everything and grew up in love with the Romantics. I’ve also always done a lot of contemporary music. I love it all.

Mozart’s music sounds so clear and easy or simple, but the reality is quite different, musicians say. What do you strive for and what qualities do you think make for great Mozart playing?

Mozart engages both the brain and the heart. He challenges your intellect with amazing feats of counterpoint, orchestration and structure while tugging at your heart, all the time pulling you along in a deep drama.

Mozart was an Italian melodist with a German contrapuntal, harmonic engine – like an incredible automobile with an Italian slick body and a German motor.

Do you share the view that opera is central to Mozart’s music, even to his solo, chamber and ensemble instrumental music? How so? What is special or unique to Mozart’s operas, and to this opera in particular?

From all accounts, Mozart (below, in his final year) was a huge personality who was full of life and a keen observer of the human condition; his letters are full of astute, often merciless and sometimes loving evaluations of family, colleagues and patrons.

Mozart’s music speaks of the human condition: its passions, loves and hopes— no matter what genre. His music is innately dramatic and primal, going immediately to the most basic and universal human emotions with breathtaking nuance, variety and depth. (You can hear the Overture to “The Magic Flute,” performed by the Metropolitan Opera orchestra under James Levine, in the YouTube video at the bottom.)

Tomorrow: Tricks to conducting Mozart and what to pay special attention to in this production of The Magic Flute.


Classical music: Award-winning University Opera performs Benjamin Britten’s “The Turn of the Screw” this Friday night, Sunday afternoon and next Tuesday night

February 28, 2017
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By Jacob Stockinger

The black-and-white poster (below) looks fittingly eerie, spooky and creepy for one of the most famous ghost stories ever written. Look carefully at the blurry outlines of people – or are they spirits? The ambiguity is deliberate.

uw-turn-of-screw-posyter-2017

The poster advertises the opera “The Turn of the Screw,” which was written in 1954 by British composer Benjamin Britten (below, in a 1968 publicity photo by Decca Records taken by Hans Wild) and is based on a famous gothic novella by the 19th-century American writer Henry James. (In the YouTube video at the bottom, you can hear an excerpt from the production at the 2007 Glyndebourne Festival.)

benjamin-britten-london-records-1968-hans-wild

The production of Britten’s last chamber opera promises to be exciting, engaging and innovative. That is thanks to the University Opera’s new permanent artistic director David Ronis (below, in a photo by Luke DeLalio), a transplanted New Yorker who recently won national awards for two earlier productions at the UW-Madison when he was the opera company’s guest interim director for two seasons.

Below is a link to the complete story, with links to the awards story and other aspects. It also contains information about the cast and about tickets ($25 for adults, $20 for seniors and $10 for students).

The Ear wants to point out just a few important highlights:

Performances are in Music Hall, at the foot of Bascom Hill, on this Friday at 7:30 p.m., this Sunday at 3 p.m. and next Tuesday night at 7:30 p.m.

After each performance, a talk-back for the audience to ask questions of the cast and the artistic staff will be held.

The running time is two hours with intermission.

The opera will be sung in English, but will also feature supertitles so the audience can easily understand the poetic libretto and follow the story.

The talented and experienced UW-Madison graduate student Kyle Knox (below) will conduct members of the UW Symphony Orchestra. Knox has conducted the UW Symphony and the University Opera many times before, and has also conducted for the Madison Opera and the Middleton Community Orchestra. Some mention him as a serious candidate to succeed his retiring and acclaimed teacher, Professor James Smith.

Kyle Knox 2

Here is the link to the full story, with many more details including cast members, on the UW-Madison Mead Witter School of Music’s website:

http://www.music.wisc.edu/2017/01/31/university-opera-presents-benjamin-brittens-the-turn-of-the-screw/


Classical music: Madison Opera will present the Midwest premiere of ‘Charlie Parker’s Yardbird.’ Here are the many impressive preparatory events for the public that start this Friday

January 17, 2017
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By Jacob Stockinger

The Ear has received the following information to post about a local opera production that is both exciting and an inspired choice to mark February as Black History Month:

Madison Opera will present the Midwest premiere of “Charlie Parker’s Yardbird” on 8 p.m. on Friday, Feb. 10, and 2:30 p.m. on Sunday, Feb. 12, in the Capitol Theater at Overture Center for the Arts.

charlie-parkers-yardbird-logo-for-maidson-opera

For more information about the cast and the production as well as about purchasing tickets ($25-$114), go to:

http://www.madisonopera.org/performances-2016-2017/charlie-parkers-yardbird/

With music by Swiss composer Daniel Schnyder (below top) and a libretto by writer and poet Bridgette A. Wimberly (below bottom), the acclaimed opera “Charlie Parker’s Yardbird” tells of the legendary jazz musician and the people closest to him.

daniel-schnyder-2017

bridgette-wimberly

The opera, which melds jazz and opera, is set on the day that saxophone great Charlie Parker died in 1955. As his body lies unclaimed in a New York City morgue, Parker returns in spirit to the jazz club Birdland, determined to compose a final masterpiece. Family and friends blend in and out of his memories, including his three wives, his mother, his friend Dizzy Gillespie and even his drug dealer.

Charlie Parker’s Yardbird premiered in June 2015 at Opera Philadelphia (below is tenor Lawrence Brownlee, in a photo by Dominic Mercier, in the title role of Charlie Parker in the Philadelphia production) and was subsequently presented by the company at the Apollo Theater in New York City in April 2016. (You can hear an excerpt in the YouTube video at the bottom.)

The New York Times praised it for its “pulsing, jazz-infused score,” while the Wall Street Journal said, “its rhythms snap and swing, its melodies – including real arias – seize the ear, its ensembles crackle with energy.”

Tenor Lawrence Brownlee in Charlie Parker's Yardbird CR Dominic Mercier for Opera Philadelphia

Madison Opera will be only the second company to present this work, which is sung in English with projected text and runs 90 minutes without an intermission.

“I saw Charlie Parker’s Yardbird when it premiered in Philadelphia and instantly knew it would be a perfect opera for Madison,” says Kathryn Smith (below, in a photo by James Gill), Madison Opera’s general director. “The very American story and the exciting jazz-inflected music fit perfectly into our ever-expanding range of repertoire.”

She adds, “It’s not a straightforward narrative of Parker’s life, but rather elements of his life as refracted through his memories and imagination, and particularly his relationships with the women in his life.”

Kathryn Smith Fly Rail Vertical Madison Opera

Madison Opera’s cast includes both debuts and returning favorites, as well as a number of singers who created their roles in the world premiere.

Joshua Stewart (below), a young American tenor who has sung at La Scala, Bayerische Staatsoper, and Opera de Lausanne, debuts in the tour de force role of Charlie Parker.

joshua-stewart-2017

Angela Brown (below) returns following her performance at Opera in the Park 2016 as Addie Parker, Charlie’s mother, a role she created in Philadelphia.

Angela Brown 2016

Will Liverman, who sang Figaro in Rossini’s The Barber of Seville here in 2015, sings jazz legend Dizzy Gillespie, a role he created in Philadelphia.

will-liverman-2017

Krysty Swann debuts as Rebecca Parker, Charlie’s first wife. Angela Mortellaro, who sang Galatea in Handel’s Acis and Galatea in 2013, returns as Doris Parker, Charlie’s third wife, a role she created in Philadelphia.

Rachel Sterrenberg debuts as Chan Parker, his final wife, a role she created in Philadelphia. Baroness Pannonica de Koenigswarter, in whose hotel suite Parker died, is sung by Julie Miller in her Madison Opera debut.

Directing this production is Ron Daniels (below), who staged the world premiere and was the opera’s dramaturge, involved in the creation and workshop process. 

ron-daniels-opera-director-2017

John DeMain (below, in a photo by Prasad) conducts, with members of the Madison Symphony Orchestra in the pit.

DeMain says:  “I am so happy to be a part of Madison Opera’s Midwest premiere of Charlie Parker’s Yardbird. Parker was consumed with music, breathing it day and night. All of us who are passionate about performing and listening to music can identify with this phenomenal musician and will not want to miss this jazz-infused opera, the perfect expression of Parker’s range and depth as a musician.”

John DeMain full face by Prasad

Composer Daniel Schnyder will attend the opening night performance and join Smith for the Pre-Opera Talk that evening at 7 p.m. in the Wisconsin Studio.

In addition to the performances, Madison Opera and its community partners are hosting a series of related events, collectively known as “Extending the Stage,” which culminate in a concert of Charlie Parker’s music with composer Daniel Schnyder and the UW-Madison’s Blue Note Ensemble.

These events include Opera Novice; community previews; Opera Up Close; discussions of the life and music of Charlie Parker (below); and presentations of rare jazz films.

All events are open to the public and the majority are free of charge.

charlie-parker-1

RELATED EVENTS: EXTENDING THE STAGE

Opera Novice: Jazz Opera?
 Friday, Jan. 20 | 6-7 p.m. The Margaret C. Winston Madison Opera Center, 335 W. Mifflin Street. FREE and open to the public

New to opera? Passionate about Puccini, but not sure about a jazz opera? Join General Director Kathryn Smith for a short, fun, and informative evening exploring the history of jazz and opera, including a live performance of an aria from Charlie Parker’s Yardbird.  With plenty of time to ask questions, it’s the perfect jump-start for the opera-curious.

Community Preview of Charlie Parker’s Yardbird,
 Tuesday, Jan. 24 | 7-8 p.m. Capitol Lakes Retirement Community, 333 W. Main St. FREE and open to the public

Join a Madison Opera staff member for a multimedia look at Charlie Parker’s life, the history of the opera Charlie Parker’s Yardbird, and some insights into Madison Opera’s production.

Opera Up Close, Sunday, Feb. 5 | 1-3 p.m. The Margaret C. Winston Madison Opera Center, 335 West Mifflin Street. Admission: $20; free for full-season subscribers and full-time students with ID; $10 for two-show subscribers.  Tickets available at the door.

Come even closer with a behind-the-scenes preview of Charlie Parker’s Yardbird.  A multimedia presentation on Charlie Parker and the history of this opera will be followed by a roundtable discussion with the leading artists of Madison Opera’s production.  There is no better way to get “up close” to this acclaimed new opera.

A Charlie Parker Concert and Discussion with Daniel Schnyder and the Blue Note Ensemble Thursday, Feb. 9 | 7:30 p.m. Morphy Recital Hall, UW-Madison. FREE and open to the public

Composer Daniel Schnyder joins UW-Madison’s Blue Note Ensemble for an evening featuring music by Charlie Parker, with solos performed by both Schnyder and UW-Madison saxophone students. The evening includes an aria from Charlie Parker’s Yardbird and a discussion about Parker and the opera with Schnyder, UW-Madison Professor of Saxophone Les Thimmig, and General Director Kathryn Smith.

Pre-Opera Talks: Friday, Feb. 10 |7 p.m. and Sunday, Feb. 12 | 1:30 p.m. Wisconsin Studio at Overture Center. FREE to ticket holders

Attend an entertaining introduction to Charlie Parker’s Yardbird one hour prior to curtain. On Friday night, composer Daniel Schnyder will join General Director Kathryn Smith to talk about the piece. Be sure to arrive early, as space is limited.

An Evening of Rare Jazz Films: Alicia Ashman Library. Friday, Feb. 3 | 7 p.m.; Goodman South Madison Library. Tuesday, April 11 | 6 p.m. FREE and open to the public (Below is footage of Charlie Parker playing and of people discussing the man and his artistic achievement.)

Jazz archivist Gary Alderman will present and explain films of the historically significant innovators of modern jazz, including the only two known existing videos with sound of Charlie Parker.

Among the other musicians shown will be those relevant to Parker’s music and career, including Lester Young, Coleman Hawkins, John Coltrane, Dizzy Gillespie and Miles Davis.

The Life and Music of Charlie Parker: DeForest Area Public Library: Monday, Feb. 13, 6:30 p.m.; Alicia Ashman Library: Friday, Feb. 24, 7 p.m.; Fitchburg Public Library: Sunday, Feb. 26, 2 p.m.; Oregon Public Library:  Friday, March 10, 6:30 p.m. FREE and open to the public

UW-Madison Professor of Saxophone Les Thimmig (below) will talk about Charlie Parker’s life and music, as well as the history of bebop.

More information is available at www.madisonopera.org/education.

Les Thimming


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