The Well-Tempered Ear
Classical music: The FREE 39th Karp Family Labor Day concert is moved to TUESDAY night and features a world premiere
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By Jacob Stockinger
The Ear has received the following announcement from UW-Madison cellist Parry Karp (below) about the 39th Karp Family Labor Day Concert – which this year has been moved from Monday night to Tuesday night and aptly renamed as the first concert of the new season, the same purpose it has served since it began.
“On Tuesday — NOT Monday — we will perform our 39th Karp Family Opening Concert.
“Through the years we have always done our opening program the day before classes begin. For the past many years that has meant the program was on Labor Day. However this year classes start on Wednesday, so our program will be at 7:30 p.m. on this coming TUESDAY, Sept. 4, in Mills Concert Hall.
“Admission is FREE.
“Performers are: Suzanne Beia, violin; Alicia Lee, clarinet; Katrin Talbot, viola; Parry Karp, cello; Frances Karp and Christopher Karp, piano.
“The program is listed below.
“Continuing in our tradition of never repeating a piece, these are all new pieces for this series of concerts. The program includes the world premiere of Eric Nathan’s piece for Cello and Piano entitled “Missing Words III.” Some biographical information and an excerpt from a program note about the piece are below. We are very excited to play this program.”
For more information, go to: https://www.music.wisc.edu/event/39th-karp-family-opening-concert/
The program is:
Bohuslav Martinu (below): Quartet for Piano and Strings, H. 287 (1942)
Robert Kahn (below): Trio in G Minor for Piano, Clarinet and Violoncello (1906). Here is a link to Kahn’s Wikipedia biography: https://en.wikipedia.org/wiki/Robert_Kahn_(composer)
Eric Nathan (below): “Missing Words III” for Cello and Piano (2017) in its world premiere. Here is a link to Nathan’s home website: http://www.ericnathanmusic.com
Ludwig van Beethoven: Sonata in F Major for Piano and Violin, Op. 24 “Spring” (1801-2), transcribed for Piano and Cello by Parry Karp
The music by Eric Nathan (b. 1983) has been called “as diverse as it is arresting” with a “constant vein of ingenuity and expressive depth” (San Francisco Chronicle), “thoughtful and inventive” (The New Yorker), and as moving “with bracing intensity and impeccable logic” (Boston Classical Review).
Nathan, a 2013 Rome Prize Fellow and 2014 Guggenheim Fellow, has garnered international acclaim.
EXCERPT FROM A PROGRAM NOTE BY ERIC NATHAN
“Missing Words III” (2017) is the third in an ongoing series of compositions composed in homage to Ben Schott’s book, Schottenfreude (Blue Rider Press/Penguin Group), a collection of newly created German words for the contemporary world.
The German language has the capability to create new words through the combination of shorter ones and can express complex concepts in a single word for which there is no direct translation in other languages. Such words include Schadenfreude, Doppelgänger and Wanderlust, and these have been adopted into use in English. With his new book, Ben Schott proposes new words missing from the English language that we can choose to adopt into our own vocabulary.”
“Missing Words III” was commissioned by, and is dedicated to, Parry and Christopher Karp (below). It follows two previous works in the “Missing Words” series, which were composed for the Berlin Philharmonic’s Scharoun Ensemble and the American Brass Quintet, respectively. (You can hear the composer and his “Missing Words” music in the YouTube video below.)
Tags: #AcademicCalendar, #AmericanBrassQuintet, #BenSchott, #BerlinPhilharmonic, #BlueRiderPress, #BohuslavMartinu, #CelloMusic, #ChamberMusic, #ChristopherKarp, #ClarinetMusic, #ConcertSeason, #ContemporaryComposer, #ContemporaryMusic, #EnglishLanguage, #EricNathan, #FrancesKarp, #GermanLanguage, #GuggenheimFellowship, #HomePage, #KarpFamily, #LaborDay, #LivingComposer, #LudwigVanBeethoven, #MadisonSymphonyOrchestra, #MissingWords, #NewMusic, #NewWords, #ParryKarp, #PenguinBooks, #PianoMusic, #PianoQuartet, #PianoTrio, #ProArteQuartet, #RobertKahn, #RomePrize, #SanFranciscoChronicle, #SchoolYear, #SpringSonata, #StringMusic, #StringQuartet, #SuzanneBeia, #TheNewYorker, #TheNewYorkerMagazine, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #ViolaMusic, #Wikipediabiography, #Wikipediaentry, #WisconsinChamberOrchestra, #WorldPremiere, #YouTubevideo, academic calendar, arresting, Arts, Beethoven, Ben Schott, Berlin, Bohuslav Martinu, books, Boston, Cello, Chamber music, clarinet, class, classes, Classical music, composer, concert season, contemporary, Creation, diverse, diversity, duet, English, Eric Nathan, expressive, Frances Karp, German, Germany, information, inventive, Jacob Stockinger, Labor Day, language, Living composer, Ludwig van Beethoven, Missing Words, new, New Music, note, Parry Karp, Penguin Books, performer, Piano, Piano Trio, Pro Arte Quartet, program, purpose, Quartet, school year, Season, Sonata, Spring sonata, strings, Suzanne Beia, thoughtful, transcription, translation, trio, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, violoncello, vocabulary, Website, Wikipedia, Wisconsin, Wisconsin Chamber Orchestra, word, words, world, world premiere, YouTube
Classical music: What is your favorite piece of music to greet Spring with? Plus, British composer Sir Peter Maxwell Davies has died at 81
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SURVEY: This is the first day of Spring. The vernal equinox just arrived here in Madison, Wisconsin and the Midwest about a half-hour ago, on Saturday, March 19, at 11:30 p.m. CDT.
What is your favorite piece of music to greet the season with? Antonio Vivaldi‘s “Four Seasons”? Robert Schumann‘s Symphony No. 1 “Spring”? A miniature piano piece by Felix Mendelssohn or Edvard Grieg? A song by Franz Schubert? Leave word in the COMMENT section, with a link to a YouTube performance if that is possible.
Here is a link to a similar post from 2011:
The Ear especially loves the “Spring” Sonata for Violin and Piano by Ludwig van Beethoven. Here is a link to a YouTube video with the first movement played by pianist Arthur Rubinstein and violinist Henryk Szeryng.
https://www.youtube.com/watch?v=mAcWGVC4Nqc
By Jacob Stockinger
He was a contrarian who was widely accepted and valued.
He was an iconoclast who achieved the height of respectability when Queen Elizabeth II of England named him to an honorary knighthood.
And he was an eclectic composer, whose style could be charmingly simple, melodic and tonal, or knottily atonal, difficult and complex.
The British composer and conductor Sir Peter Maxwell Davies (pronounced Davis, below) died this past week at his island home off the coast of Scotland. He was 81 and had been ill with leukemia. (You can hear his “An Orkney Wedding With Sunrise” in a YouTube video at the bottom.)
The year is early yet, but it has not been a kind one to classical music. We have already lost the avant-garde French composer and conductor Pierre Boulez, the German-Austrian conductor and early music pioneer Nikolaus Harnoncourt and now Davies.
Here are obituaries about Sir Peter Maxwell Davies with video and audio clips:
From BBC:
http://www.bbc.com/news/entertainment-arts-35802564
From the Deceptive Cadence blog on NPR (National Public Radio):
From the New York Times:
From The Guardian:
http://www.theguardian.com/music/2016/mar/14/sir-peter-maxwell-davies-obituary
And from Classical-music.com:
http://www.classical-music.com/news/sir-peter-maxwell-davies-dies-aged-81
Tags: art song, Arthur Rubinstein, Arts, BBC, BBC News, Beethoven, British, Chamber music, choral music, Classical music, composer, England, English, Fours Seasons, Grieg, Henryk Szerying, Jacob Stockinger, lieder, Ludwig van Beethoven, Madison, Mendelssohn, Midwest, Music, New York Times, NPR, Orchestra, Orkney, Peter Maxwell Davies, Piano, Queen Elizabeth, Queen Elizabeth II, royal family, Schubert, Scotland, Sonata, song, Spring, Spring sonata, sunrise, The Guardian, The New York Times, United Kingdom, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, vernal equinox, Violin, Vivaldi, Wisconsin, YouTube
Classical music: Is there more to say about Beethoven and his music? Acclaimed musicologist Jan Swafford thinks so, and says so in his new biography of The Ludwig.
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By Jacob Stockinger
By most polls and surveys, the most popular composer of classical music remains Ludwig van Beethoven (below). The surly, willful and influential musician bridged the Classical and Romantic eras, and his music retains much of its power and universal appeal even today.
All you have to do is mention the names of works in virtually all the various musical genres and forms — solo sonatas, chamber music, symphonic music, concertos, vocal music — that Beethoven mastered and pushed into new realms of expression:
The “Eroica” Symphony.
The Fifth Symphony.
The “Pastoral” Symphony.
The Ninth Symphony with its “Ode to Joy.”
The “Emperor” Concerto for piano.
The “Razumovsky” and “Late” String Quartets.
The “Ghost” and “Archduke” piano trios, and the “Triple” Concerto.
The “Moonlight,” “Pathetique,” “Tempest,” “Appassionata,” “Waldstein” and “Hammerklavier” piano sonatas.
The “Spring” and “Kreutzer” violin sonatas.
The “Missa Solemnis.”
“Fidelio.”
And on and on.
Such nicknames and so many! Talk about iconic works!
What more is there to be said about Beethoven?
Well, quite a lot, apparently, according to the acclaimed music historian Jan Swafford (below), who did his undergraduate work at Harvard University and his graduate work at Yale University and who now teaches composition and music history at the New England Conservatory of Music.
Swafford, who has also written biographies of Johannes Brahms and Charles Ives, has just published his 1,000-page biography of Beethoven with the subtitle “Anguish and Triumph.”
It is getting some mixed or qualified reviews. But before you look into that, better check into the pieces that NPR (National Public Radio) did on Swafford and his takes on Beethoven, some of which defy received wisdom and common sense.
Here is a summary of some common perceptions about Beethoven that may -– or may NOT –- be true, according to Swafford. It i s an easy and informative read.
http://www.npr.org/blogs/deceptivecadence/2014/08/05/337857557/ask-us-anything-about-beethoven
And here is another piece on NPR’s Deceptive Cadence blog that deals with how the powerful Symphony No. 3 “Eroica” reveals Beethoven’s personality. (You can hear the opening, played by the Vienna Philharmonic under Leonard Bernstein, in a YouTube video at the bottom.)
http://www.npr.org/2014/08/03/336656578/beethovens-eroica-a-bizarre-revelation-of-personality
Some critics have questioned whether the book (below) is too long, whether it repeats things that are already well known and whether the writing style is accessible to the general public.
But nobody is ignoring it.
Here are two reviews by reputable media outlets.
From The Wall Street Journal:
http://online.wsj.com/articles/book-review-beethoven-anguish-and-triumph-by-jan-swafford-1406927297
From The New York Times:
http://www.nytimes.com/2014/08/03/books/review/beethoven-by-jan-swafford.html?_r=0
Have you read Jan Swafford’s other work?
What do you think of his music histories and biographies?
Or of his new Beethoven book, if you have read it?
And what is your favorite work by Beethoven?
The Ear wants to hear.
Tags: Appassionata, Archduke Trio, Arts, Beethoven, Chamber music, Charles Ives, choral music, Classical, Classical music, concerto, Emperor Concerto, Eroica Symphony, Fidelio, Fifth Symphony, Ghost Trio, Hammerklavier, Harvard, Jacob Stockinger, Jan Swafford, Kreutzer Sonata, Ludwig van Beethoven, Missa Solemnis, Moonlight Sonata, Music, musicology, National Public Radio, New England Conservatory, New York Times, Ninth Symphony, NPR, Ode to Joy, Pastoral Symphony, Pathetique Sonata, Piano, Piano Trio, Romantic, Romantic music, sonatas, Spring sonata, String quartet, Swafford, symphony, Tempest Sonata, Violin, Waldstein, Wall Street Journal, Yale, Yale University, YouTube
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