The Well-Tempered Ear

Classical music: Two noteworthy baroque concerts by Just Bach and the Wisconsin Baroque Ensemble are on tap this Wednesday afternoon and Saturday night

October 15, 2019
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By Jacob Stockinger

Fans of Baroque music have two noteworthy events this week to look forward to.

Both concerts feature period instruments and historically informed performance practices.

WEDNESDAY AT NOON

This coming Wednesday, Oct. 16, from noon to 12:30  p.m. at Luther Memorial Church, 1021 University Avenue, the second FREE Just Bach concert of the semester will take place.

The concerts by Just Bach (below, in a photo by John W. Barker) are now a regular feature of the Music at Midday at Luther Memorial Church.

Organist Mark Brampton Smith opens the program with a brief Fantasia on the melody of “Christ lag in Todesbanden” (Christ Lay in Death’s Bonds). That tune will reappear at the very end of the program, in the final chorale of Cantata 158.

The next piece on the program was also written for solo organ, but will be heard in an arrangement for violin, viola, cello and organ. Johann Sebastian Bach wrote six organ trio sonatas, apparently for his eldest son, Wilhelm Friedemann.

The C Minor Sonata, the second in the set, is full of fiery drama in the outer movements, framing a dreamy, peaceful Largo.

UW-Madison baritone Paul Rowe will lead the chorale sing-along, a beloved audience-participation feature of these programs.

The program closes with Cantata 158, “Der Friede sei mit dir” (Peace Be with You), with solo bass-baritone Jake Elfner. Elisheva Pront provides the luminous “cantus firmus” (an existing melody used in a polyphonic composition) in the second movement, which also features a beautiful violin solo played by Kangwon Kim. The Cantata ends with a chorale on the tune of “Christ lag in Todesbanden.”

You may bring your lunch and beverage.

The concert is FREE and open to the public, with a goodwill offering collected.

Other Just Bach concerts this fall, all Wednesdays at Noon, are: Nov. 20 and Dec. 18.

Performers this week are: Jake Elfner, bass-baritone; Elisheva Pront, soprano; Kangwon Kim, violin; Leanne League, violin; Marika Fischer Hoyt, viola; James Waldo, cello; and Mark Brampton Smith, organ.

For more information, go to: https://justbach.org or https://www.facebook.com/JustBachSeries/

SATURDAY NIGHT

This Saturday night, Oct. 19, at 7:30 p.m. in Saint Andrew’s Episcopal Church, 1833 Regent Street in Madison, the Wisconsin Baroque Ensemble (below) will perform a concert of varied chamber music.

Performers include: Mimmi Fulmer, UW-Madison soprano; Nathan Giblierano, baroque violin; Eric Miller, viola da gamba and baroque cello; Chelsie Propst, soprano; Charlie Rasmussen, viola da gamba and baroque cello; Consuelo Sañudo, mezzo-soprano; Anton TenWolde, baroque cello; and Max Yount, harpsichord.

Tickets are at the door only: $20 for the public, $10 students. After the concert, a reception will be held at 2422 Kendall Ave, second floor.

The program is:

Henry Purcell: Three Fantasias

Giacomo Carissimi: “Scrivete, occhi dolente” (Write, Sore Eyes)

George Frideric Handel: Violin Sonata, HWV 372 (heard in an animated graphic depiction the YouTube video at the bottom)

Claudio Monteverdi: “Baci soave e cari” (Soft and Dear Kisses)

INTERMISSION

Luzzasco Luzzaschi: “O dolcezze amarissime” (O Bitter Sweetness)

Martin Berteau: Trio for violoncellos

Giulio Caccini: Excerpts from “La liberazione di Ruggiero” (The Liberation of Ruggiero)

For more information, go to: www.wisconsinbaroque.org


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Classical music: The Ancora String Quartet closes out its season with polished, precise and emotionally intense performances of contrasting music by Mendelssohn, Beethoven and Caroline Shaw

May 16, 2019
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By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT-FM 89.9. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.

By John W. Barker

The Ancora String Quartet (below) is closing its season with a cluster of concerts around the area, including a central one Tuesday night at St. Andrew’s Episcopal Church on Regent Street in Madison.

Of the three works in the program, the centerpiece was the Entr’acte by the American musician and Pulitzer Prize-winning composer Caroline Shaw (below, in a photo by Kait Moreno). It was written in 2011 when Shaw was 29, and has won some acclaim over the years.

It is cast roughly in the traditional form of a minuet and trio, but its point is less any musical substance than the invention of new and utterly eccentric ways of string playing for ear-catching sound effects. Many of those effects are, to be sure, intriguing.

Surrounding this was a pair of quartets seemingly very distinct from each other but related.

The first published quartet, in A major, Op. 13, by Felix Mendelssohn (below), was written in the wake of a romantic song he wrote and whose motives he then used in the quartet.

Emotional suggestions aside, however, it is notable as a darker and more intense work than his subsequent ones in this form. It was composed in 1827, when Mendelssohn was 18, but also the year in which Beethoven died. And it is the shadow of Beethoven, and of Beethoven’s innovations in his later quartets, that hangs over the Mendelssohn work.

Clearly the young master was trying to see how he could absorb the older master’s progressive style into his own still emerging one. I think he found in the process that the two could not be reconciled, and so his subsequent quartets were to be in a less stressful vein.

Against that 1827 work, we were then offered a composition from Beethoven’s own earlier years when he was 29 or 30.  This was the final quartet in the set of six published as his Op. 18.

This Op. 18, No. 6, by Beethoven (below) in B-flat major — the program had it mistakenly in G major — is a Janus-faced work, its first two movements still rooted in the late 18th-century background, but with a scherzo full of quirks and tricks that point to the future, and a finale that plays on emotional contrasts.

Its opening Malinconia – or melancholic – music is contested by music of rousing joy, somewhat prefiguring Beethoven’s absorption with recovering his health in the Heiliger Dankgesang (Sacred Hymn of Thanksgiving) of his late string quartet, Op. 132. (You can hear the two contrasting moods and themes in the last movement, played by the Alban Berg Quartet, in the YouTube video at the bottom.)

For all three of these scores, a quartet member gave some introductory comments. (Below, first violinist Wes Luke introduces the work by Caroline Shaw.)

Members of the Ancora String Quartet are violinists Wes Luke and Robin Rynan, violist Marika Fischer Hoyt and cellist Benjamin Whitcomb. As a group, the Ancora players displayed intensity and absorption as well as polished precision, in a program of contrasts.


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Classical music: The Ancora String Quartet closes its 18th season with three upcoming local concerts of music by Mendelssohn, Beethoven and Caroline Shaw

May 12, 2019
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By Jacob Stockinger

The Ancora String Quartet closes its 18th season with a trio of concerts, and a program featuring two quartets from the early 19th century, juxtaposed with a shorter piece of much more recent date.

The program is the String Quartet No. 2 in A Minor, Op. 13, by Felix Mendelssohn; “Entr’acte” (Minuet and Trio) by Caroline Shaw; and String Quartet No. 6 in B-Flat Major, Op. 18, No. 6, by Ludwig van Beethoven.

The schedule of concert dates, times and venues is below.     

Members of the Ancora String Quartet (below, from left, in a photo by Barry Lewis), who also perform with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and the Madison Bach Musicians among other groups, are: Wes Luke and Robin Ryan, violins; Marika Fischer Hoyt, viola; and Benjamin Whitcomb, who teaches at the University of Wisconsin-Whtewater.

Here are some program notes provided by violist Marika Fischer Hoyt:

“Mendelssohn’s Op. 13 was written in 1827 when he was 18 years old. He’d written the Octet two years earlier, but this was his first mature string quartet. It expresses his youthful passion and includes one of his signature bubbly scherzos.

“Between our two more-established works, we insert a short piece entitled (appropriately enough) “Entr’acte” (“Intermission,” heard in the YouTube video at the bottom), composed by the American Pulitzer Prize-winning composer Caroline Shaw (below, in a photo by Dashing Burton) in 2011. (It is one of The Ear’s favorite contemporary works.)

The 12-minute piece, subtitled “a minuet and trio,” takes haunting fragments and memes from Baroque and Classical styles and treats them with 21st-century audacity. With an ABA structure, the opening and closing sighing motif seems dolorous, but takes its own sadness in a philosophical spirit.

“While both the Mendelssohn and Shaw end quietly, we conclude the program with Beethoven’s exuberant Quartet No. 6, the final quartet in the composer’s set of six early quartets, his Opus 18. This delightful work, completed in 1800, is full of energy and drive; the melancholy mood of the brief fourth movement “La malinconia” (Melancholy) is banished by a cheerful Allegretto, ending with a flourish in the final Prestissimo.”

SCHEDULE

Monday, May 13, at 3 p.m. in the Stoughton Opera House‘s Music Appreciation Series, 381 East Main Street, Stoughton. Free and open to the public

Tuesday, May 14, 7:30 p.m. at St. Andrew’s Episcopal Church, 1833 Regent Street, Madison. Ticketed event — $15 for adults, $12 for seniors and $6 for young people. There will be a reception following the concert.

Saturday, June 15, at noon in Grace Episcopal Church for “Grace Presents,” 116 West Washington Avenue, on the Capitol Square in downtown Madison. Free and open to the public.


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Classical music: This week brings three period-instrument concerts — two of them FREE — of early music from the Baroque and Classical eras including works by Bach, Telemann and Haydn

April 23, 2019
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CORRECTION: The concert listed below by Sonata à Quattro on Thursday night at Oakwood Village West, near West Towne Mall, is at 7 p.m. — NOT at 8 as erroneously first listed here. The Ear regrets the error.

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By Jacob Stockinger

This week features three concerts of music from the Baroque and early Classical eras that should attract the attention of early music enthusiasts.

WEDNESDAY

This Wednesday, April 24, is the penultimate FREE Just Bach concert of the semester. It takes place at 1 p.m. in Luther Memorial Church, 1021 University Avenue.

This month’s program, featuring the baroque flute, presents the program that was canceled because of the blizzard in January.

First on the program is the Trio Sonata in G Major, BWV 1038, for flute, violin and continuo, a gorgeous example of baroque chamber music.

Following that comes the Orchestral Suite No. 2, BWV 1067, for flute, strings and harpsichord, really a mini flute concerto.

The program ends with Cantata 173 “Erhoehtes Fleisch und Blut” (Exalted Flesh and Blood), scored for two flutes, strings and continuo, joined by a quartet of vocal soloists: UW-Madison soprano Julia Rottmayer; mezzo-soprano Cheryl Bensman-Rowe; tenor Wesley Dunnagan; and UW-Madison bass-baritone Paul Rowe.

The orchestra of baroque period-instrument specialists, led by concertmaster Kangwon Kim, will include traverse flutists Linda Pereksta and Monica Steger.

The last Just Bach concert of this semester is May 29. For more information, go to: https://justbach.org

THURSDAY

On Thursday night, April 25, at 7 p.m. — NOT 8 as mistakenly listed here at first –at Oakwood Village West, 6209 Mineral Point Road, the Madison group Sonata à Quattro (below) will repeat the Good Friday program it performed last week at a church in Waukesha.

The one-hour concert – featuring “The Seven Last Words of Christ” by Franz Joseph Haydn — is FREE and OPEN TO THE PUBLIC. (You can sample the first part of the Haydn work in the YouTube video at the bottom.)

Commissioned by the southern Spanish episcopal city of Cadiz, this piece was originally scored for orchestra, but it enjoyed such an immediate, widespread acclaim, that the publication in 1787 also included arrangements for string quartet, and for piano. In nine movements beginning with an Introduction, Haydn sets the phrases, from “Father, forgive them, for they know not what they do” to “Into Thy hands I commend my spirit,” concluding with one final movement depicting an earthquake.

Performers for this program are:  Kangwon Kim, Nathan Giglierano, Marika Fischer Hoyt and Charlie Rasmussen. Modern string instruments will be used, but played with period bows.

The period-instrument ensemble Sonata à Quattro was formed in 2017 as Ensemble-In-Residence for Bach Around The Clock, the annual music festival in Madison.

The ensemble’s name refers to baroque chamber music scored for three melody lines plus continuo. The more-familiar trio sonata format, which enjoyed great popularity in the 17th and 18th centuries, employs a continuo with only two melody instruments, typically treble instruments like violins or flutes. 

In contrast, a typical sonata à quattro piece includes a middle voice, frequently a viola, in addition to the two treble instruments and continuo; this scoring has a fuller, richer sonority, and can be seen as a precursor to the string quartet. For more information, go to: https://www.facebook.com/sonataaquattro/

SATURDAY

On Saturday, April 27, at 7:30 p.m. at Saint Andrew’s Episcopal Church, 1833 Regent Street, the veteran Wisconsin Baroque Ensemble (below) will perform a concert of baroque chamber music.

Tickets are at the door only: $20 for the public, $10 students.

Performers are: Brett Lipshutz, traverse flute; Sigrun Paust, recorder; Monica Steger, traverse; Anton TenWolde, baroque cello; and Max Yount, harpsichord.

The program is:

Johann Baptist Wendling – Trio for two flutes and bass

Johann Pachelbel – Variations on “Werde Munter, mein Gemuethe” (Be Happy, My Soul)

Friedrich Haftmann Graf – Sonata or Trio in D major for two German flutes and basso continuo

Daniel Purcell – Sonata in F Major for recorder

INTERMISSION

Georg Philipp Telemann – Trio for recorder, flute,and basso continuo TWV 42:e6

Franz Anton Hoffmeister – Duo for two flutes, Opus 20, No. 1

Joseph Bodin de Boismortier – Trio Sonata, Op. 37, No. 5

Telemann – Trietto Methodicho (Methodical Sonata) No 1. TWV 42: G2

After the concert, a reception will be held at 2422 Kendall Avenue, second floor.

For more information, go to: https://wisconsinbaroque.weebly.com


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Classical music: Bach Around the Clock marks Johann Sebastian’s 334th birthday next Saturday with a FREE 12-hour celebration. Here is the full schedule. Plus, Parry Karp plays all-French cello music on Thursday night

February 25, 2019
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ALERT: This coming Thursday night, Feb. 28, at 7:30 p.m. in Mills Hall, UW-Madison cellist Parry Karp, of the Pro Arte Quartet, will perform a FREE all-French recital with longtime piano partner Eli Kalman of the UW-Oshkosh. The program includes the Cello Sonata by Claude Debussy; the Cello Sonata by Albéric Magnard; “Granada” from “Foreign Evenings” by Louis Vierne; and Cello Sonata No. 1 by Camille Saint-Saens. For more information, go to: https://www.music.wisc.edu/event/faculty-recital-parry-karp-cello-and-eli-kalman-piano-2/

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By Jacob Stockinger

The event is coming a couple of weeks earlier than the actual birthday on March 21.

But next Saturday, March 2, from 10 a.m. until 10 p.m., the annual Bach Around the Clock will celebrate the 334th birthday of Johann Sebastian Bach (1685-1750).

At 10 p.m., there will even be a birthday cake for the birthday boy and for those who are still there celebrating the Big Bang of classical music.

The FREE informal event – complete with interviews, snacks and beverages – will take place at St. Andrew’s Episcopal Church (below) at 1833 Regent Street on Madison’s near west side close to Randall Elementary School.

How do you like your Bach?

Sung? Played on instruments?

As originally scored? As arranged and transcribed?

Played by students? By adult amateurs? Or by professionals?

Whatever you are looking for and love to hear, chances are good you will find it on the schedule. There will be all of the above, and more. There will be cantatas and concertos, suites and sonatas, preludes and fugues. (You can hear the instantly recognizable and frequently played Prelude No. 1 in C Major from The Well-Tempered Clavier, Book I, in the YouTube video at the bottom.) 

The whole event will be streamed live locally and beyond.

To get an idea of what will happen from previous events, go to the previous blog post, which has a lot of photos, or use this blog’s search engine:

https://welltempered.wordpress.com/2019/01/20/classical-music-bach-around-the-clock-2019-is-looking-for-performers-of-all-kinds-to-play-on-march-2/

For more information, here is a link to the home website that has both the full schedule and a link for streaming as well as other information about free parking as well as how to participate in and support the event.

https://bachclock.com

Here is the specific link to the full schedule, with names of performers and pieces:

https://bachclock.com/concert-schedule/

Take a look. Do you have any suggestions or recommendations about what others should attend and listen to? Leave a COMMENT if you want.

The Ear wants to hear.


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Classical music: Two noteworthy concerts of Baroque chamber music, organ music and vocal music take place this Wednesday midday and Saturday night

February 19, 2019
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By Jacob Stockinger

This is another very busy week for classical music in the Madison area. If Baroque music interests you, there are two noteworthy concerts this week that should attract your attention.

JUST BACH

This Wednesday, Feb. 20. at 1 p.m. in Luther Memorial Church, 1021 University Avenue, the February midday concert by Just Bach (below, at its September concert) will take place.

Admission to the all-Johann Sebastian Bach concert is FREE with a goodwill offering accepted.

Because it will be lunchtime, food and drink are allowed.

This month’s concert includes three diverse works.

Organist Mark Brampton Smith (below) will open the program with the first movement of the Concerto in D Minor BWV 596. This is Bach’s arrangement for organ of the popular Concerto for Two Violins by Antonio Vivaldi, and it comes off with dramatic effect when transcribed to the organ.

Violinist Leanne League will take the stage next, with the Sonata for Violin in A Minor, BWV 1003.

The program ends with the hauntingly beautiful Cantata 82 “Ich habe genug”(I have enough), scored for solo bass voice and oboe, strings and continuo. The vocal soloist will be UW-Madison bass-baritone Paul Rowe (below). You can hear the incomparable Dietrich Fischer-Dieskau sing the aria in YouTube video at the bottom.) 

The orchestra of baroque period-instrument specialists will be led by concertmaster Leanne League, and will include oboist Claire Workinger (below), in her Just Bach debut.

Organizers and performers say the goal of this series is to share the immense range of Bach’s vocal and instrumental repertoire with the Madison community at large. The period-instrument orchestra will bring the music to life in the manner and style that Bach would have conceived.

The audience will be invited to sing along during the opening hymns and the closing cantata chorales.

The other Just Bach dates, all Wednesdays, this semester are March 13, April 24 and May 29.

WISCONSIN BAROQUE ENSEMBLE

The veteran Wisconsin Baroque Ensemble will perform a varied concert of vocal and instrumental chamber music this coming Saturday night, Feb. 23, at 7:30 p.m. in St. Andrew’s Episcopal Church, 1833 Regent Street.

Tickets can be purchased only at the door. Admission is$20, $10 for students.

Performers are: Nathan Giglierano, baroque violin; Eric Miller; viola da gamba; Sigrun Paust, recorder; Charlie Rasmussen, baroque cello and viola da gamba; Consuelo Sañudo, mezzo-soprano; Daniel Sullivan, harpsichord; and Anton TenWolde, baroque cello.

The program is:

Nicolas Bernier – “Diane” Cantata for voice and basso continuo

Marin Marais – Pièces de violes (Pieces for Viola da Gamba), selections from Book 4

Louis Couperin – Pièces de clavecin (Pieces for harpsichord)

Joseph Bodin de Boismortier – Trio sonata, Op. 37, No. 2

INTERMISSION

Francesco Paolo Supriani – Sinfonia for cello and basso continuo

Georg Fridrich Handel – “Nel dolce dell’ oblio” (In Sweet Forgetfuness)

Tommaso Giordani – Duo for two cellos, opus 18 no 5

Georg Philipp Telemann – Quartet in G minor TWV 43 g4

Following the concert, there will be a reception at 2422 Kendall Ave., Apt. 2.

For more information, go to www.wisconsinbaroque.org


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Classical music: Bach Around the Clock 2019 is looking for performers of all kinds to play on March 2

January 20, 2019
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By Jacob Stockinger

Do you like the music of Johann Sebastian Bach (below, followed by photos of performances from past years)?

Then attention individuals and groups!

Amateurs and professionals!

Students and teachers!

Young people and old!

Instrumentalists and singers!

Bach Around the Clock – the annual one-day festival to mark the birthday of composer Johann Sebastian Bach – is looking for performers for the 12 hours of celebration.

This year, the event takes place on Saturday, March 2.

Here is an official announcement with complete details about participating in and supporting the event:

Would YOU like to perform at Bach Around the Clock (BATC)?

Plan to join in the celebration of the 334th birthday of Johann Sebastian Bach (1685-1750).

Musicians — amateur and professional — are invited to perform their favorite piece by Bach.

To request a performance spot, go to the BATC website and click on “Contact Us” to find our online sign-up request form.

Tell us who you are, whether it’s you alone or in a group, what you would like to perform, what instrument(s) and the approximate amount of time you would like for your performance. We will get back in touch with you with complete details.

Here is a link: https://bachclock.com/

Performances will take place on Saturday, March 2, at St. Andrew’s Church, 1833 Regent St., Madison, from 10 a.m. until 10 p.m. It will be live-streamed on local radio stations and websites.

P.S.  You can help keep this festival free and open to all! Bach Around the Clock welcomes donations to help meet the costs of offering this free community event. To make a secure online contribution, click below:

Donate

Bach Around the Clock is a 501(c)(3) non-profit organization; contributions are tax-deductible to the extent allowed by law.

The Ear, who finds the event instructive and enjoyable, wants to add that although he loves and appreciates performances of Bach’s works as they were originally intended, he especially enjoys unusual arrangements that show the plasticity and genius of Bach’s music. He loves bluegrass Bach, roots Bach, jazz Bach, fell Bach and more.

From past years, he remembers hearing Two-Part Inventions written for keyboard played by a bassoon and flute duo. (You can hear it in the YouTube video at the bottom.) Similarly, he found it entrancing when one of the suites for solo cello was played on a saxophone and another on an electric bass guitar.

The Ear loves such unexpected variety – and is sure that Johann Sebastian himself, who often borrowed from and transcribed his own works, would approve.


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Classical music: The Wisconsin Baroque Ensemble performs a concert of music by Handel, Strozzi, Sammartini and rarely heard other composers this Friday night at 7:30

November 21, 2018
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By Jacob Stockinger

The Wisconsin Baroque Ensemble (below bottom) will perform a concert of baroque chamber music on this coming Friday night, Nov. 23, at 7:30 p.m. in Saint Andrew’s Episcopal Church (below top), 1833 Regent Street, on Madison’s near west side.

Tickets are at the door ONLY: $20 for adults, $10 for students.

Members of the ensemble are: Eric Miller, viola da gamba; Sigrun Paust, recorder; Chelsie Propst, soprano; Charlie Rasmussen, baroque cello and viola da gamba; Consuelo Sañudo, mezzo-soprano; Monica Steger, traverso, harpsichord and recorder; Anton TenWolde, baroque cello; and Max Yount, harpsichord.

The program is:

Giulio Ruvo – Sonata for cello and basso continuo in A minor (heard in the YouTube video at the bottom played by cellist Charlie Rasmussen and harpsichordist Max Yount of the Wisconsin Baroque Ensemble)

Andreas Lidl – Trio for flute, viola and cello

George Frideric Handel – Cantata “Dite, mie piante” (Say, My Plants)

Unico Wilhelm Count Van Wassenaer – Sonata No. 1 for recorder and basso continuo

INTERMISSION

Barbara Strozzi (below): “L’amante segreto” (The Secret Lover) from Opus II (1651)

Giuseppe Tommaso Giovanni Giordani – Duo No. 2 for two cellos, Op.18

Giuseppe Sammartini – Trio Sonata No.  5 for two flutes and basso continuo (1727)

Handel – “Tanti Strali” (Many Rays) HWV 197

Michel Corrette – Concert “Le Phénix”

For more information: (608) 238-5126, email: info@wisconsinbaroque.org, or got to: www.wisconsinbaroque.org


Classical music: The veteran Wisconsin Baroque Ensemble opens its season with a variety of vocal and instrumental works

October 15, 2018
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also took the performance photos.

By John W. Barker

The new season’s first concert by the Wisconsin Baroque Ensemble opened in Madison on Saturday evening, Oct. 13, at St. Andrew’s Episcopal Church. It offered, as always, a program of wide range and variety.

There were nine performers involved this time, two of them singers — the familiar UW-Madison soprano Mimi Fulmer and mezzo-soprano Consuelo Sañudo.

Fulmer sang an Italian cantata of contested authorship, with Sigrun Paust on recorder (below). Later, Sañudo sang a Latin motet by Joseph Bodin de Boismortier, with helpers (violinist Nathan Giglierano, Monica Steger on recorder, Eric Miller on gamba and Max Yount on harpsichord).

The two joined in three items from Claudio Monteverdi’s Third Book of Madrigals (below). They were a bit of a twist, for they were meant for five singers. So the other three parts were taken by three viola da gamba players (Anton TenWolde, Miller, Charlie Rasmussen) — which actually proved not the best way to project the madrigal textures.

The bulk of the program was instrumental.

Variations, or “divisions” made two appearances. From the obscure August Kuehnel, there was an aria given long elaborations by two gambas (Miller, Rasmussen). Another set of variations, from a collection published by John Playford, was dashed off by violinist Giglierano, with gamba (Miller) and harpsichord (Steger) for continuo (below).

The duo form was also represented by such a piece for two cellos (below), by Tommaso Giordani, played by TenWolde and Rasmussen.  A cello sonata by a certain Franceso Alborea was the solo spot for TenWolde, with Rasmussen and Steger on continuo.

With a more conventional ensemble, we heard a Trio Sonata in A minor by Georg Phiipp Telemann, with Giglierano and Faust, plus TenWolde and Steger as the continuo. (You can hear the Telemann Trio Sonata in the YouTube video at the bottom)

It was for the final item, as a grand finale (below), that all seven of the instrumentalists joined in a little ballet suite by Boismortier.

Music lovers who attend concerts such as these should remember that the works presented were, by and large, not intended for presentation to a “public.” This is mostly “parlor” music (“chamber,” you recall), meant for the players to exercise their playing skills for themselves and any friends.

There are masterpieces in this literature, but seeking them out is not the primary goal of the WBE. Rather, that is to allow performers to test and show off their skills in music they find challenging and satisfying. The pleasures which that gives to an audience are the bonus.

The Wisconsin Baroque Ensemble has been around as a performing group in Madison since 1997. As such, it is the oldest surviving ensemble in town devoted to early music, and might be said to have inaugurated the taste and audience for that literature.

Such taste and audience have now expanded extensively, but the WBE continues to make its own chamber contributions with unfailing devotion.

For more information, about the WBE and its upcoming season, go to: https://wisconsinbaroque.weebly.com


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Classical music: The veteran Wisconsin Baroque Ensemble opens its new season this Saturday night with a program of rarely heard works and composers

October 10, 2018
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

The Ear has received the following announcement from one of the pioneering groups in Madison for playing Baroque music with period instruments and historically informed performance practices:

The Wisconsin Baroque Ensemble (below) invites you to a concert of baroque chamber music.

The concert is this coming Saturday night, Oct. 13, at 7:30 p.m. in Saint Andrew’s Episcopal Church, 1833 Regent Street on Madison’s near west side.

Tickets at the door only: $20 general admission and $10 students

Members of the Wisconsin Baroque Ensemble are: UW-Madison professor Mimmi Fulmer, soprano; Nathan Giglierano, baroque violin; Eric Miller, viola da gamba; Sigrun Paust, recorder; Charlie Rasmussen, baroque cello and viola da gamba; Consuelo Sañudo, mezzo-soprano; Monica Steger, traverso, harpsichord and recorder; Anton TenWolde, baroque cello and viola da gamba; and Max Yount, harpsichord.

The program includes:

  1. Giovanni Bononcini/Johann Jakob Greber – “Fuori di sua capanna” (Outside in Front of Her Hut) – Cantata for mezzo-soprano, alto recorder and basso continuo
  2. August Kuehnel  – Sonate ò Partite for viola da gamba, Aria Solo “Herr Jesu Christ, du höchstes Gut” (Lord Jesus Christ, Thou Greatest Good)
  3. Claudio Monteverdi – Madrigals, Book 3

O Rossignol (O Nightingale)

Rimanti in Pace (Remain in Peace)

Ond’ei di Morte (Whereupon Death Marked on His Face)

  1. John Playford – Divisions for the violin, “Paul’s Steeple”
  2. Georg Philipp Telemann – Trio sonata for violin, recorder and basso continuo TWV 42:a4

INTERMISSION

  1. Francesco Alborea – Sonata in G Major for cello and basso continuo
  2. Joseph de Bodin Boismortier – Motet for the Holy Virgin, Op. 23
  3. Giuseppe Tommaso Giovanni Giordani – Duo No. 1 for Two Cellos, Op. 18 (heard in the YouTube video at the bottom)
  4. Boismortier – Ballet de Village No. 4, Op. 52

For more information: 608 238-5126, email: info@wisconsinbaroque.org or visit www.wisconsinbaroque.org

A post-concert reception will be held on the second floor at 2422 Kendall Avenue.


Posted in Classical music
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