The Well-Tempered Ear
YOU MUST HEAR THIS: No piece captures the mixed emotions of Memorial Day better than Charles Ives’ “Decoration Day”
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By Jacob Stockinger
Today is Memorial Day, 2022.
It is the annual holiday to remember those who died in military service to the country. (Below are flags placed each year at the tombstones in Arlington National Cemetery in Virginia.)
If you want to honor survivors and current service members, that would be Veterans Day on Nov. 11.
All weekend long the radio has been playing music and the television has been showing war movies.
A lot of the music is familiar and repeated every year: Sousa marches and Morton Gould suites, elegies by Gustav Mahler, Samuel Barber, Aaron Copland and Leonard Bernstein; requiems by Mozart and Fauré; a hymn by John Williams and other movie scores. This year has also seen the playlist include rediscovered works of homage by African-American composers such as William Grant Still.
But only this year did The Ear finally hear — thanks to Wisconsin Public Radio — the one piece that, to his mind, best captures Memorial Day with its blending of consonance and dissonance, its mix of major and major keys, of familiar or “found” music and original music.
It is called, simply, “Decoration Day” and it was composed in 1912 — but not published until 1989 — by the 20th-century iconoclastic and early modernist American composer Charles Ives (below, 1874-1954). It ended up as part of a work the composer called “A Symphony: New England Hollidays.”
See if you agree with The Ear.
Listen to the 8-minute performance by “The President’s Own” United States Marine Band in the YouTube video at the bottom.
Listen to the deep anguish and and sense of loss conveyed in the opening, when a solemn remembrance procession goes to a cemetery to plant flags and lay flowers and wreaths to “decorate” the graves of the fallen.
Listen carefully and you will hear a faint version of “Taps” and ringing church bells in the atmospheric music.
Then as so often happens in reality, life suddenly intrudes in the form of a celebration by a loud marching brass band as it leaves the cemetery for the celebratory marches, picnics and fireworks.
But at the end, the darkness briefly returns. The sense of loss lingers long after the actual death and long after the holiday has been celebrated.
There is no closure.
Just resignation.
Just living with loss.
Here is the background from Wikipedia about how the holiday started as Decoration Day after the Civil War and when it evolved into Memorial Day in 1970: https://en.wikipedia.org/wiki/Memorial_Day
And here is biographical background, with the actual sources and depictions of “Decoration Day” — just go down the page to compositions and click — about Charles Ives: https://en.wikipedia.org/wiki/Charles_Ives
Did you know and like Charles Ives’ music?
Does “Decoration Day” impress or move you?
What music most embodies Memorial Day for you?
The Ear wants to hear.
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Madison’s Sonata à Quattro performs TONIGHT online for the prestigious Boston Early Music Festival
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By Jacob Stockinger
The Ear has received the following note from the local early music group, Sonata à Quattro (SAQ):
We have a very exciting announcement to share.
Tonight we will be one of the featured ensembles at the 2021 Boston Early Music Festival Fringe Concerts!
The Boston Early Music Festival (BEMF) is recognized as a national and international leader in the field of early music, and SAQ is thrilled to make its first appearance at this event.
Concert presented during the Boston Early Music Festival’s 2021 Fringe Concerts. Learn more at https://bemf.org/2021-festival/fringe-concerts/
The online premiere of the SAQ concert video will be TONIGHT — Thursday, June 17 — at 7 p.m. ET/6 p.m. CT, and the musicians will be available to chat during and after the recorded performance.
Please join us at this link: https://www.youtube.com/watch?v=tSfzu6Q6DcU
The 50-minute concert, titled “Musical Meditation and Merriment,” features (below, from left) violinists Christine Hauptly Annin and Leanne League; cellist Charlie Rasmussen; and violist Marika Fischer Hoyt.
This period-instrument quartet will perform the following program: Quartet in G Major, TWV 43:G5 by Georg Philipp Telemann (1681-1767); Duo II in D Minor, Op. 19, No. 2, for Violin and Viola by Franz Anton Hoffmeister (1754-1812); Duetto III in G Major, Op. 1, No. 3, for Violin and Cello by Giovanni Battista Cirri (1724-1808, below); and Quartet in D Major, Op. 64, No. “The Lark” by Franz Joseph Haydn (1732-1809).
The concert was live-streamed and recorded at the United Methodist Church in Whitefish Bay, Wis., on April 13, 2021.
From the austere fugal opening of the Telemann to the jaunty Finale of Haydn’s “Lark” Quartet — heard played by the Jerusalem Quartet in the YouTube video at the bottom — this program offers a reflection on the unimaginable year we’ve just experienced, as well as the stirrings of hope, as we awake to a spring and summer of new beginnings.
The slow movements, with their gorgeous string sonorities, range from still, inner contemplation to poignant pleas, while the fast movements outdo one another in wit, verve and sheer joie de vivre.
Tags: #BaroqueMusic, #BejornBerkhout, #BlogPost, #BlogPosting, #BostonEarlyMusicFestival, #BostonMassachusetts, #CentralTime, #ChamberMusic, #CharlieRasmussen, #ChristianChurch, #ChristineHauptlyAnnin, #CityofMadison, #CoronavirusPandemic, #COVID-19, #EasternTime, #FacebookPage, #FacebookPost, #FacebookPosting, #FastMovement, #FranzAntonHoffmeister, #FranzJosephHaydn, #FringeConcerts, #GeorgPhilippTelemann, #GiovanniBatisteCirri, #HistoricallyInformedPerformancePractices, #JacobStockinger, #JerusalemQuartet, #JoiedeVivre, #LarkQuartet, #LeanneLeague, #MadisonWisconsin, #MarikaFischerHoyt, #OnlineConcert, #OnlineFestival, #PeriodInstruments, #RecordedMusic, #SlowMovement, #SonataaQuattro, #StringMusic, #TheEar, #UnitedMethodistChurch, #VirtualConcert, #VirtualFestival, #WhitefishBay, #YouTubeChannel, #YouTubevideo, announcement, appearance, Arts, audience, austere, awake, Baroque, Baroque music, beginning, blog, Boston, Boston Early Music Festival, celiist, cellist, Cello, Central Time, Chamber music, Charlie Rasmussen, chat, Christian, Christian church, Christine Hauptly Annin, church, Classical music, composer, Concert, contemplation, coronavirus, counterpoint, duet, duuo, Early music, Eastern time, ensemble, event, exciting, experience, Facebook, Facebook post, Facebook posting, fast, fast movement, field, finale, first, forward, Franz Anton Hoffmeister, Franz Joseph Haydn, Fringe Concerts, fugal, fugue, Georg Philipp Telemann, George Onslow, Giovanni Battista Cirri, gorgeous, Haydn, help, historically informed performance practices, Hoffmeister, hope, inner, international, Jacob Stockinger, jaunty, Jerusalem, Jerusalem Quartet, joie de vivre, lark, Lark Quartet, leader, Leanne League, learn, like, link, live-stream, local, Madison, Marika Fischer Hoyt, Massachusetts, Meditation, merriment, movement, muisicians, Music, musical, national, new, online, page, pandemic, period instruments, pleas, poignant, post, posting, premiere, present, prestigious, program, recoignize, recorded music, reflection, SAQ, share, Slow movement, Sonata, Sonata à Quattro, sonority, Spring, Still, stirrings, string, string music, summer, tag, Telemann, The Ear, thrilled, tonight, unimaginable, United Methodist Church, United States, vello, verve, video, Viola, Violin, violinist, violist, virtual, Whitefish Bay, Wisconsin, wit, year, YouTube, YouTube channel, YouTube video
New York Times music critics pick 10 MUST-HEAR online virtual classical concerts to stream for October
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ALERT: Tonight’s concert by the choral group Roomful of Teeth for the Wisconsin Union Theater at the UW-Madison’s Hamel Music Center has been canceled and postponed indefinitely.
By Jacob Stockinger
Increasingly the coronavirus pandemic seems surging out of control. So it comes as no surprise that also more and more concerts of classical music are taking place virtually and online.
There are many ways to choose among local, regional, national and international concerts.
But one good guide was published this last week and featured the choice of must-hear classical concerts by critics for The New York Times.
It is an interesting and varied selection, and includes times, links and brief descriptions.
It features concerts that emphasize Black composers such as Florence Price (below top) and women composers. It covers many genres from a solo piano recital by Jeremy Denk (below bottom) – who is supposed to perform here on Dec. 11 at the Wisconsin Union Theater – to chamber music, vocal music, orchestral concerts and operas.
Curiously, there is quite bit of new music but little early music, either Renaissance or Baroque. Perhaps more will appear around the holiday times, when that music is part of the traditional holiday celebrations.
You will find contemporary composers but also lots of certified, tried-and-true classics and masterworks.
Some are one-day only events but many run from a week through a month.
Here is a link to the story. PLEASE NOTE THAT TIMES ARE ALL EASTERN: https://www.nytimes.com/2020/09/29/arts/music/classical-music-stream.html
Please let The Ear know if you like this kind of listing and find it useful.
And please feel free to leave in the comment section other guides or events that the public should know about.
Tags: "Blind Tom" Wiggins, #92ndStreetY, #African-AmericanComposer, #African-AmericanMusic, #AndrewNorman, #BachCantata, #BaroqueComposers, #BaroqueMusic, #BenjaminBritten, #BerlinGermany, #BerlinPhilharmonic, #BlackAmericans, #BlackComposer, #BlindTom"Wiggins, #BlogPost, #BlogPosting, #BrentanoQuartet, #BrentanoStringQuartet, #CarnegieHall, #ChamberMusic, #ChamberMusicSocietyofLIncolnCenter, #ClaudeDebussy, #ClevelandOrchestra, #ConcertProgram, #CoronavirusPandemic, #CountertenorSinger, #COVID-19, #DetroitMichigan, #DetroitSymphonyOrchestra, #EasternTime, #EricGarner, #FacebookPost, #FacebookPosting, #FelixMendelssohn, #FlorenceItaly, #FlorencePrice, #folksongs, #FrankBridge, #FranzJosephHaydn, #FranzWelser-Möst, #FredericRzewski, #GeorgeWalker, #GillesVonsattel, #GustavoDudamel, #HamelMusicCenter, #HolidayConcert, #HolidayMusic, #J'NaiBridges, #JeremyDenk, #JessieMontgomery, #JohannSebastianBach, #JohnAdams, #KirillPetrenko, #LawrenceBrownlee, #LosAngelesPhilharmonic, #LudwigVanBeethoven, #MeadWitterSchoolofMusic, #MetropolitanOpera, #MichaelBrown, #MinimalistMusic, #MusicCritic, #NathalieJoachim, #NewMusic, #NewYorkTimes, #OnlineConcert, #OperaMusic, #OperaPhiladelphia, #OrchestralMusic, #OttorinoRespighi, #PeopleofColor, #PeterIlyichTchaikovsky, #PianoMusic, #PIanoRecital, #PianoSonata, #QuodlibetEnsemble, #RenaissanceMusic, #RoomfulofTeeth, #ScottJoplin, #SpektralQuartet, #SpokenWord, #StringQuartet, #StringQuintet, #TaniaLeon, #TenorSinger, #TheEar, #TheMet, #TheUW, #TrayvonMartin, #Tried-and-True, #UniversityofWisconsin-Madison, #VikingurOlafsson, #VirtualConcert, #VocalMusic, #WilliamGrantStill, #WisconsinUnionTheater, #WolfgangAmadeusMozart, #WomenComposers, #YouTubevideo, 92nd Street Y, Adams, Africa, African, African American, African-American music, America, American, Arts, audience, Bach, Baroque, Beethoven, Benjamin Britten, Berlin, Berlin Philharmonic, Bert, black, Black Americans, blog, Brentano Quartet, Brentano String Quartet, Britten, cancel, canceled, Cantata, Caramoor, Carnegie Hall, celebration, cellist, Cello, certified, Chamber music, Chamber Music Society of Lincoln Center, choose, choral music, Classical music, classicalmusic, classics, Claude Debussy, Cleveland Orchestra, comment, composer, Concert, conductor, contemporary, coronavirus, countertenor, critic, Debussy, Denk, description, Detroit, Detroit Symphony Orchestra, Dudamel, Early music, earlymusic, Eastern time, emphasize, Eric Garner, Europe, Facebook, Felix Mendelssohn, Florence, Florence Price, folk, folk song, forward, Frank Bridge, Franz Joseph Haydn, Franz Welser-Möst, George Walker, Germany, Gilles Vonsattel, good, guide, Gustavo Dudamel, Haiti, Haitian, Hamel Music Center, Haydn, Holiday, holiday music, Holidays, images, incarceration, interesting, internation, inventive, Italy, J'Nai Bridges, Jacob Stockinger, Jeremy Denk, Jessie Montgomery, Joachim, Johann Sebastian Bach, John Adams, kind, Kirill Petrenko, know, Lawrence Brownlee, like, link, live-stream, local, Los Angeles Philharmonic, Ludwig van Beethoven, masterpiece, Mead Witter School of Music, Mendelssohn, Metropolitan Opera, Mezzo-soprano, Michael Brown, Michigan, minimalism, month, Mozart, Music, music critic, must-hear, narrator, Nathalie Joachim, national, New Music, New York City, New York Times, October, Ohio, online, opera, Opera Philadelphia, Orchestra, orchestral music, Ottorino Respighi, pandemic, people of color, performer, Peter Ilyich Tchaikovsky, Pianist, Piano, post, posting, postpone, postponed, price, prison, program, public, Quodlibet Ensemble, recital, regional, Renaissance, Respighi, Roomful of Teeth, Rzewski, Scott Joplin, selection, share, singer, Singing, solo, Sonata, Spektral Quartet, spoken word, Still, stream, String quartet, string quintet, subscriber, surprise, symphony, tag, Tania Leon, Tchaikovsky, tenor, text, The Ear, the Met, theme, time, traditional, Trayvon Martin, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, useful, UW, UW-Madison, varied, Vikingur Olafsson, Viola, Violin, violinist, violist, virtual, virtually, vocal music, Walker, ways, week, William Grant Still, Wisconsin, Wisconsin Union Theater, Wolfgang Amadeus Mozart, women, YouTube
Classical music: Today is the Fourth of July. Here are two extended playlists of American masterpieces
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By Jacob Stockinger
Today is Independence Day – the Fourth of July holiday.
It is a good occasion to listen to classical music by American composers (below), which you can hear much of the day on Wisconsin Public Radio.
But here are two other extended playlists of American classical music:
Here, thanks to a California radio station, is a list with complete performances of some of the best American masterpieces, including the “New World” Symphony by Antonin Dvorak, the “Afro-American” Symphony by William Grant Still (below), “Rhapsody in Blue” by George Gershwin and “Symphonic Dances from West Side Story” by Leonard Bernstein:
And thanks to Minnesota Public Radio, here are four hours of patriotic music for the holiday: https://www.classicalmpr.org/story/2018/06/29/celebrate-the-fourth-of-july-with-our-4hour-patriotic-classical-playlist
Finally, in the YouTube at the bottom is the “American” String Quartet by Antonin Dvorak (below), who summered in Spillville, Iowa. He loved hearing and tried to capture sounds of nature, including bird songs, traditional Black spirituals and music by Native Americans.
The Ear especially likes it because it is proof that just as Americans have been influenced by European composers, European composers, European composers have been influenced by American composers.
Do you have a special or favorite piece of classical music to help celebrate the Fourth of July?
What do you like about it?
Leave a comment with a YouTube link if possible?
The Ear wants to hear.
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The Well-Tempered Ear 
Songs by Black composers trace their cultural realities in a free online UW performance TONIGHT of “Verisimilitudes.” Plus, the five winners of this year’s Beethoven Competition perform Sunday.
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ALERT: This Sunday, April 25, from 3:30 to 5:30 p.m. the five winners of this year’s Beethoven Competition at the UW-Madison will perform in a winners’ concert. Included in the program are the popular and dramatic “Appassionata” Sonata, Op. 57, and the famous and innovative last piano sonata, No. 32 in C minor, Op 111. Here is a link to the YouTube video: https://www.youtube.com/watch?v=eMF0Hd1MJwMg. Click on “Show More” and you can see the full programs and biographical profiles of the winners.
By Jacob Stockinger
The concert could hardly be more timely or the subject more relevant.
Think of the events in and near Minneapolis, Chicago and elsewhere in the U.S.; of the Black Lives Matter movement and social protest; of the political fight for D.C. statehood and voting rights – all provide a perfect context for an impressive student project that will debut online TONIGHT, Saturday, April 24, at 7 p.m.
The one-hour free concert “Verisimilitudes: A Journey Through Art Song in Black, Brown and Tan” originated at the UW-Madison’s Mead Witter School of Music. It seems an ideal way for listeners to turn to music and art for social and political commentary, and to understand the racial subtexts of art.
Soprano Quanda Dawnyell Johnson (below) created, chose and performs the cycle of songs by Black composers with other Black students at the UW-Madison.
Here is a link to the YouTube video: https://youtu.be/-g5hjeuSumw
Click on “Show More” to see the complete program and more information.
Here is the artist’s statement:
“Within the content of this concert are 17 art songs that depict the reality of the souls of a diasporic people. Most of the lyricists and all of the composers are of African descent. In large part they come from the U.S. but also extend to Great Britain, Guadeloupe by way of France, and Sierra Leone.
“They speak to the veracity of Black life and Black feeling. A diasporic African reality in a Classical mode that challenges while it embraces a Western European vernacular. It is using “culture” as an agent of resistance.
“I refer to verisimilitude in the plural. While syntactically incorrect, as it relates to the multiple veils of reality Black people must negotiate, it is very correct.
“To be packaged in Blackness, or should I say “non-whiteness” is to ever live in a world of spiraling modalities and twirling realities. To paraphrase the great artist, Romare Bearden, in “calling and recalling” — we turn and return, then turn again to find the place that is our self.
“I welcome you to… Verisimilitudes: A Journey Through Art Song in Black, Brown, and Tan”
Here, by sections, is the complete program and a list of performers:
I. Nascence
Clear Water — Nadine Shanti
A Child’s Grace — Coleridge-Taylor Perkinson
Night — Florence Price (below)
Big Lady Moon — Samuel Coleridge-Taylor
II. Awareness
Lovely, Dark, and Lonely — Harry T. Burleigh
Grief –William Grant Still (below)
Prayer — Leslie Adams
Interlude, The Creole Love Call — Duke Ellington
III. The Sophomore
Mae’s Rent Party, We Met By Chance –Jeraldine Saunders Herbison
The Barrier — Charles Brown
IV. Maturity
Three Dream Portraits: Minstrel Man, Dream Variation; I, Too — Margaret Bonds (below)
Dreams — Lawren Brianna Ware
Song Without Words — Charles Brown
Legacy
L’autre jour à l’ombrage (The Other Day in the Shade) — Joseph Boulogne (Chevalier de Saint-Georges, below)
The Verisimilitudes Team
Quanda Dawnyell Johnson — Soprano and Project Creator
Lawren Brianna Ware – -Pianist and Music Director
Rini Tarafder — Stage Manager
Akiwele Burayidi – Dancer
Jackson Neal – Dancer
Nathaniel Schmidt – Trumpet
Matthew Rodriguez – Clarinet
Craig Peaslee – Guitar
Aden Stier –Bass
Henry Ptacek – Drums
Dave Alcorn — Videographer
Here is a link to the complete program notes with lyrics and composer bios. And a preview audio sample is in the YouTube video at the bottom: https://simplebooklet.com/verisimilitudesprogramnotes#page=1
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