The Well-Tempered Ear

Going live! Here are some links to newly announced summer concerts and 2021-22 seasons

June 15, 2021
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By Jacob Stockinger

Get out your datebooks.

Now that the pandemic is fast abating, at least locally, music groups and music presenters in the Madison area have been announcing a return to live music and their new seasons and summer events in a relentless way.

The Ear had been out of commission since mid-May until this week. But in any case, The Ear was overwhelmed and just couldn’t keep up with a separate post for each one.

Still, he thought it might be helpful to be able to check the dates, performers, programs, tickets and other information in one place.

Remember that the Madison Early Music Festival is no more. It has been absorbed into the regular music curriculum at the UW.

Please know that many groups – including, but not limited to, the University of Wisconsin-Madison’s Mead Witter School of Music (below is the UW Symphony Orchestra — masked, socially distanced and virtually streamed — during the pandemic), University Opera, Edgewood College, Just Bach, Grace Presents, the Salon Piano Series, the First Unitarian Society of Madison, Bach Around the Clock, the Festival Choir of Madison, the Wisconsin Chamber Choir and the Madison Bach Musicians – have not yet released details of their new seasons.

But most of their websites say that an announcement of their new season is coming soon.

There are also some trends you may notice.

Many of the groups are raising prices and persistently seek donations as well as subscribers, no doubt to help make up for the loss of revenue during the pandemic.

The Madison Symphony Orchestra and the Wisconsin Chamber Orchestra have reduced the number of concerts or start later.

Some have simply rescheduled events, like the Wisconsin Union  Theater closing its season with soprano Renée Fleming. And the Madison Symphony Orchestra’s new season is largely the same one they were planning to have to celebrate the Beethoven Year in 2020-21.

The Bach Dancing and Dynamite Society, the Middleton Community Orchestra and the Willy Street Chamber Players all have pop-up concerts and scheduled outdoor concerts in parks. Some have also scheduled individual mini-concerts or personal sessions.

If you look at programs, you will see an emphasis on Black composers and performers by almost all groups. (The Madison Symphony Orchestra has scheduled “Lyric for Strings” by George Walker, below. You can hear it performed by the Los Angeles Philharmonic under Gustavo Dudamel in the YouTube video at the bottom.)

What is most disappointing is that no group seems to have announced a special concert or event to pay homage to the public ordeal, health care workers and victims of the COVID-19 pandemic.

The Ear keeps thinking a performance of a suitable requiem (by perhaps Mozart, Faure, Brahms, Verdi or Britten) or Beethoven’s Ninth Symphony would have been an appropriate way to start the in-person season and, at the same time, acknowledge the more than 7,000 deaths in Wisconsin and almost 600,000 deaths in the U.S. and almost 4 million worldwide as of now. Maybe even Barber’s overplayed Adagio for Strings would suffice.

Finally, very few groups seem to be offering online virtual concert attendance as a possibility for those listeners who found that they actually enjoyed at least some the  music in their own homes and at their own times.

IN ANY CASE, HERE IS WHAT HAS ALREADY TAKEN PLACE OR IS STILL ON TAP. CHECK IT OUT! 

Bach Dancing and Dynamite Society in free live and for-pay recorded concertshttps://bachdancing.org

Middleton Community Orchestra’s summer concerts at Fireman’s Park (below) in Middleton: https://middletoncommunityorchestra.org

Madison Bach Musicians summer workshops (below): https://madisonbachmusicians.org/2021-summer-chamber-music-workshop/

Concerts on the Square with limited paid admission at Breese Stevens Field (below): https://wcoconcerts.org/concerts-tickets/concerts-on-the-square

Madison Symphony Orchestra (below, in a photo by Peter Rodgers): https://madisonsymphony.org/concerts-events/madison-symphony-orchestra-concerts/

Madison Opera and Opera in the Park (below): https://www.madisonopera.org/oitp21/; and https://www.madisonopera.org/21-22/

Wisconsin Union Theater: https://union.wisc.edu/visit/wisconsin-union-theater/seasonevents/concert-series/

Willy Street Chamber Players (below) at Orton Park: http://www.willystreetchamberplayers.org/2021-summer-concert-series.html

If you know of more entries or have observations to make about these, please leave word and, when possible, a link in the comment section.

The Ear wants to hear.


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Critics for The New York Times name their Top 10 online classical concerts for May

May 3, 2021
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By Jacob Stockinger

Even as we wait to see whether concerts in the next season will be mostly streamed or live, the critics for The New York Times have named their Top 10 classical concerts to stream and hear online in May.

The Times critics have been doing this during the pandemic year. So perhaps if and when they stop, it will be a sign of returning to concert life before the pandemic.

Then again, maybe not, since The Ear suspects that many listeners have liked the online format, at least for some of the times and for certain events. So maybe there will be a hybrid format with both live and online attendance.

As the same critics have done before, they mix an attention to contemporary composers, world premieres and up-and-coming performers, including the Finnish conductor Susanna Maliki (below top) in a photo by Hiroyuki Ito for The New York Times).

In a welcome development, the recommendations for this month also seem to mention more Black composers, performers and pieces than usual, including the rising star bass-baritone Davon Tines (below, in a photo by Vincent Tullo for The New York Times).

But you will also find many of the “usual suspects,” including Haydn, Mozart, Schubert, Bartok, Benjamin Britten, Olivier Messiaen and Shostakovich. (On the play list is Schubert’s last song, “The Shepherd on the Rock,” which you can hear in the YouTube video at the bottom.)

You will also find dates and times (all are Eastern), links to the event and some short commentaries about what makes the concerts, programs and the performers noteworthy.

Here is a link to the story: https://www.nytimes.com/2021/04/29/arts/music/classical-music-streaming.html

Do you know of local, regional, national or international online concerts that you recommend? Leave word with relevant information in the Comment section.

Happy Listening!


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A busy weekend of online concerts features the UW Symphony, Edgewood College, Madison Opera, Wisconsin Chamber Orchestra, Bach Around the Clock and more

March 25, 2021
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By Jacob Stockinger

With only a little over a month left before the academic year ends at the University of Wisconsin-Madison, it’s not surprising that the last weekend in March is very busy with noteworthy – and competing – online concerts.

Each morning at 8 through Friday, Bach Around the Clock will release the last concerts of its 10-day online festival. You can find the programs – including the finale Friday night at 7 with Brandenburg Concerto No. 6 — and link for streaming here: https://bachclock.com/concert-schedule

The weekend starts tonight with one of The Ear’s favorite groups during the Pandemic Year: the UW-Madison Symphony Orchestra

Here is a day-by-day lineup. All times are Central Daylight Time:

TONIGHT, MARCH 25

The UW-Madison Symphony Orchestra (below) performs a FREE virtual online concert TONIGHT starting at 7:30 p.m.

The concert will be preceded by a 7 p.m. talk about Igor Stravinsky with modern musicologist and Penn State Professor Maureen Carr as well as conductor Oriol Sans and Susan Cook, UW musicologist and director of the Mead Witter School of Music.

The program is: Suite from the opera “Dido and Aeneas” by Henry Purcell, with student conductor Alison Norris; Duet for Two Violins and String Orchestra by the contemporary American composer Steve Reich; and  the Neo-Classical “Apollon musagète” (Apollo, Leader of the Muses) by Stravinsky. (In the YouTube video at the bottom, you can hear an excerpt of the Stravinsky played by the Berlin Philharmonic with Simon Rattle conducting.)

Here is the link to the talk and concert. Click on more and you can also see the members of the orchestra and the two violin soloists: https://youtu.be/2rgHQ4lWTV8

For more information about the program, including notes, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra/

FRIDAY, MARCH 26

At 7:30 p.m. the Wisconsin Chamber Orchestra will post for three days the third of its four online chamber music concerts (below). There will be excerpts of music by Beethoven and Brahms as well as complete works by Jessie Montgomery and Alyssa Morris.

Tickets to the online on-demand event are $30, with some discounts available, and are good through Monday evening.

Here is a link to more about this concert, including program notes by conductor and music director Andrew Sewell, and how to purchase tickets: https://wcoconcerts.org/events/winter-chamber-series-no-iii

At 8 p.m., the music department at Edgewood College will give a FREE online Spring Celebration concert. It will be livestreamed via music.edgewood.edu

The performers include: the Chamber Orchestra, under the direction of Sergei Pavlov (below); the Guitar Ensemble, under the direction of Nathan Wysock; and the Chamber Winds, directed by Carrie Backman.

Highlights include the Guitar Ensemble’s performance of Wish You Were Here, by David Gilmour and Rogers Waters, and the Chamber Winds epic Star Wars: The Force Awakens. The Chamber Orchestra, which will perform live, will feature Musical moment No. 3, by Franz Schubert and Peer Gynt Suite by Edvard Grieg.

SATURDAY, MARCH 27

At noon, in Grace Episcopal Church on the Capitol Square downtown, there will be a FREE online concert. Grace Presents: “A Patient Enduring”: This early music program of medieval conductus (a musical setting of metrical Latin texts) and ballade, English lute song, and duets from the early Italian Baroque features two sopranos, Grammy-winnner Sarah Brailey (below) and Kristina Boerger, with Brandon Acker on lute and theorbo.

Here is a link: YouTube.com/GracePresentsConcerts

You can also go to this webpage for a link: https://www.music.wisc.edu/event/grace-presents-a-patient-enduring/

At 3 p.m. the Perlman Trio, a piano trio that is made up of UW-Madison graduate students, will give a FREE online concert. The program includes piano trios by Haydn, Beethoven and Schubert. 

Here is a link to the YouTube video: https://youtu.be/EAjK0DfWB3A

Here is a link to the complete program plus background, names and photos of the performers as well as to the performance: https://www.music.wisc.edu/event/perlman-piano-trio/

At 7 p.m. the UW-Madison’s Wingra Wind Quntet (below) will perform a FREE pre-recorded online concert. Here is a link to the video https://www.youtube.com/watch?v=Bn7eobSnfr8

And here is a link to the page with more background information about the faculty members – including bassoonist Marc Vallon (below top) and flutist Conor Nelson (below bottom) – and to the complete program: https://www.music.wisc.edu/event/wingra-wind-quintet/

SUNDAY, MARCH 28

From 4 to 5:30 p.m., guest mezzo-soprano Julia Ubank (below) will give a free online recital with pianist Thomas Kasdorf.

The program features songs by Mahler, Debussy, deFalla, Jake Heggie and Ellen Cogen.

Here is the complete program plus a link to the recital: https://www.music.wisc.edu/event/julia-urbank-voice-recital/

From 4 to 5:30 p.m. the Madison Opera will host a Opera Up Close cocktail hour discussion with four general directors of opera companies. Here is the website’s description:

“Four opera general directors walk into a chat room…. Stepping outside the Madison Opera family, Kathryn Smith (below, in a photo by James Gill) is joined by three colleagues: Michael Egel of Des Moines Metro Opera, Ashley Magnus of Chicago Opera Theater, and Lee Anne Myslewski of Wolf Trap Opera.

“From how they got into opera, to the ups and downs of running an opera company, their favorite productions, funniest moments, and more, it will be a unique and entertaining afternoon.

Here is a link with more information including the cost of a subscription: https://www.madisonopera.org/class/general-directors/?wcs_timestamp=1616947200

At 6 p.m., Rachel Reese, a UW-Madison doctoral student in violin, will give a lecture-concert about the Violin Concerto No. 2 by the rediscovered African-American composer Florence Price (below). She will be accompanied by pianist Aubrie Jacobson.

Here is a link to the concert plus background about Rachel Reese: https://www.music.wisc.edu/event/rachel-reese-lecture-recital/


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Here are the Top 10 online concerts to stream in March, according to critics for the New York Times

March 2, 2021
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ALERT: The online live-streamed concert by the UW-Madison’s Pro Arte Quartet — scheduled for this Friday night, March 5 — in the all-Beethoven cycle of string quartets has been canceled and postponed until next year. The Friday, April 9 installment of the Beethoven cycle will be held as Installment 7 instead of 8.  

By Jacob Stockinger

Classical music critics of The New York Times have once again picked their Top 10 online concerts for the month of March.

The Ear has found such lists helpful for watching and hearing, but also informative to read, if you don’t actually “attend” the concert.

If you have read these lists before, you will see that this one is typical.

It offers lots of links with background about the works and performers; concert times (Eastern); and how long the online version is accessible.

Many of the performers will not be familiar to you but others – such as pianist Mitsuko Uchida (below, in a photo by Hiroyuki Ito for the Times), who will perform an all-Schubert recital, will be very familiar.

But the critics once again emphasize new music and even several world premieres – including one by Richard Danielpour — and a path-breaking but only recently recorded live performance of the 1920 opera “Die Tote Stadt” (The Dead City) by long-neglected composer Erich Wolfgang Korngold (below), who is best known for his Hollywood movie scores but who also wrote compelling classical concert hall music. (In the YouTube video at the bottom, you can hear soprano Renée Fleming sing “Marietta’s Song.’)

But some works that are more familiar by more standard composers – including Mozart, Beethoven, Schubert, Schumann, Ravel and Copland – are also included.

The Times critics have also successfully tried to shine a spotlight on Black composers and Black performers, such as the clarinetist and music educator Anthony McGill (below top), who will perform a clarinet quintet by composer Samuel Coleridge-Taylor (below) and music in the setting of the Metropolitan Museum of Art.

No purists, the critics also suggest famous oboe and clarinet works in transcriptions for the saxophone by composer-saxophonist Steven Banks (below).

Also featured is a mixed media performance of words and music coordinated by the award-winning Nigerian-American novelist, essayist and photographer Teju Cole (below), whose writings and photos are irresistible to The Ear.

Here is a link to the story in the Times: https://www.nytimes.com/2021/02/25/arts/music/classical-music-streaming-concerts.html

Are there other online concerts in March – local, regional, national or international – that you recommend in addition to the events listed in the Times?

The Ear wants to hear.

 


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The acclaimed Meccore String Quartet performs an online concert of works by Mozart, Beethoven and Penderecki this Sunday night as part of the Wisconsin Union Theater season

February 26, 2021
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The Wisconsin Union Theater will stream an online Concert Series performance by the Meccore String Quartet (below, in a photo by Arkadiusz Berbecki) this Sunday night, Feb. 28, at 7:30 p.m. CST.

The program is: String Quartet No. 21 in D major, K. 575, by Wolfgang Amadeus Mozart; String Quartet No. 3 “Leaves from an Unwritten Diary” by 20th-century Polish composer Krzysztof Penderecki; and String Quartet in A minor, Op. 132, by Ludwig van Beethoven.

The ensemble includes violinists Wojciech Koprowski and Aleksandra Bryla; violist Michal Bryla; and cellist Marcin Maczynski.

As one of Europe’s most compelling ensembles, the Meccore String Quartet has appeared at many influential music festivals around the globe, such as the Rheingau Musik Festival and the Festspiele Mecklenburg-Vorpommern.

The ensemble was the first-ever Polish string quartet to perform during the Holocaust Remembrance Day ceremony at the Bundestag, the national parliament of the Federal Republic of Germany.

The Meccore String Quartet has also received many international awards, including a nomination for the Paszport Polityki award in the classical music category for its “innovative approach to the music and for breaking the musical stereotypes.” 

The musicians won the Premio Paolo Borciani International String Quartet Competition and the Wigmore Hall International String Quartet Competition.

When they are not performing, Meccore’s members lead chamber music and individual instrumental classes at the Frederic Chopin University of Music in Warsaw, Poland.

Praised for their technical accuracy, Meccore is also known for its deep musicality and expressiveness. (In the YouTube video at the bottom, you can hear the Meccore playing an excerpt from Beethoven’s String Quartet No. 2 n G Major, Op. 18, No. 2.) 

“The Meccore String Quartet brings an unparalleled energy and emotional depth to its performances,” says Wisconsin Union Theater director Elizabeth Snodgrass (below). “This ensemble is admired the world over, and our patrons will experience why the Quartet has earned global praise during its virtual Wisconsin Union Theater performance.”

Information about purchasing tickets can be found here. Tickets for this online event are $10 for UW-Madison students; $17 for Wisconsin Union members, UW-Madison staff and faculty, and students that do not attend UW-Madison; and $20 for all other patrons. Tickets are good for access for a week, through next Sunday, March 7.

The performance by the Meccore String Quartet is sponsored by the David and Kato Perlman Chamber Music Fund. The Wisconsin Union Theater presents this event, in part, with the help of financial support from Wisconsin Arts Board funding from the State of Wisconsin and the National Endowment for the Arts.

For more information about the Meccore String Quartet’s upcoming performance, visit union.wisc.edu/events-and-activities/event-calendar/event/meccore-quartet.   

 


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The UW Pro Arte Quartet performs the sixth installment of its must-hear Beethoven cycle in a FREE virtual online concert this Friday night. Here are the schedule and links for the rest of the cycle

February 4, 2021
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By Jacob Stockinger

This Friday night, Feb. 5, the University of Wisconsin Mead Witter School of Music’s Pro Arte Quartet (PAQ, below) will perform a FREE live virtual and online all-Beethoven concert.

The program is the sixth installment of the PAQ’s Beethoven string quartet cycle, which is part of the Pro Arte Quartet’s yearlong retrospective of Beethoven’s quartets to celebrate the 250th anniversary of the birth of the composer (below).

Members (below, from left, in a photo by Rick Lang) are violinists David Perry; violist Suzanne Beia; and cellist Parry Karp.

The live-streamed concert begins at 7:30 CST with a short lecture by UW-Madison professor of musicology Charles Dill (below), who will introduce both string quartets: String Quartet in B-flat Major, Op. 18, No. 6; and String Quartet in F major, Op. 59, No. 1.

If this concert is at all like the past ones online, listeners are in for a treat. The playing is always first-rate, but – unlike what has been the case with even professional online and virtual performers – the sound and visual technology matches that quality. To The Ear, these are must-hear performances, wherever you are in the world.

Because of copyright issues, each concert will stay posted in YouTube for only 24 hours.

Here is the new schedule for the spring semester and the rest of the Beethoven cycle.

Explains cellist Parry Karp: “The schedule for this coming semester has been changed a bit because the semester started a week later and we decided to do Beethoven’s String Quintets as well.”

All virtual concerts will take place in Mead Witter Foundation Concert Hall in the Hamel Music Center. But no in-person attendance will be allowed.

PROGRAM No. 6: Friday, Feb. 5, 7:30 p.m. String Quartet in B-flat Major, Op. 18, No. 6 (1798-1800). You can hear the last movement in the YouTube video at the bottom. String Quartet in F Major, Op 59, No. 1 (1808)

PROGRAM No. 7:  Friday, March 5, 7:30 p.m. Fugue for String Quintet in D Major, Op. 137 (1817); String Quintet in C Major, Op. 29 (1801); String Quartet in C Major, Op. 59, No. 3 (1808)

PROGRAM No. 8:  Friday, April 9, 7:30 p.m. String Quartet in F Major, Op. 135 (1826); String Quartet in B-flat major, Opp. 130 and 133 (1825-6)

And here are links to those performances: 

Feb. 5

https://youtu.be/wQajNmutqgU

https://fb.me/e/16Km8etgD

March 5

https://youtu.be/56inR_uR_b8

https://fb.me/e/GjwiUI2W

April 9

https://youtu.be/IIW_5NVgGaA

https://fb.me/e/624dKB9kS

 


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New York Times critics choose 10 online classical music concerts to stream in February, starting this Thursday

February 2, 2021
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By Jacob Stockinger

As they have done for previous months during the coronavirus pandemic, the classical music critics for The New York Times have named their top 10 choices of online concerts to stream in February, which is also Black History Month, starting this Thursday, Feb. 4.

Also predictably, they focus on new music – including a world premiere — new conductors and new composers, although “new” doesn’t necessarily mean young in this context.

For example, the conductor Fabio Luisi (below) is well known to fans of Richard Wagner and the Metropolitan Opera. But he is new to the degree that just last season he became the new conductor of Dallas Symphony Orchestra and its digital concert series.

Similarly, the Finnish composer Magnus Lindberg (below top, in a photo by Saara Vuorjoki) and the American composer Caroline Shaw (below bottom, in a photo by Kait Moreno), who has won a Pulitzer Prize, have both developed reputations for reliable originality.

But chances are good that you have not yet heard of the young avant-garde cellist Mariel Roberts (below top) or the conductor Jonathon Heyward (below bottom).

Nor, The Ear suspects, have you probably heard the names and music of composers Angélica Negrón (below top), who uses found sounds and Tyshawn Sorey (below bottom). (You can sample Negrón’s unusual music in the YouTube video at the bottom.)

Of course, you will also find offerings by well-known figures such as the Berlin Philharmonic and its Kurt Weill festival; conductor Alan Gilbert; pianists Daniil Trifonov and Steven Osborne; violinist Leonidas Kavakos; and the JACK Quartet.

Tried-and-true composers are also featured, including music by Beethoven, Schnittke, Weber, Ravel and Prokofiev. But where are Bach, Vivaldi, Telemann and Handel? No one seems to like Baroque music. 

Here is a link to the events with links and descriptions. All times are Eastern: https://www.nytimes.com/2021/01/28/arts/music/classical-music-streaming.html

Do you have other virtual and online concerts to suggest? Please leave details in the Comment sections.

 


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The Wisconsin Chamber Orchestra starts its four-concert Winter Chamber Series TONIGHT at 7:30. Tickets are $30 for one-time access from Friday night to Monday night

January 22, 2021
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By Jacob Stockinger

The new semester of virtual online concerts begins tonight with the inauguration of the Winter Chamber Series by the Wisconsin Chamber Orchestra (WCO, below in a photo by Mike Gorski).

Tonight’s program features music by Giovanni Gabrieli, Valerie Coleman, Alec Wilder, Craig Russell and Franz Schubert. (In the YouTube video at the bottom, you can hear the first movement of the Schubert Cello Quintet, played by the Chamber Music Society of Lincoln Center.)

The programs are short and feature classic works as well as new music and neglected composers. Often single movements or excerpts rather than complete works are performed.

Concerts all debut on Fridays and remain available through Monday night. Debut dates are TONIGHT, Jan. 22; Feb. 26; March 26; and April 16. A ticket entitles the purchaser to one viewing.

Here is a description of the chamber music series from the WCO:

“While full orchestras remain sidelined, the WCO is excited to present the Winter Chamber Series. This new series will feature chamber works for multiple ensembles ranging from trios to octets, showcasing the versatility and caliber of the WCO’s 34 world-class musicians.

“Patrons will enjoy the four-concert series in the comfort of their own home, streaming each concert on WCO Live on-demand starting at 7:30 p.m. on the evening of the concert launch.

“All programs will be 60–75 minutes in length, with not only music but also stories from the WCO’s own musicians on their journey to becoming professional musicians.

“Also included is a pre-concert talk with maestro Andrew Sewell and Norman Gilliland, as well as a post-concert reflection with musicians of the WCO.” 

Here is a link to the concerts, with programs plus notes by music director and conductor Sewell (below in a photo by Alex Cruz) as well as a link to purchase tickets from the Overture Center box office: https://wcoconcerts.org/concerts-tickets/winter-chamber-series

In addition, the WCO has started a musician’s relief fund. It seeks donations to pay musicians for the wages they have lost due to postponed or canceled concerts.

Here is a link: https://wcoconcerts.org/support/donate

 


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Library of Congress streams UW pianist Christopher Taylor’s online Liszt-Beethoven symphony recital for free this Thursday night

December 16, 2020
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By Jacob Stockinger

This Thursday night, Dec. 17, from 7 to 9 p.m. CST, University of Wisconsin-Madison virtuoso pianist Christopher Taylor (below) will close the celebration of the Beethoven Year, marking the 250th anniversary of the composer’s birth, at the Library of Congress. After the concert’s premiere, it will stay posted online.

For the past several years, Taylor has been performing the solo piano transcriptions by Franz Liszt of Ludwig van Beethoven’s nine symphonies both in Russia and at the UW-Madison. 

Here is more from the website of the UW-Madison’s Mead Witter School of Music:

“It takes extraordinary skill as an orchestrator to condense an entire symphony by Beethoven (below top) into a version for a solo instrument, but that is just what Franz Liszt (below bottom) accomplished in his piano transcriptions. (You can hear a sample, along with a visual representation, of the Fifth Symphony transcription in the YouTube video at the bottom.)

“Hear virtuoso pianist Christopher Taylor perform three of these transcendent symphony transcriptions, works he describes as a “new perspective on something familiar.” (The Ear, who has heard Taylor’s impressive performances of almost all nine symphonies, finds that comparing the two versions is like looking at the same photograph in color and then black-and-white. Color emphasizes details while black-and-white emphasizes structure. You hear new things by comparing the two.)

The performance was pre-recorded in the Mead Witter Foundation Concert Hall of the Hamel Music Center.

The program is:

BEETHOVEN/LISZT

Symphony No. 1 in C major, Op. 21

Symphony No. 2 in D major, Op. 36

Symphony No. 5 in C minor, Op. 67

You can find more details at: https://loc.gov/concerts/christopher-taylor.html

You can Register on Eventbrite

Hailed by critics as “frighteningly talented” (The New York Times) and “a great pianist” (The Los Angeles Times), Taylor has distinguished himself throughout his career as an innovative musician with a diverse array of talents and interests.

He is known for a passionate advocacy of music written in the past 100 years — Messiaen, Ligeti and Bolcom figure prominently in his performances — but his repertoire spans four centuries and includes the complete Beethoven sonatas, the Liszt Transcendental Etudes, Bach’s Goldberg Variations, and a multitude of other familiar masterworks.

Whatever the genre or era of the composition, Taylor brings to it an active imagination and intellect coupled with heartfelt intensity and grace.

Taylor has concertized around the globe, with international tours taking him to Russia, Western Europe, East Asia and the Caribbean. 

At home in the U.S. he has appeared with orchestras such as the New York Philharmonic, Los Angeles Philharmonic, Detroit Symphony, the Madison Symphony and the Milwaukee Symphony. As a soloist he has performed in New York’s Carnegie and Alice Tully Halls, in Washington’s Kennedy Center for the Performing Arts, the Ravinia and Aspen festivals, and dozens of other venues.

In chamber music settings, he has collaborated with many eminent musicians, including Robert McDuffie and the Borromeo, Shanghai, Pro Arte, and Ying Quartets.

His recordings have featured works by Liszt, Messiaen and present-day Americans William Bolcom and Derek Bermel. 

Throughout his career, Taylor has become known for undertaking memorable and unusual projects.  Examples include: an upcoming tour in which he will perform, from memory, the complete transcriptions of Beethoven symphonies by Liszt; performances and lectures on the complete etudes of Gyorgy Ligeti; and a series of performances of the Goldberg Variations on the unique double-manual Steinway piano (below) in the collection of the University of Wisconsin.

Numerous awards have confirmed Taylor’s high standing in the musical world. He was named an American Pianists’ Association Fellow for 2000, before which he received an Avery Fisher Career Grant in 1996 and the Bronze Medal in the 1993 Van Cliburn International Piano Competition. In 1990 he took first prize in the William Kapell International Piano Competition, and also became one of the first recipients of the Irving Gilmore Young Artists’ Award.

Taylor lives in Middleton, Wis., with his wife and two daughters. He is a Steinway artist.

For more biographical information — including his piano teachers and his education as well as his interest in mathematics and engineering — go to: https://www.music.wisc.edu/event/christopher-taylor-concerts-from-the-library-of-congress/

 


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The Madison Symphony Orchestra and Chorus plus guest artists premiere a virtual online Christmas concert this Wednesday night. It runs through Dec. 31. Plus, PBS Wisconsin will rebroadcast the 2018 holiday concert on Sunday, Dec. 20.

December 15, 2020
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ALERT: Tomorrow — Wednesday, Dec. 16 — Wisconsin Public Radio will mark the 250th birth of Ludwig van Beethoven. The day’s programming is sure to feature many of the composer’s most popular works as well as some neglected ones. Which Beethoven work most moves you? Leave word in the Comment section.

By Jacob Stockinger

This Wednesday night, Dec. 16, at 7:30 p.m., the Madison Symphony Orchestra will premiere its FREE virtual and online holiday concert of “A Madison Symphony Christmas.”

This special new one-hour concert production will feature vocalists Kyle Ketelsen and Emily Secor; the Madison Symphony Chorus; the Madison Youth Choirs; and the Mt. Zion Gospel Ensemble (below), with performances and accompaniment by John DeMain and Greg Zelek on piano and the Overture Concert Organ, respectively.

This concert is offered for FREE upon registration and will be available for viewing through Dec. 31, 2020.



Featured music includes Joy to the World, Peace Carol, O Holy Night, Sleigh Ride, The Christmas Song, Winter Wonderland, Christmas Hope and more — plus the traditional sing-along where you can join the MSO singing to a medley of favorites from your home.

To register and find out more information about the individual and group performers (below), go to: https://madisonsymphony.org/event/a-virtual-madison-symphony-christmas-2020/

In addition, you can relive the 2018 Madison Symphony Christmas concert on Sunday, Dec. 20, at 4 p.m. on your local PBS Wisconsin station.

For more information about the one-hour program and performers, go to: https://madisonsymphony.org/event/a-madison-symphony-christmas-2018-re-broadcast/


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