The Well-Tempered Ear

The Wisconsin Chamber Orchestra cancels its first Masterworks concert and launches an online virtual Winter Chamber Series in January

November 22, 2020
2 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

With the surge in the coronavirus pandemic, the dominos are starting to fall again — this time for the spring series of live, in-person concerts that had been planned.

Friday night brought important news from the Wisconsin Chamber Orchestra (below, in photo by Mike Gorski).

The Wisconsin Chamber Orchestra (WCO) has canceled its first Masterworks concert, with guest cellist Amit Peled, in late January. In its place the WCO is launching its first-ever digital Winter Chamber Series.

The virtual, online series of digital concerts will feature the ensemble’s 34 players in smaller groups of four to eight, That will be safer for both players and audiences during the COVID-19 pandemic.

Four home-viewable virtual online concerts are planned: Jan. 22, Feb. 26, March 26, and April 16. Programs are not available except for the first concert.

Also included are a pre-concert talk with WCO music director and maestro Andrew Sewell (below top, in a photo by Alex Cruz) and Wisconsin Public Radio host Norman Gilliland (below bottom), and post-concert reflections with musicians of the WCO.

The ticket price for each concert, which will run 60-75 minutes, is $30 per household. A ticket entitles you to one viewing of the concert between Friday, Jan. 22, and Monday, Jan. 25. The concert will start streaming at 7:30 p.m. on Friday.

Patrons who have already purchased season subscription tickets can apply that to the full series of four concerts.

Tickets are available online at the Overture Center box office. See below.

The program for the first Winter Chamber Concert on Jan. 22 is:

Four Canzonas by the Baroque Italian composer Giovanni Gabrieli (below):

“Tzigane” (a term for music by Hungarian gypsies or Romani) for Wind Quintet by the contemporary American composer Valerie Coleman (below):

The first movement of the famed String Quintet in C major, D. 956, by the Austrian Romantic composer Franz Schubert (below):

Four Octets by the 20th-century American composer and jazz musician Alec Wilder (below), which you can sample in the YouTube video at the bottom.

To see more background about the composers, more details about the concert and purchase tickets, go to: https://www.overture.org/events/wco-chamber-series

You can also check out the series as it progressively gets announced on the WCO home website: https://wcoconcerts.org/concerts-tickets/winter-chamber-series

The concert series sounds like a terrific substitution for the regular concerts that cannot yet take place.

But The Ear wonders if the price per concert is a bit steep, given that comparable concerts by UW-Madison Mead Witter School of Music , the Wllly Street Chamber Players and Just Bach are free – although they do ask for donations — and that the Madison Opera charged $50 for its entire fall digital series while the Wisconsin Union Theater charges between $10 and $20 per virtual concert.

The Ear likes the eclectic programming, but also thinks it is kind of teasing and unsatisfying to offer just the first movement of such an organic masterpiece and profoundly beautiful work as the Schubert Cello Quintet. Doing one movement of a chamber music work somehow seems very different from doing one movement of a symphony.

It would also be nice to see the programs for all the concerts plus a series discount as an incentive.

What do you think about the WCO’s Winter Chamber Series?

What do you think about the price and the programming?

The Ear wants to hear.

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

November’s “Just Bach” FREE online concert is this Wednesday morning at 8 instead of noon. It features two favorites: “Air on the G String” and the Concerto for Two Violins

November 17, 2020
2 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

This Wednesday, Just Bach again shares the timeless beauty of the music by Johann Sebastian Bach (below) from their home in the nave of Luther Memorial Church (LCM), 1021 University Avenue.

The group participates in LMC’s weekly ‘Music at Midday’ concert series at https://www.luthermem.org/music-at-midday. (Please note: Now that the concerts are online instead of in person, the videos will be posted early Wednesday mornings at 8 a.m., instead of at noon. They will remain online indefinitely so viewers can see them at their convenience.).

As part of this series, Just Bach concerts take place on the third Wednesday of each month. Remaining concerts are: Nov. 18, Dec. 16, Jan. 20, Feb. 17, March 17, April 21 and May 19. The programs last approximately 30 minutes. 

It is still too risky to have in-person audiences. So in addition to the Luther Memorial website, they will be posted on:

The Just Bach home website at: https://justbach.org/concerts/

The Just Bach Facebook page at: https://www.facebook.com/JustBachSeries

And the Just Bach YouTube Channel, where previous concerts are still posted, at: https://www.youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ

Viewing the concerts is FREE, but the group asks those who are able, to help pay the musicians with tax-deductible donations at: https://www.paypal.com/donate/?cmd=_s-xclick&hosted_button_id=7A4R7CA8VDRMG&source=url

PLEASE NOTE: New this month will be a half-hour live ZOOM post-concert reception on this Wednesday night at 7:30 p.m. CST. Those who would like to join us and chat with the performers can follow this link: https://us02web.zoom.us/j/87144868956?pwd=aHUrR3BNZFF5Y1hlVG1EWkNvMklkQT09

The November concert opens with Just Bach co-founder, UW graduate student and nationally concertizing soprano Sarah Brailey (below), who will provide welcoming remarks and an overview of the program.

Our guest artists this month (below, in a photo by Barry Lewis) are a quartet of string players from the Madison Symphony Orchestra: violinists Leanne League and Xavier Pleindoux; violist Marika Fischer Hoyt; and cellist Lindsey Crabb. Also performing is harpsichordist John Chappell Stowe, a professor in the UW-Madison Mead Witter School of Music. Dave Parminter is the videographer.

League and Pleindoux (below, in a photo by Barry Lewis) will play the solo parts in the familiar and beautiful Concerto in D Minor for Two Violins (the ‘Bach Double’), BWV 1043.

Madison Symphony Orchestra audiences will remember their gorgeous performance of this piece at a Christmas Spectacular concert a couple of years back. (You can hear the beautiful and poignant slow movement in the YouTube video at the bottom.)

The ensemble will continue with a movement from the Orchestral Suite No. 3 in D major, BWV 1068, the serenely transcendent “Air on a G String.”

Sarah Brailey returns to lead the final chorale from Cantata 139, composed for the 23rd Sunday after Trinity, which happens to be this coming Sunday. The stirring title, Dahero Trotz der Höllen Heer! translates as “Therefore Defiance to the Host of Hell.”

We encourage viewers to sing along by following the chorale sheet music, which will be displayed on the screen, as Stowe accompanies on the organ. 

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Cellist Camille Thomas makes her Madison debut online from Paris for the Wisconsin Union Theater this Saturday night

November 6, 2020
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The Wisconsin Union Theater’s fall virtual Concert Series performances will begin this Saturday night, Nov. 7, at 7:30 p.m. CST with a live online performance from Paris by the acclaimed cellist Camille Thomas (below).

The “Midnight in Paris” recital – performed in Paris and streamed — features music by Claude Debussy, Nadia Boulanger, Maurice Ravel and Frederic Chopin. The performance will be preceded by a live 30-40 minute online Q&A with Thomas and pianist Julien Brocal on Saturday afternoon at 2 p.m. CST.

Here are the specific works on the program, which will last about 75 minutes with no intermission:

Debussy, “Clair de Lune” (arr. Roelens)

Nadia Boulanger, “Three Pieces” for cello and piano

Ravel, Kaddish

Chopin, Cello Sonata in G Minor, Op. 65; and Introduction et Polonaise brillante, Op. 3 

Tickets for this online event are $10 for UW-Madison students, $18 for Wisconsin Union members, and $20 for all other patrons.

For more information about the Thomas’ performance – including a video and how to purchase tickets — visit union.wisc.edu/events-and-activities/event-calendar/event/camille-thomas.

Thomas (below), a Franco-Belgian cellist, says she uses her music to bring people together from a range of cultures and backgrounds. Thomas released her second album, called “Voice of Hope,” with the exclusive Deutsche Grammophon this past June. (In the YouTube video at the bottom, you can hear Thomas play a solo version from the album of Gluck’s “Dance of the Blessed Spirits” from his opera “Orfeo ed Euridice.”)

Thomas plays the Feuermann Stradivarius cello (1730, below) — named for the famous 20th-century cellist Emanuel Feuermann who played it — with a bow by Eugene Sartory, who is regarded as one of the finest bow makers in history. Joining her for this performance will be pianist Julien Brocal.

“Camille Thomas’s extraordinary talent makes her one of the most captivating artists of our time, as evidenced by being the first cellist in several decades to be signed by the major record label Deutsche Grammophon,” says Wisconsin Union Theater director Elizabeth Snodgrass. “Her ‘Midnight in Paris’ program brings us closer to her roots and reflects the beauty and charm of her personality as well as her musicality.”

The Ear has listened to some of Thomas’ performances on YouTube and finds her tone, intonation and phrasing outstanding.

The performance by Camille Thomas is the start of the fall Concert Series events, which includes a concert with pianist Jeremy Denk (below, in a photo by Hiroyuki Ito for The New York Times) on Friday, Dec. 11.

In its 101st year, the Wisconsin Union Theater’s Concert Series is one of the oldest uninterrupted series of its kind in the United States.

The Wisconsin Union Theater (WUT) has served as a cultural center for community members and visitors for more than 75 years. The WUD Performing Arts Committee plans many of the Theater’s events, including the Concert Series.

While usually held in-person and most often in Shannon Hall, the Wisconsin Union Theater team will hold this fall’s theater events in a virtual format for the health and safety of patrons, artists and team members in light of the COVID-19 pandemic. 

The team aims for all of its spaces, including online ones, to be accessible. Those that need accommodations can reach out to the Wisconsin Union Theater team at wisconsinuniontheater@union.wisc.edu

The WUT team says it continues to evaluate what changes may need to occur related to the spring Concert Series events as well as other spring Theater season performances.

The Wisconsin Union Theater has made multiple commitments to take a stand against racial injustice, including being more than allies, being activists; using the arts to create social justice; remembering students are future leaders and must be part of the change; using its voice to influence leadership and being firm in its resolve; and making space, stepping back and learning how to give up undeserved or unnecessary power and privilege.

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

The New York Times music critics pick 10 online concerts and operas to watch through the month of November

October 30, 2020
1 Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

Classical music critics for The New York Times have again listed their picks of virtual and online concerts that will be streamed during the month of November, starting this Sunday, Nov. 1, and running right through Nov. 30. In September, they did the same for the month of October.

The list of 10 highlights includes chamber music, orchestral music and operas as well as lots of new music, world premieres of commissions and even the Cliburn International Piano Competition, now known simply as The Cliburn.

Most of the events are posted and available for quite a while.

Note that all times are Eastern and that on this Sunday, Nov. 1, daylight saving ends.

As the critics point out, the list may be especially helpful and enjoyable now that the weather is turning colder, people are isolating at home during the nationwide spikes in coronavirus cases, and concert halls remain closed to the public.

Well-known institutions such as The Metropolitan Opera (below) and the Los Angeles Opera are featured. (You can sample an earlier Met production of Philip Glass’ “Satyagraha” – about the early life of Gandhi — in the YouTube video at the bottom.)

So are symphony orchestras from Detroit, Seattle, San Francisco and Cincinnati. 

And pianist Igor Levit (below top), who this past year released the highly praised, award-winning complete cycle of 32 piano sonatas by Beethoven and who was named Artist of the Year by Gramophone magazine, is also featured, as is the outstanding Chicago-based violinist Jennifer Koh (below bottom, in a photo by the Los Angeles Times). 

Here is a link to the story: https://www.nytimes.com/2020/10/28/arts/music/classical-music-stream.html

What do you think of the choices?

Do you have other concerts or classical music events to add to the list?

The Ear wants to hear.

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Madison Opera cancels its January production of “She Loves Me.” Will other groups follow suit? Plus, tonight is the last online concert by the LunART Festival of music by Black women

October 17, 2020
1 Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

ALERT: TONIGHT, Oct. 17, at 7 p.m. the third LunART Festival will wrap up with the second of its two FREE streamed “Human Family” concerts featuring the works of Black women (below). Due to popular demand, last week’s concert is still posted and available for viewing. This week’s concert will be followed by a virtual party. Here are links for information, programs and biographies: https://www.lunartfestival.org/2020virtualfestival and https://welltempered.wordpress.com/?s=LunART

By Jacob Stockinger

The coronavirus pandemic continues to slowly take its toll on local live productions during the current season.

The Madison Opera has now canceled its second production of the season, the Broadway musical “She Loves Me” by Jerry Bock and Sheldon Harnick, which was scheduled for late January in the Capitol Theater of the Overture Center.

Here are details from Madison Opera: “We will replace She Loves Me with a Digital Winter season that lasts from January to March. Details will be announced in December. (She Loves Me will be part of our 2021/22 season, so it’s only a delay!)”

For more about Madison Opera’s digital fall season – which costs $50 per household to subscribe to – go to: https://www.madisonopera.org/Fall2020

The next digital event is at 7:30 p.m. next Saturday, Oct. 24, by Sun Prairie bass-baritone Kyle Ketelsen (below, in a photo by Lawrence Brownlee), who has performed around the world, including at the Metropolitan Opera.

He will perform a live-streamed concert from the Madison Opera Center that will be a tribute to the American bass Giorgio Tozzi (below), who was Ketelsen’s teacher at Indiana University. (In the YouTube video at the bottom, you can hear Tozzi sing “This Nearly Was Mine” from “South Pacific” by Rodgers and Hammerstein.)

Here is Tozzi’s biography from Wikipedia: https://en.wikipedia.org/wiki/Giorgio_Tozzi

Soprano Emily Secor (below top) and pianist Scott Gendel (below bottom) will perform with Ketelsen.

Here is a link to details of Kyle Ketelsen’s recital: https://www.madisonopera.org/class/liveketelsen/?wcs_timestamp=1603567800

___________________________________________________________________________

The cancellation makes The Ear wonder: Are local groups and presenters being too timid or too hopeful when it comes to future plans for the current season?

After all, this past week we learned that both the Metropolitan Opera and the New York Philharmonic have canceled the rest of the current season due to public health concerns about the COVID-19 pandemic. And all indications are that it will be a very rough, unsafe winter and spring in Wisconsin and Madison.

That’s why The Ear suspects that, unfortunately, the rest of the season will either be canceled or be virtual and moved online. It even seems more than plausible that there will be no live performances until the winter or spring of 2022.

So you can probably expect further word pretty soon of more cancellations, postponements and virtual online performances from the Madison Symphony Orchestra, the Madison Opera, the Wisconsin Chamber Orchestra, the Wisconsin Union Theater, the UW-Madison Mead Witter School of Music, the University Opera and others.

What do you think? 

Will there be operas, orchestral performances and live chamber music sometime yet this season?

When do you think it will be safe to perform and attend live concerts?

The Ear wants to hear.

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

The third LunART Festival celebrates Black women in the arts with FREE streaming concerts and events this Saturday night, Oct. 10, and next Saturday night, Oct. 17

October 9, 2020
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The Ear has received the following announcement to post:

The LunART Festival is back for its third season, continuing its mission to support, inspire, promote and celebrate women in the arts, with a special presentation, “Human Family,” available via two FREE video livestreams on LunART’s website and Facebook page on Saturday, Oct. 10, and Saturday, Oct. 17, at 7 p.m. CDT. 

The events will be co-hosted by LunART founder and flutist Iva Ugrcic (below top), and by vocalist and art administrator Deja Mason (below bottom).

In response to the most recent and ongoing racial inequality and in solidarity with the Black Lives Matter movement, LunART will present the “Human Family” virtual festival featuring art created by Black women.

These FREE streamed events will feature a palette of emerging and established artists drawn from Madison’s rich arts scene, while also celebrating those who have paved the way for generations to come.

Radical inclusivity has been part of LunART’s mission from its conception. While women have historically been underrepresented in the arts, we cannot deny that there are segments of women that have been doubly marginalized, including women of color, women in the LGBTQIA+ community, older women and women with disabilities. 

Part of creating a more just, inclusive world means recognizing that even within the space of underrepresentation, there remain disparities.

Works from the past include Florence Price’s “Five Folksongs of Counterpoint” for string quartet (heard in the YouTube video at the bottom), which is deeply rooted in the African-American spiritual tradition; Margaret Bonds’ Spiritual Suite for solo piano, written in a neo-Romantic classical style infused by jazz harmonies and rhythms; Afro-American Suite for flute, cello and piano by Undine Smith Moore, based on authentic spiritual songs used to express and record everyday life of slaves in America. 

Florence Price (below), Margaret Bonds and Undine Smith Moore all fought against both racial and gender discrimination throughout their lives. To be a woman composing classical music in the mid-20th century was unusual; to be a Black woman composer was even more so. And yet, these women forged ahead, making history and paving the way for the women who would follow them.

Along with these pioneers of the past, LunART will also celebrate contemporary Black women who are making a big impact in the world of arts, culture, advocacy and activism, following the footsteps of their predecessors. 

“Voodoo Dolls” for string quartet by Jessie Montgomery (below in a photo by Jiyang Chen) is influenced by West African drumming patterns that are interwoven with lyrical motifs in the improvisatory style. 

“Fanmi Imen,” a work for flute and piano by Valerie Coleman (below) — LunART’s 2019 Composer-in-Residence) — is based on a powerful poem by Maya Angelou, “Human Family.” Angelou calls for peace and unity, while acknowledging differences due to ethnic and cultural background in her famous refrain: “we are more alike, my friends, than we are unalike.”

The chamber music will be performed by Madison’s finest musicians: Isabella Lippi, Karl Lavine, Peter Miliczky, Magdalena Sas, Marie Pauls, Satoko Hayami, Yana Avedyan and Iva Ugrcic.

Celebrating women’s creativity across many art forms has been a core component of LunART’s artistic mission from its inception, and this year is no exception. While music will create a sound painting, “Human Family” will also feature women who use words and movement to tell their story.

Enter a world of phenomenal talent with emerging singer-songwriters Danielle Crim and Akornefa Akyea performing their most recent original songs; magically moving poems and spoken-word pieces by Jamie Dawson and Shasparay Lighteard; and join dancer and choreographer Kimi Evelyn in self-exploration of what happens when the body and the soul are left in complete solitude through her powerful piece “Body, Sweet Home.”

To commemorate the Festival events, LunART has commissioned digital artwork (below) by local artist and activist Amira Caire, which is inspired by the “Human Family” concept. This stunning piece of art will be available for purchase in printed form on LunART’s website. 

We are calling our community to eat local, drink local and support local. By supporting LunART, you are also supporting local nonprofits and small businesses. 

This project would not be possible without the generosity of Madison’s creative media agency Microtone Media, The Piano Gal Shop from Sun Prairie, Dane Arts and a grant from the Madison Arts Commission at  https://www.cityofmadison.com/dpced/planning/madison-arts-commission/1580/, with the additional funds from the Wisconsin Arts Board.

Events are free and available for anyone to watch online, and donations are welcomed. For more details about the artists, events, programs and links, and donation methods, please visit https://www.lunartfestival.org


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

New York Times music critics pick 10 MUST-HEAR online virtual classical concerts to stream for October

October 3, 2020
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

ALERT: Tonight’s concert by the choral group Roomful of Teeth for the Wisconsin Union Theater at the UW-Madison’s Hamel Music Center has been canceled and postponed indefinitely.

By Jacob Stockinger

Increasingly the coronavirus pandemic seems surging out of control. So it comes as no surprise that also more and more concerts of classical music are taking place virtually and online.

Coronavirus image CDC

There are many ways to choose among local, regional, national and international concerts.

But one good guide was published this last week and featured the choice of must-hear classical concerts by critics for The New York Times.

It is an interesting and varied selection, and includes times, links and brief descriptions.

It features concerts that emphasize Black composers such as Florence Price (below top) and women composers. It covers many genres from a solo piano recital by Jeremy Denk (below bottom) – who is supposed to perform here on Dec. 11 at the Wisconsin Union Theater – to chamber music, vocal music, orchestral concerts and operas.

Florence Price head shot University of Arkansas Libraries

Jeremy Denk playing CR Hiroyuki Ito NYTImes

Curiously, there is quite bit of new music but little early music, either Renaissance or Baroque. Perhaps more will appear around the holiday times, when that music is part of the traditional holiday celebrations.

You will find contemporary composers but also lots of certified, tried-and-true classics and masterworks.

Some are one-day only events but many run from a week through a month.

Here is a link to the story. PLEASE NOTE THAT TIMES ARE ALL EASTERN: https://www.nytimes.com/2020/09/29/arts/music/classical-music-stream.html

Please let The Ear know if you like this kind of listing and find it useful.

And please feel free to leave in the comment section other guides or events that the public should know about.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

The Madison Opera launches its Digital Fall this Sunday afternoon and Sept. 27 with more to come through December. The cost is $50 per household

September 18, 2020
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The Ear has received the following announcement from the Madison Opera about its Digital fall season, which will open with an artists’ panel discussion this Sunday afternoon, Sept. 20, and then an original world-premiere production on Sept. 27, a week from this Sunday.

“Although the coronavirus pandemic has closed the Overture Center for the Arts this fall, Madison Opera is not going silent.

“We are creating a fall season that lasts from September through December. It includes both digital content and live performances at the Margaret C. Winston Madison Opera Center, our home in downtown Madison.

“All content will be available to subscribers for at least one month from the “live” date, so you can watch at your leisure, and as often as you wish.”

A Digital Fall subscription is $50 per household. It can be purchased on its own, or as part of a new subscription package. It can be purchased through the link at the bottom.

Here is how it will work: About 48 hours before each event, subscribers will receive an email with the private link to that event.  (You may need to check your spam folder).  If you have not received an email the day before an event, email info@madisonopera.org and we’ll send you the link directly.

The link remains active for one month, so if you cannot watch an event live – or want to re-watch it – you won’t miss out.

Do you miss operatic conversation? Join us online! Opera Up Close is a favorite event for Madison Opera subscribers, usually featuring a discussion of the upcoming opera from a historical context and with cast members.

For our Digital Fall, this conversation is reimagined via technology to discuss broader opera topics, featuring favorite Madison Opera company members, interviewed by Madison Opera’s general director Kathryn Smith (below, in a photo by James Gill).

Opera Up Close Cocktail Hour Discussions take place on Sunday afternoons, 4– 5:30 p.m. Subscribers will have the opportunity to ask questions both in advance and during the talk.

UP CLOSE COCKTAIL HOUR DISCUSSION

This Sunday, Sept. 20, 4-5:30 p.m.

Many singers have debuted at Madison Opera (MO) early in their careers, before going on to sing around the world.

Featured in this discussion are: Kyle Ketelsen of Sun Prairie (below top in a photo by Lawrence Brownlee, MO debut 2000); Emily Fons (below middle, MO debut 2012); and Will Liverman (below bottom, MO debut 2015). Join us for a wide-ranging discussion about their careers, training paths, and much more.

WORLD PREMIERE OF  A SONG CYCLE

Jeni Houser and David Blalock, singers

Saturday, Sept. 26, 7:30 p.m.

Featuring the world premiere of “Keep Moving” by Madison composer and UW-Madison graduate Scott Gendel

Married singers Jeni Houser and David Blalock (below) have a long history with Madison Opera. Jeni was one of our first Studio Artists in 2012, and has returned many times, most recently as Anne in Stephen Sondheim’s “A Little Night Music.”

David debuted in Beethoven’s “Fidelio” (2014), and both artists sang at Opera in the Park 2019 (below). This past season, Jeni and David made (separate) Metropolitan Opera debuts, and were slated to sing the leads in Offenbach’s “Orpheus in the Underworld ” in Madison last spring, which was canceled due to the coronavirus pandemic.

The Wisconsin residents will launch our Live from the Opera Center series in a joint recital, accompanied by principal pianist Scott Gendel (below).

Gendel is also an acclaimed composer, and the recital will feature the world premiere of his song cycle “Keep Moving,” set to poetry by Maggie Smith, which he is writing specifically for Jeni and David. (below, in a photo by David Scott, are all three are rehearsing in the Madison Opera’s Winston Center.)

Here is a link to the initial schedule of events, including a cooperative production of Jean Cocteau’s monologue opera “The Human Voice” with the Austin Opera in Texas, and biographies of various singers and participants.

More events will be added and announced in the coming months.

You will also a find a button to click on to subscribe to the Digital Fall: https://www.madisonopera.org/Fall2020


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Next Page »

    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,253 other followers

    Blog Stats

    • 2,238,350 hits
%d bloggers like this: