The Well-Tempered Ear

Classical music: This weekend also brings holiday brass music, string music and new chamber music with voice to the UW. Plus, live radio broadcasts from the Metropolitan Opera start this Saturday on Wisconsin Public Radio

November 30, 2018
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

ALERT: This Saturday, Dec. 1, sees the start of the “Live From the Met” opera broadcasts on Wisconsin Public Radio with Arrigo Boito’s opera “Mefistofole.” The weekly series, now in its 88th year, will continue through May 11. Starting time is usually noon. Here is a link to the radio broadcast season: https://www.wpr.org/metropolitan-opera-begins-its-88th-season

By Jacob Stockinger

As usually happens towards the end of the semester, concerts are backing up, especially on the weekends.

Yesterday, information about the two performances of the annual UW-Madison Winter Choral Concert on Sunday afternoon was posted. Here is a link: https://welltempered.wordpress.com/2018/11/29/classical-music-two-performances-of-the-uw-madisons-popular-winter-choral-concert-takes-place-this-sunday-afternoon/

But much more is going on.

Take a look and listen:

SATURDAY

Non-music majors, take heart. If you attend the University of Wisconsin-Madison, you can still play and perform while pursuing other studies.

At 4 p.m. in Mills Hall, the All-University Strings (AUS) will perform a FREE concert that is open to the public.

The group (below, in a photo by Jeff Miller for the UW-Madison) is comprised of two non-major string orchestras (named Orchestra One and Orchestra Too), and is open to all interested string players. No audition is required, seating order is voluntary, and there is no ranking within the sections.

The AUS program endeavors to be a true learning community, serving students from virtually every department and major with the goal of nurturing lifelong engagement in music and the arts.

Pedro Oviedo is the conductor, and the guest artists are The Hunt Quartet. (The string quartet is made up of graduate students at the UW-Madison’s Mead Witter School of Music: Chang En Lu and Ava Shadmani, violins; Fabio Saggin, viola; and Alex Chambers-Ozasky, cello. They will be joined by Max Herteen, double bass.)

The appealing program includes:

Norman Leyden: Serenade for Strings

Karl Jenkins: Allegretto from “Palladio” (A neo-Baroque piece you might recognize from a De Beers “Diamonds Are Forever” ad. Listen to it in the YouTube video at the bottom.)

Eric WhitacreOctober

Modest Mussorgsky, orchestrated by Maurice Ravel: “The Hut on Fowl’s Legs (Baba Yaga)” and “The Great Gate of Kiev” from Pictures at an Exhibition

Astor PiazzollaLa muerte del angel (The Death of the Angel)

Ralph Vaughan Williams: Concerto Grosso

SUNDAY

At 12:30 p.m. the UW Horn Choir (below) will present its annual holiday concert at the Chazen Music of Art as part of the Sunday Afternoon Live at the Chazen series.

The FREE and public concert, directed and conducted by horn Professor Daniel Grabois, takes place in Brittingham Gallery No. 3.

The event will also be streamed live. Here is a link to the streaming portal as well as information about the program, which includes Bach and Mahler, the players and how to reserve seats:

https://www.chazen.wisc.edu/about/news/in-the-news/sunday-afternoon-live-with-the-uw-horn-choir/

At 8 p.m. in Morphy Hall, a FREE concert of chamber music by distinguished guest artists will be held.

The Brooklyn-based soprano-violin duo Cipher Duo (below top, Justine Aronson and Sarah Goldfeather) will team up with cellist Nicholas Photinos(below bottom), a member of the Grammy-winning chamber music ensemble eighth blackbird, for an evening-length performance of both new and reimagined music.

The program will include works by Sarah Goldfeather, Amy Beth Kirsten, David T Little, Dolly Parton and more.

On Monday, the performers will also give public master classes:

The Cello Master Class is Monday, Dec. 3, 12:15-2:15 p.m. in Morphy Hall.

The Violin-Voice Master Class: Monday, Dec. 3, 1:15-3:15 p.m. in Music Hall.

For more information about the program and performers, go to: https://www.music.wisc.edu/event/guest-artists-nicholas-photinos-cello-and-cipher-duo-voice-and-violin/


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Classical music: The third annual Madison New Music Festival features three world premieres and 25 composers, and takes place this weekend with three concerts

August 7, 2018
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By Jacob Stockinger

It has been a good year for new music in Madison, which has often seemed inhospitable to that music in the past.

Among major contributors have been the LunART Festival of contemporary women composers; programs by the UW Symphony Orchestra and other UW-Madison groups and individuals; the Madison Opera; the Bach Dancing and Dynamite Society; the Willy Street Chamber Players; and the Oakwood Chamber Players. Plus, The Ear is sure there are many other contributors he is overlooking.

But the largest share of the credit has to go to a three-day annual festival of living composers that will take place for the third year this coming weekend. (Photos from last year’s well-attended festival are by Max Schmidt.)

Here is an announcement from the festival with the details:

The third annual Madison New Music Festival will take place this coming Friday, Aug. 10, Saturday, Aug. 11, and Sunday, Aug. 12.

The Madison New Music Festival is an annual weekend-long concert series dedicated to strengthening Madison’s cultural vitality through the celebration of fresh classical music from our lifetimes.

Founded by Madison native composer Zachary Green (below bottom), the festival presents new works by some of the world’s leading living composers, shines a spotlight on new music created in Wisconsin, and shares underplayed music of the 20th and 21st centuries with the Madison community.

Every concert will also have a world premiere of music that has never been heard before. On the opening night, Conduit is performing a new piece by Kyle Tieman-Strauss called Abject. The next day, organist Tyler Jameson Pimm premieres his new piece Psalm 22. Then on Sunday, listeners get to hear the premiere of They’re Still Here by BC Grimm, featuring music for nine different instruments (all of which will be played by Grimm himself).

Over the course of three concerts around town, we are featuring a total of 17 musicians playing the works of 25 composers, all of which were written in the last 50 years.

Though each concert has a different theme, every performance features music by Wisconsin composers, composers of color, and both men and women.

Fifteen of our musicians were born, raised or currently reside in Wisconsin, but we’re bringing several back to town just for the festival. They include members of the Madison, Milwaukee and Quad City symphonies; and graduates of Juilliard, the Manhattan School of Music, Mannes Conservatory, Northwestern University, and, of course, the UW-Madison.

We invite you to join us for the following three concerts:

CONCERT 1: Sounds of the ‘60s and Beyond – Friday, Aug. 10, at 7:30 p.m.

Hear sounds born out of the ’60s counterculture with works exploring minimalism, social and political engagement, and electronic experimentation, as well as the music they inspired for decades to come. There will be a cash bar, as well as opportunities to explore the exhibits.

Where: Madison Museum of Contemporary Art (MMOCA), 227 State Street

Who: Caitlin Mead, soprano; Heather Zinninger Yarmel, flute; Kristina Teuschler, clarinet; Jeremy Kienbaum, viola; Alex Norris, violin, and Zou Zou Robidoux, cello; and Conduit (below, Zach Manzi, clarinet and Evan Sadler, percussion).

Program: Music by Melissa Dunphy, Angelica Negron, Evan Williams, Steve Reich, Gilda Lyons, Anna Meadors, Kyle T. Strauss, David Lang and Andy Akiho

CONCERT 2: Sounds of Reflection – Saturday, Aug. 11, at 2 p.m.

The festival continues with an afternoon program invoking spirituality, morality and reflection. Organ interludes will be interspersed throughout the program of vocal and instrumental music.

Where: Bethel Lutheran Church, 312 Wisconsin Ave.

Who: Greg Zelek, Madison Symphony Orchestra organist (below); Jeremy Kienbaum, viola; Satoko Hayami, piano; Tyler Pimm; organ; Kristina Teuschler, clarinet; Alex Norris, violin; Micah Cheng, cello; Caitlin Mead, soprano; and Scott Gendel, piano.

Program: Music by Toru Takemitsu, Trevor Weston, Morton Feldman, Daniel Ficarri, John Weaver, Tyler Pimm, Tania Leon, John Musto and Scott Gendel

CONCERT 3: Festival Closing Party 2018 – Sunday, Aug. 12, at 7:30 p.m.

Kick back a drink as local musician BC Grimm plays his original works for instruments from cello to Chinese Guqin zither, followed by a set of music for solo strings. Then, the musicians from all three concerts come together for a performance of the 1973 piece “Stay On It” — heard in the YouTube video the bottom — by Julius Eastman (below).

Where: Robinia Courtyard, 829 East Washington Avenue

Who: BC Grimm, Jeremy Keinbaum, Aaron Yarmel, and All Festival Performers

Program: BC Grimm, Philip Glass, Ursula Mamlok, Aaron Yarmel, and Julius Eastman

All individual concerts are $15 for general admission, $5 for students. You can also subscribe to all three concerts for $35.

For more information, please visit our website http://madisonnewmusic.org or find us on Facebook (@Madison New Music Festival) or Instagram (@madisonnewmusic).


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Classical music education: The all-student Madison Youth Symphony Orchestra scores another big success with music by Mozart, Copland and Grieg

August 6, 2018
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By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT-FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also took the performance photos.

By John W. Barker

The Madison Area Youth Chamber Orchestra (below, in a photo by Steve Rankin), founded and led by Mikko Rankin Utevsky is celebrating its fourth season of summer training sessions and public concerts.

I had to miss the first one of this summer, back in June, but I caught up with their second one, on last Saturday night, given at the First United Methodist Church on Wisconsin Avenue.

The church is now pursuing an active program of concerts, and this was the first one I have attended there. The hall (below) is a beautiful and spacious one, with fine acoustics. The fifty-odd people who attended were all but dwarfed by its amplitude.

The first half of the program was devoted to Mozart’s Piano Concerto No. 9 in E-flat, K. 271, often known by the name “Jeunehomme” for the student who inspired it.  It is a boldly innovative work, even as it is the composer’s first truly mature essay in this form.

The soloist was Trevor Stephenson (below top and left in bottom photo), artistic director of the Madison Bach Musicians, playing his own fortepiano.

That instrument lacks the big and forceful sound of the modern grand piano, and Stephenson rightly shunned heroics for greater delicacy. Even with an orchestra of only 16 players, the instrument defined a balance that was fascinatingly different from what we usually hear. (In the YouTube video at the bottom, you can hear the Mozart concerto played on a fortepiano by Malcolm Bilson, who was Trevor Stephenson’s teacher.)

After the intermission, Utevsky identified a policy now established by the organization, one that allows certain players in the orchestra to become podium “interns”, for training and for one performance opportunity.

This time cellist Elizabeth Strauss (below) was given a chance to conduct the familiar string arrangement that Edvard Grieg made of his song Våren (usually translated as “The Last Spring”).

Strauss seemed very confident. I did find her tempo a little faster than seems good to me, and a string group of only a dozen players could hardly achieve the polish and richness that most performances bring off. Still, the point is the wonderful experience given to such a trainee-conductor in these circumstances.

The concert concluded as Utevsky conducted the recast orchestra (below) in the suite for 13 instruments that Aaron Copland derived from his ballet Appalachian Spring.

This is a beautiful piece of Americana in music, and both conductor and players gave it their full devotion. The result was a handsomely well-balanced and nicely blended performance that obviously moved the audience greatly.

The MAYCO organization has made a real place for itself in Madison’s summer music, giving valuable experience to both the conductor and his student players, as they grow into mature orchestral musicians.

Long may it succeed!


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Classical music: Even as the school year winds down, there are several noteworthy events and concerts at the University of Wisconsin-Madison School of Music this weekend.

April 23, 2015
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By Jacob Stockinger

Even as the school year winds down, there are several noteworthy events and concerts at the University of Wisconsin this weekend.

FRIDAY

At 7:30 p.m. in Mills Hall, the UW Wind Ensemble will perform a FREE concert under director Scott Teeple.

The Wind Ensemble is the premier wind/percussion ensemble in the UW-Madison School of Music. Repertoire varies from classical wind compositions to contemporary works.

The Wind Ensemble actively commissions new works from world-renowned composers, often performing with internationally acclaimed soloists and guest conductors.

Jacob Klingbeil will assist as graduate student guest conductor.

YOUniversity Band will be side-by-side with community musicians

The program includes:

Gvorkna Fanfare by Jack Stamp

Baron Cimetieres Mambo by Donald Grantham

Irish Tune from County Derry by Percy Grainger

Starwars Trilogy, by John Williams/arr. Donald Hunsberger

UW Wind Ensemble performance

SATURDAY

At 1:30 p.m. in Morphy Recital Hall, a FREE Doctoral Recital: Russian Literature and the Music Salon. It is a multimedia concert with narration.

This doctoral project, organized by pianist Oxana Khramova, involves several students and faculty members from various departments.

It will be devoted to writers and composers who were connected to St. Petersburg in their lives and works: Nikolai V. Gogol, Anna A. Akhmatova, Joseph A. Brodsky, Sergei Prokofiev and Alfred Schnittke.

Listeners will experience their masterpieces through the prism of Russian music, language and visual images. By attempting to combine literature, music and art. participants hope to recreate the atmosphere of St. Petersburg’s culture (as recreated in the museum photo below).

Participants include:

Oxana Khramova, piano, DMA candidate, School of Music, where she is a student of Christopher Taylor

with

Yana Groves, piano, DMA candidate, School of Music

Nicole Heinen, soprano, MM candidate, School of Music

Ilona Sotnikova, visual images and literature, PhD candidate, Department of Slavic Languages and Literature

Conor Ryan, narrator, Undergraduate Student, Department of Slavic Languages and Literature

Russia salon in Saint Petersburg

At 4 p.m., in Mills Hall, the All-University String Orchestra will give a FREE concert under the baton of director Janet Jensen (below, in a photo by Katrin Talbot). Sorry, no word on the program.

Janet Jensen Katrin Talbot

From 4 to 6 p.m. the Wingra Woodwind Quintet will hold its 50th Anniversary Party at the University Club (below), 803 State St., next to the Humanities Building.

university club uw in winter

Embodying the Wisconsin Idea and serving as role models to our students, the Wingra Quintet has a rich tradition and will honor current and former members.

Former members who plan to attend are Robert Cole, flute, Marc Fink, oboe, Glenn Bowen, clarinet, Richard Lottridge, bassoon, Douglas Hill, horn, and Nancy Becknell, horn. (Below are photos from 1990 and 2010.)

A short program of 20 minutes is planned and then we will celebrate with hors d’oeuvres and beverages catered by the University Club. Everyone is invited to enjoy the food, music, and good company of current and former members of the Wingra Quintet.

Please RSVP to news@music.wisc.edu

Learn about the rich history of the WWQ here: http://www.music.wisc.edu/wingra-woodwind-quintet/

Wingra 1990 2010

SUNDAY

At 1 p.m. in Mills Hall, the UW Women’s Chorus (below) and University Chorus will give a FREE concert. Anna Volodarskaya and Sarah Guttenberg will conduct.

This event is FREE.  Registration is encouraged, but not required.

No program has been announced.

UW Women's Chorus


Classical music: These are tough times for piano sellers who are hearing sour notes. Read why. Plus, hear a FREE concert of string music by Bach and Bartok Friday at noon.

January 7, 2015
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ALERT: The week’s FREE Friday Noon Musicale, to be held in the Landmark Auditorium from 12:15 to 1 p.m. at the Frank Lloyd Wright-designed First Unitarian Society of Madison, 900 University Bay Drive, will feature violist Jeremy Kienbaum and pianist Vincent Fuh in music by Johann Sebastian Bach and Bela Bartok.

FUS1jake

By Jacob Stockinger

For most of my life, having a piano at home and taking piano lessons seemed one of the cultural givens. It was a gateway to classical music, and to playing other instruments and even to singing as well as to becoming a lifelong appreciative listener.

child at the piano

But times are changing.

And they are not changing for the better -– at least not from my point of view.

Across the nation, sales of acoustic pianos are down — way down.

Here is a story from The Associated Press that localizes a piano store in Iowa to show the general situation.

http://hosted.ap.org/dynamic/stories/U/US_PIANO_STORES_DWINDLING?SITE=AP&SECTION=HOME&TEMPLATE=DEFAULT

Farley's House of PIanos MMM 20141


Classical music: Hear the cold! Oakwood Chamber Players will perform a “Nordic” program of Icelandic, Finnish and Danish chamber music this Saturday and Sunday. Plus, a Pro Arte Quartet dinner is Thursday night at the University Club.

January 29, 2014
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ALERT:  The University Club, 803 State St. will host another Arts Outreach dinner with the Pro Arte String Quartet (below) tomorrow night, Thursday, Jan. 30. Cocktails and appetizers are at 5:30 p.m.;  a three-course dinner will be served at 6:30 p.m.; and a concert of Mendelssohn’s Quartet in E Minor and Haydn’s Quartet in D Major, Op. 20, No. 4, will take place at 7:30 p.m. The cost is $40 a head. Reservation are required and, along with menu choices, can be made here: Make your reservation online! You can also call (608) 262-5023. For more information, visit  uclub@uclub.wisc.edu and http://artsoutreach.wisc.edu/pro_arte.html

Pro Arte Quartet new 2 Rick Langer

By Jacob Stockinger

The title of Ann Beattie’s first collection of short stories — “Chilly Scenes of Winter” — comes immediately to mind.

Haven’t yet had enough of the “bitter” and “dangerous” polar vortex cold this winter? Well, you can hear it as well as feel it and fight it.

This weekend, the Oakwood Chamber Players (below) of Madison, Wisconsin, will present two performances of “Nordic,” a concert that reflects the musical landscapes created by composers influenced by the contrast of dark and light in their Northern physical environments. The concert is typical of the innovative and creative approach that the Oakwood Chamber Players usually take to their eclectic programming. Few local groups perform as many unknown or neglected composers or works. They also make intriguing connections and provide original contexts.

Oakwood Chamber Players 2012 2

Featured composers this time include Sveinbjorn Sveinbjornsson, Jean Sibelius and Carl Nielsen.

The Oakwood Chamber Players will present Nordic on this coming Saturday, Feb. 1, at 7 p.m. in the Oakwood Village Center for Arts and Education (below top), 6205 Mineral Point Road; and on Sunday Feb. 2 at 1:30 p.m. at the Visitor Center (below bottom) in the University of Wisconsin Arboretum.

Tickets are available at the door, and are $20 for general admission, $15 for seniors and $5 for students.

Oakwood Village Auditorium and Stage

UW Arboretum Visitor Center

Here are program based largely on a press release:

Icelandic composer Sveinbjorn Sveinbjornsson (below) is known primarily as the writer of the Iceland’s National Anthem. He wrote romantic music in the style of Felix Mendelssohn. The mark of his individual compositional voice is the northern folk elements incorporated into his music, which will be heard in the rich melodies of his Piano Trio for violin, cello and piano. 

SSveinbjorn örn_Sveinbjörnsson

The essence of the darkly expressive Finnish identity can be heard in compositions by Jean Sibelius (below), from his famous tone poem “Finlandia” to his symphonies, and is echoed in the Suite in A Major for String Trio for violin, viola and cello that is on the program.

Jean Sibelius at piano

Carl Nielsen (below) is Denmark’s most noteworthy and widely performed composer, famous for his symphonies. The Oakwood Chamber players will perform his Woodwind Quintet (at the bottom in a YouTube video played by members of the Berlin Philharmonic), which captures a variety of moods from lilting melodies, tour-de-force technical passages, to individual cadenzas that showcase an inherent understanding of the characteristics of each instrument. 

Carl Nielsen at piano

This is the third concert in the 2013-14 Oakwood Chamber Players’ season series titled “OrigiNATION:  Exploring Musical Regions of the World.”  Upcoming concerts include:

  • Russian Radius – March 22 and 23
  • Down Under – May 17 and 18

The Oakwood Chamber Players is a group of Madison-area professional musicians who play with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and other groups and who have rehearsed and performed at Oakwood Village for 30 years.

For more information, visit www.oakwoodchamberplayers.com

The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation, in collaboration with Friends of the Arboretum, Inc.

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