By Jacob Stockinger
The Ear has received the following public service announcement to post, and he is happy to do so because he believes there is no better investment you can make in the future of both classical music and adult success:
Wisconsin Youth Symphony Orchestras will hold its annual Art of Note Gala fundraiser, on Saturday, March 4, 2017 from 6 to 10 p.m., at Marriott West, 1313 John Q. Hammons Drive, in Middleton just off the Beltline on Madison’s far west side.
You can join dozens of major corporate underwriters and small business sponsors as well as individual attendees in helping WYSO to meet its goal of raising $85,000.
Study after study confirms that music education reaps lifelong benefits in academic and career success that go far beyond making music.
No single music educational organization in Wisconsin reaches more students or listeners than the Wisconsin Youth Symphony Orchestras (WYSO), which is based at the University of Wisconsin-Madison Mead Witter School of Music.
WYSO has served nearly 5,000 talented young musicians from more than 100 communities throughout south central Wisconsin over the past 51 years.
WYSO provides over $50,000 in scholarships for students in need.
WYSO performs through the community and undertakes local concerts and TV appearances as well as international tours. International tours have included Vienna, Prague (below), Budapest, Argentina and Italy.
The Art of Note Gala garners community-wide support from those who are passionate about music education, ensuring that WYSO remains one of the top youth orchestra programs in the country.
The evening will feature live music performed by several WYSO student groups including the Brass Choir (below), Percussion Ensemble and Youth Advanced String Ensemble.
The event will have an Italian theme to food, drinks and decor to bring back memories of WYSO’s most recent tour of Italy.
Fundraising events include silent and live auctions of more than 100 items that include everything from fine wine and restaurant gift certificates to holiday getaways, jewelry and tickets to major sporting and arts events.
To see the auction items, go to: http://www.wysomusic.org/artofnote/the-live-and-silent-auction-2017/
Of special note are the recycled violins that have been hand-painted and transformed into works of art by local artists. They are currently on display at Goodman Jewelers, 220 State Street. (Below top is the violin by Ellie Taylor, and below bottom by Margaret Andrews.)
Individual admission is $125 in advance, $135 at the door ($85 tax-deductible as a charitable donation per person). You can also purchase a table of four for $450, a table of 8 for $900 and a table of 10 for $1,100.
For reservations and more information about attending or sponsoring the gala, donating auction items as well as WYSO’s overall program and upcoming concerts, visit WYSO’s home website for the fundraising event at www.wysomusic.org/artofnote. You can also call (608) 263-3320, ext. 2.
For more general information about WYSO and its programs, go to: www.wysomusic.org
NOTE: If you are a WYSO student, a WYSO parent or a WYSO donor or supporter and have encouraging words to help others decide about attending the WYSO “Art of Note” fundraiser, please leave them in the COMMENT section.
ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features oboist Laura Medisky and pianist Vincent Fuh in sonatas by Paul Hindemith, Henri Dutilleux and Malcolm Arnold. The concert runs from 12:125 to 1 p.m. On Saturday night at 7 p.m., the same performers will repeat the same program in a FREE concert at Oakwood Village West auditorium, 6201 Mineral Point Road, on Madison’s far west side near West Towne.
By Jacob Stockinger
The Ear’s friends at the Willy Street Chamber Players (below), which The Ear named as Musicians of the Year for 2016, write:
We wanted to let you know about the upcoming kickoff of the Willy Street Chamber Players’ “Community Connect” series. We are committed to our mission of making classical music accessible to all.
The Willy Street Chamber Players’ Northside Community Connect Concert is on this coming Sunday, Feb. 19, at noon at the Warner Park Community Recreation Center.
Enjoy hot coffee, exciting classical music and great conversation with the Willy Street Chamber Players.
This program is FREE, family-friendly and will last about 60 minutes. All are welcome.
The program is: String Quartet in C Major, K. 157, by Wolfgang Amadeus Mozart; String Quartet No. 5, “Rosa Parks” by Daniel Bernard Roumain; “Entr’acte” for String Quartet by Pulitzer Prize-winner Caroline Shaw (you can hear the piece, which The Ear loves for its pulsing and hypnotic rhythm plus unusual and interesting string textures, in the YouTube video at the bottom); and “Four, for Tango” by Astor Piazzolla.
There was an announcement about this series in the January string quartet program at A Place to Be (below, in a photo by John W. Barker), and it included a couple more concerts. But we have decided to make Community Connect a self-produced series.
We are planning a second Community Connect concert in July during our regular summer series, and have listed our other free appearances on our regular calendar.
The concert is made possible in part by Willy Street Co-Op and the North/Eastside Senior Coalition (NESCO).
For more information go to: www.willystreetchamberplayers.org
ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison features Danielle Breisach and Taya König-Tarasevich playing music for baroque and modern flutes. They will play works by Johann Sebastian Bach, Georg Philipp Telemann, Jacques-Martin Hottetere and Yuko Uebayashi. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
“Con Vivo! … music with life,” (below) continues its 15th season with a chamber music concert entitled “Capital Europeans” on this Sunday afternoon, Feb. 12, at 2:30 p.m. at First Congregational United Church of Christ, 1609 University Ave. across from Camp Randall Stadium.
Tickets can be purchased at the door. Admission is $18 for adults and $15 for seniors and students.
The winter concert, called, “Capital Europeans,” features pieces from three distinct European composers, each with his own style.
Representing Paris, the program includes selections from the Organ Preludes by French composer Darius Milhaud.
Audience members are invited to join the musicians after the concert for a free reception to discuss the concert.
Adds Con Vivo’s artistic director Robert Taylor: “With this concert, we are performing a Sunday matinee with three unique composers, each with his own musical language. Our Madison audience will be able to hear our musicians up close and personal playing music of extreme delight and depth.”
Con Vivo is a professional chamber music ensemble comprised of Madison area musicians assembled from the ranks of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and various other performing groups familiar to Madison audiences.
For more information about Con Vivo and its upcoming concerts, go to: http://www.convivomusicwithlife.org
ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features the Ann Arbor Ensemble. The group consists of Berlinda Lopez, flute; Marie Pauls, viola; and Stacy Feher-Regehr, piano. The all-French program includes the Trio Sonata by Claude Debussy and the Trio No. 2 in A minor, Op. 34, by Cecile Chaminade.
By Jacob Stockinger
The Oakwood Chamber Players (below) continue their 2016-2017 season with a concert titled Looking Within on this coming Saturday, Jan. 21, at 7 p.m. and Sunday, Jan. 22, at 2 p.m.
The concerts will both be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne.
Tickets can be purchased with cash or personal checks at the door: $20 for general admission, $15 for seniors and $5 for students. Visit www.oakwoodchamberplayers.com for more information.
Here are notes to the eclectic and unusually noteworthy program:
In 2011, American composer Byron Adams (below top) wrote a piece to honor the notable Czech-American composer Karel Husa (below bottom), who was also his composition teacher at Cornell University. The Serenade (Homage de Husa) not only illuminates Husa’s Czech heritage through musical references but also captures the essence of his positive influence in a piece that shows musical charm and wit. With the death of the Pulitzer Prize-winning Husa this past December, the intended tribute is particularly appropriate.
The Notturno (Nocturne) by Arnold Schoenberg (below) is a sweetly atmospheric, late Romantic work for harp and strings. After premiering in 1896 to an appreciative audience, this lovely piece of music was lost for decades and not rediscovered until 2001.
Originally written by French composer Maurice Ravel (below) in 1914, Kaddisch was set as a song using Aramaic text from the Jewish prayer book. The Oakwood Chamber Players will perform an evocative arrangement by David Bruce for a mixed ensemble of strings, winds, harp and English horn.
Music by British composer Gabriel Jackson (below, in a photo by Joel Garthwaite) is written with directness and clarity. In the Mendips, written in 2014, depicts the natural beauty of limestone hills in Somerset, England. The influence of generations of British composers, such as Vaughan Williams who was also inspired by pastoral beauty, is deftly woven into this piece for flute, clarinet, string trio, and harp.
Composer Frances Poulenc (below) was surrounded by the impressionist influence of his fellow French contemporaries Debussy and Ravel.
However, known for humor in how he approached his compositions, his creativity is resoundingly experienced in the high-energy Sextet for piano and woodwind quintet.
The listener will experience quicksilver shifts from the zesty vivace opening to glimpses of introspection to a dazzling high velocity finale. (You can hear the opening of the Sextet in the YouTube video at the bottom.)
The Oakwood Chamber Players are joined by guests Geri Hamilton and Maureen McCarty, violins; Brad Townsend, string bass; Aaron Hill, oboe and English horn; and Mary Ann Harr, harp (below).
This is the third of five concerts in the Oakwood Chamber Players’ 2016-2017 season series entitled Perspective. Remaining concerts will take place on March 18 and 19, and May 13 and 14.
The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years.
The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation
By Jacob Stockinger
It can’t be easy to start a new classical music group in a city that already has so many outstanding classical music groups and events.
Yet that is exactly what The Willy Street Chamber Players (below) have done – and with remarkable success.
To be honest, The Ear thought of awarding the same honor to them last year.
But that was their inaugural year. And launching a new enterprise is often easier than continuing and sustaining it.
But continue and sustain it they have – and even improved it.
The main season for The Willy Street Players is in July,, usually around noon or 6 p.m.
But they also usually offer a preview concert in the winter, and will do so again at 1:30 p.m. on Saturday, Jan. 21, and Sunday, Jan. 22, when they will perform string quartets by Franz Joseph Haydn, Felix Mendelssohn, Astor Piazzolla and Daniel Bernard Roumain at A Place to Be, 911 Williamson Street. Admission is $20.
For tickets and more information about that concert as well as the group in general, go to: http://www.willystreetchamberplayers.org
The Ear finds so much to like about The Willy Street Chamber Players.
To start, the quality of the playing of the mostly string players and pianists — most of whom are products of the UW-Madison — is unquestionably superb. So are their guest artists such as Suzanne Beia. They have never disappointed The Ear, and others seem to agree.
The programming is ideal and adventurous, combining beloved classics, neglected works and new music from contemporary composers. And it all seems to fit together perfectly.
The ensemble’s repertoire ranges from the Baroque era through the Classical, Romantic and modernist eras to today. They have performed an impressively eclectic mix of music by Johann Sebastian Bach, George Frideric Handel, Ludwig van Beethoven, Wolfgang Amadeus Mozart, Johannes Brahms, Peter Tchaikovsky, Pietro Mascagni, Arnold Schoenberg, George Crumb, Philip Glass, Pulitzer Prize-winner Caroline Shaw and UW-Madison composer Laura Schwendinger.
The concerts are very affordable.
The concerts are short, usually running only about an hour or 75 minutes. That allows you both to fully focus or concentrate on the performance but then also to do something else with your precious leisure time.
The group of sonic locavores stays true to its name and mission, playing at various venues on or near Williamson Street on Madison’s near east side – including the Immanuel Lutheran Church (below) on Spaight Street and at the Wil-Mar Neighborhood Center on Jenifer Street. But they have also collaborated with the Madison Museum of Contemporary Art.
At the post-concerts receptions, they even offer outstanding snack food from local purveyors in the Willy Street area. And it’s there that you can also meet the performers, who are fun, informative and congenial whenever they talk to the public, whether before and after a performance.
Most of all, The Ear has never heard anything dull or second-rate from the Willy Street Chamber Players. They are a fantastic breath of fresh air who invest their performances of even well-known works, such as the glorious Octet by Mendelssohn, with energy and drive, zest and good humor.
They are exactly what classical music – whether chamber music or orchestral music, choral or vocal music –needs to attract new and younger audiences and well as the usual fans. They have just the right balance of informality and professionalism.
The many musicians, all of them young, work hard but make the results seem easy. That is the very definition of virtuosity. Small wonder that many of them play with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Middleton Community Orchestra and the Madison Bach Musicians among other groups. But this group seems special to them, and it shows.
If you don’t already know the Willy Street Chamber Players, you should get to know them. You should attend their concerts and, if you can, support them. They are a new gem, and constitute an outstanding and invaluable addition to Madison’s music scene.
NOTE: The Ear offers one piece of advice to The Willy Street Chamber Players: Since he can’t find a sample of you in action, please post some of your outstanding performances, which have been recorded by radio host Rich Samuels and broadcast on WORT-FM 89.9, on YouTube. The public needs a way to hear them and whet its appetite for your live performances.
In any case, The Ear wishes them well and hopes that, despite the inevitable personnel changes that will surely come in the future, The Willy Street Chamber Players stay on the Madison music scene for many years to come.
The Ear sends his best wishes for the New Year and another great season, the group’s third, to The Willy Street Chamber Players as Musicians of the Year for 2016.
By Jacob Stockinger
The end of the first semester is at hand. And this weekend two very appealing concerts will help finish off the first half of the new concert season at the University of Wisconsin-Madison School of Music.
The orchestra and the campus-community chorus will be conducted by Beverly Taylor (below), the director of choral activities at the UW-Madison.
The program of works that are relatively rare on programs includes the Mass in C Major by Ludwig van Beethoven, “Nänie: Song of Lamentation” by Johannes Brahms (heard conducted by Claudio Abbado in the YouTube video below) and the “Chichester Psalms” by Leonard Bernstein.
Admission is $15 for adults; $8 for students.
Here are some notes about the works written by conductor Beverly Taylor:
“The Choral Union will present a 3 B’s concert, which includes masterpieces of three different types.
“The Bernstein “Chichester Psalms,” written in the 1960’s for a cathedral in Britain, is a setting of three psalms in Hebrew. The piece is for strings, brass and percussion, and lasts about 20 minutes. It features a flamboyant, joyful and somewhat dissonant opening full of exciting percussion writing.
“The second movement features a wonderful boy soloist, Simon Johnson, from the Madison Youth Choirs, with harp and strings. He is like the shepherd King David, who is peacefully in the fields with his sheep; contrasting that are the warring peoples, sung by the tenors and basses. The boy and women’s voices return singing peacefully above the warring mobs.
“The third movement starts in dissonant pain, but it dissolves into a beautiful, quiet psalm of praise and trust.
“The Brahms Nänie is a 15-minute setting of a poem by Friedrich Schiller on the topic of beauty and its inability to last; even beauty must die, and the gods weep too, but the beauty itself is worth all! The style is Romantic with the long arching melodic lines for which Brahms is well-known.
“The Beethoven Mass in C is one of just two masses that Beethoven wrote; in contrast to the long, loud, high, grand and overpowering “Missa Solemnis,” the Mass in C is more charming, Mozartean and approachable. It still has some Beethovenian touches of sudden dynamic changes, sforzandi (which are emphases or accents), and slow, elegiac quartets. Our solo quartet will be Anna Polum, Jessica Krasinki, Jiabao Zhang and John Loud.”
For more background and information about how to get tickets, go to:
On this Saturday night at 8 p.m. in Mills Hall, the UW-Madison Symphony Orchestra (below top), under the baton of James Smith (below bottom, in a photo by Jack Burns), will give a FREE concert.
The program features three works: the late “King Stephan” Overture by Ludwig van Beethoven (heard below in a YouTube video as conducted by Leonard Bernstein with the Vienna Philharmonic) the “Billy the Kid” Suite by Aaron Copland; and the Symphony No. 4 “Inextinguishable” by Danish composer Carl Nielsen.
The Ear has heard both groups often and highly recommends both concerts.
He was quite amazed at how good the last UW Symphony Orchestra program he heard was. It offered two Fifth Symphonies — by Sergei Prokofiev and Jean Sibelius – only about three weeks into the semester.
It was nothing short of amazing how well the orchestra had come together in such a short time. It was a tight and impassioned performance. The Ear expects the same for this concert, which has had a lot more rehearsal time.
ALERT: The Wisconsin Chamber Orchestra and its acclaimed music director Andrew Sewell are pretty busy these days playing the accompanying music for the Madison Ballet‘s multiple performances of Peter Tchaikovsky‘s holiday ballet “The Nutcracker.”
Then on this coming Friday night at 7 p.m. at the Blackhawk Church in Middleton, the WCO, the WCO Chorus, the Festival Choir of Madison and guest soloists, all under the baton of Sewell, also give their annual and usually sold-out performance of George Frideric Handel‘s oratorio “Messiah.” The Ear has been told that this year’s performance is also close to selling out to. For more information and tickets, go to:
By Jacob Stockinger
At 8 p.m. this Saturday night, Dec. 10, the Madison Bach Musicians (below top) will give their sixth annual Baroque Holiday Concert.
The event will once again be held in the beautiful and sonorous sanctuary (below) of the First Congregational United Church of Christ, 1609 University Avenue.
There is a free pre-concert lecture by the always witty, informative and entertaining MBM founder, artistic director and harpsichordist Trevor Stephenson (below) at 7:15 p.m. NOTE: Trevor Stephenson will also discuss the upcoming holiday concert and play excerpts from past ones TODAY AT NOON on The Midday program aired by Wisconsin Public Radio.
The program will feature: a cappella (solo vocal) masterworks by Orlando di Lassus and Josquin des Prez performed by a vocal quartet; a Christmas Cantata for soprano and strings by Alessandro Scarlatti—featuring soprano soloist Chelsea Morris (below top); a trio sonata by Johann Joseph Fux; an intriguing Partita for two scordatura violins (scordatura means the open strings are re-tuned into a new interval configuration!) by Heinrich Biber; the Sonatina in A minor for baroque bassoon and continuo by Georg Philipp Telemann ― with soloist and UW-Madison professor Marc Vallon (below bottom, in a photo by James Gill); one of the Christmas Cantatas, BWV 122, Das neugeborne Kindelein (The Newborn Baby) by Johann Sebastian Bach (heard in the YouTube video at the bottom); and a bonus feature ― a preview of MBM’s upcoming April performance of Bach’s oratorio St. John Passion, the tenor aria Ach, mein Sinn.
Advance-sale discount tickets: $28 for general admission, $23 for students and seniors 65 and over. They are available at Orange Tree Imports, Farley’s House of Pianos, Room of One’s Own, and Willy Street Co-op (East and West) . You can also find online advance-sale tickets at madisonbachmusicians.org
Tickets at the door are: $30 for general admission; $25 for students and seniors 65 and over. Student Rush tickets are $10 at the door and go on sale 30 minutes before lecture (student ID is required)
Musicians will include: Chelsea Morris, soprano; Joseph Schlesinger, counter-tenor; Scott Brunscheen, tenor; Matthew Tintes, bass; Kangwon Kim and Brandi Berry, baroque violins; Marika Fischer Hoyt, baroque viola; Martha Vallon, baroque cello; Marc Vallon, baroque bassoon; and Trevor Stephenson, harpsichord
By Jacob Stockinger
This is a post about a very appealing FREE concert by Juilliard violinist Laurie Smukler (below) on this Saturday night at 8 p.m. in Mills Hall.
But for The Ear, some context seems fitting.
Some seasons are memorable for great singing or great piano playing or great orchestral playing. And there certainly has been, and will continue to be, lots more of all three this autumn and winter.
But what has really stood out to The Ear this Fall is the string playing, especially the violin.
Actually it started in the summer with a sizzling, white-hot performance by the Bach Dancing and Dynamite Society. The BDDS interspersed Vivaldi’s “Four Seasons” with Astor Piazzolla’s “Four Seasons in Buenos Aires.”
Violinist Suzanne Beia (below top) played the Vivaldi seasons and McGill University violinist Axel Strauss from Montreal (below bottom) played the Piazzolla seasons. The dueling violins were something to behold and to hear! And the alternation kept listeners from tiring of one particular composer or style. It was a thoroughly enjoyable and thoroughly memorable concert.
Then came an unforgettable performance of the Violin Concerto by Tchaikovsky, played with intimacy and clarity as well as stunning virtuosity by the prize-winning Russian-born Ilya Kaler with the Wisconsin Chamber Orchestra under Andrew Sewell.
Then came wonderful performances by Norwegian violinist Henning Kraggerud of the Violin Concerto No. 1 by Max Bruch and some works by Kraggerud himself, accompanied by the Madison Symphony Orchestra under John DeMain.
Over at the Wisconsin Union Theater, superstar Joshua Bell didn’t disappoint. Appearing in a recital with pianist Alessio Bax, Bell played music by Ludwig van Beethoven, Johannes Brahms, Claude Debussy, Eugene Ysaye, Pablo de Sarrasate and Manuel Ponce. Violin recitals just don’t get better.
In between came several performances by the four always reliable and always outstanding string players of the UW-Madison’s Pro Arte Quartet (below top, in a photo by Rick Langer) as well as the newly reformed Ancora String Quartet (below bottom).
And there were many other events.
But The Season of Strings isn’t over yet.
This Saturday night at 8 p.m. in Mills Hall, there is a FREE recital by Laurie Smukler, a violin professor at the Juilliard School who is also doing a guest residency here that features master classes in the violin and chamber music.
Smukler was invited by and will be joined by Soh-Hyun Park Altino (below, in a photo by Caroline Bittencourt), who teaches violin at the University of Wisconsin-Madison School of Music and whose debut recital last year still lingers in The Ear’s ear.
Both women, who are personal friends, are terrific musicians and highly accomplished violinists.
The intriguing program, with the distinguished pianist Victor Asuncion, features the popular work “The Lark Ascending” by English composer Ralph Vaughan Williams; the Sonata for Two Violins by Soviet composer Sergei Prokofiev; and the Violin Sonata No. 3 in D minor by Brahms. (You can hear the heart-rending slow movement of the Brahms, played by violinist Itzhak Perlman and pianist Daniel Barenboim, in a popular YouTube video at the bottom.)
For more information about all events related to the Smukler residency, go to:
ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison 900 University Bay Drive, features cellist Leonardo Altino playing Suites Nos. 1, 5 and 6 for unaccompanied cello by Johann Sebastian Bach. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
WYSO will kick-off its 51st season with the Evelyn Steenbock Fall Concerts on this Saturday, Nov. 12, and next Saturday, Nov. 19. Nearly 500 young musicians will display their talents to the community during the concerts, which are dedicated to music teachers.
Kenneth will be playing cello and Cynthia will be conducting in the Cello Concerto by British composer Philip Sawyers. (You can hear Kenneth Woods conduct the opening movement of the cello concerto in the YouTube video at the bottom.)
The Youth Orchestra, under the direction of James Smith, will also be playing Symphony No. 2 by Ralph Vaughan Williams and Overture to the opera “Der Freischuetz” by Carl Maria von Weber.
Cynthia Woods (below) is currently the Music Director of the Cambridge Symphony Orchestra and the conductor for the Youth Preparatory Orchestra at the New England Conservatory, where she serves on the violin, chamber and conducting faculty.
Along with her conducting activities, Ms. Woods is also a frequent speaker and writer. She has been a guest lecturer at institutions such as MIT and the Longy School of Music of Bard College, a panelist for radio shows such as WGBH’s Callie Crossley, and a frequent contributor to The Boston Herald’s State of the Arts blog. Cynthia was a member of WYSO from 1984–1989 in Concert, Philharmonia and Youth Orchestra.
For more background about Cynthia Woods, go to:
Kenneth Woods (below) is currently the Artistic Director and Principal Conductor of the English Symphony Orchestra. As a cello soloist and chamber musician, Wood’s collaborators have included members of the Toronto, Chicago and Cincinnati symphonies, the Minnesota, Gewandhaus and Concertgebouw orchestras and the La Salle, Pro Arte, Tokyo and Aubudon String Quartets.
He also is currently cellist of the string trio Ensemble Epomeo, with whom he performs regularly in the UK, Europe, and the USA. He writes a popular blog, “A View From the Podium.” Kenneth was a member of WYSO from 1980–1986 in Concert, Philharmonia and Youth Orchestra. He also studied cello at the University of Wisconsin-Madison School of Music with Parry Karp, of the Pro Arte Quartet.
For more background and an interview with Kenneth Woods, go to:
Schedule and Programs
November 12, 2016 – 1:30 P.M., Mills Hall
November 12, 2016 – 4 P.M., Mills Hall
CONCERT ORCHESTRA (below)
November 19, 2016 – 7 P.M., River Arts Center
YOUTH ORCHESTRA (below)
The Evelyn Steenbock Fall Concerts will be held in Mills Concert Hall in the UW Humanities Building, 455 N. Park Street, Madison, and at the River Arts Center, 105 Ninth St. Prairie du Sac, Wisconsin.
WYSO concerts generally run about an hour and a half in length, providing a great orchestral concert opportunity for families.
Tickets are available at the door, $10 for adults and $5 for youth 18 and under.
This project is supported by Dane Arts with additional funds from the Evjue Foundation, Inc., the charitable arm of The Capital Times. This project is also supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
By Jacob Stockinger
Ludwig van Beethoven’s popular Symphony No. 6 “Pastorale” anchors the Madison Symphony Orchestra (MSO) concerts under the baton of music director John DeMain on this coming Friday, Saturday and Sunday.
Norwegian violinist Henning Kraggerud returns to perform a violin concerto and some of his own original compositions.
The concerts will open with “In the South” by Sir Edward Elgar, a work that was inspired by the countryside and music he experienced during an Italian holiday.
Kraggerud will perform the dramatic and lyrical Violin Concerto No. 1 by Max Bruch (below), followed by his own Three Postludes from his composition “Equinox.”
The program will conclude with Ludwig van Beethoven’s Symphony No. 6, “the Pastorale,” which is a tribute to country life, as you can see and hear in the popular YouTube video, with almost 3 million hits, that is at the bottom.
The concerts are in Overture Hall of the Overture Center, 201 State Street, on Friday at 7:30 p.m.; Saturday at 8 p.m.; and Sunday at 2:30 p.m.
While escaping a drab English winter, Elgar (below), inspired by the Italian Riviera and his realization of the human cost of war, wrote “In the South” – an overture that begins and ends in a stormy mood, while encompassing wistful music for clarinets and strings.
Austrian violin virtuoso Joseph Joachim (below) put Max Bruch’s Violin Concerto No. 1 in the same league as the violin concertos of Beethoven, Brahms and Mendelssohn, calling the Bruch composition the “richest, most seductive” of the four composers. The main musical theme eventually becomes the foundation for a flashy and exhilarating ending.
Kraggerud’s “Equinox” is a set of 24 postludes for solo violin and orchestra in all major and minor keys, with a concluding 25th movement, based on a narration titled “24 Keys to a World Before it Slips Away” by Norwegian novelist Jostein Gaarder.
The Three Postludes, each short character pieces expressing an emotion, will transport audiences around the globe, capturing in a witty way a bit of the flavor of the protagonist’s various stops on his imaginary journey.
Beethoven’s Symphony No. 6 was inspired by his love for the countryside around Vienna. In it he reflects upon humanity’s role in the quiet spaces of nature. According to Beethoven (below), the Pastorale is meant to transport the listener to lush, restful, nature scenes that are “more an expression of feeling than painting.” Popularized through the Disney-animated classic film “Fantasia,” the Pastorale Symphony delights audiences of all ages.
One hour before each performance, Tyrone Greive (below, in a photo by Kathy Esposito), former MSO Concertmaster and retired professor of violin at the University of Wisconsin-Madison, will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.
For more background on the music, please visit the Program Notes at: madisonsymphony.org/kraggerud.
Single Tickets are $16 to $87 each, available at madisonsymphony.org/kraggerud, through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.
Groups of 15 or more can save 25 percent by calling the MSO office at (608) 257-3734. For more information visit, madisonsymphony.org/groups
Club 201, MSO’s organization for young professionals, has continued to fulfill its mission for the past 11 years as the premier organization promoting classical music and networking opportunities to the young professionals’ community in Madison.
For a $35 ticket, young professionals will enjoy world-class seating in Overture Hall, an exclusive after-party in the Promenade Lounge, one drink ticket and a cash bar. Conductor John DeMain (below, in a photo by Prasad), as well as musicians from the symphony, will be attending to mingle with Madison’s young professionals.
The deadline to purchase tickets is this Thursday, Oct. 20. Tickets can be purchased for this event, as well as the other events throughout the 2016-17 season by visiting the Club 201 page on the MSO’s website at http://www.madisonsymphony.org/club201.
Student rush tickets can be purchased in person on the day of the concert at the Overture Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $15 tickets. More information is at: madisonsymphony.org/studentrush. Students can receive 20 percent savings on seats in select areas of the hall on advance ticket purchases.
Seniors age 62 and up receive 20 percent savings on advance and day-of-concert ticket purchases in select areas of the hall.
Discounted seats are subject to availability, and discounts may not be combined.
Major funding for the October concerts is provided by: Steinhauer Charitable Trust, Rosemarie Blancke, Cyrena and Lee Pondrom, and UW Health & Unity Health Insurance. Additional funding is provided by: DeWitt Ross & Stevens S.C., Audrey and Philip Dybdahl, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.