The Well-Tempered Ear

Classical music: The Virtual Bach Around the Clock 2020 festival ends today. Here’s how to catch up on the 10 days of making Baroque music

April 7, 2020
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By Jacob Stockinger

If you recall, this year’s 12-hour Bach Around the Clock festival – a platform for students, amateurs and professional musicians to celebrate the birthday of Johann Sebastian Bach (below) — was scheduled to take place at St. Andrew’s Episcopal Church on Saturday, March 28.

Faced with cancellation of the annual free event because of the public health dangers posed by the COVID-19 pandemic and the need for social distancing, the organizers decided to try going virtual and hold the festival online by asking performers to send in short videos made at home.

And it worked.

“From what we have heard, it has been a very rewarding experience for both the performers who sent in videos and for the people who watched and listened to them,” says violist and BATC artistic director Marika Fischer Hoyt (below).

The cost of going virtual was not great, but it took lot of time and hard work, admits Fischer Hoyt, who says she spent between 7 and 10 hours a day to post each day’s Bach video.

It was hard especially at the beginning, she notes, when she had to learn how to use software programs, such as iMovie, to make and then upload and post the videos.

She didn’t just organize the online festival. She also performed and provided gracious introductions to the program for each day.

Lately, the videos average about 20 minutes – your Daily Minimum Requirement of Bach, as the witty Wisconsin Public Radio host Anders Yocom would say. But they were longer at the beginning when more videos were sent in. Towards the end, the festival even used some photos and audio recordings from past years to round out programs.

But the reach of the virtual festival, intended to be local, was wider than Fischer Hoyt had expected. Musicians replied and participated from Florida, Minnesota and – as you can hear today – from Costa Rica.

All the effort worked.

In one of the major victories against all the coronavirus cancellations and postponements in the Madison music scene, the Virtual Bach Around the Clock 2020 brought the public beautiful Baroque music by voices, strings, keyboards and winds in cantatas, partitas, preludes and fugues, sonatas and suites.

Listening to just one a day would be a good way to spread out and savor the joy of the festival for 10 days while you self-isolate and shelter in place at home.

You can find the videos on YouTube. In the search bar, just type in Virtual Bach Around the Clock 2020, Madison, Wisconsin.

But a much easier and more organized way can be found here on the festival’s home website, which lists the videos in chronological order and links to them: https://bachclock.com/audience-listening-viewing

Try listening to them and tell us what you think about the individual videos and performances — do you have a favorite? — and about mounting the virtual festival.

And, if you like, leave a note of thanks in the Comment section.

The Ear wants to hear.

Here is Day 5:

 


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Classical music: The Wisconsin Baroque Ensemble and Salon Piano Series cancel and postpone concerts and master classes

April 3, 2020
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By Jacob Stockinger

The coronavirus pandemic continues to take its toll. The Ear has received notification of the following cancellations and postponements.

WISCONSIN BAROQUE ENSEMBLE

The Wisconsin Baroque Ensemble (below) has cancelled its April 18 concert, due to the COVID-19 virus threat. Its next concert is re-scheduled for the fall, on Oct. 17, at 7:30 p.m. at Saint Andrew’s Episcopal Church at 1833 Regent Street.

SALON PIANO SERIES

Concerts by the Grammy-nominated, New York jazz pianist Bill Charlap (below) on April 25 and April 26 plus his master class on April 25 are all cancelled and indefinitely postponed.

New dates for Charlap’s concerts and master class are yet to be determined. They will be announced via email, on the Salon Piano Series website, and on the Salon Piano Series social media. The necessary decision is made out of concern for the public’s health and well-being.

In the event that it is not feasible to reschedule the concerts, or you have a conflict and cannot attend the rescheduled event, you can get a credit for a future Salon Piano Series performance or be issued a refund.

Everyone who bought a ticket will have one week after the announcement of the new concert date in order to request a refund.

If you have a ticket for the concert, please see additional information at the end.

The Salon Piano Series — which takes place at Farley’s House of Pianos — also says that the concert by Drew Petersen (below), which was to have taken place this spring is rescheduled for Aug. 15 at 7:30 p.m. and the master class is rescheduled for Aug. 16 at a time to be determined.

To purchase tickets, go to: https://www.brownpapertickets.com/event/4275242)

If you have a ticket and cannot attend the rescheduled event, Salon Piano Series asks that you help support the arts by not requesting a refund. For those who request a refund, the deadline for refunds has been extended through Thursday, April 9, as a courtesy.

For more information about the concert, visit salonpianoseries.org.

If you would like a refund, please follow the instructions below and allow several business days for refunds to be processed.

Paper Tickets

If you have a paper ticket, please take a photo of your ticket and email the photo to cristofori@salonpianoseries.org explaining that you would like a refund.

Online Tickets

If the ticket is not part of a season ticket, call Brown Paper Tickets at 1-(800) 838-3006.

If your ticket is part of a season ticket, contact Salon Piano Series at (608) 271-2626. Refunds for season ticket holders will be issued through Salon Piano Series by check, not through Brown Paper Tickets.

Tickets Ordered by Phone

If you purchased a ticket by phone, contact Salon Piano Series at (608) 271-2626 to request a refund.

 


Classical music: The Middleton Community Orchestra announces an ambitious 2020-21 season with new guest soloists and conductors, but with no Middleton venue

March 30, 2020
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By Jacob Stockinger

Amid all the concert cancellations due to COVID-19 comes good news.

The mostly amateur and critically acclaimed Middleton Community Orchestra (MCO, below) — which has canceled and postponed concerts for the remainder of this season — has announced its five-concert line-up for the 2020-21 season.

It is undeniably ambitious on several counts.

But unfortunately it usual venue — the Middleton Performing Arts Center that is attached to Middleton High School — will be undergoing renovations.

That means that the MCO will be using other venues besides its home base (below) for its 11th season.

The new venues include the Mead Witter Foundation Concert Hall (below) in the new Hamel Music Center, 740 University Ave., at the UW-Madison, which will host three of the concerts.

Also included for the other two concerts are the brand new McFarland Performing Arts Center (below)  – where the MCO will give the center’s inaugural public concert on Oct. 7 — and Madison Memorial High School.

Concert dates and times are usually Wednesdays at 7:30 p.m. They are Oct. 7, Dec. 16, Feb. 17, April 2 (Friday) and May 26. Admission will remain $15 with free admission for students. And, as usual, post-concert meet-and-greet receptions will be held at all performances.

The ambitious new season includes some familiar faces but also some new names.

On Oct. 7, pianist Thomas Kasdorf (below) will open the season by performing the Piano Concerto No. 2 by Rachmaninoff; and then, on May 26, he will close the season with the Piano Concerto No. 1 by Beethoven as the first installment of a complete cycle of Beethoven piano concertos.

On Oct. 7, UW professor and Pro Arte Quartet first violinist David Perry (below top) will make his MCO debut in the Violin Concerto No. 4 by Mozart; and on Dec. 16, Madison Symphony Orchestra concertmaster Naha Greenholtz (below bottom) will return to play the Violin Concerto by Brahms.

On April 2, the Festival Choir of Madison (below), under its director Sergei Pavlov, will makes its MCO debut in the movie-score cantata “Alexander Nevsky” by Prokofiev.

And the teenage winners of the second Youth Concerto Competition, to be held next December, will perform with the orchestra on Feb. 17.

The conductor for three concerts will be Kyle Knox, the music director of the Wisconsin Youth Symphony Orchestras (WYSO) and associate conductor of the Madison Symphony Orchestra (MSO).

A frequent MCO guest conductor, Knox has also agreed to become the ensemble’s new principal conductor and artistic adviser. (In the YouTube video at the bottom, you can hear Kyle Knox conducting the MCO last December in Wagner’s Overture to the opera “Die Meistersinger von Nürnberg” (The Master Singers of Nuremberg) at the UW’s Hamel Music Center.)

Two guest conductors will be making their MCO debuts: UW-Whitewater professor Christopher Ramaekers (below top) on Oct. 7 and Edgewood College professor Sergei Pavlov (below bottom) on April 2.

Some repertoire still hasn’t been decided. For up-to-date information, as well as information about how to audition for the MCO, how to subscribe to its email newsletter and how to support it, go to the newly redesigned website at: https://middletoncommunityorchestra.org

“We will also try to schedule the concert with this year’s Youth Concerto Competition winners for this summer, even if it means going to an outdoor venue,” says MCO co-founder and co-artistic director Mindy Taranto. The winners are: violinists Ava Kenny and Dexter Mott, and cellist Andrew Siehr.

Adds Taranto: “We are really excited about the lineup of guest soloists and new conductors, and are especially grateful to Kyle Knox for his continued association with us. We’re going to have a fantastic year.”

 


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Classical music: Bach Around the Clock 2020 goes virtual and wants your audio-video contribution. Plus TONIGHT, the Wisconsin Chamber Orchestra streams its Dec. 27 concert at the UW

March 27, 2020
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ALERT: TONIGHT, March 27, at 7:30 p.m., the Wisconsin Chamber Orchestra will be streaming its sold-out premiere performance (below) on Dec. 27 in the Mead Witter Foundation Concert Hall at the UW-Madison’s new Hamel Music Center. If you couldn’t get seats for the in-person performance, you can tune in for FREE tonight.

The program is: “Poet and Peasant Overture” by Suppe; the Introduction and Allegro appassionato, Op. 92, by Robert Schumann with pianist Jason Kutz; the Overture to “Orpheus in the Underworld” by Offenbach; the “Habanera” from the opera “Carmen” by Bizet and “What a movie” from the opera “Trouble in Tahiti” by Leonard Bernstein, both with mezzo-soprano Kitt Reuter-Foss; and the Violin Concerto No. 3 in B minor, Op. 61, by Saint-Saens with Rachel Barton Pine. WCO music director Andrew Sewell conducts.

For a link and  portal to the streamed video, go to: https://wisconsinchamberorchestra.org/about/wisconsin-chamber-orchestra-live/

By Jacob Stockinger

The Ear has received the following message from artistic director Marika Fischer Hoyt (below) about the decision to make this year’s Bach Around the Clock a virtual event with a call for community submissions:

The BATC Board of Directors shares the keen disappointment that all music lovers feel at the sudden, shocking collapse of the current concert season.

The BATC 2020 Festival was fully booked, and we had looked forward to 12 hours of music by Johann Sebastian Bach, performed by musicians ranging from young students to adult amateurs to seasoned professionals, all to celebrate the composer’s 335th birthday.

Sadly, that was not to be.

But thinking outside of the box, the Board has decided to try something new: the BATC 2020 Virtual Festival.

We invite local musicians to submit video or audio recordings of themselves singing or playing a selection by Bach. If you’d like, you can also talk at the beginning of your recording, explaining what music by Bach (below) means to you, and why you chose this particular piece. Or feel free to write your thoughts on this subject, and we’ll include that text with your recording.

We reach out especially to those who were scheduled to perform at this year’s festival, and those who have performed with us in the past. But we are very happy to include newcomers to our BATC community as well.

Performers can click on Performers Guide for Media Submissions to find instructions for audio or video file submission.

We request that files be of musical selections 20 minutes or less. If a piece is longer than that, please record the piece in two files.

Our tech team will preview clips for technical quality, upload them to the BATC YouTube channel, and post them on our website and then on our Facebook page, for everyone to enjoy.

BATC plans to launch the Virtual Festival this Saturday, March 28, at 10 a.m., the time the original in-person Festival was scheduled to begin.

We will add new videos every day at 10 a.m., as long as submissions keep coming in. (Below are the Suzuki Strings of Madison performing during a past BATC.)

The BATC Board hopes this Virtual Festival gives local musicians an outlet for sharing their talent and passion with the warmly appreciative local community.

Live music nourishes the soul of performer and audience member alike, and the transcendent, life-giving joy woven into the music of Bach is something we need, now more than ever. (Below is a performance from last year’s Bach Around the Clock.)

For more information, go to: https://bachclock.com and https://www.facebook.com/batcmadison


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Classical music NEWS ALERT: Coronavirus causes WYSO to cancel, postpone Winterfest concerts this Friday night and Saturday afternoon. It will also postpone other events through April 11

March 12, 2020
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By Jacob Stockinger

Now it begins — the response of local arts groups to the threat posed by the Corona virus and COVID-19.

Here is an announcement The Ear received late yesterday from Bridget Fraser, the executive director of the Wisconsin Youth Symphony Orchestras (WYSO):

Dear WYSO Students and Families,

In response to the recent announcements from the University of Wisconsin-Madison, the Wisconsin Youth Symphony Orchestra concert with the Madison Opera Studio Artists scheduled for this Friday, March 13, will NOT take place as scheduled.

All of the WYSO Winterfest concerts scheduled for Saturday, March 14, will also be postponed.

The safety and health of our community is our most important priority.
The UW-Madison is cancelling all large campus events until April 10, due to the uncertainties presented by COVID-19 (the corona virus). That includes the Hamel Music Center, Mills Hall and the Humanities Building.

For the safety of our senior community and supporters, we are also postponing activities at Capitol Lakes and Oakwood Village University Woods.

Everything is a work-in-progress as we look at the calendar and rescheduling events, however. The range of WYSO activities currently impacted is below:

March 13: Friday, Winterfest Concert at the Hamel Center: POSTPOSED

March 14: Saturday, All Winterfest Concerts at Mills Hall: POSTPONED

March 19: Thursday, Master Class with Madison Symphony Orchestra concertmaster Naha Greenholtz at Oakwood Village: POSTPONED or POSSIBLE VENUE CHANGE

March 21: Art of Note Gala, Monona Terrace: POSTPONED

March 28: Music Makers at Bach Around the Clock (BATC): CANCELLED

April 4: Saturday, Percussion Extravaganza: POSTPONED

April 4: Chamber Music Recital, Capitol Lakes: POSTPONED

April 11: Chamber Music Recital, Oakwood Village
 University Woods: POSTPONED or POSSIBLE VENUE CHANGE

Thank you for your understanding, patience and support as we navigate these circumstances. If you have any questions, please feel free to contact the WYSO office at: https://www.wysomusic.org


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Classical music: Four Madison Opera singers will collaborate with the Wisconsin Youth Symphony Orchestras (WYSO) to perform Winterfest Concerts this Friday night and Saturday afternoon

March 10, 2020
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By Jacob Stockinger

Each year, over a weekend, the Wisconsin Youth Symphony Orchestras (WYSO) perform the Diane Ballweg Winterfest Concerts.

But this year a new collaboration will take place.

On this Friday night, March 13, at 7 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Avenue, the senior WYSO Youth Orchestra (below) will accompany four singers from the Madison Opera’s Studio Artist program in which they transition to a professional career by singing minor roles and being understudies for leading roles.

Tickets are $10 for adults, and $5 for youth under 19, and are available in advance through the Campus Ticket Office, and at the venue 30 minutes before the concert.

WYSO says the Friday night concert is close to selling out.

Here are some details: “Now in its eighth year, the Studio Artist Program is an important part of Madison Opera’s artistic and educational mission. The 2019-20 Studio Artists are four singers (below) in the transition between their education and their professional careers.

They are (from left, clockwise): baritone Stephen Hobe; mezzo-soprano Kirsten Larson; tenor Benjamin Hopkins; and soprano Emily Secor. They will sing duets, trios and quartets. There will also be an orchestral overture and a prelude.

WYSO music director Kyle Knox, who is also the associate music director of the Madison Symphony Orchestra, will conduct both singers and instrumentalists. (You can hear WYSO members talking about playing and performing in the YouTube video at the bottom.)

Says Knox (below): “Young instrumentalists rarely get to accompany soloists and singers. Playing opera in particular is something that tends to come much later in their careers, and for many of them, never at all.”

The program includes excerpts from favorite operas, including: arias by “Nabucco” and “Rigoletto” by Verdi; “La Clemenza di Tito” by Mozart; “The Barber of Seville” and “William Tell” by Rossini; “Lohengrin” by Wagner; “The Elixir of Love” by Donizetti; “Carmen” by Bizet; and “La Boheme” by Puccini. For a complete program with specific titles plus ticket information, go to:

https://www.wysomusic.org/diane-ballweg-winterfest-concerts/

For more detailed information about the Madison Opera Studio Atrists program and its WYSO collaboration, go to:

https://www.wysomusic.org/in-collaboration-with-madison-operas-studio-artists/

SATURDAY

On this Saturday, March 14, in Mills Hall in the Mosse Humanities Building, 455 North Park Street, the following groups will perform. No programs have been posted.

11:30 a.m. — Opus One and Sinfonietta (below)

1:30 p.m. — Harp Ensemble (below) and Concert Orchestra

4:00 p.m. — Percussion Ensemble (below) and Philharmonia Orchestra

The WYSO Winterfest Concert series is funded by: Diane Ballweg, with additional funding from the Wisconsin Arts Board; Dane Arts; Madison Arts Commission; American Girl’s Fund for Children; Eric D. Batterman Memorial Fund; and the Coe and Paul Williams Fund for New Musicians.

The performance in the Mead Witter Foundation Concert Hall was made possible by an additional gift from Martha and Charles Casey. The appearance of the Studio Artists in this program has been underwritten by the Charles and Mary Anderson Charitable Fund, Charles and Martha Casey, and David Flanders and Susan Ecroyd.

 


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Classical music: On Wednesday at noon, Just Bach turns to C.P.E. Bach. At night, the Middleton Community Orchestra, with soloist Paran Amirinazari, plays the Violin Concerto No. 1 by Bruch plus works by Janacek and Sibelius.

February 17, 2020
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By Jacob Stockinger

This coming Wednesday, Feb. 19, features two noteworthy concerts, one by Just Bach at noon and the other by the Middleton Community Orchestra at 7:30 p.m.

Here are details:

JUST BACH

For this month’s FREE one-hour Just Bach concert (below, in a photo by John W. Barker) on this Wednesday at noon in Luther Memorial Church, 1021 University Avenue, attention will turn from father to son.

The concert features music by Carl Philipp Emanuel Bach (below), the eldest son of Johann Sebastian Bach.

The concert opens with a movement from the Sonata in A Minor, Wq. 70/4, H. 85, performed by organist Mark Brampton Smith.

The program continues with a recently rediscovered Cantata, “Ich bin vergnügt mit meinem Stande” (I Am Content with My Station), featuring bass-baritone Professor Paul Rowe, and the Just Bach period-instrument players led by Kangwon Kim.

Just Bach co-founder and soprano Sarah Brailey (below) will lead the chorale sing-along, a beloved audience-participation feature of these programs.

The program concludes with eight selections from the “Geistliche Oden und Lieder ‘Gellert Lieder’” (Sacred Odes and Songs ‘Gellert Songs’), performed by students of Paul Rowe (below, in a photo by Michael R. Anderson), accompanied by organist Mark Brampton Smith.

This will also be the first concert with a mother and daughter performing, with violinist Leanne League in the Just Bach players, and soprano Cecilia League in the Paul Rowe studio.

Performers are: Sarah Brailey, soprano; Paul Rowe, baritone; Kangwon Kim, violin 1 (below); Leanne League, violin 2; Katrin Talbot, viola; Anton TenWolde, cello; Mark Brampton Smith, organ; Allyson Mills, Cecilia League, Carly Ochoa and Ella Anderson, sopranos; and Jack Innes, Jake Elfner, Nick Schinner and Chase Kozak, baritones.

The concert is free and open to the public, with a goodwill offering collected.

Other Just Bach concerts this spring, all Wednesdays at noon are on: March 25, April 15 and May 20.

MIDDLETON COMMUNITY ORCHESTRA

At 7:30 p.m., the mostly amateur and critically acclaimed Middleton Community Orchestra (below) will perform its winter concert as part of its 10th anniversary season.

The concert takes place in the comfortable and acoustically pleasing  Middleton Performing Arts Center (below, in a photo by Brian Ruppert) that is attached to Middleton High School, 2100 Bristol Street.

The program, under conductor-composer Steve Kurr, includes the “Lachian Dances” by Leos Janacek; “Finlandia” by Jean Sibelius; and the Violin Concerto No. 1 in G Minor by Max Bruch with guest soloist Paran Amirinazari (below). (You can hear the finale of the violin concerto, played by Sarah Chang, in the YouTube video at the bottom.)

Tickets are $15 for adults. Students are admitted free.

The box office opens at 6:30 p.m. and auditorium doors open at 7 p.m.

There will be a meet-and-greet reception (below) with the orchestra players and audience members after the concert.

For more information about upcoming concerts, how to join the orchestra and how to support it, call (608) 212-8690 or go to: http://middletoncommunityorchestra.org

 


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Classical music: This Saturday night, UW pianist Christopher Taylor will perform the virtuosic Liszt transcriptions of Beethoven’s Symphonies Nos. 1 and 9

January 28, 2020
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ALERT: The first concert by the Verona Area Community Orchestra is set for this Wednesday, Jan. 29, at 7 p.m. in the Verona Area High School’s Performing Arts Center at 300 Richard St. in Verona. A reception, with a sheet cake, will follow the concert. Admission is FREE.

Thirty-five amateur string orchestra musicians will play selections from: Johann Sebastian Bach (Brandenburg Concerto No. 3), Aaron Copland (“Rodeo”), Sir Edward Elgar (“Serenade for Strings”), Eric Whitacre (“October”), Louis Prima (“Sing Sing with a Swing”), and Peter Warlock (“Capriol” Suite).

By Jacob Stockinger

This coming Saturday, Feb. 1, will see what promises to be one of the most interesting and impressive events of The Beethoven Year in Madison.

At 8 p.m. in the Mead Witter Foundation Concert Hall, in the new Hamel Music Center at 740 University Avenue, the UW-Madison’s virtuoso pianist Christopher Taylor (below) will perform the solo piano transcriptions made by Franz Liszt of Beethoven’s Symphonies Nos. 1 and 9.

When he was just 12, the young Liszt — often considered the greatest pianist who ever lived — performed for and met Beethoven, who gave the boy his blessing.

For the rest of his life, Liszt (below top) promoted Beethoven’s piano sonatas and symphonies through the keyboard. Liszt also studied with Carl Czerny, who studied with Beethoven (below bottom).

These performances mark Taylor’s completion of the ambitious and monumental cycle of Liszt’s Beethoven symphony transcriptions.

The Ninth or “Choral” Symphony – with the famous “Ode to Joy” finale – will also have five singers to perform the solo and choral parts. They are: Mead Witter School of Music faculty members Mimmi Fulmer and Paul Rowe (below top); and graduate students Sarah Brailey (below bottom), Thore Dosdall and Benjamin Liupaogo.

(You can hear the famous Scherzo movement played by Cyprien Katsaris and see the note-filled score for it in the YouTube video at the bottom.)

Tickets are $20, except for music school faculty and students who will be admitted free on the night of the performance if space allows.

For more information about the tickets, parking, the performers and the program, go to: https://www.music.wisc.edu/event/christopher-taylor-and-friends-beethoven-symphony-extravaganza/

To just purchase tickets, go to the Campus Arts Ticketing box office in the Memorial Union, call (608) 265-ARTS (2787) or go to: https://artsticketing.wisc.edu/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=79084672-5D75-4981-B0A3-B135EDB97FF1

For more information about the extraordinary keyboard transcriptions, go to the Wikipedia entry and be sure to read the section on History: https://en.wikipedia.org/wiki/Beethoven_Symphonies_(Liszt)

 


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Classical music: The 7th annual Schubertiade at the UW-Madison is this Sunday afternoon and will explore the influence of Beethoven on Schubert

January 23, 2020
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By Jacob Stockinger

This coming Sunday afternoon, Jan. 26, is the seventh annual UW Schubertiade – named after the evening gatherings of friends (below) where the composer Franz Schubert performed and premiered his own music.

This year’s theme, given that 2020 is the Beethoven Year, is the immense influence that the older Beethoven (below top) 1770-1827) had on the younger Schubert (below bottom, 1797-1828).

The event will begin with a pre-concert lecture by UW-Madison Professor of Musicology Margaret Butler at 2:15 p.m. in the Rehearsal Hall at the new Hamel Music Center, 740 University Avenue, next to the Chazen Museum of Art.

Then at 3 p.m. in the 330-seat Collins Recital Hall in the same building, the two-hour concert will take place.

The concert will close with the usual custom. The audience and performers will join in singing “An die Musik” (To Music). (In the YouTube video at the bottom, you can hear it sung by legendary German soprano Elisabeth Schwarzkopf and legendary British accompanist Gerald Moore.)

A reception will follow the concert in the main lobby.

For more description of the event plus a complete program and list of performers – who consist of UW-Madison graduates and musicians including soprano Jamie Rose Guarrine (below top) and mezzo-soprano Alisanne Apple (below middle) as well as the Pro Arte Quartet (below bottom, in a photo by Rick Langer) – go to: https://www.music.wisc.edu/event/our-annual-schubertiade/

At the site, you will also find information about buying tickets – general admission is $20 with free student tickets on the day of the concert is space is available – and about parking.

The event was founded by and continues to be directed by wife-and-husband pianists Martha Fischer and Bill Lutes (below) who also sing, accompany and play works for piano, four hands.

Lutes sent the following introductory remarks: “Ever since Martha and I presented the first of our annual Schubertiades back in January 2014, we’ve looked for ways to keep our all-Schubert birthday parties fresh and interesting for our audience.

“From time to time we contemplated introducing another composer – maybe even switching our allegiance from the immortal Franz to another of our favorites: perhaps a “Schumanniade.”

“This time, with six years of all-Schubert behind us, we thought we would do the obvious and finally unite Schubert with the composer who probably meant more to him than almost any other – Beethoven, whose 250th birthday is being celebrated this year.

“Once Beethoven moved permanently to Vienna at age 22, he soon became famous and eventually was regarded as the greatest of the city’s composers.

“Schubert, who was born in Vienna five years after Beethoven’s arrival, grew up hearing the older master’s works, often at their premieres. As his genius flowered early, Schubert was often challenged and inspired by Beethoven’s music.

“We bring together these two giants who lived in the same city, knew the same people, attended the same musical events, perhaps met or quite possibly didn’t.

“Yet Beethoven’s presence and example guided Schubert in his own road toward the Ultimate Sublime in music. Our concert of “Influences and Homages” features works where the musical, if not the personal, relationship is there for all to hear.”

Lutes also supplied a list of the song titles in English translation:

“Ich liebe dich” – I love you

“Der Atlas” – Atlas

“Auf dem Strom” – On the River

“Der Zufriedene” – The Contented Man

“Der Wachtelschlag” – The Quail’s Cry

“Wonne der Wehmut” – Joy in Melancholy

“Kennst du das Land?” – Do You Know the Land?

“An die ferne Geliebte” – To the Distant Beloved

“An die Freude” – Ode to Joy

“Gruppe aus dem Tartarus” – Scene from Hades

“Elysium”

“Nachthymne” – Hymn to the Night

“Abendlied unterm gestirnten Himmel” – Evening Song Beneath the Starry Firmament

Have you attended a past Schubertiade (below, in Mills Hall)?

What did you think?

Would you recommend it to others?

The Ear wants to hear.

 


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Classical music: This weekend brings annual holiday concerts at the UW-Madison and Edgewood College

December 3, 2019
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By Jacob Stockinger

As the semester comes to a close and the holidays approach, vocal and choral music is always the order of the day – or week – at both the University of Wisconsin-Madison Mead Witter School of Music and Edgewood College.

UW-MADISON WINTER CONCERTS

On this coming Sunday afternoon, Dec. 8, at 2 p.m. and 4 p.m., the remaining six choirs from the UW-Madison choral program will present their annual winter concerts at Luther Memorial Church (below), 1021 University Avenue, in Madison.

The one-hour concert features individual pieces from Chorale and the Madrigal Singers (Bruce Gladstone conductor); the University Chorus (Andrew Voth, conductor); Women’s Chorus (below, Michael Johnson, conductor); Masters Singers (Andrew Voth and Michael Johnson co-conductors); and the Concert Choir (Beverly Taylor conductor).

There are two pieces in which all choirs sing.

Plus, the audience is invited to join in some seasonal carols.

The concerts are FREE and no tickets are required.

A free-will offering is accepted at the end of the program with proceeds after expenses donated to “The Road Home,” an organization that provides housing and food to homeless families.

Says Beverly Taylor, the director of choral activities at the UW-Madison who will retire this spring: “The program is designed as a concert and not a service. Seats go fast!”

For more information, go to: https://www.music.wisc.edu/event/choral-concerts-at-luther-memorial-church/2019-12-08/

EDGEWOOD COLLEGE CHRISTMAS CONCERT

This Saturday night, Dec. 7, at 7 p.m., Edgewood College will present its 92nd annual Christmas Concert.

The concert will take place in the college’s new McKinley Performing Arts Center (below and at bottom), 2219 Monroe Street., in  Madison.

This yearly tradition features the Edgewood College choirs and Concert Band, along with audience sing-alongs, the Guitar Ensemble, and a post-concert reception featuring the Jazz Ensemble.

Tickets are $10, and seating is limited for this very popular annual event. Please purchase tickets online in advance.

All proceeds from this performance benefit students at Edgewood College through the Edward Walters Music Scholarship Fund. 

Tickets are available online until noon on Thursday, Dec. 5, or until the performance sells out.


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