The Well-Tempered Ear

Classical music: Saturday afternoon, Live From the Met in HD closes this season with an acclaimed production of “Dialogues of the Carmelites.” Here is a background story, two rave reviews, and next season’s 10 operas

May 10, 2019
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ALERT:The Brass Choirs of the Wisconsin Youth Symphony Orchestras will present an afternoon of brass music this Saturday afternoon, May 11, at 2:30 p.m. in Mills Concert Hall, 455 North Park Street, in Madison. Directed by Tom Curry, the program features brass musicians from WYSO’s Concert, Philharmonia and Youth Orchestras. The concert is FREE and OPEN TO THE PUBLC. Music to be played is by Johann Sebastian Bach, George Frideric Handel, Giovanni Gabrieli, Charles Gounod, Edward Elgar, Paul Hindemith, Alan Hovahaness and Karel Husa.

CORRECTION: The Madison Youth Choirs will perform its “Legacy” concerts this weekend in the Capitol Theater of the Overture Center on Saturday and Sunday — NOT Friday, as mistakenly listed and then corrected in the original post, which is below: https://welltempered.wordpress.com/2019/05/08/classical-music-the-madison-youth-choirs-will-explore-the-theme-of-legacy-in-three-concerts-this-saturday-and-sunday-in-the-capitol-theater-of-the-overture-center/

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By Jacob Stockinger

This Saturday afternoon, May 11, the last production of this season’s “Live From the Met in HD” series, broadcast worldwide via satellite to cinemas, is Francis Poulenc’s “Dialogues of the Carmelites.”

By all accounts, it would be hard to end on a higher, stronger or more darkly dramatic note, given the outstanding music and performance of the score as well as the superb acting. (There is a brief preview of short scenes in the YouTube video at the bottom.)

The world premiere of the opera took place in 1957 at La Scala in Milan, Italy. One of the most successful operas of the later decades of the 20th century,  “Dialogues of the Carmelites” is a rare case of a modern work that is equally esteemed by audiences and experts, according to program notes from the Metropolitan Opera.

The opera focuses on a young member of the order of Carmelite nuns, the aristocratic Blanche de la Force, who must overcome a pathological timidity in order to answer her life’s calling. The score reflects key aspects of its composer’s personality: Francis Poulenc (below) was an urbane Parisian with a profound mystical dimension, and the opera addresses both the characters’ internal lives and their external realities.

The opera takes place between 1789 and 1794 in Paris and in the town of Compiègne in northeastern France, the site of the Carmelite nuns’ convent.

Its historical basis is the martyrdom of a group of 16 Carmelite nuns and lay sisters from Compiègne, who chose to offer themselves as victims for the restoration of peace to France during the French Revolution.

The Met uses the classic John Dexter production of Poulenc’s devastating story of faith and martyrdom.

Mezzo-soprano Isabel Leonard (below right) sings the touching role of Blanche and soprano Karita Mattila (below left), a legend in her own time, returns to the Met as the Prioress.

The conductor for the performance is the Met’s highly acclaimed new music director Yannick Nézet-Séguin, who also leads the Philadelphia Orchestra and the Metropolitan Orchestra of Montreal.

The high-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at noon and runs until 3:10 p.m. with two intermissions. (It will also air at noon on Wisconsin Public Radio.)

The encore HD showings are next Wednesday, May 15, at 1 p.m. and 6:30 p.m.

The opera will be sung in French with supertitles in English, German and Spanish.

Tickets for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.

The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the far west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.

Here is a link to the Marcus website for addresses and more information. You can also use them to purchase tickets:

https://www.movietickets.com/movies

Here is a link to the Metropolitan Opera’s website where you can find the titles, dates, casts, production information and video clips of all 10 productions this past season — PLUS an announcement, with dates and titles, for next season’s 10 productions (which feature five new productions but no Verdi):

https://www.metopera.org/season/in-cinemas/

Here is a background story that focuses on the French-Canadian conductor Yannick Nézet-Séguin, who leads the orchestra in this production and is the new music director of the Metropolitan Opera:

https://www.nytimes.com/2019/05/02/arts/music/met-opera-dialogues-des-carmelites.html

Here is a rave review of “Dialogues of the Carmelites” by senior classical music critic Anthony Tommasini for The New York Times:

https://www.nytimes.com/2019/05/05/arts/music/dialogues-des-carmelites-met-opera-review.html

And here is another rave review from New York Classical Review:

http://newyorkclassicalreview.com/2019/05/met-closes-season-with-a-riveting-devastating-carmelites/

Here are links to a synopsis and program notes:

https://www.metopera.org/discover/synopses/dialogues-des-carmelites/

https://www.metopera.org/season/2018-19-season/dialogues-des-carmelites/

And here is a Wikipedia history of the hi-def broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.

https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD


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Classical music: Saturday at noon, Bizet’s “Carmen” airs in cinemas during “Live from The Met in HD” and on Wisconsin Public Radio. Saturday night, the Pro Arte Quartet performs a FREE concert of Haydn, Schumann and Shostakovich

February 1, 2019
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ALERT: This Saturday night, Feb. 2, at 8 p.m. in Mills Hall, the University of Wisconsin-Madison’s Pro Arte Quartet performs a FREE concert. The program offers the String Quartet in D Major, Op. 50, No. 6, “The Frog” by Franz Joseph Haydn; the String Quartet No. 9 in E-flat Major by Dmitri Shostakovich; and the String Quartet in A Major, Op. 41, No. 3, by Robert Schumann. For more about the unusual history of the critically acclaimed Pro Arte Quartet, go to: https://www.music.wisc.edu/event/pro-arte-quartet-2/

By Jacob Stockinger

This Saturday, Feb. 2, the seventh production of this season’s “Metropolitan Opera Live in HD” series is Georges Bizet’s lusty, sultry  and violent “Carmen,” one of the most popular operas ever composed.

Its successful world premiere was in Paris in 1875, which Bizet did not live to see. But Bizet’s masterpiece of the gypsy seductress who lives by her own rules has had an impact far beyond the opera house.

The opera’s beautiful melodies are as irresistible as the title character herself, a force of nature who has become a defining female cultural figure. (You can hear one of Carmen’s signature arias– “Love Is a Wild Bird” — in the YouTube video at the bottom.)

“Carmen” was a scandal at its premiere but soon after became a triumphal success and has remained one of the most frequently staged operas in the world.

French mezzo-soprano Clémentine Margaine reprises her acclaimed portrayal of opera’s ultimate temptress, a triumph in her 2017 debut performances.

Opposite her is the impassioned tenor Roberto Alagna (below right, in a photo by Karen Almond for The Met) as her lover, Don José.

French native Louis Langrée (below, in a photo by Jennifer Taylor), who heads the Mostly Mozart Festival and is the artistic director of the Cincinnati Symphony Orchestra, will conduct Sir Richard Eyre’s production, a Met favorite since its 2009 premiere.

The hi-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at 11:55 a.m. and runs until 3:45 p.m. with two intermissions. (It will also air at noon on Wisconsin Public Radio.)

There will be encore HD showings next Wednesday, Feb. 6, at 1 p.m. and 6:30 p.m. (“Carmen” is so popular that some cities will also host a second encore showing on Saturday, Feb. 9.)

The opera will be sung in French with supertitles in English, German, Spanish and Italian.

Tickets for Saturday broadcasts are $24 for adults, and $22 for seniors and children under 13. For encore showings, all tickets are $18.

The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.

Here is a link to the Marcus Theaters website for addresses and more information. You can also use them to purchase tickets:

https://www.movietickets.com/movies

Here is a link to the Metropolitan Opera’s website where you can find the titles, dates, casts, production information and video clips of all Met productions this season:

https://www.metopera.org/season/in-cinemas/

Here is a link to a synopsis and cast list:

https://www.metopera.org/globalassets/season/in-cinemas/hd-cast-sheets/carmen_global.pdf?performanceNumber=15202

Here is a link to other information about the production of “Carmen,” including photos and audiovisual clips:

https://www.metopera.org/season/2018-19-season/carmen/

And here is a Wikipedia history of the broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.

https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD


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Classical music: The Met’s new music director is openly gay – here is why that’s good. Saturday on Wisconsin Public Radio, he conducts Debussy’s “Pelléas et Mélisande” with local singer Kyle Ketelsen. Read a rave review

January 18, 2019
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By Jacob Stockinger

This Saturday, Jan. 19, starting at noon on Wisconsin Public Radio,  you can hear the Metropolitan Opera’s acclaimed new production of Claude Debussy’s only opera “Pelléas et Mélisande” (below, in a photo by Ken Howard for the Met).

The orchestra will be led by the French-Canadian conductor Yannick Nézet-Séguin, who is the new music director of the Met and also received critical acclaim for his production of Verdi’s “La Traviata” earlier this season.

The production also stars local bass-baritone Kyle Ketelsen – who lives in the Madison suburb of Sun Prairie – in a major male role.

Here are two stories that pertain to the production that might interest local readers.

One is a rave review by The New York Times’ senior critic Anthony Tommasini, who singles out Ketelsen (below) for praise. Ketelsen last sang here in December during the Madison Symphony Orchestra’s Christmas program. Here is a link:

https://www.nytimes.com/2019/01/16/arts/music/review-pelleas-et-melisande-met-opera.html

Another interesting angle to this Saturday’s production is that Nézet-Séguin is openly gay and agreed to a joint interview with his longtime partner and fellow musician Pierre Tourville (below left and right, respectively, in a photo by Jeenah Moon for the Times) at a famous gay bar in Manhattan.

It is interesting in Zachary Woolfe’s story to see why the two men see the issue of sexuality as socially and artistically relevant.

Here is a link:

https://www.nytimes.com/2019/01/15/arts/music/yannick-nezet-seguin-met-opera-gay.html

Finally, here is YouTube video of a preview of the production, given by Nézet-Séguin:


Classical music: This Saturday the critically acclaimed new production of Francesco Cilea’s “Adriana Lecouvreur” is featured in cinemas in “Live from The Met in HD” satellite broadcasts and on Wisconsin Public Radio. Read a rave review

January 10, 2019
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By Jacob Stockinger

This Saturday afternoon, Jan. 12, brings the fifth production of this season’s “Live From the Met in HD” series: Francesco Cilea’s “Adriana Lecouvreur.”

This 1902 opera – the only well-known one by this Italian composer (1866-1950) — seeks to capture the Baroque era’s richness of Paris and the French court in 1730. It is based on a real-life French actress who captured the public with her on-stage and off-stage passion.

The Metropolitan Opera’s new production, directed by Sir David McVicar, features superstar soprano Anna Netrebko as Adriana while the acclaimed tenor Piotr Beczala plays Maurizio, who is as smitten with Adriana as she is with him. (You can hear their duet from Act I in the YouTube video at the bottom.)

The conductor is the acclaimed and much in-demand Gianandrea Noseda (below), the music director of the National Symphony Orchestra at the Kennedy Center in Washington, D.C., and a frequent conductor at the Met.

Mezzo-soprano Anita Rachvelishvili (below) has also received critical acclaim for her powerful singing in the production.

The hi-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at 11:55 a.m. and runs until 4:15 p.m. with two intermissions. (It will also air at noon on Wisconsin Public Radio.)

The encore HD showings are next Wednesday, Jan. 16, at 1 p.m. and 6:30 p.m.

The opera will be sung in Italian with supertitles in English, German, Spanish and Italian.

Tickets for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.

The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.

Here is a link to the Marcus website for addresses and more information. You can also use them to purchase tickets:

https://www.movietickets.com/movies

Here is a link to the Metropolitan Opera’s website where you can find the titles, dates, casts, production information and video clips of all 10 productions this season, which includes operas by Bizet, Wagner, Donizetti, Saint-Saens, Puccini, Verdi and Poulenc plus a new work, “Marnie,” by Nico Muhly: https://www.metopera.org/season/in-cinemas/

Here is a rave review of “Adriana Lecouvreur” by senior classical music critic Anthony Tommasini for The New York Times: https://www.nytimes.com/2019/01/01/arts/music/review-adriana-lecouvreur-metropolitan-opera.html

Here is a link to a synopsis and cast list: https://www.metopera.org/globalassets/season/in-cinemas/hd-cast-sheets/adriana_usglobal.pdf?performanceNumber=15136

Here is a link to other information about the production of “Adriana Lecouvreur,” including photos and audiovisual clips: https://www.metopera.org/season/2018-19-season/Adriana-Lecouvreur/

And here is a Wikipedia history of the broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.

https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD


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Classical music: This Saturday the critically acclaimed new production of Verdi’s “La Traviata” is featured in “Live from The Met in HD.” Read two reviews

December 14, 2018
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CORRECTION: Earlier versions of yesterday’s post about The Madison Choral Project incorrectly stated that the Milwaukee performance is Wednesday night. The Ear apologizes for the error. The correct time is TUESDAY night, Dec. 18. For more information about time, tickets and the program, here is a link to the story: https://welltempered.wordpress.com/2018/12/13/classical-music-the-madison-choral-project-will-sing-of-young-peoples-hope-for-the-future-at-its-concerts-this-saturday-night-and-sunday-afternoon/

By Jacob Stockinger

This Saturday, Dec. 15, the fourth production of this season’s “Live From the Met” in HD series is Giuseppe Verdi’s famous and popular “La Traviata” (The Fallen Woman).

The Metropolitan Opera production, sumptuously directed by Michael Mayer, stars soprano Diana Damrau (below left in a photo by Marty Sohl for The Met) as Violetta while the acclaimed Peruvian tenor Juan Diego Florez (below right) returns to the Met stage for the first time in five years to play her lover Alfredo.

It is also noteworthy because the new music director, French-Canadian Yannick Nézet-Séguin (below, in a photo by Jan Regan), will be making his “Live in HD” debut and opening a new era after his hiring to succeed James Levine. Though relatively young, he has drawn raves for his sensitive conducting and insightful interpretations of this and other operas and orchestral works.

Reportedly, he is also very popular with the singers, the orchestra players and other staff at The Met as well as with audiences.

The hi-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at 11:55 a.m. and runs until 3:45 p.m. with two intermissions. (It will also air on Wisconsin Public Radio at noon.)

The encore showings are next Wednesday, Dec. 19, at 1 p.m. and 6:30 p.m.

The opera will be sung in Italian with supertitles in English, German, Spanish and Italian.

Tickets for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.

The movie theaters where the opera can be seen are two Marcus Cinemas: the Point Cinema on the west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.

Here is a link to the Marcus website for addresses and more information. You can also use them to purchase tickets:

https://www.movietickets.com/movies

Here is a link to the Metropolitan Opera’s home website where you can find the titles, dates, casts, production information and video clips of all 10 productions this season, which include operas by Bizet, Wagner, Donizetti, Saint-Saens, Puccini, Cilea and Poulenc plus a new work, “Marnie,” by Nico Muhly:

https://www.metopera.org/season/in-cinemas/

Here is a rave review of “La Traviata” by senior classical music critic Anthony Tommasini for The New York Times:

https://www.nytimes.com/2018/12/05/arts/music/review-metropolitan-opera-traviata-yannick-nezet-seguin.html

And here is another positive review from Vulture magazine in New York City. Below are the impressive set and big cast in a photo by Sara Krulwich for The New York Times:

https://www.vulture.com/2018/12/la-traviata-the-met-opera-review.html

Here is a link to a synopsis and cast list: https://www.metopera.org/globalassets/season/in-cinemas/hd-cast-sheets/traviata_us-global-pr.pdf?performanceNumber=15367

Here is a link to other information about the production of “La Traviata,” including photos and audiovisual clips (in the YouTube video preview at the bottom you can also hear the director, conductor and others speak and sing):

https://www.metopera.org/season/2018-19-season/la-traviata/

And here is a Wikipedia history of the broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.

https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD


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Classical music: This Saturday the acclaimed German tenor Jonas Kaufmann returns to the Metropolitan Opera in Puccini’s “Girl of the Golden West. It’s the second “Live from The Met in HD” production this season

October 25, 2018
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By Jacob Stockinger

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This Saturday, Oct. 27, the second production of this season’s “Live From the Met” in HD series will be broadcast worldwide: It is Puccini’s “La Fanciulla del West” (Girl of the Golden West), his last work that, for some reason, has never achieved the popularity of “La Boheme,” “Tosca,” “Madama Butterfly” and “Turandot.”

The production features acclaimed superstar German tenor Jonas Kaufmann (below top), who is returning to the Met stage after four years. Soprano Eva-Maria Westbroek (below bottom) plays the gun-slinging title role.

The hi-definition broadcast of a live performance from the Metropolitan Opera (below) in New York City starts at 11:55 a.m. and runs until 4 p.m. with two intermissions.

The encore showings are next Wednesday, Oct. 31, at 1 p.m. and 6:30 p.m.

The opera will be sung in Italian with supertitles in English, German, Spanish and Italian. (You can see the trailer preview in the YouTube video at the bottom.)

Tickets are for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.

The cinemas where the opera can be screened are two Marcus Cinemas: the Point Cinema on the west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.

Here is a link to the Marcus website for addresses and more information. You can also use them to purchase tickets:

http://www.marcustheatres.com/movies/met-aida-live

Here is a link to the Metropolitan Opera’s web site where you can find the titles, dates, casts, production information and video clips of all 10 productions this season, which includes operas by Bizet, Wagner, Donizetti, Saint-Saens, Puccini, Cilea and Poulenc plus a new work, “Marnie,” by Nico Muhly:

https://www.metopera.org/season/in-cinemas/

Here is a review from The New York Times, which right now has a technical glitch that makes loading it difficult (the Times said the problem should be fixed soon):

https://www.nytimes.com/2018/10/18/arts/music/review-jonas-kaufmann-met-opera-puccini-fanciulla.html

And here is a more positive review from Opera Wire:

http://operawire.com/metropolitan-opera-2018-19-review-la-fanciulla-del-west-jonas-kaufmann-edition/

Here is a link to a synopsis and cast list:

https://www.metopera.org/globalassets/season/in-cinemas/hd-cast-sheets/fanciulla_1819_hdsynopsis.pdf?performanceNumber=15221

Here is a link to other information about the production of “Girl of the Golden West,” including photos and audiovisual clips:

https://www.metopera.org/season/2018-19-season/la-fanciulla-del-west/

And here is a Wikipedia history of the broadcast series that gives you more information about how many cinemas it uses, the size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.

https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD


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Classical music: The Token Creek Festival will “harvest” gardens of music from next Saturday through Sept. 2

August 20, 2018
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By Jacob Stockinger

The summer season for classical music in Madison has gotten busier and busier. But the summer still ends on the same high note — the Token Creek Chamber Music Festival that is co-directed by John Harbison and Rose Mary Harbison.

Here is the announcement about this year’s festival, the 29th, that begins this coming weekend:

“The late-summer garden inspires the 2018 season theme of “Harvest” at this year’s Token Creek Chamber Music Festival.

“Both garden and festival share much in common:  risk, patience, experimentation, disappointment, and finally amazement that a piece —whether a piece of ground or a piece of music — is capable of such nourishment, abundance and variety.

“In the musicians’ garden, with its unpredictability and surprise, there is always the hope of reducing the variables — but they persist, and the richness of choice, the endlessness of the resources we inherit drive us to continue to create.

“One of the advantages of our season title is that it implies a summing up, a reaping of things planted, but of a kind that can occur each year,” writes co-artistic director and composer John Harbison (below). “Each planting retains certain elements and adjusts others with the hope of increased productivity. But so many of the adjustments made in hope of improvement do not work, but create new problems, require new approaches.  What a fine analogy for the making of art.”

Here are this year’s Concert Programs. Please note something new this year: All weekend concerts start at 4 p.m.

Program I: ROOTS – Music of Bach and Primosch. On Saturday, Aug. 25, at 4 p.m. and Sunday, Aug. 26, at 4 p.m.

“Continuing our ongoing exploration of the music of Johann Sebastian Bach (below top) in cantatas and instrumental works, and its reflection in the music of James Primosch (below bottom), one of the few composers in our time able to grasp both the possibilities and responsibilities available in sacred music in a tradition inherited from Bach.”

Program II: NEW GROWTH – The Kepler Quartet (below, with composer Ben Johnston, and playing Johnston’s String Quartet No. 7 in the YouTube video at the bottom) on Wednesday, Aug. 29, at 7:30 p.m.

“A recital of beautifully alluring micro-tonal music “in between the notes.” The attractive and intelligible musical surface, and our experience hearing it, belies the at-times complex compositional methods.

“We are impressed by the pure pleasure of hearing tones combining differently but convincingly. The recital will be augmented with a demonstration and discussion by the Keplers.

Works are by Ben Johnston, Stefano Scodanibbio (below top), Henry Cowell (below middle) and Harry Partch (below bottom).”

Program III: CORNUCOPIA – Saturday, Sept. 1, at 4 p.m. and Sunday, Sept. 2, at 4 p.m.

“Schumann’s beloved and timeless song cycle “Dichterliebe” (A Poet’s Love) with tenor Frank Kelley (below) and his impassioned, enigmatic and exuberant Piano Trio in D minor anchor this program.

“The program also includes the Violin Sonata in G Major, K. 301, by Wolfgang Amadeus Mozart and Piano Sonata in E Major by Franz Joseph Haydn sonatas and the world premiere of John Harbison’s new song cycle, “In Early Evening,” to poems by Louise Gluck.”

The ARTISTS are Mark Bridges, cello; Laura Burns, violin; Ryne Cherry, baritone; Ross Gilliland, bass; John Harbison, portative organ and piano; Rose Mary Harbison, violin; Frank Kelley, tenor; The Kepler Quartet; Karl Lavine, cello; Sharan Leventhal, violin; Jennifer Paulson, viola; James Primosch, piano; Brek Renzelman, viola; Eric Segnitz, violin;  Janice Weber, piano; and Sarah Yanovitch, soprano.

Performances take place in the Festival Barn (below top and bottom), on Highway 19 near the hamlet of Token Creek (10 minutes north of Madison, near Sun Prairie). 

The charming and rustic venue — indoors and air-conditioned, with modern comforts — is invitingly small; early reservations are recommended, and casual dress is suggested. Ample parking is available.

Tickets are $12-$32, and can be purchased at https://www.eventbrite.com/e/token-creek-festival-2018-harvest-tickets-47217166817

For more information about the performers and specific works on programs, call (608) 241-2525 or go to www.tokencreekfestival.org

ABOUT THE FESTIVAL

The Token Creek Festival has been called “ferociously interesting and important, an ideal musical experience, a treasure nestled in the heart of Wisconsin cornfields.” (Photo below is by Jess Anderson.)

“Now in its 29th season, this late-summer series near Madison is known for its artistic excellence, diverse and imaginative programming; a deep engagement with the audience; and a surprising, enchanting and intimate performance venue in a  comfortable refurbished barn.”


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Classical music: This Saturday and on Wednesday, Nov. 29, “Live From the Met in HD” will feature the Thomas Adès operatic remake of Luis Buñuel’s film “The Exterminating Angel.” Here is background and a review of the production

November 15, 2017
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By Jacob Stockinger

Talk about the dinner party from Hell!

It may not be the most popular production this season staged by the famed Metropolitan Opera in New York City, but it is certainly the newest as well as the most unusual and interesting production.

It is an operatic remake of Spanish Surrealist filmmaker Luis Buñuel’s 1962 movie ‘The Exterminating Angel” (below is the poster).

You can see it in a live performance in the next “Live From the MET in HD” broadcast that will take place this coming Saturday afternoon with encore presentations on Wednesday afternoon and night.

On this Saturday, the show time is 11:55 a.m. at the Marcus Point Cinemas and the Marcus Palace in Sun Prairie. On Wednesday, Nov. 29 — postponed because next Wednesday is the day before Thanksgiving — the encore presentations at both cinemas are at 1 p.m. and 6:30 p.m.

Running time is 2 hours and 40 minutes. The opera will be sung in English with surtitles in German, Spanish and English.

Tickets are $22, $18 for seniors.

Here is a link to the Met’s website with information about the production, including a cast sheet and a synopsis:

http://www.metopera.org/Season/2017-18-Season/exterminating-angel-ades-tickets/

http://www.metopera.org/metoperafiles/season/2017-18/operas/exterminating_angel/hd_syn_Angel_global_dates.pdf

Here are stories that provide some background.

The first is a general background piece about the opera (below, in a photo by Eamon Hassan for The New York Times) from the “Deceptive Cadence” blog written for NPR or National Public Radio:

https://www.npr.org/sections/deceptivecadence/2017/11/05/561366931/luis-bu-uels-the-exterminating-angel-gets-an-off-kilter-adaption-from-screen-to-

Here are two guides, from The New York Times, with what you need to know about the opera and production:

https://www.nytimes.com/2017/10/20/arts/music/thomas-ades-exterminating-angel-metropolitan-opera.html

https://www.nytimes.com/2017/11/01/arts/music/exterminating-angel-metropolitan-opera-thomas-ades-bunuel.html

And here is a rave review from Anthony Tommasini, the senior critic for The New York Times, who says if you only see one Met production this season, “The Exterminating Angel” should be it (below is a trailer on YouTube):

https://www.nytimes.com/2017/10/27/arts/music/exterminating-angel-review-metropolitan-opera.html


Classical music: On Saturday “The MET Live in HD” will feature Mozart’s opera “The Magic Flute.” Also, UW trombonist Mark Hetzler’s concert is TONIGHT (NOT Saturday) as is a concert of Mozart’s music for piano-four hands

October 13, 2017
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CORRECTION: The Stravinsky concert by UW trombone professor Mark Hetzler and friends is TONIGHT at 8 p.m. in Mills Hall – NOT Saturday night as incorrectly listed in the posting yesterday. For more information about the performers and the program, go to:

https://welltempered.wordpress.com/2017/10/12/classical-music-uw-trombonist-mark-hetzler-explores-stravinsky-with-alumni-musicians-in-a-free-concert-on-saturday-night-plus-you-can-hear-free-brahms-at-noon-this-friday/

ALERT: The Ear received the following word from early music specialist Trevor Stephenson: “Tonight, my distinguished colleague from France, Marcia Hadjimarkos, will join me for a program of Mozart’s thrilling music for piano four-hands.

“The concert will be held at the Madison Christian Community church, 7118 Old Sauk Road. The acoustics there for the fortepiano are really wonderful. Tickets are available at the door. They cost $20 for the general public and $10 for students.”

By Jacob Stockinger

The broadcasts of “The Met Live in HD” don’t usually fall in consecutive weeks.

But this weekend is an exception.

Last Saturday and then again on Wednesday, the current season premiered with a critically acclaimed  production of Bellini’s “Norma.”

This Saturday, a new production of the ever-popular “The Magic Flute” by Mozart will be featured.

The three-hour show starts at 11:55 a.m. on Saturday at the Marcus Point Cinema on the far west side of Madison and the Marcus Palace Cinema in Sun Prairie.

Encore performances at both movie theaters are this coming Wednesday at 1 p.m. and 6:30 p.m.

The full-length opera will be sung in German with English surtitles.

Tickets are $22 for the public, and $18 for seniors.

The production promises to be special for two reasons: the elaborate, colorful staging and innovative costumes by director Julie Taymor, famous for her oversized puppet-like costumes in “The Lion King”; and vibrant conducting by longtime Metropolitan Opera artistic director and now emeritus conductor James Levine. (You can hear the upbeat Overture in the YouTube video at the bottom.)

Below are some other photos to give you a taste of the production:

Here is a link for notes about the production, including several videos:

http://www.metopera.org/Season/2017-18-Season/zauberflote-mozart-tickets/

And here is a link to a synopsis and notes about the cast:

http://www.metopera.org/metoperafiles/season/2017-18/operas/zauberflote/hd_syn_Zauberflote_global_and_usa_dates.pdf


Classical music: Bellini’s opera “Norma” opens the new season of “Live From the Met in HD” at movie theaters this Saturday and Wednesday

October 6, 2017
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By Jacob Stockinger

At a time when so many classical music programs are striving desperately for commercial success and popularity with the public, one program stands out as phenomenally successful: The Metropolitan Opera’s “Live From the Met in HD” broadcasts.

Those broadcasts reach hundreds of cinemas around the world in North America, South America, Europe, Africa and Asia. Here is a list of the international showings:

http://www.metopera.org/season/in-cinemas/international-locations/

The new season of the live broadcasts by the Metropolitan Opera (below) opens this Saturday.

The broadcasts in Madison will take place at two Marcus Corporation cinemas: at the Point Cinemas on the far west side and the Palace Cinemas in Sun Prairie on the far east side.

The first of 10 operas in the season is a new production of Vincenzo Bellini’s Druid-based bel canto opera “Norma.”

The outstanding cast of singers and actors includes Sondra Radvanovsky, Joseph Callejo and Joyce DiDonato. Carlo Rizzi is the conductor. (You can hear a preview of this production in the YouTube video at the bottom.)

The running time is 3 hours 30 minutes.

Tickets are $18.

Here is a season trailer:

http://www.metopera.org/Season/In-Cinemas/?gclid=Cj0KCQjwjdLOBRCkARIsAFj5-GBXxKzE43SMmgIUAPUrx1p2YrxzvDPG4cMZZk_7JwaoFQOMy22lf_0aAl8xEALw_wcB

The live performance is this Saturday, Oct. 7, at 11:55 a.m.:

http://www.marcustheatres.com/movies/met-norma-live

Encore presentations and rebroadcast are on Wednesday, Oct. 11, at 1 pm. and 6:30 p.m.:

http://www.marcustheatres.com/movies/met-norma-encore

For this production of “Norma,” here are:

A link to a synopsis and cast list:

http://www.metopera.org/Season/In-Cinemas/SynopsisCast/norma/?performanceNumber=14827

Links to production notes and program notes:

http://www.metopera.org/Season/2017-18-Season/norma-bellini-tickets/

http://www.metopera.org/metoperafiles/season/2017-18/operas/norma/programs/100717%20Norma.pdf

Much of the upcoming season features standard tried-and-true operas by Mozart (“The Magic Flute” and “Cosi fan tutti“); Puccini (“Tosca” and “La Bohème”); Verdi (“Luisa Miller”)’ Rossini (“Semiramide”) and Donizetti (“The Elixir of Love”). But there is also a contemporary work, “The Exterminating Angel,” by Thomas Adès and a holiday production of Humperdinck’s “Hansel and Gretel.”

What do you think of the “Live From the Met” screenings?

What do you think most makes them so successful? The quality of the productions? The affordable price? The accessibility?

And what do you think of the choice of operas in the new season?

The Ear wants to hear.


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