The Well-Tempered Ear

Classical music: Looking for serious fun? The thoroughly successful opening concerts by the Bach Dancing and Dynamite Society bode well for the upcoming second weekend

June 19, 2019
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By Jacob Stockinger

After 28 summers, going to a concert by the Bach Dancing and Dynamite Society still feels like attending a family reunion – the best kind of family reunion where everyone is familiar and friendly, where everything is fun, and where you always leave glad that you went.

That’s not by chance.

The first thing that co-founders and co-artistic directors Stephanie Jutt and Jeffrey Sykes did last Friday and Saturday nights was to thank the loyal audience. And the audience, full of longtime fans, returned the favor by being attentive to and appreciative of the first-rate music-making as well as responsive to the horseplay and antics – such as the surreal scene of virtuoso Axel Strauss playing “The Skater’s Waltz” on his violin while rollerblading around the stage (below).

BDDS players really mean it when they say that their audiences are in for something different, something they won’t find elsewhere and won’t forget.

Last weekend that meant the return of two longtime guest performers: San Francisco cellist Jean-Michael Fonteneau and Montreal violinist Axel Strauss (below, with pianist Jeffrey Sykes). Neither disappointed as they performed very varied music by Franz Joseph Haydn, C.P.E. Bach, Johannes Brahms, Gabriel Faure, Lili Boulanger, Maurice Ravel and Ned Rorem. And as always, the amazing  pianist Jeffrey Sykes proved a chameleon who blended masterfully into the style of each period and each composer.

But for The Ear, the unexpected standout last weekend was guest accordion player Stas Venglevski from Milwaukee. Born in Russia and trained at the Moscow Conservatory, he is a virtuoso player, a sensitive arranger and a convincing composer – all done with good humor and a charismatic stage presence.

The Ear never thought of the accordion – the Russian bayan, to be specific – as an instrument for chamber music. But he does now, after hearing Venglevski play serious Russian, French and Latin American music that ran the gamut from a graceful waltz and a sprightly polka to torchy tangos. And then there were his flying fingers punching out “The Flight of the Bumblebee,” a real crowd-pleaser.

The large audience responded on both nights with wild applause and a standing ovation every time that Venglevski (below) played, and Jutt promised the audience that he will be back.

“As you can see, we have fun here,” Jutt deadpanned.

She is not exaggerating.

Which bodes well for the second weekend of three that will happen this coming weekend.

The second weekend — two programs in three venues — celebrates Jutt and Sykes, plus two of BDDS’ favorite guest artists: violinist Stephanie Sant’Ambrogio and Madison pianist Thomas Kasdorf.

Kasdorf (below) and Sykes are both featured in a program called “Rock the Sykes-o-delic Kas-bah.” Kasdorf is featured in Brahms’ Horn Trio with guest horn player Karl Kramer Johansen, and in the appealing and accessible Café Concertino by the contemporary Australian composer Carl Vine.

Sykes will perform another chamber transcription of a Classical-era symphonic work, which over the years has become a welcome specialty of BDDS. In this case it is Wolfgang Amadeus Mozart’s snappy and appealing Piano Concerto No. 9 in E-flat Major, K. 271, the “Jeunehomme” concerto. (You can hear the irresistible last movement of the piano concerto, used in the film “Amadeus,” in the YouTube video at the bottom.) Sykes will also perform in Robert Schumann’s “Fairy Tales” for clarinet and viola.

A Madison native, cellist Alison Rowe (below) — an artist from the Dynamite Factory, which is BDDS’ program for emerging talent — will be featured in the Sonata for Cello and Piano in D Major by Johann Sebastian Bach.

“Rock the Sykes-o-delic Kas-bah” will be performed at the Stoughton Opera House on Friday, June 21, at 7:30 p.m. Braisin’ Hussies Food Cart will be parked outside the Opera House prior to the performance. The program will also be performed in Spring Green at the Hillside Theater, Sunday, June 23, at 2:30 p.m.

Jutt (below top) and Sant’Ambrogio (below bottom, in a photo by Stephanie Ann Boyd) worm their musical way into the most unexpected places in the other program, “Steph Infection.” The Nocturne for flute, violin, horn and piano of Franz Doppler opens the program, which continues with Jutt’s own arrangement of Antonin Dvorak’s popular “American” String Quartet, with a flute substituting for one of the two violins.

Dmitri Shostakovich’s Five Pieces for flute, clarinet and piano add spice to the program, and the evening concludes with Ernst von Dohnanyi’s epic Sextet for clarinet, horn, violin, viola, cello and piano. A work that ranges from stormy and turbulent to tender and funny, it features an all-star cast including audience favorite clarinetist Alan Kay, horn player Karl Kramer Johansen, violist Carol Cook (principal at the Lyric Opera of Chicago), and Madison’s own cellist of the UW-Madison’s Pro Arte Quartet, Parry Karp (below).

“Steph Infection” will be performed at The Playhouse, Overture Center for the Arts, Saturday, June 22, at 7:30 p.m.; and in Spring Green at the Hillside Theater, Sunday, June 23, at 6:30 p.m.

And of course there could also be some unannounced surprises – more door prizes, perhaps a mystery guest, or more shenanigans and antics that correspond to the “Name Dropping” pun theme of the programs.

For tickets ($43-$49) and more information, go to: https://bachdancing.org


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Classical music: James Levine has been fired by The Met for sexual abuse. Plus, “Pulcinella Re-Imagined: An Evening of Music by Mr. Chair” will be performed at The Mineral Point Opera House this Friday night at 7 p.m.

March 13, 2018
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NEWS ALERT: James Levine was fired Monday night by the Metropolitan Opera for sexual abuse.

Here is a link to a story in The New York Timeshttps://www.nytimes.com/2018/03/12/arts/music/james-levine-metropolitan-opera.html

By Jacob Stockinger

The Ear has been asked to post the following announcement:

“Pulcinella Re-Imagined: An Evening of Music by Mr. Chair” will be performed at The Mineral Point Opera House this Friday night at 7 p.m.

The Opera House is located at 139 High St. in Mineral Point.

Based in Madison, Mr. Chair (below, in a photo by Ryan Gilman) is a multi-genre group that plays a mix of rock, jazz, modern classical and improv-based styles.

This show will feature an arrangement of Igor Stravinsky‘s “Pulcinella” ballet as well as original music. It features beautiful, hip and surreal textures from whispering lyricism to thunderous wails in a gorgeous, historic theater. (You can hear the original version of “Pulcinella” in the YouTube video at the bottom.)

Members of the groups are UW-Madison professor Mark Hetzler on trombone, electronics; Jason Kutz on piano/keyboards; Ben Ferris on basses; and Michael Koszewski on drums

The concert will feature a special appearance by dancer/choreographer Amy Ryerson (below top) and narration by Buzz Kemper (below bottom).

Tickets can be purchased at the door or through BrownPaperTickets at https://m.bpt.me/event/3341686

Admission is $15 for adults, $5 for students and under 12 (at the door)

The program includes:

  1. “Mile of Ledges” 2. “Correction” 3. “Freed” 4. Three Views of Infinity, Mangalore to Bangalore Express”

Intermission

“Pulcinella”


Classical music: This Saturday and on Wednesday, Nov. 29, “Live From the Met in HD” will feature the Thomas Adès operatic remake of Luis Buñuel’s film “The Exterminating Angel.” Here is background and a review of the production

November 15, 2017
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By Jacob Stockinger

Talk about the dinner party from Hell!

It may not be the most popular production this season staged by the famed Metropolitan Opera in New York City, but it is certainly the newest as well as the most unusual and interesting production.

It is an operatic remake of Spanish Surrealist filmmaker Luis Buñuel’s 1962 movie ‘The Exterminating Angel” (below is the poster).

You can see it in a live performance in the next “Live From the MET in HD” broadcast that will take place this coming Saturday afternoon with encore presentations on Wednesday afternoon and night.

On this Saturday, the show time is 11:55 a.m. at the Marcus Point Cinemas and the Marcus Palace in Sun Prairie. On Wednesday, Nov. 29 — postponed because next Wednesday is the day before Thanksgiving — the encore presentations at both cinemas are at 1 p.m. and 6:30 p.m.

Running time is 2 hours and 40 minutes. The opera will be sung in English with surtitles in German, Spanish and English.

Tickets are $22, $18 for seniors.

Here is a link to the Met’s website with information about the production, including a cast sheet and a synopsis:

http://www.metopera.org/Season/2017-18-Season/exterminating-angel-ades-tickets/

http://www.metopera.org/metoperafiles/season/2017-18/operas/exterminating_angel/hd_syn_Angel_global_dates.pdf

Here are stories that provide some background.

The first is a general background piece about the opera (below, in a photo by Eamon Hassan for The New York Times) from the “Deceptive Cadence” blog written for NPR or National Public Radio:

https://www.npr.org/sections/deceptivecadence/2017/11/05/561366931/luis-bu-uels-the-exterminating-angel-gets-an-off-kilter-adaption-from-screen-to-

Here are two guides, from The New York Times, with what you need to know about the opera and production:

https://www.nytimes.com/2017/10/20/arts/music/thomas-ades-exterminating-angel-metropolitan-opera.html

https://www.nytimes.com/2017/11/01/arts/music/exterminating-angel-metropolitan-opera-thomas-ades-bunuel.html

And here is a rave review from Anthony Tommasini, the senior critic for The New York Times, who says if you only see one Met production this season, “The Exterminating Angel” should be it (below is a trailer on YouTube):

https://www.nytimes.com/2017/10/27/arts/music/exterminating-angel-review-metropolitan-opera.html


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