The Well-Tempered Ear
Madison Opera cancels its January production of “She Loves Me.” Will other groups follow suit? Plus, tonight is the last online concert by the LunART Festival of music by Black women
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ALERT: TONIGHT, Oct. 17, at 7 p.m. the third LunART Festival will wrap up with the second of its two FREE streamed “Human Family” concerts featuring the works of Black women (below). Due to popular demand, last week’s concert is still posted and available for viewing. This week’s concert will be followed by a virtual party. Here are links for information, programs and biographies: https://www.lunartfestival.org/2020virtualfestival and https://welltempered.wordpress.com/?s=LunART
By Jacob Stockinger
The coronavirus pandemic continues to slowly take its toll on local live productions during the current season.
The Madison Opera has now canceled its second production of the season, the Broadway musical “She Loves Me” by Jerry Bock and Sheldon Harnick, which was scheduled for late January in the Capitol Theater of the Overture Center.
Here are details from Madison Opera: “We will replace She Loves Me with a Digital Winter season that lasts from January to March. Details will be announced in December. (She Loves Me will be part of our 2021/22 season, so it’s only a delay!)”
For more about Madison Opera’s digital fall season – which costs $50 per household to subscribe to – go to: https://www.madisonopera.org/Fall2020
The next digital event is at 7:30 p.m. next Saturday, Oct. 24, by Sun Prairie bass-baritone Kyle Ketelsen (below, in a photo by Lawrence Brownlee), who has performed around the world, including at the Metropolitan Opera.
He will perform a live-streamed concert from the Madison Opera Center that will be a tribute to the American bass Giorgio Tozzi (below), who was Ketelsen’s teacher at Indiana University. (In the YouTube video at the bottom, you can hear Tozzi sing “This Nearly Was Mine” from “South Pacific” by Rodgers and Hammerstein.)
Here is Tozzi’s biography from Wikipedia: https://en.wikipedia.org/wiki/Giorgio_Tozzi
Soprano Emily Secor (below top) and pianist Scott Gendel (below bottom) will perform with Ketelsen.
Here is a link to details of Kyle Ketelsen’s recital: https://www.madisonopera.org/class/liveketelsen/?wcs_timestamp=1603567800
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The cancellation makes The Ear wonder: Are local groups and presenters being too timid or too hopeful when it comes to future plans for the current season?
After all, this past week we learned that both the Metropolitan Opera and the New York Philharmonic have canceled the rest of the current season due to public health concerns about the COVID-19 pandemic. And all indications are that it will be a very rough, unsafe winter and spring in Wisconsin and Madison.
That’s why The Ear suspects that, unfortunately, the rest of the season will either be canceled or be virtual and moved online. It even seems more than plausible that there will be no live performances until the winter or spring of 2022.
So you can probably expect further word pretty soon of more cancellations, postponements and virtual online performances from the Madison Symphony Orchestra, the Madison Opera, the Wisconsin Chamber Orchestra, the Wisconsin Union Theater, the UW-Madison Mead Witter School of Music, the University Opera and others.
What do you think?
Will there be operas, orchestral performances and live chamber music sometime yet this season?
When do you think it will be safe to perform and attend live concerts?
The Ear wants to hear.
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Looks like there will be no live concerts for the rest of the 2020-21 season and maybe until early 2022
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By Jacob Stockinger
Some important things for classical music fans to know happened over the weekend, even as Dane County continues to break records for new cases of coronavirus.
Three high federal health officials, including director of the CDC Dr. Robert Redfield and his colleague Dr. Anthony Fauci, have testified that it is highly unlikely that vaccines for the coronavirus will be widely available to the public until May 2021 at the earliest and may well be delayed until early 2022 or later.
President Donald Trump says they are wrong, but the public health officials are standing by their estimates.
Adding to the concern is that the rate of people who say they will not get the hurried vaccine continues to rise from 35 percent to 50 percent or more.
In addition, there are reports of logistical problems because the vaccines will be difficult to distribute as they require cold temperatures.
This amounts to bad news for a long list of local arts presenters.
The net effect is that mass gatherings – such as concerts – will not be safe to attend for the rest of this season and perhaps until the beginning of 2022.
That means that many groups that have planned on reopening by January or February are likely to cancel or postpone events for the remainder of this season, and perhaps also for next fall – just as they planned for doing this concert season.
Instead there will probably be more virtual and online events substituted for in-person events — if anything at all is offered.
Among the major groups who have announced earlier reopening and be affected by the new deadlines are: the Madison Symphony Orchestra (below top); the Madison Opera; the Wisconsin Chamber Orchestra (below bottom, in a photo by Mike Gorski); the Wisconsin Union Theater; the University of Wisconsin-Madison’s Mead Witter School of Music; the Wisconsin Youth Symphony Orchestras (WYSO); and the Middleton Community Orchestra.
We can all hope that live music starts happening sooner. But The Ear suspects that alternative plans are already being drawn up and will be announced shortly.
What do you think about the estimates of the delays in vaccine accessibility and acceptance?
What do you think music groups will do – or should do in –in the wake of the public health crisis?
The Ear wants to hear.
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Classical music: Trevor Stephenson announces the new season of the Madison Bach Musicians on YouTube. It features smaller concerts and familiar comfort music
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By Jacob Stockinger
At a time when so many concerts are being canceled, it is especially welcome when a local ensemble announces plans for the 2020-21 season.
To announce the 17th season of the Madison Bach Musicians — a period-instrument group that uses historically informed performance practices — the founder and artistic director Trevor Stephenson (below), who also plays the harpsichord, fortepiano and piano, has made and posted a 13-1/2 minute YouTube video.
The season will also be posted on the MBM website in early June, and will also be announced with more details about times and ticket prices via email and postal mailings.
In the video, Stephenson plays the harpsichord. He opens the video with the familiar Aria from the “Goldberg” Variations and closes with two contrasting Gavottes from the English Suite in G minor.
As usual, Stephenson offers insights in the programs that feature some very well-known and appealing works that are sure to attract audiences anxious to once again experience the comfort of hearing familiar music performed live.
One thing Stephenson does not say is that there seems to be fewer ambitious programs and fewer imported guest artists. It’s only a guess, but The Ear suspects that that is because it is less expensive to stage smaller concerts and it also allows for easier cancellation, should that be required by a continuing COVID-19 pandemic.
If the speculation proves true, such an adaptive move is smart and makes great sense artistically, financially and socially given the coronavirus public health crisis.
After all, this past spring the MBM had to cancel a much anticipated, expensive and very ambitious production, with many out-of-town guests artists, of the “Vespers of 1610” by Claudio Monteverdi. Nonetheless, MBM tried to pay as much as it could afford to the musicians, who are unsalaried “gig” workers who usually don’t qualify for unemployment payments.
“Hope and Joy” is a timely, welcome and much-needed theme of the new season.
The new season starts on Saturday night, Oct. 3, at Grace Episcopal Church downtown on the Capitol Square, and then Sunday afternoon, Oct. 4, at Holy Wisdom Monastery in Middleton.
The program is Haydn and Mozart: songs composed in English and German by Haydn plus songs by Mozart; the great violin sonata in E minor by Mozart; and two keyboard trios, one in C major by Haydn and one in G major by Mozart.
Only four players will be required. They include: Stephenson on the fortepiano; concertmaster Kangwon Kim on baroque violin; James Waldo on a Classical-era cello; and soprano Morgan Balfour (below), who won the 2019 Handel Aria Competition in Madison.
On Saturday night, Dec. 12, in the First Congregational United Church of Christ, near Camp Randall Stadium, MBM will perform its 10th annual holiday concert of seasonal music.
The program includes several selections from the “Christmas Oratorio” by Johann Sebastian Bach; a Vivaldi concerto for bassoon with UW-Madison professor Marc Vallon (below, in a photo by James Gill) as soloist; and the popular “Christmas Concerto” by Arcangelo Corelli.
On Saturday night, April 24, at Grace Episcopal Church and Sunday afternoon, April 25, at Holy Wisdom Monastery, the MBM will perform a concert of German Baroque masterworks with the internationally renowned baroque violinist Marc Destrubé (below).
The program features Handel and Bach but also composers who are not often played today but who were well known to and respected by Bach and his contemporaries.
Specifically, there will be a suite by Christoph Graupner (below top) and a work by Carl Heinrich Graun (below bottom).
There will also be a concerto grosso by George Frideric Handel and two very well-known concertos by Bach – the Brandenburg Concerto No. 3 and the Concerto for Two Violins.
Here is the complete video:
What do you think of the Madison Bach Musicians’ new season?
The Ear wants to hear.
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Classical music: Background discussions, lectures and documentaries lead up to Madison Opera’s production of the LGBTQ-themed, McCarthy-era opera “Fellow Travelers” on Feb. 7 and 9
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By Jacob Stockinger
The Madison Opera continues its foray into 21st-century operas with Gregory Spears’ Fellow Travelers on Friday night, Feb. 7, at 8 p.m. and Sunday afternoon, Feb. 9, at 2:30 p.m. in the Capitol Theater at the Overture Center.
(Production photos below are by Dan Norman of the Minnesota Opera production, which is being encored in Madison. You can see and hear a preview of the Minnesota Opera production in the YouTube video at the bottom.)
The acclaimed 2016 opera is set in 1950s Washington, D.C. The “Lavender Scare,” in which suspected homosexuals saw their livelihoods and lives destroyed, has enveloped the U.S. government. (Below are Andres Acosta as Timothy Laughlin and Sidney Outlaw as Tommy McIntyre.)
Against this backdrop, Timothy Laughlin, a recent college graduate and an ardent supporter of Wisconsin’s anti-Communist Republican Senator Joseph McCarthy, meets Hawkins Fuller, a State Department official.
The two men (below, Acosta on the right) embark on a relationship, tangled in a web of fear and necessary deceit. Their friends and colleagues fill out a story of individuals grappling with their beliefs and emotions.
With a libretto by Greg Pierce that is based on Thomas Mallon’s 2007 novel, Fellow Travelers was praised as “a near-perfect example of fast-flowing musical drama” by The New York Times and tells of the very human consequences of prejudice and fear, with compassion, nuance and incredible beauty.
The opera will be sung in English with projected text.
The performance will last approximately 2 hours 25 minutes, including one intermission.
For more information, go to: www.madisonopera.org/FellowTravelers
Tickets are $26 to $118 with discounts available for students and groups. Go to the Overture Center box office at 201 State Street or call it at (608) 258-4141 or go online to www.MadisonOpera.org/Tickets
“When I saw Fellow Travelers, I knew before it was over that I would be producing it in Madison,” says Madison’s Opera’s General Director Kathryn Smith (below in a photo by James Gill). “I fell in love with the haunting music and the well-drawn characters, and the emotional impact at the end was even more powerful than I had anticipated. I am truly looking forward to sharing this modern masterpiece with our community.”
Peter Rothstein (below) directs this production in his Madison Opera debut. Rothstein, who received his MFA from the UW-Madison, directed Fellow Travelers for Minnesota Opera in 2018.
The Twin City Arts Reader called his production “equal parts sweeping love affair and tragic circumstance. To some, the events will feel comfortably distant for this doomed period romance. For others, they will seem all too real and possible in this day and age. It’s a powerful combination.”
Making his Madison Opera debut as Timothy Laughlin is Andres Acosta (below), who performed this role to acclaim at the Minnesota Opera.
Ben Edquist (below), who debuted at Opera in the Park this past summer, sings Hawkins Fuller.
Adriana Zabala (below, of Florencia en el Amazonas) returns as Mary Johnson, who works with Hawkins and is a friend and voice of conscience for him and Timothy.
Returning to Madison Opera are Sidney Outlaw (below top, of Gounod’s Romeo and Juliet) as Tommy McIntyre, a political insider, and Alan Dunbar (below bottom, in a photo by Roy Hellman, of Mozart’s The Magic Flute) in multiple roles, including Senator Joseph McCarthy and a government interrogator who puts Hawkins through a lie detector test.
Andrew Wilkowske (below) debuts in several roles, including Senator Potter and General Arlie.
Filling out the cast is Madison Opera Studio Artist Emily Secor (below top) as Miss Lightfoot, who works in Hawkins’ office; soprano Cassandra Vasta (below bottom) as Lucy, whomHawkins marries; and Madison Opera Studio Artist Stephen Hobe in five different roles.
John DeMain (below, in a photo by Greg Anderson) conducts, with the Madison Symphony Orchestra in the pit.
Madison Opera’s production of “Fellow Travelers” is sponsored by: Fran Klos; Sally and Mike Miley; David Flanders and Susan Ecroyd; John Lemke and Pamela Oliver; Sharyn and Carl Stumpf; and Dane Arts. Community events are sponsored by The Capital Times.
RELATED EVENTS
In addition to the two performances, Madison Opera offers several events to allow deeper exploration of the opera and its historical background.
They include a free discussion of the “Wisconsin Dimension” of this period in history at the Madison Central Library and a free showing of The Lavender Scare documentary at PBS Wisconsin (formerly Wisconsin Public Television).
OPERA NOVICE: WELCOME TO THE 21st CENTURY
This Friday, Jan. 17, 6-7 p.m. FREE and open to the public at the Madison Opera Center (below), 335 West Mifflin Street
New to opera? Not sure how you feel about modern opera? Come to the Madison Opera Center for a short, fun and informative evening, led by General Director Kathryn Smith.
Learn about some of the new American operas that are shaping the operatic landscape in the 21st century, including Fellow Travelers. Studio Artist Stephen Hobe (below) will sing an aria from Fellow Travelers, and there will be plenty of time for questions. It’s the perfect jump-start for the opera-curious.
FELLOW TRAVELERS: THE WISCONSIN DIMENSION
This Sunday, Jan. 19, 3–4:30 p.m.; FREE and open to the public at the Madison Central Library, 201 West Mifflin Street
Join us for a discussion of how the Lavender Scare and its fallout was felt in Wisconsin, led by R. Richard Wagner (below top), activist and author of We’ve Been Here All Along: Wisconsin’s Early Gay History (below middle), and Susan Zaeske (below bottom), a UW-Madison campus leader in the arts and humanities who has taught an experiential-learning course on LGBTQ history.
THE LAVENDER SCARE– Documentary Screening
Friday, Jan. 24, 7 p.m.; FREE and open to the public at PBS Wisconsin, 821 University Avenue
PBS Wisconsin (formerly Wisconsin Public Television) presents a screening of The Lavender Scare, the first documentary film to tell the little-known story of an unrelenting campaign by the federal government to identify and fire all employees suspected of being homosexual.
Narrated by Glenn Close, the film was praised as “a gripping, nimbly assembled documentary… vivid, disturbing and rousing” by the Los Angeles Times. The screening will be followed by a discussion.
OPERA UP CLOSE: FELLOW TRAVELERS
Sunday, Feb. 2, 1-3 p.m.; FREE for full-season subscribers; $10 for two-show subscribers; and $20 for non-subscribers; at the Madison Opera Center, 335 West Mifflin Street
Join the Madison Opera for a multimedia behind-the-scenes preview of Fellow Travelers. General Director Kathryn Smith will discuss many aspects of the opera, including the historical events that provide the story’s backdrop, the novel on which it is based, and how this 2016 opera swiftly spread across the country.
Principal artists, stage director Peter Rothstein, and conductor John DeMain will participate in a roundtable discussion about Madison’s production and their own takes on this acclaimed 2016 work.
PRE-OPERA TALKS
Friday, February 7, 2020, 7 p.m. and Sunday, February 9, 2020, 1:30 p.m. FREE to ticket holders at the Wisconsin Studio in the Overture Center
Join General Director Kathryn Smith one hour prior to performances for an entertaining and informative talk about Fellow Travelers.
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Critics for The New York Times name their Top 10 online classical concerts for May
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By Jacob Stockinger
Even as we wait to see whether concerts in the next season will be mostly streamed or live, the critics for The New York Times have named their Top 10 classical concerts to stream and hear online in May.
The Times critics have been doing this during the pandemic year. So perhaps if and when they stop, it will be a sign of returning to concert life before the pandemic.
Then again, maybe not, since The Ear suspects that many listeners have liked the online format, at least for some of the times and for certain events. So maybe there will be a hybrid format with both live and online attendance.
As the same critics have done before, they mix an attention to contemporary composers, world premieres and up-and-coming performers, including the Finnish conductor Susanna Maliki (below top) in a photo by Hiroyuki Ito for The New York Times).
In a welcome development, the recommendations for this month also seem to mention more Black composers, performers and pieces than usual, including the rising star bass-baritone Davon Tines (below, in a photo by Vincent Tullo for The New York Times).
But you will also find many of the “usual suspects,” including Haydn, Mozart, Schubert, Bartok, Benjamin Britten, Olivier Messiaen and Shostakovich. (On the play list is Schubert’s last song, “The Shepherd on the Rock,” which you can hear in the YouTube video at the bottom.)
You will also find dates and times (all are Eastern), links to the event and some short commentaries about what makes the concerts, programs and the performers noteworthy.
Here is a link to the story: https://www.nytimes.com/2021/04/29/arts/music/classical-music-streaming.html
Do you know of local, regional, national or international online concerts that you recommend? Leave word with relevant information in the Comment section.
Happy Listening!
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