The Well-Tempered Ear
As the semester ends, virtual concerts allow UW students to reach many more family members, friends and listeners. Here is how the public can connect to them
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By Jacob Stockinger
Starting tonight and over the next two weeks, as the spring semester at the UW-Madison comes to a close, there will be more than two dozen student recitals to listen to. (Below is the YouTube video for the concert this Thursday night, April 15, at 6:30 p.m. of the Marvin Rabin String Quartet that is comprised of graduate students.)
Often two or more concerts a day are scheduled, often at 3:30 p.m. and 6:30 p.m.
That much is typical.
What is not typical during the pandemic is that technology will allow the recitals to be presented live-streamed and virtual.
The downside is that the students will not experience performing before a live audience.
But there is an upside.
Going virtual also means that the recitals will be available longer to family, friends and interested listeners here as well as around the country and — especially for international students — the world. (Below, in a photo by Bryce Richter for the UW-Madison, is the Mead Witter Foundation Concert Hall in the Hamel Music Center.)
It also means you can hear them when it is convenient for you and not at the actual scheduled times.
The Ear has heard his share of student recitals and often finds them to be exceptional events.
If you go to the Mead Witter School of Music’s website, you can see the concerts and the lineups.
You will see that there will be student recitals of vocal music, brass music, wind music, string music and piano music. There are solo recitals, chamber music and even a symphony orchestra concert. (Below, in a photo by Bryce Richter for the UW-Madison, is the Collins Recital Hall in the Hamel Music Center.)
There are too many details for each concert to list them all here individually.
But if you go to the Concerts and Events page on the music school’s outstanding website, you can hover the cursor over the event and then click on the event and get everything from the performers and programs to program notes, a performer biography and a photo with a link to the YouTube performance.
On the YouTube site, if you click on “See More” you will see more details and can even set up an alarm for when the concert starts.
Here is a link: https://www.music.wisc.edu/events/
Try it and see for yourself. Below is the YouTube link for pianist Mengwen Zhu, who performs his recital this Saturday, April 17, at 6 p.m.)
Happy listening!
Let us know what you think, especially if it is encouraging for the students.
The Ear wants to hear.
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The New York Times music critics pick 10 online concerts and operas to watch through the month of November
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By Jacob Stockinger
Classical music critics for The New York Times have again listed their picks of virtual and online concerts that will be streamed during the month of November, starting this Sunday, Nov. 1, and running right through Nov. 30. In September, they did the same for the month of October.
The list of 10 highlights includes chamber music, orchestral music and operas as well as lots of new music, world premieres of commissions and even the Cliburn International Piano Competition, now known simply as The Cliburn.
Most of the events are posted and available for quite a while.
Note that all times are Eastern and that on this Sunday, Nov. 1, daylight saving ends.
As the critics point out, the list may be especially helpful and enjoyable now that the weather is turning colder, people are isolating at home during the nationwide spikes in coronavirus cases, and concert halls remain closed to the public.
Well-known institutions such as The Metropolitan Opera (below) and the Los Angeles Opera are featured. (You can sample an earlier Met production of Philip Glass’ “Satyagraha” – about the early life of Gandhi — in the YouTube video at the bottom.)
So are symphony orchestras from Detroit, Seattle, San Francisco and Cincinnati.
And pianist Igor Levit (below top), who this past year released the highly praised, award-winning complete cycle of 32 piano sonatas by Beethoven and who was named Artist of the Year by Gramophone magazine, is also featured, as is the outstanding Chicago-based violinist Jennifer Koh (below bottom, in a photo by the Los Angeles Times).
Here is a link to the story: https://www.nytimes.com/2020/10/28/arts/music/classical-music-stream.html
What do you think of the choices?
Do you have other concerts or classical music events to add to the list?
The Ear wants to hear.
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Classical music: Meet Alexander Gonzalez, the new assistant band director at the UW-Madison who is also a UW alumnus
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By Jacob Stockinger
The Ear has received the following press release from the UW-Madison about its new assistant band director. Like many of his musician colleagues at the UW-Madison, he is likely to see his duties curtailed because of the coronavirus pandemic and COVID-19.
After the completion of a national search, the University of Wisconsin-Madison’s Mead Witter School of Music is pleased to announce the hiring of Alexander Gonzalez (below, in a photo by Robb McCormick) as the new assistant director of bands.
Gonzalez will conduct the Tuesday Night University Band, assist the University of Wisconsin Marching Band, direct the Men’s Hockey Band, and teach courses in conducting.
Gonzalez comes to Wisconsin after studying conducting at Ohio State University as a Doctorate of Musical Arts candidate, where he worked with all concert ensembles and the marching band. Alongside his studies, he was the director of the Professional School Orchestra and taught conducting at Capital University’s Conservatory of Music.
“We are thrilled to welcome Alexander and his wife Haley to the University of Wisconsin Marching Band family,” said Associate Director of Bands Corey Pompey (below). “Alexander is a supremely gifted musician and pedagogue whose role is integral to the success of our band program. He is thoughtful, engaging and direct. Our students will benefit in immeasurable ways from what he has to offer.”
Prior to his studies in Ohio, Gonzalez was a public school educator in Colorado and Florida, where he taught an array of courses at middle school and high school levels.
While participating in his Master’s degree in Wind Conducting from the University of Wisconsin-Madison, he was the director of the Middleton High School Symphony Orchestra’s Wind Octet and worked in education and community outreach with the Madison Symphony Orchestra. (In the YouTube video at the bottom, you can hear Alexander Gonzalez conducting the UW-Madison’s University Band in Michael J. Miller’s “Tribute for Band” in Mills Hall in 2014.)
“I am beyond excited to return to a place I consider home,” said Gonzalez (below). “The bands at UW-Madison were integral in forming the educator I am today. And I am equally excited to create a musical environment where present and future students can feel as loved, challenged and respected as I did.”
Gonzalez holds a Bachelor’s degree in Music Education from the University of Florida and is an active member in the National Association for Music Education, the College Band Directors National Association, the National Band Association, Phi Mu Alpha, Kappa Kappa Psi and Tau Beta Sigma.
“Professor Gonzalez brings with him a wealth of knowledge from his background in teaching music at the public school and college levels,” said Director of Bands Scott Teeple (below). “He is an extraordinary musician, pedagogue and individual. Alexander’s contributions to the UW Band program and the Mead Witter School of Music will deepen the musical experiences of our students. We consider ourselves fortunate to have him as a member of our team.”
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Classical music: Meet the “Stay at Home” Symphony Orchestra. How do they sound so close and tight? Plus, today is May Day. What music would you play to celebrate workers?
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ALERT: Today is May Day, a time to honor workers. What music would you play to celebrate and thank all the frontline workers — doctors, nurses, EMTs, police officers, firefighters, bus drivers, cleaners and janitors, grocery store workers, delivery people and others — who are now so indispensable?
By Jacob Stockinger
Many musicians — both singers and instrumentalists (below) — are self-isolating and doing their at-home best to keep those of us also sheltering in place entertained by performing virtual concerts.
It is something listeners can be grateful for. The players do an admirable and free public service during the COVID-19 crisis and coronavirus pandemic.
Of course, the virtual performances also have practical purposes.
The musicians keep their skills sharp during isolation.
And the virtual performances help to keep the names of individuals and groups, of composers and pieces, in the public’s mind at a time when live concerts have all been canceled or postponed.
There are many, many virtual concerts to choose from – made by local, regional, national and international musicians, some amateurs and some professional.
Many of them are solo performances given by an individual member of an orchestra, chamber music group or choral ensemble as well as big-name soloists such as pianist Emanuel Ax and cellist Yo-Yo Ma.
The individual ones are appreciated and impressive, even if some of the performances seem amateur-like in the sound or awkwardness.
What really impresses The Ear is when large groups, such as symphony orchestras and choirs, perform something with all the players at home and yet somehow the whole finished product sounds incredibly tight in and incredibly professional.
Last Saturday, the Metropolitan Opera even held a four-hour online gala with singers and instrumentalists from all over the world.
It makes The Ear wonder why they sound so good. How they do it, with all the complications and variables of timing and tempo, of rhythm, pitch and dynamics?
Is it the planning?
The processing and editing?
In any case, a very good example comes from the “Stay at Home” Symphony Orchestra playing Mozart’s Overture to the opera “The Marriage of Figaro.”
You can hear the YouTube video of the performance below.
Are there other such performances that you can point out to The Ear and you would like to see posted on this blog?
The Ear wants to hear.
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Classical music: After 54 years at the UW-Madison, the Wisconsin Youth Symphony Orchestras (WYSO) will move this fall to the new McFarland Performing Arts Center.
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By Jacob Stockinger
Starting this fall, the Wisconsin Youth Symphony Orchestras (WYSO, below) will have a new home for classes, rehearsals and performances.
The news of moving to the McFarland Performing Arts Center (below) is very good for WYSO. But The Ear feels sad to see the University of Wisconsin-Madison and WYSO parting ways after a partnership of 54 years.
It feels like the UW, a distinguished public institution, is backing away from the Wisconsin Idea of public service to the citizens who fund the university. It is embodied in the saying that “the boundaries of the university are the boundaries of the state.” (Editor’s note: For more about the Wisconsin Idea and its Progressive Era history, go to: https://en.wikipedia.org/wiki/Wisconsin_Idea)
It feels, in short, like a setback to community engagement by the UW-Madison and its Mead Witter School of Music, where WYSO once had offices and used Mills Concert Hall.
Be that as it may, here is a WYSO email newsletter’s account of what led up to the decision and move.
“The news from University of Wisconsin-Madison started trickling in a little at a time.
“First, Mills Hall (below), where WYSO had rehearsed almost every Saturday since the Humanities Building opened, was scheduled for transformation from a concert hall into a lecture hall. (You can see WYSO performing in Mills Hall in the YouTube video at the bottom.)
“Then the UW began to reconsider whether pre-college programs should actually share space with university departments.
“And there was the growth of WYSO itself — from one full orchestra to three, plus two string orchestras, a chamber music program (below top), a full array of ensembles, and the community-impact Music Makers (below bottom).
“Meanwhile, 12 minutes away, the town of McFarland opened an amazing 841-seat, state-of-the-art performing arts center (below).
“And incredibly, the adjacent middle school and high school campus (below) had enough parking and enough rehearsal space to accommodate the entire WYSO program with room to grow — all of the student musicians, all of the orchestras, and all rehearsing at the same time.
“In a unique move of creative place-making, McFarland’s School Superintendent Andrew Briddell reached out to WYSO and suggested all of the above opportunities, plus collaboration with the McFarland schools, staff and community, and the ability to build on the creative history of the town itself.
“Passionate about music and education, Andrew Briddell, earned a double major in music and English from Indiana University, a Master’s degree in bassoon from Temple University, and a doctorate in Educational Leadership and Policy Analysis from the UW-Madison.
“”A talented bassoon player, Briddell (below) played with the Alabama Symphony Orchestra and was music director of the Youth Symphony Orchestra of Birmingham.
“What a perfect match for this collaboration!
“It was an invitation too good to pass up. So starting in the fall of 2020, the Wisconsin Youth Symphony Orchestras will be in residence at the new McFarland Performing Arts Center.”
To read more details about WYSO’s new home, including design and acoustics, go to: https://www.wysomusic.org/the-wyso-weekly-tune-up-april-17-2020-wysos-new-home/
What do you think about the new move WYSO?
The Ear wants to hear.
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Classical music: A busy week at the UW-Madison brings FREE concerts in new halls with an emphasis on new music for winds, chamber ensembles, orchestra and band
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ALERT: Tonight’s performance by the a cappella vocal group Chanticleer is SOLD OUT.
By Jacob Stockinger
It’s going to be a busy week at the University of Wisconsin-Madison Mead Witter School of Music and especially in its new Hamel Music Center (below), 740 University Ave., next to the new wing of the Chazen Museum of Art.
On tap is a variety of FREE concerts, with an emphasis on new music, including compositions for winds, chamber ensembles, orchestra and band.
Earlier mistakes on dates and time have been corrected. To double check dates, times and venues as well programs, go to: https://www.music.wisc.edu/events/
Here is a schedule:
TUESDAY, OCT. 8
At 7:30 p.m. in the Mead Witter Foundation Concert Hall, the UW Wind Ensemble (below), conducted by director Scott Teeple and guest conductor Ross Wolf, will perform a FREE program of contemporary wind music.
The program includes works by Augusta Read Thomas (below top), Jake Runestad, Larry Tuttle, Xi Wang (below bottom) and Carlos Simon.
There will be one world premiere and two Wisconsin premieres.
For more information and the complete program, go to: https://www.music.wisc.edu/event/uw-wind-ensemble-5/
THURSDAY, OCT. 10
At 8 p.m. in Collins Recital Hall of the new Hamel Music Center, the Contemporary Chamber Ensemble will perform a FREE recital of new music, including two works — “Wet Ink” and ” Treetop Studio” — by the critically acclaimed UW-Madison composer Laura Schwendinger (below).
Also on the “Fall Notes” program are “Wing and Prayer” by Melinda Wagner (below top) and “Pentacle” by Irish composer Raymond Deane (below bottom) who will make his UW-Madison debut.
Performers for “Fall Notes” will feature UW-Madison musicians, including clarinetist Alicia Lee, cellist James Waldo, violist Sally Chisholm, pianist Christopher Taylor and student performers.
FRIDAY, OCT. 11
At 8 p.m. in the Mead Witter Foundation Concert Hall, the UW-Madison Symphony Orchestra (below) will open its season with a FREE concert under its new conductor Oriol Sans, a native of Catalonia, Spain, who studied at the Barcelona Conservatory and who came to Madison from the University of Michigan at Ann Arbor.
The program is: “aequilibria” by contemporary Icelandic composer Anna Thorvaldsdottir (heard in the YouTube video at the bottom); “Death and Transfiguration; by Richard Strauss; and “Symphonic Dances” by Sergei Rachmaninoff.
For more information about conductor Oriol Sans (below), go to: https://www.music.wisc.edu/oriol-sans/
For more information, from Wikipedia, about composer Anna Thorvaldsdottir (below), go to: https://en.wikipedia.org/wiki/Anna_S._Þorvaldsdóttir
SUNDAY, OCT. 13
At 2 p.m., in the Mead Witter Foundation Concert Hall, the University Bands will perform a FREE concert under conductor Darin Olson (below), the assistant director of bands at the UW-Madison.
No program is available.
Tags: #ACapella, #AliciaLee, #AmericanComposer, #AnnaThorvaldsdottir, #AsianComposer, #AugustaReadThomas, #BandConcert, #BandMusic, #BarcelonaSpain, #BlogPost, #BlogPosting, #CarlosSimon, #ChamberMusic, #ChazenMuseumofArt, #Chinesecomposer, #ChineseMusic, #ChristopherTaylor, #ClarinetMusic, #ClassicalMusician, #CollinsRecitalHall, #ConcertHall, #ConcertProgram, #ContemporaryChamberEnsemble, #ContemporaryComposers, #ContemporaryMusic, #CriticallyAcclaimed, #DarinOlson, #DeathandTransfiguration, #FacebookPost, #FacebookPosting, #FacultyConcert, #GuestConductor, #HamelMusicCenter, #IcelandicComposer, #IrishComposers, #JacobStockinger, #JakeRunestad, #James Waldo, #JamesWaldo, #LarryTuttle, #LauraSchwendinger, #LivingComposers, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #MelindaWagner, #Musicfaculty, #MusicProfessors, #MusicSchool, #NewMusic, #OrchestralMusic, #OriolSans, #PaulCollins, #RaymondDeane, #RichardStrauss, #RossWolf, #SallyChisholm, #SchoolofMusic, #ScottTeeple, #SergeiRachmaninoff, #SergeiRachmaninov, #SoldOut, #SymphonicDances, #SymphonyOrchestra, #UniversityBands, #UniversityOfMichigan, #UniversityofWisconsin-Madison, #UW-MadisonSymphonyOrchestra, #UWContemporaryChamberEnsemble, #UWSymphonyOrchestra, #UWWindEnsemble, #ViolaMusic, #VocalMusic, #Wikipediabiography, #Wikipediaentry, #WindEnsemble, #WindMusic, #WisconsinPremiere, #WorldPremiere, #XiWang, #YouTubevideo, a cappella, Alicia Lee, American, Ann Arbor, Anna Thorvaldsdottir, Arts, Asia, asian, Augusta Read Thomas, band, Barcelona, blog, busy, Carlos Simon, Catalonia, cellist, Cello, Chamber music, Chanticleer, Chazen Museum of Art, China, Christopher Taylor, clarinet, clarinetist, Classical music, classicalmusic, Collins Recital Hall, composer, Concert, concert hall, conductor, conservatory, critically acclaimed, dance, dances, Darin Olson, death, Death and Transfiguration, debut, director, emphasis, Facebook, faculty, fall, follow, forward, free, group, guest, hall, Hamel Music Center, Iceland, Icelandic composer, information, Irish, Jacob Stockinger, Jake Runestad, Larry Tuttle, Laura Schwendinger, like, link, living composers, Madison, Mead Witter Foundation Concert Hall, Mead Witter School of Music, Melinda Wagner, Music, music faculty, music school, native, new, New Music, notes, Orchestra, orchestral music, Oriol Sans, Paul Collins, performance, Pianist, Piano, post, posting, premiere, professor, program, Raymond Deane, recital, Richard Strauss, Ross Wolf, Sally Chisholm, schedule, School of Music, Scott Teeple, Sergei Rachmaninoff, Sergei Rachmaninov, share, sold-out, Spain, Spanish, Student, symphonic, Symphonic Dances, symphony orchestra, tag, tonight, transfiguration, United States, University Bands, University of Michigan, University of Michigan-Ann Arbor, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW Contemporary Chamber Ensemble, UW Symphony Orchestra, UW Wind Ensemble, UW-Madison, UW-Madison Symphony Orchestra, variety, Viola, violist, vocal music, week, Wikipedia, wind ensemble, wind music, wing, Wisconsin, Wisconsin Premiere, work, world premiere, Xi Wang, YouTube
Classical music: The Madison Symphony Orchestra opens its new season with a strong and memorable concert that had something for everyone — with no outside help from a guest artist
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ALERT: On this Saturday, Oct. 5, from 4 to 5 p.m., cellist Amit Peled will teach a master class at Farley’s House of Pianos, 6522 Seybold Road, near West Towne Mall, where he will instruct local students. This is a FREE event that the public is invited to observe, and is part of the two concerts by Peled and pianist Daniel del Pino. For more information, go to:
By Jacob Stockinger
Many orchestras, including the Madison Symphony Orchestra (below, in a photo by Peter Rodgers), often use the opening concert of a new season as a chance to lure audiences by wowing them with some big-name guest soloist.
But last weekend maestro John DeMain (below, in a photo by Greg Anderson) once again preferred to show off his own ensemble. And it worked, making for a memorable concert.
The MSO opener had something for everyone, and what you saw as the highlight probably depended more on your personal taste or preference than on the overall impressively tight playing and singing of the MSO, its principals and its chorus.
It seemed clear that, for most listeners the MSO’s young organist Greg Zelek (below, in a photo by Peter Rodgers) filled the role of the impressive imported star or guest artist.
The virtuosic Zelek is simply so good that he managed to turn a second-rate piece by Samuel Barber into a first-rate crowd-pleaser that brought huge applause and a long standing ovation, then an encore and another standing ovation.
As music, the concerto-like “Toccata Festiva” (1960) is simply not on par with Barber’s Violin Concerto or his Adagio for Strings or his Overture to “The School for Scandal.” It is 15 minutes of mostly loud and bombastic music meant to show off the new organ that it was commissioned for.
The King of Instruments seems to invite such bragging. And the boyish, vest-clad Zelek milked the score by Barber (below) for all it was worth, including an astounding three-minute cadenza played only with the feet. It’s hard to argue with such dramatic success.
If you preferred more serious fare, there was the Symphony No. 7 in D minor by Antonin Dvorak (below). Last spring, DeMain announced his fondness for Dvorak – in the spring the MSO will perform his Requiem.
DeMain’s feeling for Dvorak showed in a convincing and engaging performance of this darker, non-programmatic Brahmsian work that goes beyond the Czech folk dances, folk song-like melodies and nature mimicry of Dvorak’s other major symphonies and chamber music.
If you wanted exciting Romanticism, it would be hard to beat Wagner’s rhythmic strings soaring in the Overture to the opera “Tannhauser” by Richard Wagner (below). And that flowed into Wagner’s sensual “Venusberg” music that featured the MSO chorus singing offstage.
But The Ear thinks that the best measure of musicianship – orchestral, instrumental or vocal — is not how loudly they can play or sing, but how softly.
For that reason, he found the standout work at the concert to be “Prelude to The Afternoon of a Faun” by Claude Debussy (below). The balance among various sections proved ideal at expressing subtlety. You could hear everything combining to make a distinctive and atmospheric tonal color.
For example, it is hard to imagine more sensual playing of the opening theme than how principal flutist Stephanie Jutt (below) did it. The performance and interpretation projected the exact kind of impressionistic seductiveness that the composer meant for it to have. For sheer beauty of sound, it took the top spot. (You can see a graphic depiction of Debussy’s score in the YouTube video at the bottom.)
Still, there seemed to be more than the usual number of empty seats. Was it the rainy weather? The football weekend? Or do people still miss the thrill of hearing a well-known guest artist opening the season?
What do you think?
What was your favorite piece on the opening MSO program? And why?
The Ear wants to hear.
Tags: #AdagioforStrings, #AmitPeled, #AntoninDvorak, #BlogPost, #BlogPosting, #BlogReview, #ChamberMusic, #ChoralMusic, #ClaudeDebussy, #CommissionedMusic, #Czechcomposer, #DanieldelPino, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FolkDance, #FolkMelody, #GregZelek, #GuestArtist, #GuestSoloist, #JohannesBrahms, #JohnDeMain, #KingofInstruments, #MadisonSymphonyChorus, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #OrchestralMusic, #PersonalTaste, #PopularSuccess, #PreludetotheAfternoonofaFaun, #RichardWagner, #SamuelBarber, #StandingOvation, #StephanieJutt, #SymphonyOrchestra, #TheEar, #TheSchoolforScandal, #UniversityofWisconsin-Madison, #VenusbergMusic, #ViolinConcerto, #VocalMusic, #WestTowneMall, #YouTubevideo, Adagio for Srtrings, Amit Peled, Antonín Dvořák, applause, Arts, astounding, atmosphere, audience, balance, blog, bombastic, Brahmsian, cadenza, cellist, Cello, Chamber music, chance, Choir, choral music, chorus, Classical music, classicalmusic, Claude Debussy, color, commission, commissioned music, composer, Concert, concerto, crowd, Daniel del Pino, dark, Debussy, depiction, drama, Dvorak, empty, encore, ensemble, event, express, Facebook, fare, Farley's House of Pianos, feet, flute, folk dance, folk song, folksong, fondness, football, free, graphic, Greg Zelek, guest artist, guest soloist, hear, highlight, impressive, instrument, Jacob Stockinger, Johannes Brahms, John DeMain, King, king of instruments, loud, Madison, Madison Symphony Chorus, Madison Symphony Orchestra, Maestro, master class, masterclass, Mead Witter School of Music, measure, melody, memorable, mimicry, minute, Music, musicianship, nature, new, offstage, opener, opera, orchestral music, organ, organist, Overture, personal, personal taste, Pianist, Piano, playing, pleaser, popular, post, posting, prefer, preference, Prelude to the Afternoon of a Faun, principal, public, rain, Requiem, Richard Wagner, Romanticism, Samuel Barber, score, Season, seats, second-rate, sensual, serious, show-off, singer, Singing, song, Spring, standing ovation, Stephanie Jutt, strings, subtle, subtlety, success, symphony, symphony orchestra, Tannhauser, taste, test, The Ear, The School for Scandal, theme, thrill, tight, toccata, tonal, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, UW-Madison Mead Witter School of Music, Venusberg, Violin, Violin concerto, virtuosic, virtuoso, vocal, vocal music, Wagner, weather, weekend, West Towne Mall, Wisconsin, work, worked, worth, YouTube
Classical music: The UW-Madison School of Music seeks volunteers to help “tune” two new concert halls all-day this Thursday and Friday in the soon-to-open Hamel Music Center
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By Jacob Stockinger
Here is a chance for music lovers to combine civic duty with private pleasure.
The University of Wisconsin-Madison’s Mead Witter School of Music is looking for volunteers of any kind to help “tune” the two new concert halls in the soon-to-open Hamel Music Center (below), located at 740 University Avenue next to the Chazen Museum of Art’s newer wing. The official opening celebrations for the $56-million building are Oct. 25-27.
“Tuning” the hall is the term that acousticians apply to the process of adjusting the hall to how it will sound when audiences are in attendance. Halls sound very different from when they are empty to when they are occupied.
The School of Music team is looking for volunteers to help tune the larger concert hall on Thursday, Sept. 19, from 9 a.m. to 5 p.m.; and the smaller recital hall on Friday, Sept. 20, from 9:15 a.m. to 3:15 p.m.
Volunteers can be from the university of from the general public. Two halls are involved: the larger Mead Witter Foundation Concert Hall, which can seat up to 662; and the smaller Collins Recital Hall (below, in an architect’s rendering), which can seat up to 299.
Volunteers can study, work quietly on computers, check out the new facility, use the time as quiet time or sample for free some of the UW’s performers. Individuals and groups will be performing during the adjustments being made by the sound engineers.
Visitors will be asked to remain silently in their seats while the “commissioning” for a particular setting is in process. Breaks are scheduled for people to come and go. Start and stop times are approximate.
The musicians and kinds of music include: a symphony orchestra; a choir; brass, wind, percussion and string ensembles, including a string quartet; solo piano; and jazz.
Volunteers can attend as many sessions as they want, but they are asked to arrive 15 minutes prior to the scheduled time they wish to attend and sign up for.
For more information, including schedules and details about the kind of music to be performed and how to behave, here is a link to a story and schedules: https://www.music.wisc.edu/tuning/
If you go, use this blog’s Comment section to let The Ear know what the experience was like – even though he may also see you there.
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Classical music: Here is a year-long list of concerts at the University of Wisconsin Mead Witter School of Music. They start Tuesday night with the 40th annual Karp Family Labor Day Concert
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By Jacob Stockinger
Get out your datebooks and calendars.
Here is a complete listing for major concerts and events at the University of Wisconsin Mead Witter School of Music during the new 2019-20 season.
The calendar starts with the FREE season-opening 40th annual Karp Family Labor Day Concert this coming Tuesday night, Sept. 3, at 7:30 p.m. in Mills Hall. The program features chamber music by Mozart, Beethoven, Schumann and Dvorak. For more information about the program and performers, go to: https://www.music.wisc.edu/event/40th-karp-family-concert/
Using the search engine on this blog, you could also consult whenever individual or group you want. You could print it out and have it in hand instead of the usual brochure, which will not be printed this year. See a previous blog post: https://welltempered.wordpress.com/2019/08/19/classical-music-the-uw-madison-school-of-music-will-not-have-a-complete-brochure-for-the-new-season-go-to-the-website-and-sign-up-for-an-email-newsletter-the-30th-karp-family-labor-day-concert-is-s/
Most concerts this season will take place in the new Hamel Music Center (below), which has a three-day opening celebration Oct. 25-27.
Please note that just a few programs are listed. For other programs, and for information about any admission charge, you can go to the School of Music’s home website closer to the event and click on Concerts and Events: https://www.music.wisc.edu/events/
|
Tuesday, Sep 3, 2019 |
Karp Family Concert |
7:30 PM |
Mills Hall |
|
Sunday, September 29, 2019, |
Jessica Martin & John O’Brien – Nordic song recital |
4:00 PM |
Morphy Hall |
|
Monday, Sept. 30, 2019 |
Beth Wiese, Tuba, Guest Artist Recital |
7:30 PM |
Morphy Hall |
|
Friday, October 4, 2019 |
Pro Arte Quartet |
8:00 PM |
Mills Hall |
|
Sunday, Oct. 6, 2019 |
Chanticleer |
7:30 PM |
Mead Witter Hall |
|
Tuesday, Oct. 8, 2019 |
Wind Ensemble |
7:30 PM |
Mead Witter Hall |
|
Friday, October 11, 2019 |
UW-Madison Symphony Orchestra |
8:00 PM |
Mead Witter Hall |
|
Sunday, October 13, 2019 |
University Bands |
2:00 PM |
Mead Witter Hall |
|
Tuesday, October 15, 2019 |
Contemporary Jazz & Blue Note Ensemble |
7:30 PM |
Collins Hall |
|
Wednesday, October 16, 2019 |
Wisconsin Brass Quintet – Faculty Concert Series |
7:30 PM |
Mead Witter Hall |
|
Thursday, October 17 |
Jazz Faculty Quintet with special guest Michael Dudley, trumpet |
7:30 PM |
Collins Hall |
|
Monday, October 21, 2019 |
Afro-Cuban Jazz Ensemble and UW Jazz Orchestra |
7:30 PM |
Play Circle |
|
Tuesday, October 22, 2019 |
Concert Band |
7:30 PM |
Mead Witter Hall |
|
Wed, October 23, 2019 |
Jazz Composers Group & Jazz Standards |
7:30 PM |
Collins Hall |
|
Thu, October 24, 2019 |
Parry Karp with Eli Kalman, piano |
7:30 PM |
Collins Hall |
|
Friday, October 25, 2019 |
Opening Celebration Weekend: Hamel Music Center. Please check our website for details. |
All Day |
740 University Avenue |
|
Saturday, October 26, 2019 |
Opening Celebration Weekend: Hamel Music Center. Please check our website for details. |
All Day |
740 University Avenue |
|
Sunday, October 27, 2019 |
Opening Celebration Weekend: Hamel Music Center. Featured Event: Collins Fellows Concert |
1:00 PM |
Collins Recital Hall, Hamel Music Center |
|
Wed, October 30, 2019 |
Master Class with Violist Nobuko Imai |
6:30 PM |
Collins Hall |
|
Thu, October 31, 2019 |
Violist Nobuko Imai with Pro Arte Quartet |
12:00 PM |
Collins Hall |
|
Fri, November 1, 2019
|
Madrigal Singers |
8:00 PM
|
Mead Witter Hall |
Sat, November 2, 2019 |
Alicia Lee, faculty clarinet |
8:00 PM |
Collins Hall |
|
Sun, November 3, 2019 |
Wind Ensemble |
2:00 PM |
Mead Witter Hall |
|
Fri, November 8, 2019 |
Wingra Wind Quintet |
8:00 PM |
Collins Hall |
|
Sat, November 9, 2019 |
UW Chorale |
8:00 PM |
Mead Witter Hall |
|
Thu, November 14, 2019 |
UW-Madison Symphony Orchestra |
7:30 PM |
Mead Witter Hall |
|
Fri, November 15, 2019 |
University Opera: Benjamin Britten’s A Midsummer Night’s Dream |
7:30 PM |
Music Hall |
|
Sun, November 17, 2019 |
University Opera: Benjamin Britten’s A Midsummer Night’s Dream |
2:00 PM |
Music Hall |
|
Tue, November 19, 2019 |
University Opera: Benjamin Britten’s A Midsummer Night’s Dream |
7:30 PM |
Music Hall |
|
Sat, November 16, 2019 |
Low Brass Ensemble |
4:00 PM |
Collins Hall |
|
Sat, November 16, 2019 |
Combined Choirs |
8:00 PM |
Mead Witter Hall |
|
Sat, November 16, 2019 |
Timothy Hagen, faculty flute |
8:00 PM |
Collins Hall |
|
Fri, November 22, 2019 |
UW Concert Choir |
8:00 PM |
Mead Witter Hall |
|
Fri, November 22, 2019 |
Pro Arte Quartet |
8:00 PM |
Collins Hall |
|
Fri, November 22, 2019 |
UW Jazz Orchestra |
5:00-7:00 PM |
Rathskeller |
|
Saturday, Nov 23, 2019 |
Undergrad Audition Day |
All day |
|
|
Sat, November 23, 2019 |
World Percussion Ensemble |
12:00 PM |
Music Hall |
|
Sat, November 23, 2019 |
Brass Ensembles |
1:00 PM |
?? |
|
Sun, November 24, 2019 |
UW Concert Band with Winds of Wisconsin |
5:00 PM |
Mead Witter Hall |
|
Mon, November 25, 2019 |
Chamber Percussion Ensemble |
7:30 PM |
Mills Hall |
|
Tue, November 26, 2019 |
Opera Scenes |
7:30 PM |
Music Hall |
|
Mon, December 2, 2019 |
Piano Studio Recital |
6:30 PM |
Collins Hall |
|
Tue, December 3, 2019 |
Jazz Composers & Contemporary Jazz Ensembles |
7:30 PM |
Collins Hall |
|
Wed, December 4, 2019
|
Jazz Standards Ensemble & Afro-Cuban Jazz |
7:30 PM
|
Collins Hall |
Thu, December 5, 2019 |
UW-Madison Symphony Orchestra & UW Wind Ensemble |
7:30 PM |
Mead Witter Hall |
|
Fri, December 6, 2019 |
Saxophonist Greg Ward with the Blue Note Ensemble and UW jazz faculty |
8:00 PM |
Collins Hall |
|
Sat, December 7, 2019 |
UW & Madison Metropolitan Jazz Festival |
Final Concert, 3:00 PM |
Mead Witter Hall |
|
Sat, December 7, 2019 |
Choral Union: Ralph Vaughan Williams’s “A Sea Symphony” |
8:00 PM |
Mead Witter Hall |
|
Sun, December 8, 2019 |
University Bands |
2:00 PM |
Mead Witter Hall |
|
Sun, December 8, 2019 |
Choral Concerts at Luther Memorial Church |
2:00 PM |
Luther Memorial Church |
|
Sun, December 8, 2019 |
Choral Concerts at Luther Memorial Church |
4:00 PM |
Luther Memorial Church |
|
Sun, December 8, 2019 |
All-University Strings |
4:30 PM |
Mead Witter Hall |
|
BEGIN 2020 |
|||
|
Sun, January 26, 2020 |
Annual Schubertiade |
3:00 PM |
Mead Witter Hall |
|
Sat, February 1, 2020 |
Christopher Taylor and Friends — Beethoven Symphony Extravaganza |
8:00 PM |
Mead Witter Hall |
|
Wed, February 5, 2020 |
Daniel Grabois, horn |
7:30 PM |
Collins Hall |
|
Thu, February 6, 2020 |
UW Symphony Orchestra |
7:30 PM |
Mead Witter Hall |
|
Sat, February 8, 2020 |
The Knights |
8:00 PM |
Mead Witter Hall |
|
Sun, February 16, 2020 |
UW Wind Ensemble |
2:00 PM |
Mead Witter Hall |
|
Monday, February 17, 2020 |
Chamber Percussion Ensemble |
7:30 PM |
Mills Hall |
|
Tue, February 18, 2020 |
Concert Band |
7:30 PM |
Mead Witter Hall |
|
Thu, February 20, 2020 |
Parry Karp, faculty recital |
7:30 PM |
Collins Hall |
|
Fri, February 21, 2020 |
Marc Vallon & Friends |
8:00 PM |
Collins Hall |
|
Sunday, Feb 23, 2020 |
Les Thimmig, faculty recital |
2:00 PM |
Collins Hall |
|
Sat, April 18, 2020 |
Low Brass Ensemble |
4:00 PM |
Mead Witter Hall |
|
Fri, February 28, 2020
|
Pro Arte Quartet |
8:00 PM
|
Collins Hall |
Sat, February 29, 2020 |
Wingra Wind Quintet |
8:00 PM |
Collins Hall |
|
Fri, February 28, 2020, |
University Opera – Mozart’s Così fan tutte |
7:30 PM |
Music Hall |
|
Sun, March 1, 2020 |
University Opera – Mozart’s Così fan tutte |
2:00 PM |
Music Hall |
|
Tue, March 3, 2020 |
University Opera – Mozart’s Così fan tutte |
7:30 PM |
Music Hall |
|
Sun, March 1, 2020 |
Winds of Wisconsin |
5:30 PM |
Mead Witter Hall |
|
Wed, March 4, 2020 |
Afro-Cuban Jazz Ensemble & Jazz Composers Group |
7:30 |
Collins Hall |
|
Thu, March 5, 2020 |
Blue Note Ensemble & Jazz Standards Ensemble |
7:30 PM |
Collins Hall |
|
Sat, March 7, 2020 |
UW-Madison Symphony Orchestra with guest pianist Wu Han |
8:00 PM |
Mead Witter Hall |
|
Sun, March 8, 2020 |
University Bands |
2:00 PM |
Mead Witter Hall |
|
Tue, March 10, 2020 |
Percussion Department Recital |
7:30 PM |
Collins Hall |
|
Weds March 11, 2020 |
UW Jazz Orchestra |
7:30 PM |
Play Circle |
|
Wednesday, March 11, 2020 |
Wisconsin Brass Quintet – Faculty Concert Series |
8:00 PM |
Mead Witter Hall |
|
Thu, March 12, 2020 |
UW Wind Ensemble |
7:30 PM |
Mead Witter Hall |
|
Fri, March 27, 2020 |
Le Domaine Musicale with Marc Vallon and Friends |
8:00 PM |
Collins Hall |
|
Sun, March 29, 2020 |
Concert Band |
2:00 PM |
Mead Witter Hall |
|
Sun, April 5, 2020 |
Beethoven Competition Winners’ Recital |
3:30 PM |
Collins Hall |
|
Sun, April 5, 2020 |
“Symphony Showcase” Concerto Winners’ Solo Concert |
7:00 PM |
Mead Witter Hall |
|
Sat, April 11, 2020 |
Chorale |
8:00 PM |
Mead Witter Hall |
|
Fri, April 12, 2019 |
Perlman Trio Chamber Concert |
3:00 PM |
Collins Hall |
|
Tue, April 14, 2020 |
Opera Scenes |
7:30 PM |
Music Hall |
|
Wed, April 15, 2020 |
Contested Homes: Migrant Liberation Movement Suite |
7:30 PM |
Mead Witter Hall |
|
Thu, April 16, 2020 |
Pro Arte Quartet |
7:30 PM |
Collins Hall |
|
Fri, April 17, 2020 |
Combined Choirs |
8:00 PM |
Mead Witter Hall |
|
Sat, April 18, 2020 |
Low Brass Ensemble |
4:00 PM |
Mead Witter Hall |
|
Sat, April 18, 2020
|
UW-Madison Choral Reunion concert featuring Concert Choir, Madrigals and alumni |
8:00 PM
|
Mead Witter Hall |
Mon, April 20, 2020 |
Afro-Cuban Jazz Ensemble & Blue Note Ensemble |
7:30 PM |
Collins Hall |
|
Tue, April 21, 2020 |
Jazz Standards Ensemble & Jazz Composers Group |
7:30 PM |
Collins Hall |
|
Wed, April 22, 2020 |
Chamber Percussion Ensemble |
7:30 PM |
Mills Hall |
|
Thu, April 23, 2020 |
UW Jazz Orchestra with the UW Honors Jazz Band |
7:30 PM |
Music Hall |
|
Fri, April 24, 2020 |
Concert Band and Wind Ensemble |
7:30 PM |
Mead Witter Hall |
|
Sat, April 25, 2020 |
All-University Strings |
2:00 PM |
Mead Witter Hall |
|
Sat, April 25, 2020 |
Choral Union: Giuseppe Verdi’s “Requiem” |
8:00 PM |
Mead Witter Hall |
|
Sun, April 26, 2020 |
Choral Union: Giuseppe Verdi’s “Requiem” |
7:30 PM |
Mead Witter Hall |
|
Sun, April 26, 2020
|
University Bands | 2 PM | Mead Witter Hall |
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The Well-Tempered Ear 
Classical music: With live concerts cancelled, what will you do for music? The Ear has some suggestions but wants to hear your ideas
6 Comments
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ALERT 1: It’s official. The Madison Symphony Orchestra has cancelled its performances of Dvorak’s Requiem on April 3, 4 and 5. Sometime this week, according to the MSO website, the administration will inform ticket holders about what they can do.
ALERT 2: The Mosaic Chamber Players have cancelled their performance of Beethoven Piano Trios on March 21 at the First Unitarian Society of Madison.
By Jacob Stockinger
Now that live concerts and performances have been cancelled for the near future – thanks to the threat of the pandemic of the coronavirus and COVID-19 — music-lovers are faced with a problem:
What will we – especially those of us who are isolated at home for long periods of time — do to continue to listen to music?
Perhaps you have a large CD collection you can turn to. Or perhaps you subscribe to a streaming service such as Apple Music, SoundCloud, Amazon Music or another one.
Don’t forget local sources such as Wisconsin Public Radio and WORT-FM 89.9, both of which generously broadcast classical music, from the Renaissance to contemporary music, and often feature local performers.
Here is a link to Wisconsin Public Radio (WPR): https://www.wpr.org
Here is a link to WORT 88.9 FM: https://www.wortfm.org
There are also many other choices.
Happily, there is YouTube with its mammoth collection of free musical performances and videos. You can surf YouTube for new music and classic music, contemporary performers and historic performers, excerpts and complete works.
Here is a link: https://www.youtube.com
Those who are students or amateurs might use the time to sing – like those marvelous, uplifting Italians making music from their balconies during the crisis – or practice and play an instrument at home.
But other organizations – solo performers, chamber music ensembles, symphony orchestras, opera houses – are also trying to meet the challenge by providing FREE public access to their archives.
And it’s a good time for that.
Music can bring us together in this crisis.
Music can help us relax, and fight against the current panic and anxiety.
It’s also a good time to have a music project. Maybe you want to explore all the many symphonies or string quartets of Haydn, or perhaps the 550 keyboard sonatas by Scarlatti, or perhaps the many, many songs of Franz Schubert.
Here are some suggestions offered as possible guidance:
Here is what critics for The New York Times, including senior critic Anthony Tommasini (below) who likes Van Cliburn playing a Rachmaninoff concerto, will do: https://www.nytimes.com/2020/03/13/arts/music/coronavirus-classical-music.html
If you are an opera lover, you might want to know that, starting today, the Metropolitan Opera (below) in New York City will be streaming for FREE a different opera every day or night.
The productions are video recordings of operas that have been broadcast over past years in the “Live in HD” program. The titles are listed by the week and here is a link:
https://operawire.com/metropolitan-opera-to-offer-up-nightly-met-opera-streams/
If you like orchestral music, it is hard to beat the Berlin Philharmonic – considered by many critics to be the best symphony orchestra in the world — which is also opening up its archives for FREE.
Here is a background story with a link: https://www.newyorker.com/culture/cultural-comment/coronavirus-concerts-the-music-world-contends-with-the-pandemic
Here is another link, from Norman Lebrecht’s blog “Slipped Disc,” to the Berlin Philharmonic along with some other suggestions, including the Vienna State Opera: https://slippedisc.com/2020/03/your-guide-to-the-new-world-of-free-streaming/
And if you like chamber music, you can’t beat the FREE performances being offered by the acclaimed Chamber Music Society of Lincoln Center, some of whom recently performed in Madison at the Wisconsin Union Theater and with the UW-Madison Symphony Orchestra: https://www.chambermusicsociety.org/watch-and-listen/
But what about you?
What will you listen to?
Where will you go to find classical music to listen to?
Do you have certain projects, perhaps even one to recommend?
How will you cope with the absence of live concerts?
The Ear wants to hear.
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