The Well-Tempered Ear

Classical music: UW trombonist Mark Hetzler explores Stravinsky with new music and alumni musicians in a FREE concert on FRIDAY night. Plus, you can hear FREE Brahms at noon this Friday

October 12, 2017
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ALERT: The music of Johannes Brahms will be featured at this Friday’s FREE Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive. Performers are Wes Luke and Valerie Sanders, violin; Ina Georgieva and Marie Pauls, viola; and Rachel Bottner, cello. (No word on specific works, but it sure sounds like a string quintet is on the program.) The concert runs from 12:15 to 1 p.m.

And more Brahms (below) fits into the question The Ear recently posted about what explains why we are hearing more music by Brahms these days. Here is a link to that post:

https://welltempered.wordpress.com/2017/10/07/classical-music-are-we-hearing-more-brahms-if-so-why/

By Jacob Stockinger

The always adventurous and inventive UW-Madison trombone professor Mark Hetzler (below) will once again perform an experimental and innovative FREE concert this FRIDAY night (NOT Saturday night, as incorrectly listed on here before) at 8 p.m. in Mills Hall.

“Solitude and Stravinsky“ is an exploration of social isolation and a reimagining of Igor Stravinsky’s popular Neo-Classical “Pulcinella” Suite (which you can hear in the YouTube video at the bottom).

According to the website at the UW-Madison’s Mead Witter School of Music: “This concert will showcase landmark works by contemporary composers and an experimental performance by the quartet combo Mr. Chair, with special guests and alumni Jason Kutz (piano, below top), Ben Ferris (double bass, below bottom) and Mike Koszewski (drums).”

Here is the full eclectic program:

Allemande, Suite No. 2 in D Major for Solo Cello……J.S. Bach

Brass Atmosphere…..Matthew Burtner

Disegno…….Anders Eliasson

Caravaggio….John Stevens (below)

  1. Realism; 2. Shadow;  3. Vulgarity;  4. Light

Luminous….Mark Engebretson

Onyzx Quartet…..Jason Kutz

PULCINELLA RE-IMAGINED……Igor Stravinsky (below)

Introduzione (Domenico Gallo)

Scherzino (Giovanni Battista Pergolesi)

Serenata (Pergolesi)

Allegro assai (Gallo)

Allegro alla breve (Pergolesi)

Largo (Pergolesi)

Tarantella (Count Unico Wilhelm Wasserader/Fortunato Chelleri)

Gavotta (Carlo Monza)

Andantino (Alessandro Parisotti)

Minuetto (Pergolesi)

Finale (Gallo)

For a biography of Mark Hetzler and his previous projects, including his many recordings, prizes and guest appearances, go to:

http://www.music.wisc.edu/faculty/mark-hetzler/


Classical music: Cellist Amit Peled celebrates historical mentor Pablo Casals with Casals’ own cello. Peled performs this Friday night with the Wisconsin Chamber Orchestra.

March 16, 2015
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By Jacob Stockinger

There is much to look forward to during this Friday night’s MUST-HEAR “Masterworks” concert by the Wisconsin Chamber Orchestra under the baton of its longtime music director Andrew Sewell.

But clearly the big draw is the Israeli-born cellist Amit Peled (below), who is a now a very successful teacher at the Peabody Conservatory that is attached to Johns Hopkins University in Baltimore and who also tours the globe performing.

Amit Peled playing

The concert is at 8 p.m. in the Capitol Theater of the Overture Center.

Tickets cost $15, $37, $62 and $65. Call the Overture Center box office at (608) 258-4141.

Amit Peled has played here with the WCO before, and he showed then that his talent is as big as he is, a 6’5” man who projects a big presence physically and musically.

But Peled is also a congenial, humorous and curious musician who knows how to find an unusual angle, a new take on old music.

As an homage, Peled recently recreated a century later a concert by Pablo Casals, who remains perhaps the most famous and influential cellist in history, by performing the same program.

Pablo Casals BIG USE

The program included a solo suite by Johann Sebastian Bach since it was Casals who first discovered them and then who convinced the experts and the public that they were not exercises but genuine gorgeous music.

It also included a Catalan folk song, “The Song of the Birds,” which Casals himself arranged and frequently performed as an anthem to the need for freedom from Nazism and Fascism for his homeland. In fact it became a signature of Casals, and Peled will perform the same piece here.

Moreover, Peled performed this concert on Casal’s own cello, a superb 1733 Goffriller instrument, which Peled got on loan from Casals’ widow and which he had restored. (You can hear Amit Peled talk about and play the famed Casals cello in a YouTube video at the bottom.)

And that is the same cello he will bring to his date in Madison.

Here is a link to a story – two conjoined stories really — that NPR (National Public Radio) did about Peled and the Casals cello.

http://www.npr.org/blogs/deceptivecadence/2015/02/11/385240526/what-it-means-to-play-pablo-casals-cello

Amit Peled 1

On the same cello, Peled will also perform the “Tarantella” by David Popper – another favorite of Casals — and the rarely played Cello Concerto by Robert Schumann (below), a late work written as the composer was descending into the mental illness that would eventually claim his life.

Schumann photo1850

Adding to the concert’s appeal are two other works.

One is the penultimate symphony by Wolfgang Amadeus Mozart (below), the dark, dramatic and appealing Symphony No. 40 in G Minor, K. 550.

Mozart old 1782

The performance by the WCO (below top) should be a lively treat, given the complete mastery of the Classical-era style that conductor Andrew Sewell (below bottom) continues to demonstrate.

WCO lobby

andrewsewell

Another attraction is the Suite for String Orchestra by Frank Bridge (below), who was the teacher of famed 20th-century British composer Benjamin Britten. And if you have heard Sewell, who originally hails from New Zealand, you know he has a way for finding neglected repertoire and possesses a special fondness of and talent for performing British works.

Frank Bridge

For more information about the WCO and this concert, visit:

http://www.wcoconcerts.org/performances/masterworks-iv

And here is a link to Amit Peled’s website, where you can find more information including reviews, recordings, biographical facts and more:

http://www.amitpeled.com


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