PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Today is the 75th anniversary of the atomic bombing of Hiroshima (below) and the dawn of the Atomic Age.
On this Sunday, it will be the same anniversary of the atomic bombing of Nagasaki (below).
Whether you agree or disagree with President Harry S Truman’s decision to use nuclear weapons to end World War II between Japan and the United States, the disturbing music at the bottom uses sound to help the listener picture the charred remains of the people and the devastated cities, seen below in a photo from The New York Times.
It is hard to imagine music being used more descriptively than in this disturbing and even terrifying piece that has received more than 2 million views on YouTube.
“Threnody for the Victims of Hiroshima” was composed by the celebrated Polish composer Krzysztof Pederecki (1933-2020, below), who died just over four months ago. Here is a link to more information about the composer: https://en.wikipedia.org/wiki/Krzysztof_Penderecki
And here are some links to historical accounts of the Hiroshima and Nagasaki bombing:
There will be much more to see, hear and read today and this weekend on National Public Radio (NPR), on many TV news channels including the History Channel and on PBS (especially The Newshour), and in many newspapers as well as on the internet.
If you know of other noteworthy accounts, please leave the name with a link in the Comment section.
What do you think of the nuclear bombings of Hiroshima and Nagasaki?
And what do you think about the musical depiction?
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
What different pieces of classical music would be good to listen to every day of the year?
And what should you know about it?
Those are the simple but ambitious questions that the British writer Clemency Burton-Hill — who now works for the famed classical radio station WQXR in New York City — tackles in her book “Year of Wonder: Classical Music to Enjoy Day by Day” (below).
You can get a sample by going to the book section of Amazon.com and looking inside the book. Just click on the Introduction for an overview and then click on some specifics dates to see how it works.
But recently Burton-Hill (below) also appeared on “The NewsHour” on PBS to talk about the book, where she explained her purpose and method, especially her intent to help expand the audience for classical music.
Her remarks impressed The Ear who has ordered a copy of her book and hopes to learn from it and maybe even pass along some lessons from it.
All the genres, all the great composers (dead and living) and most of the great works are covered, as are many other neglected composers and unknown works. So the book can be considered a terrific resource for music education for both beginners and those who are experienced.
Her commentaries are also a model of brevity and engaging interest.
All in all, “Year of Wonder” seems a supremely practical, unpretentious and informative guide to daily listening, especially given how many of these works – often they are shorter sections of larger works — can be found for free on YouTube. (In fact, a playlist of music featured in the book is available on YouTube. Go to YouTube and type in “Year of Wonder Playlist” into the search engine, then look to the upper right for a list. A sample is at the bottom. Or use this direct link: https://www.youtube.com/watch?v=0wNTNEZYoHg&list=PLKPwLlyrD2y-1x-uKmUBzSOiAh83GhU7A
But you don’t have to take my word for it. Here is a link to the television interview:
The unusual and very intriguing program features the Madison Symphony Orchestra Chorus (bottom top) and the MSO concertmaster violinist Naha Greenholtz (below bottom) in a program of Handel, Rachmaninoff, Mendelssohn and Vaughan Williams.
Here is a link to the post that will refresh your mind:
And here is a link to the MSO’s website about the concert:
We should realize how lucky we are in Madison not only to have the quality of the MSO under John DeMain (below in a photo by Greg Anderson), but also to be spared – at least so far – some of the major money problems and internal disputes that have plagued other American orchestras, many of them bigger and more established.
A recent story about the San Francisco Symphony Orchestra, and its celebrated music director Michael Tilson Thomas (below), and its labor problems – including a bitter strike that led to the cancellation of a major East Coast tour including a concert in Carnegie Hall – was done on PBS’ “Newshour.”
By mid-week the strike by the SFSO (below, celebrating its recent centennial) had been solved. But the questions about musicians wages versus administrative wages and about shrinking audiences continue to be pertinent to symphony orchestras in the US.
ALERT: On Wisconsin Public Radio‘s “Sunday Afternoon Live from the Chazen,” which airs live statewide tomorrow, on Sunday, March 10, from 12:30 to 2 p.m., the Lawrence Chamber Players (below) from the Lawrence University Conservatory of Music in Appleton, Wisconsin, will perform. The faculty string ensemble will consist of violins, viola, cello, bass, piano and classical guitar. The Lawrence Chamber Players will perform music by Miroslav Tadic and Astor Piazzolla as well as the famed Brahms Piano Quintet.
By Jacob Stockinger
Last week, in a popular posting, The Ear offered obituaries for the American superstar classical pianist Van Cliburn, who died of bone cancer at 78.
NPR asked pianists who have won the gold medal at the Van Cliburn International Competition -– where several months ago Cliburn (below, performing in 1993) made his last public appearance — to remember the namesake, who emerges once again as a modest, gracious and warm personality as well as world-class pianist.
The medalists such as Olga Kern (below top), Jon Nakamatsu (below middle), Andre–Michel Schub and Joyce Yang (below bottom) have their own big names and reputations now, and they mention specific performances and specific piano pieces, some of the memories and accounts are quite moving and emotionally stirring.
The blog posting also feature some of Cliburn’s best recordings as well as one of the medalists’ own playing:
See for yourself and maybe leave a memory of your own here or on the NPR blog or, thanks to copying and pasting on both:
From the New York Times, that places Cliburn within his outstanding generation of American contemporaries, sort of the Leonard Bernstein of the Piano in terms of changing the debate from Europe and Russia to America:
An analysis about how Cliburn’s live-in friend was treated and how the issue of Cliburn’s being gay and the subject of a palimony suit was ignored or finessed:
Classical music: Today is the 75th anniversary of the atomic bombing of Hiroshima. Here is disturbing music that sonically depicts the charred remains of the people and the city
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Today is the 75th anniversary of the atomic bombing of Hiroshima (below) and the dawn of the Atomic Age.
On this Sunday, it will be the same anniversary of the atomic bombing of Nagasaki (below).
Whether you agree or disagree with President Harry S Truman’s decision to use nuclear weapons to end World War II between Japan and the United States, the disturbing music at the bottom uses sound to help the listener picture the charred remains of the people and the devastated cities, seen below in a photo from The New York Times.
It is hard to imagine music being used more descriptively than in this disturbing and even terrifying piece that has received more than 2 million views on YouTube.
“Threnody for the Victims of Hiroshima” was composed by the celebrated Polish composer Krzysztof Pederecki (1933-2020, below), who died just over four months ago. Here is a link to more information about the composer: https://en.wikipedia.org/wiki/Krzysztof_Penderecki
And here are some links to historical accounts of the Hiroshima and Nagasaki bombing:
From cable TV channel CNN, here is an account of the two bombings in photos: https://www.cnn.com/2020/08/04/world/gallery/hiroshima-nagasaki-atomic-bomb/index.html
Here, also from CNN, is an account of Tinian Island, the place where the bombings started: https://www.cnn.com/travel/article/hiroshima-atomic-bomb-75th-anniversary-intl-hnk/index.html
Here is a comprehensive history about Hiroshima and its culture, both pre-bombing and post-bombing: https://en.wikipedia.org/wiki/Hiroshima
There will be much more to see, hear and read today and this weekend on National Public Radio (NPR), on many TV news channels including the History Channel and on PBS (especially The Newshour), and in many newspapers as well as on the internet.
If you know of other noteworthy accounts, please leave the name with a link in the Comment section.
What do you think of the nuclear bombings of Hiroshima and Nagasaki?
And what do you think about the musical depiction?
The Ear wants to hear.
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