The Well-Tempered Ear
This ‘body percussion” version of Beethoven will make your day!
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Here is something that easily outdoes Bavarian thigh-slapping in Lederhosen!
It features 157 school children playing the opening theme of Beethoven’s Fifth Symphony using “body percussion.”
That is, they use their hands, feet, knees and chests with various pressures and degrees of loudness, rhythm, speed and dynamics.
It is a performance practice and method of music education that has roots in folk music.
It was performed in 2020 — hence the covid masks — and was recently posted on Instagram by ClassicFM.
Here is a fuller definition from Wikipedia:
https://en.wikipedia.org/wiki/Body_percussion
The kids are amazing. They are so synchronized and precise.
It took five months of practicing and rehearsing, so the persistent music teacher who organized and executed this must be amazing too.
It all seems very French in its combination of the physical and the emotional.
Take a look and listen. Here is a link to the one-minute video:
Does anybody else wonder if an American parent might have protested or even filed a lawsuit alleging inappropriate touching by classmates?
What do you think of this “body percussion” Beethoven?
The Ear wants to hear.
Tags: #BlogPost, #BlogPosting, #ClassicFM, #COVID-19, #FacebookPost, #FacebookPosting, #FolkMusic, #InstagramPost, #InstagramVideo, #MusicEducation, #OpeningTheme, #TheEar, #YouTubevideo, American, Arts, audience, Bavaria, Bavarian, Beethoven, Beethoven's Fifth, blog, body percussion, chest, children, Classical music, classmate, composer, COVID19, degree, dynamics, Education, emotional, execute, Facebook, feet, folk, Folk music, France, French, hand, hands, human body, inappropriate, Instagram, Jacob Stockinger, knee, knees, lawsuit, link, listen, look, loudness, Ludwig van Beethoven, mask, method, Music, Music education, music teacher, opening, organize, Parent, percussion, physical, play, practice, pressure, protest, rehearsal, rhythm, share, slap, slapping, speed, Student, symphony, tag, The Ear, theme, tight, touching, use, volume, Wikipedia, YouTube
Bach Around the Clock 2021 will incorporate many new aspects – including more audiences and artists of color — into the 10-day free virtual festival that runs March 17-26
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following update about Bach Around the Clock (BATC), the annual March free event to celebrate the birthday of Johann Sebastian Bach (below). Like last year, the year’s will be virtual and online and spread out over 10 days, from March 17 to March 26.
The BATC 2021 Festival is shaping up brilliantly. We have about 50 participants signed up so far, with musical selections totaling more than eight hours.
As always, it has a nice mix of ages and levels of performers, from young students to seasoned professionals. It also runs from traditional instruments like the violin, viola, cello, oboe, bassoon, piano and organ as well as the human voice to more unusual instruments like the clavichord, 6-string electric bass and a saxophone quartet.
We are so grateful to all the participants who have volunteered to share their talents. (Below is the Webb Trio playing last year from home.)
Last year’s virtual format forms the basis of this year’s festival, but we’ve expanded on that in some very exciting ways.
BATC board member Melanie de Jesus (below) is producing two mini-films aimed at making the festival more accessible to participants. For the tech-challenged among us, the “How to Film Yourself” video will make it easier for musicians to participate virtually.
This film will be available this THURSDAY, Feb. 25, in time to help participants film and submit their performances by the March 5 deadline. Would you like to perform? For information about signing up for slots. Click here to let us know!
Make your own recording or request a time slot at a BATC venue where a professional videographer will create a recording for you to keep. Harpsichord, piano and organ are available.
Melanie’s “Bach for Kids” film will be published during the festival, and will introduce basic musical concepts to the youngest participants. It will culminate in a sing-along, play-along, dance-along performance of some simple Bach tunes, as demonstrated by some (very) young students at the Madison Conservatory, where de Jesus is the director.
Another significant new element of this year’s festival will be our evening Zoom events, including receptions with performers, and guest artists giving special performances, lecture/demos, master classes and panel discussions.
In keeping with this year’s theme of “Building Bridges Through Bach,” we will celebrate and feature musicians and guest artists of color.
We are thrilled to announce Wisconsin Public Radio music host Jonathan Overby (below) as our keynote speaker. Overby’s work to research and demonstrate how music, especially sacred music, serves as a cultural bridge, has taken him all over the planet. His core values are in close alignment with the theme of this year’s festival, and his address will set the tone for the rest of the festival.
The virtual format enables us to bring in guest artists from afar. Lawrence Quinnett (below), on the piano faculty of Livingstone College, a private, historically black college in Salisbury, North Carolina, will perform all six French Suites, and give a brief talk on his approach to ornamentation. (You can hear Quinnett performing French Suite No. 1 by Bach in the YouTube video at the bottom.)
Clifton Harrison (below, in photo by Stephen Wright), violist in the Kreutzer String Quartet, in residence at Oxford University in England, will give a master class for interested BATC participants. Information on how to audition for this opportunity will be shared very soon.
We are extremely pleased that Trevor Stephenson (below), artistic director of the Madison Bach Musicians, will give an evening lecture and demonstration on the Goldberg Variations.
Through his performances, interviews and extremely popular pre-concert lectures, Trevor has served as a very important builder of bridges to the music of J.S. Bach in Madison and beyond. It would be hard to overstate the impact of Trevor’s work to make Bach’s music accessible to local audiences of all ages and backgrounds. We’re sure viewers will enjoy this event.
An astonishing new development resulted from BATC’s outreach efforts to local high schools: Steve Kurr (below), orchestra director at Middleton High School and former conductor of the Middleton Community Orchestra, decided to incorporate BATC into his curriculum this semester.
Fifteen of his students will perform for BATC, filmed by four other students, and then the students will all view the performances and write essays about them.
BATC is delighted with this creative initiative, looks forward to receiving the videos from this cohort of students, and hopes to expand on this kind of outreach in future years. Maybe we can include the final essays on our website, if the students agree.
There are a few other ideas still under construction; perhaps a panel discussion with educators, or one with local musical bridge-builders (aka “Angels in our Midst”)?
Please help us keep this festival free and open to all.
Bach Around The Clock is a unique program in our community. It offers everyone the opportunity to share their love of the music of Bach. There is no charge to perform or to listen.
But the festival is not free to produce! BATC provides venues, instruments, videographers, editors, and services for performers and audience.
We need your support!
Click on there link below to donate securely online with a PayPal account or credit card: https://www.paypal.com/donate/?cmd=_s-xclick&hosted_button_id=WU7WWBW5LBMQJ
Or you can make a check out to Bach Around The Clock and mail it to: Bach Around The Clock, 2802 Arbor Drive #2, Madison, WI 53704
Bach Around The Clock is a 501(c)(3) organization; your donation is tax-deductible as allowed by the law. Donors will be listed on the acknowledgments page of the BATC website .
For the latest updates, please visit our website, bachclock.org, or our Facebook page, facebook.com/batcmadison.
We hope you will join us.
Marika Fischer Hoyt, Artistic Director, Bach Around The Clock, (608) 233-2646
Tags: "Goldberg" Variations, #501(c)(3), #ArtisticDirector, #BachAroundtheClock, #BachforKids, #BaroqueMusic, #BaroqueOrnamentation, #BlackCollege, #BlogPost, #BlogPosting, #BoardofDirectors, #BuildingBridgesThroughBach, #ChamberMusic, #ChoralMusic, #CityofMadison, #CliftonHarrison, #CoreValues, #CreditCard, #FacebookPost, #FacebookPosting, #FrenchSuites, #Goldberg"Variations, #GuestArtist, #HighCulture, #HigherGround, #HistoricallyBlackCollegesandUniversities, #HomeWebpage, #HomeWebsite, #InstrumentalMusic, #JacobStockinger, #JohannSebastianBach, #JonathanOverby, #KeynoteSpeaker, #KreutzerStringQuartet, #LawrenceQuinnett, #LivingstoneCollege, #MadisonBachMusicians, #MadisonConservatoryofMusic, #MadisonSymphonyOrchestra, #MadisonWisconsin, #MakeMusicMadison, #MarikaFischerHoyt, #MeadWitterSchoolofMusic, #MelaniedeJesus, #MiddletonCommunityOrchestra, #MiddletonHighSchool, #MusicEducation, #NonprofitOrganization, #NorthCarolina, #OfColor, #OnlineConcert, #OnlineFestival, #OxfordUniversity, #PanelDiscussion, #PayPal, #PianoFaculty, #Pre-concertLecture, #Quartet-in-Residence, #SacredMusic, #SaxophoneMusic, #SecularMusic, #SteveKurr, #StringQuartet, #TheEar, #TheUK, #TheUW, #TimeSlot, #TrevorStephenson, #VirtualConcert, #VocalMusic, #WisconsinChamberOrchestra, #WisconsinPublicRadio, #YouTubevideo, #ZoomMeeting, 501(3)(c), accessible, address, afar, age, aim, alignment, angels, annual, another, approach, artist, Artistic director, Arts, astonishing, audience, audition, Bach, Bach Around the Clock, Bach for Kids, background, Baroque, Baroque music, Bassoon, bassoonist, BATC, beyond, birthday, black college, blog, Blog post, blog posting, board member, bridges, brillitant, buikding, Building Bridges Through Bach, celebrate, cellist, Cello, challenge, Chamber music, choral music, Chorale, Christian, church, Classical music, clavichord, click, Clifton Harrison, composer, Concert, conductor, core values, creative, credit card, cultural, culture, curriculum, dance, dance-along, day, deadline, decide, delight, demo, demonstrate, demonstration, development, director, donate, donation, Early music, easier, eassy, editor, electric bass, element, England, enjoy, evening, exciting, expand, Facebook, feature, festival, film, format, free, French Suites, future, grateful, guest, guest artist, hard, harpsichord, HBUC, help, Higher Ground, historically, historically black universities and colleges, Home, home website, hope, hours, human, human voice, impact, incorporate, information, instrument, instrumental, instrumental music, interview, Jacob Stockinger, Johann Sebastian Bach, Jonathan Overby, keynote, kids, kind, know, Kreutzer String Quartet, Lawrence Quinnett, lecture, level, link, Livingstone College, local, Lutheran, Madison, Madison Bach Musicians, Madison Conservatory of Music, Madison Symphony Orchestra, mail, make, march, Marika Fischer Hoyt, master class, masterclass, Mead Witter School of Music, Melanie de Jesus, Middleton Community Orchestra, Middleton High School, mix, Music, Music education, musical, Musician, new, Nice, nonprofit, Nonprofit organization, North Carolina, of color, online, opportunity, Orchestra, organ, organist, ornamentation, outreach, overstate, overstatement, Oxford University, panel discussion, participants, performance, performer, Pianist, Piano, piano faculty, planet, play, play-along, pleased, popular, post, posting, pre-concert lecture, private, produce, professional, Quartet, reception, recording, research, residence, sacred, sacred music, Salisbury, Saxophone, seasoned, secular, secular music, selections, semester, services, share, sign-up, significant, simole, sing-along, Singing, slot, Sonata, soon, speaker, Steve Kurr, String quartet, Student, submit, talent, tax-deductible, teach, Teacher, technical, technology, The Ear, theme, thrilled, time slot, tone, total, traditional, Trevor Stephenson, tunes, UK, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unusual, update, US, UW, UW-Madison, venue, video, videographer, Viola, Violin, violinist, violist, virtual, visit, vocal music, voice, volunteer, way, Website, Wisconsin, Wisconsin Chamber Orchestra, wisconsin public radio, work, write, year, you, young, yourself, YouTube, Zoom
The eighth annual UW Schubertiade is this Sunday afternoon. It features a FREE online retrospective of the past seven years plus a new four-hand piano performance
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The University of Wisconsin has posted the following announcement:
For the eighth consecutive year, the University of Wisconsin-Madison’s Mead Witter School of Music will present its annual Schubertiade — a special concert celebrating the music of Franz Schubert (below).
Traditionally these concerts have been held around the composer’s birthday. This year’s concert will in fact occur on his birthday — this Sunday, Jan. 31, at 3-4:30 p.m. CST. The pre-recorded premiere is at: https://youtu.be/7sshhKiFPAg
You can also use the link to prepare for the concert before or during the concert. You will find the program with song titles, the original German texts and English translation, and biographies of the performers by simply clicking on “SHOW MORE” on the YouTube website and follow the links to PDFs.
BECAUSE THERE ARE NO COPYRIGHT ISSUES, ACCORDING TO UW OFFICIALS, THE POST SHOULD BE UP AND AVAILABLE INDEFINITELY AFTER ITS PREMIERE.
As in past years, founders and performers Martha Fischer (below left), professor of piano and head of the collaborative piano program at UW-Madison, and her husband Bill Lutes (below right), an independent piano teacher, and UW emeritus artist-in-residence, will host the program.
These concerts have been presented in the sprit of the first Schubertiades (below, in a painting by Julius Schmid) that took place during the composer’s lifetime (1797-1828) in the homes of his friends and fellow artists, poets and fans.
These were social as well as musical occasions with Schubert himself presiding at the piano, giving his audience a chance to hear his latest songs, piano duets and chamber music, as well as pieces that had already become favorites.
This year’s Schubertiade will be different in response to the restrictions imposed by the Covid-19 pandemic. It will be an online look back — or Rückblick — at past concerts, with songs chosen from performances that have been preserved in the audio and video archive.
The featured performers will include faculty members, students and alumni from the Mead Witter School of Music, along with special guests.
In addition, pianists Fischer and Lutes will give a “new” performance recorded for this occasion of the great Fantasie in F minor for piano duet. (In the YouTube video at the bottom, you can hear that work, performed by Dutch brothers Lucas and Arthur Jussen and recorded live in Seoul, South Korea.)
The songs have been chosen to reflect themes that were not only relevant to Schubert and his circle, but also to all of us in the midst of this challenging time: hope for a brighter future; the need for connection with others; remembrance of happier times; and the consolation to be found in nature.
Schubert left a vast and precious legacy of beauty — an enormous output of music that he composed in his short lifetime.
In a sense, each time his music is performed and heard, it is a journey from the past to our own time, the sounds speaking to us today as vividly and consolingly as they did when they were created 200 years ago.
Performers
Martha Fischer and Bill Lutes, pianists
Alumni:
Jamie-Rose Guarrine, soprano (below, in a photo by Peter Konerko)
Emily Birsan, soprano
Michael Roemer, baritone
Jennifer D’Agostino, soprano
Daniel O’Dea, tenor
Wesley Dunnagan, tenor
Sarah Brailey (alumna and current DMA student)
Sara Guttenberg
Guests:
Marie McManama, soprano
Cheryl Bensman-Rowe, mezzo-soprano
Faculty:
Mimmi Fulmer, soprano
Paul Rowe, baritone (below)
Julia Rottmayer, soprano
Staff
David Alcorn, videographer, editor, etc.
Katrin Talbot, images for audio only tracks
Tags: #ArcticCircle, #ArthurJussen, #ArtSong, #AustrianComposer, #BassBaritone, #BillLutes, #BlogPost, #BlogPosting, #CentralTime, #ChamberMusic, #CherylBensman-Rowe, #CollaborativePianist, #CollaborativePIano, #CoronavirusPandemic, #COVID-19, #DanielO'Dea, #DavidAlcorn, #EmilyBirsan, #EnglishTranslation, #FacebookPost, #FacebookPosting, #FranzSchubert, #GuestArtist, #husband-and-wife, #JacobStockinger, #Jamie-RoseGuarrine, #JenniferD'Agostino, #JuliaRottmayer, #JussenBrothers, #KatrinTalbot, #LiveMusic, #LiveRecording, #LookBack, #LucasJussen, #MarthaFischer, #MeadWitterSchoolofMusic, #Mezzo-sopranoSinger, #MichaelRoemer, #MimmiFulmer, #MusicProfessor, #OnlineConcert, #PaulRowe, #SaraGuttenberg, #SarahBrailey, #SeoulSouthKorea, #SopranoSinger, #SouthEastAsia, #SouthKorea, #SpecialGuest, #Sundayafternoon, #TenorSinger, #TheEar, #TheNetherlands, #TheUW, #UniversityofWisconsin-Madison, #UWSchubertiade, #VirtualConcert, #VocalMusic, #WesleyDunnagan, #Wife-and-Husband, #YouTubeChannel, #YouTubevideo, alumni, announcement, archive, art song, Arthur Jussen, artist, artist-in-residence, Arts, Asia, asian, audience, Audio, Austria, bass, bass-baritone, before, Bill Lutes, bio, biography, birthday, blog, brighter, celebrate, Central Time, challenging, Chamber music, Cheryl Bensman Rowe, chosen, circle, Classical music, collaborative, composer, Concert, connections, consolation, copyright, coronavirus, Daniel O'Dea, David Alcorn, different, duet, Dutch, editor, emeritus, Emily Birsan, English, Europe, European, Facebook, Facebook post, Facebook posting, fans, Fantasie, fantasy, favorite, forward, found, founder, Franz Schubert, friends, future, German, Germany, good-natured, great, guest artists, happier, Home, hope, host, images, indefinitely, independent, issue, Jacob Stockinger, Jamie-Rose Guarrine, Jennifer D'Agostino, Julia Rottmayer, Jussen, Jussen brothers, Katrin Talbot, Korea, lieder, lifetime, like, link, live music, Live Recording, look back, Lucas Jussen, Madison, Martha Fischer, Mead Witter School of Music, Mezzo-soprano, Michael Roemer, Mimmi Fulmer, Music, music professor, nature, occasion, occur, online, original, other, painting, pandemic, past, Paul Rowe, performance, performer, photographer, photographs, Pianist, Piano, piano duets, pieces, poets, post, postih, pre-recorded, premiere, prepare, present, preserved, professor, program, reflect, remembrance, response, restrictions, retrospective, Sara Guttenberg, Sarah Brailey, Schubert, Schubertiade, Seoul, share, sing, singers, Singing, social, song, songs, soprano, South Korea, Southeast Asia, special, special guest, spirit, students, Sunday afternoon, tag, Teacher, tenor, text, The Ear, the Netherlands, theme, time, trabslatio, tradition, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, video, Vienna, virtual, vocal music, Website, Wesley Dunnagan, Wisconsin, year, YouTube
Bach Around the Clock 2021 will be virtual again. It runs March 17-26, and will feature daily performances plus new activities
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement to post from violist Marika Fischer Hoyt – the founder, participant and artistic director of the annual Bach Around the Clock (BATC). It is one of the most enjoyable events in the area and celebrates the birthday of Johann Sebastian Bach (1685-1750, below).
It features performances by student, amateur and professional individuals and groups — local, regional and national. (Performance photos come from last year’s videos, thanks to Rich Samuels, who recorded and edited the WORT-FM radio show devoted to BATC 2020, which you can hear in the impressive 3-hour YouTube video at the bottom. Listen to it in its entirety or skip around.)
The Bach Around the Clock (BATC) Board of Directors is delighted to present the BATC 2021 Festival, a series of online and virtual events designed to make the joy of Bach’s music as widely available as possible.
Our theme this year is Building Bridges with Bach, and we look forward to expanding our activities to reach new performers and new audiences. (Below is pianist Vibhu Akella playing an electric keyboard.)
The 2021 Virtual Festival launches on Wednesday, March 17, with a concert by our Ensemble-In-Residence, Sonata à Quattro (below, in a photo by Barry Lewis). SAQ will present a program recorded in Luther Memorial Church, as part of the monthly Just Bach concert series.
BATC will add a new festival program every day for 10 days, through March 26, with all programs posted FREE on our home website at https://bachclock.com. (Below is the Webb Trio.)
Interested performers should visit the “Contact/Sign Up” page to submit their proposals and ideas.
BATC participants, who are located far and wide, have two options this year: they can pre-record their performances at home or elsewhere and submit them electronically; or they can request to perform in a BATC concert venue with a professional recording crew. (Below is cellist Derick Handley.)
We will provide keyboard players with the use of a concert-level piano, organ and harpsichord in a space roomy enough to safely accommodate small ensembles. (Below is harpsichordist Dan Sullivan.)
The resulting videos will be incorporated into one of the festival day’s free public programs, and will be available to the performers to keep. This option might be particularly attractive for high school seniors, looking to augment their college applications. (Below is clarinetist Brian Gnojek.)
Other new festival initiatives include Bach Chorale sing-alongs; evening Zoom receptions; mini-courses to help participants of all ages take part; and possibly a Guest Artist. More details will be announced closer to the festival.
The BATC Board hopes the 2021 Festival provides an outlet for musicians to share their talent and passion with the warmly appreciative local community.
Live music nourishes the soul of performer and audience member alike, and the transcendent, life-giving joy woven into the music of Johann Sebastian Bach is something we need now more than ever.
Tags: #10Days, #AtHome, #AudienceMember, #BachAroundtheClock, #BachChorale, #BaroqueMusic, #BarryLewis, #BlogPost, #BlogPosting, #BoardofDirectors, #BrassMusic, #ChamberMusic, #ChoralMusic, #ChristianaLiberis, #ChristianChurch, #ConcertSeries, #CoronavirusPandemic, #COVID-19, #ElectricKeyboard, #Ensemble-in-residence, #FacebookPost, #FacebookPosting, #FrenchHorn, #GuestArtist, #HighSchool, #HomeWebsite, #JacobStockinger, #JohannSebastianBach, #JustBach, #LiveMusic, #LutherMemorialChurch, #MarikaFischerHoyt, #MeadWitterSchoolofMusic, #MusicaAntiqua, #OnlineConcert, #OnlineFestival, #RecordedMusic, #RichSamuels, #SarahBrailey, #SignUp, #SonataaQuattro, #TheEar, #TheUW, #UniversityofWisconsin-Madison, #VirtualConcert, #VirtualFestival, #VocalMusic, #WindMusic, #WORT-FM89.9, #YouTubeChannel, #YouTubevideo, #ZoomMeeting, 10 days, 2021, accommodate, add, ages, amateur, announcement, annual, application, appreciative, area, around, Artistic director, Arts, at home, attractive, audience, augment, available, Bach, Bach Around the Clock, Bach chorale, Baroque, Barry Lewis, BATC, birthday, blog, Blog post, blog posting, Board of Directors, brass, bridge, building, celebrate, cellist, Cello, Chamber music, choral music, Chorale, Christian church, Christianity, church, clarinet, clarinetist, Classical music, closer, college, community, composer, Concert, concert series, concert-level, concerto, contact, coronavirus, courses, crew, daily, days, delight, designed joy, details, Early music, edit, electric, electric keyboard, electronically, elsewhere, enjoyable, enough, evening, event, ever, every day, everyday, expand, Facebook, far, festival, forward, founder, free, group, guest artist, hear, high school, home website, Horn, hour, idea, impressive, incorporate, individual, initiative, interested, Jacob Stockinger, Johann Sebastian Bach, Joy, Just Bach, keep, Keyboard, launch, life-giving, like, link, listen, live, live music, local, locate, Luther Memorial Church, march, Marika Fischer Hoyt, Mead Witter School of Music, member, mini-course, Music, Musica Antiqua, Musician, need, new, nourish, online, option, Orchestra, organ, organist, outlet, page, pandemic, pandemic playlist, participant, Passion, performer, photo, Pianist, Piano, play, playing, pre-record, present, professional, program, proposal, provide, public, reception, record, recorded, recorded music, recording, Rich Samuels, roomy, safely, Sarah Brailey, senior, seniors, share, sign-up, sing-along, skip, Sonata, Sonata à Quattro, soul, space, Student, submit, symphony, tag, talent, The Ear, theme, transcendent, trio, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, venue, Viola, Violin, violist, virtual, virtual festival, vocal music, we, Website, wide, Wind, Wisconsin, WORT, year, YouTube, Zoom
It’s Thanksgiving Day. Conductor Marin Alsop, NPR, WQXR, WFMT and Wisconsin Public Radio offer music suggestions. What piece would you choose to mark the holiday?
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Today – Thursday, Nov. 26, 2020 — is Thanksgiving Day.
Right now, the U.S. has had more than 12 million cases of COVID-19 with more than 260,000 deaths plus all the alarming signs and conditions that many more cases and deaths are coming in the next several months.
We might be sad that we can’t be with the family and friends we usually celebrate with. But we nonetheless have many things to give thanks for during this strange and tragic time.
We can thank the vaccine researchers; the doctors and nurses; and the other health care workers who take care of Covid patients, even those who don’t observe precautions and bring on their own illness.
We can thank all kinds of people on the front lines — food and transportation workers, for example — who help protect us and care for us.
We can thank the friends, family and others who stay in touch and help get us through these trying times.
And we can thank technology that makes isolating a lot less unbearable because we have telephones, radios, TVs, CD players, computers, cell phones and virtual online ZOOM meetings and gatherings and various other events including live-streamed concerts.
For The Ear, music has never meant more or brought more comfort than during this difficult year. He is giving thanks for that as well as for the other people and things just mentioned.
So what music should we celebrate this year’s emotionally complicated and mixed Thanksgiving holiday with?
Well, you can Google sources and go to YouTube to find compilations of music appropriate to the holiday. (See one playlist lasting 90 minutes in the YouTube video at the bottom.)
Famed classical radio station WQXR in New York City has five suggestions for being musically grateful: https://www.wqxr.org/story/top-five-expressions-thanks-classical-music/
And WFMT in Chicago is offering 20 suggestions based on holiday food: https://www.wfmt.com/2019/11/25/a-complete-thanksgiving-feast-in-20-food-inspired-pieces/
But here are a couple of other suggestions, some local.
Wisconsin Public Radio (WPR) is always a reliable source. And tomorrow is no exception.
If WPR programming stays true to past patterns, music by American composers will be emphasized.
Plus, starting at 10 a.m. WPR will broadcast performances from the Honors Concerts (below) by middle and high school students around the state and who participate in the Wisconsin School Music Association. This year, for the first time, the performances will be virtual. But as in past years, they are sure to be moving and even inspiring.
Other fine suggestions from the world-famous conductor Marin Alsop (below), a Leonard Bernstein protégée, who recently spoke for 7 minutes to NPR Weekend Edition host Scott Simon.
Here is a link, but you should listen rather than just read the transcript if you want to hear the musical samples: https://www.npr.org/2020/11/21/937448472/this-thanksgiving-put-on-some-music-to-soothe
Do you like any of those suggestions? Were any new to you?
What piece of music would you choose to express gratitude on this particular Thanksgiving?
The Ear wants to hear.
Tags: #AaronCopland, #AmericanComposer, #Americancomposers, #AntoninDvorak, #AntonioVivaldi, #BachCantata, #BlogPost, #BlogPosting, #CellPhone, #ChamberMusic, #CharlesIves, #ChicagoIllinois, #ChoralMusic, #ClassicalMusician, #ClaudioMonteverdi, #CompactDisc, #CompactDiscPlayer, #CoronavirusPandemic, #COVID-19, #FacebookPost, #FacebookPosting, #FourSeasons, #FranzSchbert, #FredericChopin, #FrontlineWorker, #GeorgPhilippTelemann, #GermanRequiem, #GiuseppeVerdi, #Googlesearch, #HappyThanksgiving, #HealthCare, #HenryPurcell, #HighSchool, #JacobStockinger, #JohannesBrahms, #JohannSebastianBach, #JohannStrauss, #KnoxvilleSummer1915, #LeonardBernstein, #LiveStreaming, #LudwigVanBeethoven, #MarinAlsop, #MassGathering, #MiddleSchool, #NationalPublicRadio, #NewYorkCity, #NewYorkTimes, #OnlineConcert, #OperaMusic, #OrchestralMusic, #OsvaldoGolijov, #PeterIlyichTchaikovsky, #PeterTchaikovsky, #RadioStation, #RichardStrauss, #SamuelBarber, #ScottSimon, #Self-Isolation, #SocialDistance, #SocialDistancing, #StringQuartet, #ThanksgivingDay, #ThanksgivingHoliday, #ThanksgivingPlaylist, #TheEar, #TheU.S., #UnitedStates, #VirtualConcert, #VocalMusic, #WeekendEdition, #WFMTRadioStation, #WisconsinPublicRadio, #WisconsinSchoolMusicAssociation, #WolfgangAmadeusMozart, #World-famous, #WQXRradio, #YouTubevideo, #ZoomMeeting, Aaron Copland, air, alarming, Alsop, American, Antonín Dvořák, Antonio Vivaldi, appropriate, Arts, audience, Bach, Barber, Baroque, Beethoven, Bernstein, blog, Brahms, Broadcast, Cantata, care, cases, CDs, celebrate, cell phone, Chamber music, Charles Ives, Chicago, Chopin, choral music, Classical music, classicalmusic, Claudio Monteverdi, comfort, coming, Compact Disc, Compact Disc player, compilation, complicated, composer, computer, Concert, condition, conductor, Copland, coronavirus, deaths, difficult, doctor, doctors, Dvorak, Early music, emotional, event, express, Facebook, Facebook post, Facebook posting, Family, famous, FM, food, forward, Four Seasons, Franz Schubert, Frédéric Chopin, friends, frontline, gathering, Georg Philipp Telemann, German Requiem, Giuseppe Verdi, give, Golijov, Google, grateful, gratitude, Happy Thanksgiving, health care, Henry Purcell, high school, Holiday, honors, host, hymn, ILLINOIS, illness, inspiring, isolating, isolation, Ives, Jacob Stockinger, Johann Sebastian Bach, Johann Strauss, Johannes Brahms, Knoxville Summer 1915, Leonard Bernstein, like, link, listen, live streaming, live-stream, local, Ludwig van Beethoven, Madison, Marin Alsop, mark, meeting, Middle school, million, Monteverdi, months, moving, Mozart, Music, musical, National Public Radio, New York City, NPR, nurse, observe, online, opera, Orchestra, orchestral music, Osvaldo Golijov, pandemic, participate, past, patients, pattern, Peter Ilyich Tchaikovsky, piece, playlist, post, posting, precautions, program, programming, protegee, Purcell, Radio, radio host, radio station, rdio, read, reliable, Requiem, researchers, Richard Strauss, sad, sample, Samuel Barber, Schubert, Scott Simon, service, share, sign, singer, Singing, social distance, social distancing, song, source, speak, strange, Strauss, stream, String quartet, suggestions, summer, symphony, tag, Tchaikovsky, technology, Telemann, telephone, Television, thanks, Thanksgiving, Thanksgiving Day, The Ear, theme, times, touch, traditional, Tragic, transcript, transportation, trying, TV, U.S., unbearable, United States, US, vaccine, Verdi, Viola, Violin, virtual, Vivaldi, vocal msuic, vocal music, we, Weekend Edition, WFMT, wisconsin public radio, Wisconsin School Music Association, Wolfgang Amadeus Mozart, workers, world, WPR, WQXR, year, YouTube, Zoom
The UW-Madison’s Pro Arte Quartet performs the fifth installment of its complete Beethoven cycle this Friday night at 7:30 in a FREE live-streamed concert
4 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
As we draw close to Dec. 16 and the 250th birthday celebrations for Ludwig van Beethoven (below, in 1803), one of the joys and highlights of the Beethoven Year continues to impress.
The UW-Madison’s acclaimed Pro Arte Quartet will give the fifth installment of their complete cycle of the 16 string quartets by Beethoven this Friday night, Nov. 20, at 7:30 p.m.
Here is a direct link: https://youtu.be/nZN7tRu8N_k
Members of the quartet (below, from left) are: violinists David Perry and Suzanne Beia; violist Sally Chisholm; and cellist Parry Karp.
The FREE online virtual concert is a livestream from the Mead Witter Foundation Concert Hall, where the quartet will once again play with masks and social distancing (below).
No in-person attendance is allowed.
“It’s different playing without a live audience,” says cellist Parry Karp. “But we’re getting used to it. Not having to play other live concerts or to go on tour around the state also allows us to focus more. And the upside of playing online is that we saw quite a number of viewers from Brazil and Argentina listening to our last concert.”
Before each of the two quartets, Professor Charles Dill (below in a photo by Katrin Talbot), who teaches musicology at the UW-Madison’s Mead Witter School of Music, will give a short introductory lecture.
The program features one early quartet and one middle “Razumovsky” quartet: String Quartet No. 3 in D Major, Op. 18 No. 3 (1798-1800); and String Quartet No. 8 in E Minor, “Razumovsky,” Op. 59, No. 2 (1806).
You can hear the Ebène Quartet play the hymn-like slow movement of the Razumovsky quartet, with its use of a Russian theme, in the YouTube video at the bottom.)
Here is more background from Wikipedia about both quartets:
https://en.wikipedia.org/wiki/String_Quartet_No._3_(Beethoven)
https://en.wikipedia.org/wiki/String_Quartet_No._8_(Beethoven)
For more information about the program, the names of the orchestra’s players and impressive historical background about the Pro Arte Quartet, go to: https://www.music.wisc.edu/event/pro-arte-quartet-beethoven-string-quartet-cycle-program-v/
Tags: #BeethovenYear, #BlogPost, #BlogPosting, #ChamberMusic, #CharlesDill, #CompleteCycle, #ConcertHall, #CoronavirusPandemic, #COVID-19, #DavidPerry, #EbeneQaurtet, #EbeneQuartet, #FacebookPage, #FacebookPost, #FacebookPosting, #Fridaynight, #HamelMusicCenter, #InPerson, #JacobStockinger, #LiveAudience, #LiveConcert, #LiveMusic, #LudwigVanBeethoven, #MadisonSymphonyOrchestra, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #MusicProfessor, #OnlineConcert, #ParryKarp, #ProArteQuartet, #RazumovskyQuartet, #SallyChisholm, #SlowMovement, #SocialDistance, #StringQuartet, #SuzanneBeia, #TheEar, #TheUW, #UniversityofWisconsin-Madison, #VirtualConcert, #WisconsinChamberOrchestra, #YouTubeChannel, #YouTubevideo, anniversary, Argentina, Argentine, Argentinean, Arts, audience, background, Beethoven, Beethoven Year, birthday, blog, Brazil, Brazilian, celebration, cellist, Cello, celo, Chamber music, Charles Dill, Classical music, complete, composer, Concert, concert hall, continue, coronavirus, cycle, David Perry, December, early, Ebene Quartet, Facebook, fifth, Focus, foreign, forward, free, Friday, Hamel Music Center, highlight, hymn, impress, in person, installment, international, introductory, Jacob Stockinger, Joy, lecture, like, link, live, live audience, live music, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, mask, Mead Witter Foundation Concert Hall, Mead Witter School of Music, middle, Music, musicology, names, night, November, online, opus, Opus number, Orchestra, pandemic, PAQ, Parry Karp, performer, play, player, players, post, posting, Pro Arte Quartet, professor, program, Razumovsky, Russia, Russian, Sally Chisholm, share, short, show movement, social distance, String quartet, Suzanne Beia, tag, The Ear, theme, tour, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, upside, UW, Viola, Violin, violinist, violist, virtual, Wisconsin, Wisconsin Chamber Orchestra, YouTube
Today is Veterans Day. Here is some appropriate music by Beethoven to mark it. Can you guess which piece? What composer or music would you choose?
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Today – Wednesday, Nov. 11, 2020 – is Veterans Day.
It started out as Armistice Day in 1918 when the end of World War I was declared to take place on the 11th hour of the 11th day of the 11th month.
It is a day to mark the service of all veterans – not just those who died in the line of duty, as is celebrated on Memorial Day.
You can find a lot of choice of classical music to play for Veterans Day. Here is one link to a compilation that features patriotic songs and marches: https://www.youtube.com/watch?v=BJepYzH1VUY
But The Ear settled on Beethoven (below, in an 1815 portrait by Joseph Willebrord Maehler).
Can you guess which piece?
It is not the memorable funeral marches on the Piano Sonata in A-Flat, Op. 26, or the Symphony No. 3 “Eroica.”
It is also not the “Sacred Hymn of Thanksgiving” in the String Quartet, Op. 132.
And it is not “Wellington’s Victory” or the “Egmont” Overture or the Piano Concerto No. 5 “Emperor” with its triumphant fast movements.
Instead it is the second movement of the Symphony No. 7 in A Major, Op. 92. (You can hear it see it represented graphically in the YouTube video at the bottom.)
That is the very well known Allegretto movement with its repetitious and almost hypnotizing, soaring theme. It seems like a funeral march, full of introspection, poignancy and sadness, that is a bit brisker and more lyrical than usual.
It is so popular, in fact, that it has been used as a soundtrack in many movies, including “The King’s Speech” and has inspired works based on it including the “Fantasia on an Ostinato” by the contemporary American composer John Corigliano.
If it seems an unexpected choice, you just need to know more about its history.
It was composed 1811-1812, and Beethoven correctly considered it one of his finest works. So did Richard Wagner who famously described as the “apotheosis of the dance” for the infectious rhythms throughout the symphony.
At its premiere in Vienna, in his introductory remarks Beethoven said: “We are moved by nothing but pure patriotism and the joyful sacrifice of our powers for those who have sacrificed so much for us.”
Beethoven (below, in 1815 as depicted in a paining the Joseph Willibrord Maehler) premiered the symphony at a charity concert in 1813 to help raise money for the Austrian and Bavarian soldiers who had been wounded at the Battle of Hanau while fighting against France during the Napoleonic Wars.
It was so popular with the first performance that the audience demanded and received an immediate encore performance of the second movement.
Here is a Wikipedia link to the history of the symphony: https://en.wikipedia.org/wiki/Symphony_No._7_(Beethoven)
To this day, the Seventh Symphony, so charged with energy, remains for many people, conductors and orchestral players their favorite Beethoven symphony.
It is ironic that Leonard Bernstein (below, in a photo by Paul de Hueck) performed the Seventh Symphony at the last concert he ever conducted – at the Tanglewood Festival in August 1990. He took the second movement at a slower-than-usual tempo and many have criticized Bernstein, who was in terrible health, and have suggested that he was using it as a funeral march or homage for himself.
They may be right. But in retrospect the choice of Bernstein – who died two months later — finds a certain justification in the original motive for the entire symphony and especially the second movement.
Listen for yourself.
Then tell us what you think.
Does this movement justify it being played on Veterans Day?
What music would you choose to mark the day?
What do you think of the Symphony No. 7 in general and the second movement in particular?
The Ear wants to hear.
Tags: #ArmisticeDay, #BlogPost, #BlogPosting, #EgmontOverture, #EmperorConcerto, #EroicaSymphony, #FacebookPost, #FacebookPosting, #FantasiaonanOstinato, #FilmSoundtrack, #FuneralMarch, #HealthEmergency, #JacobStockinger, #JohnCorigliano, #LeonardBernstein, #LivingComposer, #LudwigVanBeethoven, #MemorialDay, #MovieSoundtrack, #MusicCritic, #NapoleonicWars, #NewMusic, #OperaMusic, #OrchestralPlayers, #PianoConcerto, #PianoMusic, #PianoSonata, #RichardWagner, #SacredHymnofThanksgiving, #SeventhSymphony, #SlowMovement, #StringQuartet, #TanglewoodFestival, #TanglewoodMusicCenter, #TheEar, #TheKing'sSpeech, #VeteransDay, #ViennaAustria, #VisualArt, #Wellington'sVictory, #Wikipediaentry, #WorldWarI, #YouTubevideo, 1918, Allegretto, apotheosis, appropriate, Armistice Day, Arts, audience, Austria, Austrian, battle, Bavaria, Bavarian, Beethoven, Bernstein, blog, brisk, celebrate, Chamber music, choice, choose, Classical music, compendium, compilation, composer, Concert, concerto, conductor, Corigliano, critic, criticize, dance, day, dead, death, declare, describe, duty, Egmont Overture, Emperor Concerto, encore, end, energy, Eroica, Eroica Symphony, Facebook, Fantasia, Fantasia on an Ostinato, fight, film soundtrack, forward, France, French, funeral march, graphic, graphically, guess, Hanau, Health, help, History, hour, hymn, hypnotizing, immediate, infectious, introspection, ironic, Jacob Stockinger, John Corigliano, joyful, know, Leonard Bernstein, like, link, listen, Living composer, Ludwig van Beethoven, lyrical, march, mark, melody, Memorial Day, month, movement, movie, Movies, Music, Napoleon, Napoleonic, Napoleonic Wars, need, New Music, opera, Orchestra, orchestral, orchestral players, ostinato, Overture, patriotic, patriotism, peace, People, performance, Piano, Piano concerto, piano music, Piano sonata, piece, play, player, poignancy, popular, post, posting, pure, repetitious], represent, rhythm, Richard Wagner, sacred, Sacred Hymn of Thanksgiving, sacrifice, sadness, said, say, schematic, service, Seventh Symphony, share, sing, slow, Slow movement, soldiers, Sonata, song, songs, soul, soulful, soundtrack, String quartet, subscriber, suggest, symphony, tag, Tanglewood Festival, Tanglewood Music Center, Tempo, terrible, Thanksgiving, The Ear, The King's Speech, theme, think, today, triumph, triumphant, truce, unexpected, United States, usual, Veteran, Veterans Day, victory, Vienna, visual schematic, Wagner, war, Wednesday, Wellington, Wellington's Victory, Wikipedia, work, World War I, wound, wounded, YouTube, YouTube video
Classical music: This summer’s Token Creek Festival is CANCELED. Plus, a teenager’s piano “practice journal” on Instagram is instructive, entertaining and encouraging
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
NEWS ALERT: This summer’s Token Creek Festival (TCF) — with the chamber music theme of Legacy to run from Aug. 21-Sept. 6 –has been CANCELED. Organizers say they hope to launch a virtual online season of archived performances at the end of the summer. Also, once modestly sized gatherings are safe again, the TCF hopes to hold an off-season event. For more information and an official statement from TCF, go to: https://tokencreekfestival.org
By Jacob Stockinger
Somewhere in New York City is a young Chinese piano prodigy who can help you get through what is often the most challenging and discouraging part of piano lessons: practicing.
His name is Auston (below) – no last name is given – and you can find him, in T-shirts and shorts, on Instagram at Auston.piano.
Auston is quite the prodigy. A 13, he plays difficult and dramatic repertoire: the Nocturne in C minor, the Scherzo No. 1 in B minor and the Ballade No. 1 in G minor, all by Chopin.
You can also hear him play the Prelude and Fugue No. 3 in C-sharp minor from the Well-Tempered Clavier, Book I, by Johann Sebastian Bach; the fiendish Toccata by Sergei Prokofiev; and the Piano Concerto No. 2 by Sergei Rachmaninoff.
One day, The Ear expects, Auston might well be among the impressive amateurs and, later, professionals who compete in international competitions.
But more than listening to him playing, his frequent social media entries – sometimes he posts two or three times a day — allow us to hear him practice. We even hear him practicing scales – so-called Russian scales that combine scales in parallel and contrary motion.
This week, he hit 100 video posts. Just yesterday Auston started sight-reading the “Winter Wind” Etude of Chopin, Op. 25, No. 11, which many consider to be the most technically difficult of all Chopin’s etudes. (You can hear the etude – played by Maurizio Pollini – and see the note-filled score in the YouTube video at the bottom.)
Starting out, he often plays hands separately (below) and sight-reads the score very, very slowly, making mistakes and working out fingering. He also uses a metronome at a very slow tempo. He gets frustrated but he never gives up. He just starts over again and provides an excellent role model for aspiring piano students.
But this young man is also fun to read. In his one-minute or less entries of his “practice journal” – which he also calls his “practice journey” — he is witty and self-deprecating in his commentaries about the music and especially about himself when he makes mistakes. As seriously as he takes the piano and practicing, he doesn’t take himself too seriously.
All in all he can even encourage others – including The Ear –to persevere and go through the same frustrations of practicing and learning a new piece.
In this case, it is the piano, but the postings could easily apply to practicing any other instrument or even to singing.
Check it out.
You will be impressed.
You will admire him.
You will laugh along with him.
And you just might practice more.
If this practice journal is a pandemic project, it succeeds way beyond what you — and probably Auston himself — might expect.
Happy listening!
And patient, productive practicing!
Tags: #BaroqueMusic, #BlogPost, #BlogPosting, #ChamberMusic, #CoronavirusPandemic, #COVID-19, #FacebookPost, #FacebookPosting, #GiveUp, #HomeWebsite, #InstagramPost, #InstagramVideo, #JacobStockinger, #JohannSebastianBach, #JohnHarbison, #LastName, #MassGathering, #MaurizioPollini, #MusicEducation, #NewsAlert, #NewYorkCity, #PianoConcerto, #PianoLessons, #PianoMusic, #PianoVirtuoso, #PracticingMusic, #PublicHealth, #RoleModel, #RoseMaryHarbison, #SergeiProkofiev, #SergeiRachmaninov, #SocialMedia, #TheEar, #TheWell-TemperedClavier, #TokenCreekChamberMusicFestival, #TokenCreekFestival, #WinterWind, #YouTubevideo, 100, admire, alert, all, amateur, archive, Arts, Asia, asian, aspiring, audience, auston.piano, available, Bach, Ballade, Baroque, blog, canceled, challenge, challenging, Chamber music, China, Chinese, Chopin, Classical music, commentary, Competition, composer, concerto, coronavirus, correct, discouraging, Early music, encourage, end, entry, etude, event, Facebook, festival, fiendish, fingering, frequent, frustrated, frustration, fugue, fun, gathering, give up, hand, hands, happy', Harbison, himself, home website, impress, impressive, information, Instagram, ironic, Jacob Stockinger, Jazz, Johann Sebastian Bach, John Harbison, journal, journey, last, last name, launch, lessons, like, link, listening, mass gathering, Maurizio Pollini, metronome, mistake, mistakes, modest, Music, music educaiton, name, never, New York City, news, nocturne, notes, off-season, one hundred, online, organizer, pandemic, patient, performance, persevere, Pianist, Piano, Piano concerto, Piano Concerto No. 2 (Rachmaninoff), piano lessons, Pollini, post, posting, practice, practicing, Prelude, prodigy, productive, professional, project, Prokofiev, provide, Public health, Rachmaninov, role model, Rose Mary Harbison, safe, Scherzo, score, Season, self-deprecating, separately, Sergei Prokofiev, Sergei Rachmaninov, seriously, share, shorts, sight-reading, social media, start, statement, Student, succeed, summer, T-shirt, tag, teenage, Tempo, The Ear, The Well-Tempered Clavier, theme, toccata, Token Creek Chamber Music Festival, Token Creek Festival, United States, virtual, virtuoso, Website, Winter Wind, Wisconsin, witty, working, young, YouTube
Classical music: The weeklong 21st annual Madison Early Music Festival is virtual and will be free online here and worldwide starting this Saturday
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement from the directors of the Madison Early Music Festival and the UW-Madison Division of the Arts to post:
Due to the coronavirus pandemic and concerns about public health for performers and audiences, the 21st annual Madison Early Music Festival (MEMF) will be virtual.
It will be held as MEMF Online! from this Saturday, July 11, through next Saturday, July 18. It can be accessed at Facebook.com/MadisonEarly or madisonearlymusic.org.
All events are FREE. Lectures and special features begin at NOON (not 11 a.m., as first listed) and concerts begin at 7 p.m. (CDT). All events will be available nationwide and internationally.
The Madison Early Music Festival is internationally recognized as a top early music festival that features music from medieval, Renaissance and baroque eras from award-winning performers and distinguished faculty.
The uncertainty of the future for the arts and MEMF is daunting, but we have persevered and put together a virtual experience to showcase the musicians and faculty members that were supposed to perform this summer.
Each ensemble prepared a special video of highlights from past performances, and other faculty members recorded lectures.
Our focus was going to be “Musical Life from the Burgundian Court,” and the videos of the Orlando Consort, Piffaro, performances and lectures by Michael Allsen and Peggy Murray reflect that theme.
The other two ensembles, Trefoil and Nota Bene, sent us live concert recordings of Trecento and Italian repertoire.
Due to the coronavirus pandemic, we are launching a fundraiser campaign to help support the artists that were to perform this season. It is critical that we help these musicians as many of them have lost substantial and irreplaceable income for the foreseeable future.
People can donate online at madisonearlymusic.org — where you can also see the concert programs — and click on the Support tab at the top of our home page. All money raised is for the MEMF musicians.
HERE IS A COMPLETE SCHEDULE OF MEMF ONLINE:
Different events will be released each day of the festival, but the content will be available after that time for later viewing.
Saturday, July 11, at 7 p.m.: Orlando Consort (below) in 15th-Century Chansons from the Library of Congress
Sunday, July 12, at 7 p.m.: Piffaro, The Renaissance Band: (below) Excerpts from Burgundian Beginnings and Beyond, Philadelphia
Monday, July 13, at noon: Michael Allsen (below), Musical Life and History at the Burgundian Court
Tuesday, July 14, at 7 p.m.: Trefoil (below): Trecento Music from Bowerbird Concert Series, Philadelphia
Wednesday, July 15, at noon: T-shirt challenge! Post a photo wearing a MEMF T-shirt! #MEMF2020; plus Lecture by William Hudson (below) on style in singing and ornamenting Baroque songs
Thursday, July 16, noon: Renaissance Valois Dance at the Burgundian Court, a lecture by Peggy Murray (below)
Friday, July 17, at 7 p.m.: Nota Bene viol consort (below) in Sonetti Spirituali; Italian Madrigals and Divine Poetry of the High Renaissance composed by Pietro Vinci (c.1525–1584) to settings of the poetry of Vittoria Colonna (1492-1547) Brandeis University in Boston
Saturday, July 18, at 7 p.m.: All-Festival Concert videos from previous festivals. There will be a sing-along of Pastime With Good Company! by King Henry VIII (below). It will be led by a virtual MEMF Faculty Ensemble. You can hear the popular song — also known as “The King’s Ballad” — in the YouTube video at the bottom. (You can download the music and lyrics at: https://memf.wisc.edu/annual/online-program/)
We hope to see everyone in 2021, and that a vaccine is approved to help us gather again as a community experiencing all the arts with musicians, artists and audiences — at MEMF in Madison and around the world.
Tags: #All-FestivalConcert, #BaroqueMusic, #BaroqueOrnamentation, #BlogPost, #BlogPosting, #BostonMassachusetts, #BowerbirdConcertSeries, #BrandeisUniversity, #BurgundyFrance, #ChamberMusic, #ClassicalMusician, #CoronavirusPandemic, #CourtMusic, #COVID-19, #DivisionoftheArts, #EnglishComposer, #FacebookPost, #FacebookPosting, #FundraisingCampaign, #GreatBritain, #HenryVIII, #HomePage, #InstrumentalMusic, #ItalianMusic, #J.MIchaelAllsen, #JacobStockinger, #LibraryofCongress, #MadisonEarlyMusicFestival, #MeadWitterSchoolofMusic, #MedievalMusic, #MEMFOnline, #Musicfaculty, #NotaBene, #OrlandoConsort, #PeggyMurray, #PietroVinci, #PiffaroRenaissanceBand, #PublicHealth, #RecordedMusic, #RenaissanceMusic, #SheetMusic, #TheEar, #TheKing'sBallad, #TrefoilEnsemble, #UniversityofWisconsin-Madison, #VittoriaColonna, #VocalMusic, #YouTubevideo, access, All-Festival concert, annual, approve, Arts, audience, available, award-winning, band, Baroque, blog, Boston, Bowerbird Concert Series, Brandeis University, Burgundy, campaign, century, challenge, Chamber music, chanson, classicalmusic, community, company, compose, composer, Concert, consort, coronavirus, court, critical, dance, daunting, distinguished, divine, division, Division of the Arts, download, early msuic, Early music, earlymusic, England, English, ensemble, era, event, excerpts, experience, Facebook, faculty, feature, festival, foreseeable, France, free, fundraiser, future, good, Great Britain, Henry VIII, highlight, History, home page, income, instrumental, international, internationally, irreplaceable, Italian, Italy, J. Michael Allsen, Jacob Stockinger, King, lecture, Library of Congress, life, like, link, live, Madison, Madison Early Music Festival, madrigal, Mead Witter School of Music, Medieval, MEMF, MEMF Online, Michael Alsen, money, muisician, Music, musical, nationwide, Nota Bene, online, Orlando, Orlando Consort, ornament, ornamentation, pandemic, past, pastime, Peggy Murray, perform, performers, persevere, Philadelphia, Pietro Vinci, Piffaro, Poetry, popular, post, posting, program, programming, Public health, recognize, record, recorded, reflect, Renaissance, repertoire, repertory, Saturday, schedule, Season, series, setting, share, sheet music, short, showcase, sing-along, Singing, song, specail, start, substantial, summer, support, T-shirt, tag, tee short, The Ear, The King's Ballad, theme, top, Trecento, Trefoil, Trefoil Ensemble, UK, uncertainty, unemployed, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, vaccine, video, Vinci, Viol, virtual, Vittoria Colonna, vocal music, weeklong, Wisconsin, world, YouTube
Recent Comments
The Well-Tempered Ear 
New York Times music critics pick 10 MUST-HEAR online virtual classical concerts to stream for October
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: Tonight’s concert by the choral group Roomful of Teeth for the Wisconsin Union Theater at the UW-Madison’s Hamel Music Center has been canceled and postponed indefinitely.
By Jacob Stockinger
Increasingly the coronavirus pandemic seems surging out of control. So it comes as no surprise that also more and more concerts of classical music are taking place virtually and online.
There are many ways to choose among local, regional, national and international concerts.
But one good guide was published this last week and featured the choice of must-hear classical concerts by critics for The New York Times.
It is an interesting and varied selection, and includes times, links and brief descriptions.
It features concerts that emphasize Black composers such as Florence Price (below top) and women composers. It covers many genres from a solo piano recital by Jeremy Denk (below bottom) – who is supposed to perform here on Dec. 11 at the Wisconsin Union Theater – to chamber music, vocal music, orchestral concerts and operas.
Curiously, there is quite bit of new music but little early music, either Renaissance or Baroque. Perhaps more will appear around the holiday times, when that music is part of the traditional holiday celebrations.
You will find contemporary composers but also lots of certified, tried-and-true classics and masterworks.
Some are one-day only events but many run from a week through a month.
Here is a link to the story. PLEASE NOTE THAT TIMES ARE ALL EASTERN: https://www.nytimes.com/2020/09/29/arts/music/classical-music-stream.html
Please let The Ear know if you like this kind of listing and find it useful.
And please feel free to leave in the comment section other guides or events that the public should know about.
Share this:
Like this:
Tags: "Blind Tom" Wiggins, #92ndStreetY, #African-AmericanComposer, #African-AmericanMusic, #AndrewNorman, #BachCantata, #BaroqueComposers, #BaroqueMusic, #BenjaminBritten, #BerlinGermany, #BerlinPhilharmonic, #BlackAmericans, #BlackComposer, #BlindTom"Wiggins, #BlogPost, #BlogPosting, #BrentanoQuartet, #BrentanoStringQuartet, #CarnegieHall, #ChamberMusic, #ChamberMusicSocietyofLIncolnCenter, #ClaudeDebussy, #ClevelandOrchestra, #ConcertProgram, #CoronavirusPandemic, #CountertenorSinger, #COVID-19, #DetroitMichigan, #DetroitSymphonyOrchestra, #EasternTime, #EricGarner, #FacebookPost, #FacebookPosting, #FelixMendelssohn, #FlorenceItaly, #FlorencePrice, #folksongs, #FrankBridge, #FranzJosephHaydn, #FranzWelser-Möst, #FredericRzewski, #GeorgeWalker, #GillesVonsattel, #GustavoDudamel, #HamelMusicCenter, #HolidayConcert, #HolidayMusic, #J'NaiBridges, #JeremyDenk, #JessieMontgomery, #JohannSebastianBach, #JohnAdams, #KirillPetrenko, #LawrenceBrownlee, #LosAngelesPhilharmonic, #LudwigVanBeethoven, #MeadWitterSchoolofMusic, #MetropolitanOpera, #MichaelBrown, #MinimalistMusic, #MusicCritic, #NathalieJoachim, #NewMusic, #NewYorkTimes, #OnlineConcert, #OperaMusic, #OperaPhiladelphia, #OrchestralMusic, #OttorinoRespighi, #PeopleofColor, #PeterIlyichTchaikovsky, #PianoMusic, #PIanoRecital, #PianoSonata, #QuodlibetEnsemble, #RenaissanceMusic, #RoomfulofTeeth, #ScottJoplin, #SpektralQuartet, #SpokenWord, #StringQuartet, #StringQuintet, #TaniaLeon, #TenorSinger, #TheEar, #TheMet, #TheUW, #TrayvonMartin, #Tried-and-True, #UniversityofWisconsin-Madison, #VikingurOlafsson, #VirtualConcert, #VocalMusic, #WilliamGrantStill, #WisconsinUnionTheater, #WolfgangAmadeusMozart, #WomenComposers, #YouTubevideo, 92nd Street Y, Adams, Africa, African, African American, African-American music, America, American, Arts, audience, Bach, Baroque, Beethoven, Benjamin Britten, Berlin, Berlin Philharmonic, Bert, black, Black Americans, blog, Brentano Quartet, Brentano String Quartet, Britten, cancel, canceled, Cantata, Caramoor, Carnegie Hall, celebration, cellist, Cello, certified, Chamber music, Chamber Music Society of Lincoln Center, choose, choral music, Classical music, classicalmusic, classics, Claude Debussy, Cleveland Orchestra, comment, composer, Concert, conductor, contemporary, coronavirus, countertenor, critic, Debussy, Denk, description, Detroit, Detroit Symphony Orchestra, Dudamel, Early music, earlymusic, Eastern time, emphasize, Eric Garner, Europe, Facebook, Felix Mendelssohn, Florence, Florence Price, folk, folk song, forward, Frank Bridge, Franz Joseph Haydn, Franz Welser-Möst, George Walker, Germany, Gilles Vonsattel, good, guide, Gustavo Dudamel, Haiti, Haitian, Hamel Music Center, Haydn, Holiday, holiday music, Holidays, images, incarceration, interesting, internation, inventive, Italy, J'Nai Bridges, Jacob Stockinger, Jeremy Denk, Jessie Montgomery, Joachim, Johann Sebastian Bach, John Adams, kind, Kirill Petrenko, know, Lawrence Brownlee, like, link, live-stream, local, Los Angeles Philharmonic, Ludwig van Beethoven, masterpiece, Mead Witter School of Music, Mendelssohn, Metropolitan Opera, Mezzo-soprano, Michael Brown, Michigan, minimalism, month, Mozart, Music, music critic, must-hear, narrator, Nathalie Joachim, national, New Music, New York City, New York Times, October, Ohio, online, opera, Opera Philadelphia, Orchestra, orchestral music, Ottorino Respighi, pandemic, people of color, performer, Peter Ilyich Tchaikovsky, Pianist, Piano, post, posting, postpone, postponed, price, prison, program, public, Quodlibet Ensemble, recital, regional, Renaissance, Respighi, Roomful of Teeth, Rzewski, Scott Joplin, selection, share, singer, Singing, solo, Sonata, Spektral Quartet, spoken word, Still, stream, String quartet, string quintet, subscriber, surprise, symphony, tag, Tania Leon, Tchaikovsky, tenor, text, The Ear, the Met, theme, time, traditional, Trayvon Martin, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, useful, UW, UW-Madison, varied, Vikingur Olafsson, Viola, Violin, violinist, violist, virtual, virtually, vocal music, Walker, ways, week, William Grant Still, Wisconsin, Wisconsin Union Theater, Wolfgang Amadeus Mozart, women, YouTube