The Well-Tempered Ear

Classical music: Music professor John Schaffer is retiring from UW-Madison. A benefit jazz concert on Saturday, June 1, will celebrate his career as a teacher and former director of the Mead Witter School of Music

May 23, 2019
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By Jacob Stockinger

Professor John Schaffer (below), who served as the director of the University of Wisconsin-Madison’s Mead Witter School of Music for 15 years from 1997 to 2012, is retiring this summer.

A jazz concert at 7:30 p.m. on Saturday, June 1, at Full Compass Systems, located at 9770 Silicon Prairie Parkway in Verona,  will celebrate his retirement. Details and ticket information are below.

Here is a summary of his major achievements, as compiled by a colleague:

During his tenure as director, John Schaffer:

• Raised more than $10 million for music scholarships, including the Paul Collins graduate fellowships and the Steenbock undergraduate scholarships, more than doubling all student support.

• Secured funding for three endowed professorships: Pro Arte Quartet first violinist David Perry; piano virtuoso and Van Cliburn International Piano Competition bronze medal winner Christopher Taylor; and acclaimed jazz pianist Johannes Wallmann.

• With then-chancellor John Wiley, he launched plans for the new performance facility – the Hamel Music Center — that will open this fall, and raised more than $20 million in private funds for its construction.

• Established the School of Music’s inaugural Board of Visitors, which actively connects the school with a broad community worldwide as it continues to serve in an advisory and support capacity.

• Built strong relations with community organizations including the Madison Symphony Orchestra by establishing the joint residency of the Hunt Quartet – creating further student funding opportunities – and the Independent String Teachers’ Association.

• Established the Perlman Piano Trio (below), an undergraduate scholarship opportunity funded by Kato Perlman.

• Recruited faculty professors/performers with national and international reputations.

• Collaborated with the UW Foundation and Alumni Associations to present UW student performers throughout the country and world.

• Expanded student musician performances across campus, and established the twice-annual Chancellor’s Concert Series.

• Oversaw the planning for the 100th anniversary of the Pro Arte Quartet, the school’s flagship ensemble-in-residence since 1938.

• Established the School of Music recording label, which during its active run released close to 50 albums of faculty artists.

• Created the Wisconsin Center for Music Technology, and was the founding editor of the journal Computers in Music Research.

• Revitalized the Jazz Studies program at UW-Madison that has expanded with additional faculty, new student jazz ensembles and the establishment of a major in jazz performance.

• Was actively involved in music administration on the national level by serving multiple terms on the board of directors of the National Association of Schools of Music, the national accrediting organization. He spent more than a decade training accreditation teams, and performing accreditation reviews of music schools and conservatories throughout the country.

• Served on numerous local boards including those of the Madison Symphony Orchestra, the Madison Country Day School, the Isthmus Jazz Festival, and the Token Creek Chamber Music Festival.

Schaffer’s own academic work in music theory focused initially on analysis of contemporary and non-tonal music, and in artificial intelligence applications in music theory. When he returned to the faculty from being director, he re-focused his teaching on the history, theory and performance of jazz and developed new courses in the discipline and regularly coached student jazz ensembles.

After a 40-year career in academia, Schaffer is retiring to pursue other interests. For the time being, he plans to remain in the Madison area. Initially trained as a classical guitarist, his performance emphasis long ago evolved to playing jazz bass, and he’ll still be heard gigging around town, playing frequently at venues and series such as Otto’s, Capital Brewery’s beer garden, Delaney’s Steak House, Coda Cafe and the North Street Cabaret.

“The biggest reward over all my years as an educator and administrator is the impact I’ve had on the thousands of students I’ve been privileged to teach and encounter,” says Schaffer. “It’s been immensely gratifying.”

Schaffer’s contributions to music in the greater Madison area will be recognized at a benefit concert, sponsored by the Greater Madison Jazz Consortium, on Saturday, June 1, at 7:30 p.m. at Full Compass Systems, 9770 Silicon Prairie Parkway in Verona. UW-Madison Chancellor Emeritus John Wiley will offer commentary and perspective. Light refreshments will be served.

Tickets for the benefit concert are $30 at the door, $25 in advance online. A limited number of student tickets are available at $15. VIP tickets are $150 and include reserved, best-in-house seating, a private pre-concert reception at 6 p.m. and other benefits.

For more information, go to: http://www.jazzinmadison.org/event/jazz-junction-benefit-concert-for-the-jazz-consortium-full-compass/

For tickets, go to:https://www.brownpapertickets.com/event/4236134


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Classical music: Five alumni composers return to UW-Madison for two FREE concerts of their work this Thursday and Friday nights. On Tuesday night, UW trombonist Mark Hetzler and friends premiere four new works.

November 2, 2015
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ALERT: On Tuesday night at 7:30 in Mills Hall, UW-Madison trombone professor Mark Hetzler with be joined by Anthony DiSanza, drums/percussion; Vincent Fuh, piano; Ben Ferris, bass; Tom Ross-percussion; Garrett Mendelow, percussion.

Mark Hetzler and friends present a FREE concert titled “Mile of Ledges” with the premiere of four new works. Two new compositions (Falling and Mile of Ledges) by Mark Hetzler will feature lyrical and technical trombone passages, soulful and spirited piano writing, complex percussion playing and a heavy dose of electronics. In addition, the group will showcase new music by UW-Madison alum Ben Davis (his $$$$$$$$$$$$$$$$$$ for quartet and electronics) and Seattle composer David P. Jones (a chamber work for trombone, piano, bass and two percussionists).

Read a Wisconsin State Journal about Mark Hetzler. Download PDF here.

By Jacob Stockinger

If The Ear recalls correctly, alumni who return to the University of Wisconsin-Madison School of Music are generally performers or scholars.

All the more reason, then, to celebrate this week’s major UW event, which was organized by UW-Madison composer and teacher Stephen Dembski (below). It features five composers who trained at the UW-Madison and who are now out in the world practicing their art and teaching it to others.

Steve Dembski's class

Steve Dembski’s class

Dembski writes:

This week, the UW-Madison School of Music will welcome back five graduates of the composition studio who have developed creative, multi-dimensional careers in a range of fields: acoustic and electronic composition, musicology, theory, audio production, conducting, education, concert management and administration, performance, and other fields as well.

The two-day event is intended to show the breadth of talent at UW-Madison as well as demonstrating that music students focus on much more than performance as a way to shape successful careers.

The composers include: Jeffrey Stadelman (below), who is now associate professor of music composition at the University at Buffalo.

jefffey stadelman

Paula Matthusen (below, BM, 2001), who is assistant professor of music at Wesleyan University.

paula matthusen

William Rhoads (below, BM, 1996), who is vice-president of marketing and communications for Orchestra of St. Luke’s in New York City.

William Rhoads

Andrew Rindfleisch (below, BM, 1987), who is a full-time composer living in Ohio. (You can hear his introspective and microtonal work “For Clarinet Alone” in a YouTube video at the bottom.)

Andrew Rindfleisch portrait

Kevin Ernste (below, BM, 1997), who is professor of composition at Cornell University.

kevin ernste

The UW-Madison School of Music will present two FREE concerts of their music, performed by the Wisconsin Brass Quintet (below top), the Wingra Woodwind Quintet (below bottom, in a photo by Michael Anderson), the UW Wind Ensemble, and other faculty members and students.

Wisconsin Brass Quintet

Wisconsin Brass Quintet

Wingra Woodwind Quintet 2013 Michael Anderson

The FREE concerts are on this Thursday, Nov. 5, at 7:30 p.m. in Mills Hall; and on this Friday, Nov. 6, 7:30 p.m. in Mills Hall. There will be workshops and colloquia yet to be announced.

For complete composer biographies, along with comments about their works, and more information about the two-day event, visit this site:

http://www.music.wisc.edu/2015/10/08/uw-madison-composers-return/


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