The Well-Tempered Ear

Classical music: Applications are now being accepted for the fifth Make Music Madison on Wednesday, June 21. Read all about it and tell us what you think

April 29, 2017
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By Jacob Stockinger

Doing something for five years in a row is certainly enough to qualify it as an annual tradition.

So it is with Make Music Madison, the successful day-long, community-wide festival of free music performed outdoors by students, amateurs and professionals as individuals and in groups.

It takes place on the Summer Solstice, the longest day and shortest night of the calendar year. That means the event this year will happen on Wednesday, June 21, 2017. 

So far, there are 178 artists and performers  participating in 85 venues, which you can check out on the event’s website. More than 400 concerts in more than 100 venues are expected. (Below, in 2016, is the Oaknut Duo.)

For more background about the event  that started in Paris, France, and now takes place nationwide, listen to the YouTube video about the 2013 celebration at the bottom.


Of course The Ear is well aware that most of the events are not classical music. But there will be some classical music. And it is clear that many students who start off in classical music often migrate to jazz, folk, pop, roots, blues, rock, swing, big band, rap, hip-hop and other kinds of music.

Some music almost inevitably leads to more music. (Below is keyboard artist Zuzu.)

Also needed are donations to the non-profit organization that organizes the event every year for less than the cost of a traffic light -or about $45,000. That’s a lot of bang for the bucks.

For more information about participating, donating and attending as well as seeing a photo gallery, go to:

http://www.makemusicmadison.org

What do you think?

Have you ever attended Make Music Madison?

What did you see and hear?

What did you think of individual performances and the entire event?

Leave word in the COMMENT section.

The Ear wants to hear.


Classical music: On Saturday afternoon at 4 p.m., SoundWaves moves to Mills Hall to present a FREE and PUBLIC discussion and performance of inventions and music from the 1920s.

October 20, 2015
6 Comments

By Jacob Stockinger

Daniel Grabois (below, in a photo by James Gill), a professor of horn at the University of Wisconsin-Madison School of Music and a friend of The Ear, writes:

Daniel Grabois 2012 James Gill

I’m not sure if you know about my FREE and PUBLIC series SoundWaves. But I’d like to tell you about it because we have our first-ever presentation in the UW-Madison School of Music next week. It is part of the statewide Wisconsin Science Festival.

The basic idea is this: I choose a theme and get four scientists from different disciplines (or sometimes academics from the humanities) to explore the theme — for the layman — in short 15-minute talks.

I then give a short talk about the theme as it relates to music.

Then, there’s a related music performance.

To make this concrete for you, our program coming up is about The Roaring ’20s.

Now in its fourth year, the SoundWaves series is underwritten by Wisconsin Alumni Research Foundation (WARF, below with founder Prof. Harry Steenbock), which is celebrating its 90th anniversary. So it seemed fitting to explore the decade of its creation for our first event of the year.

Harry Steenbock WARF bldg

Accordingly, we will have a historian of science speaking about Vitamin D, which was discovered and synthesized by Steenbock,  explaining things like “What the hell IS a vitamin, anyway?”

Vitamin D

Then, a dermatologist will talk about bandaids (invented in 1920). Kids love them, but do they work? How? Why does someone invent a bandaid?

bandaid

Next, a law professor will discuss the lie detector, also invented in 1920. We see them on cop shows, but do they work? Is their evidence admissible in court? How do they work?

lie detector

Then, an industrial engineer will speak about automotive breakthroughs from the 1920s that have shaped our driving experience. Power steering, the traffic light, the car radio (invented by Motorola, hence the “motor” in the company name) — all were invented in the 1920s and all have had a broad impact on cars and driving today.

traffic light

Then I’ll be talking about music of the 1920s. I’m particularly interested in what was then the recent invention of the 12-tone system by Arnold Schoenberg (below). If you are a composer, how on earth do you respond to that? Do you reject it, and if so, what do you do instead? How is the musical aesthetic reshaped by such a radical (and difficult to listen to) idea?

Arnold Schoenberg 1936

At the end, there will be a performance of the String Quartet No. 1 (subtitled “Kreutzer Sonata,” based on the short story by the Russian writer Leo Tolstoy) by Czech composer Leos Janacek (below top), written in 1923, played by the Rhapsodie String Quartet (below bottom, in a photo by Greg Anderson), made of Madison Symphony Orchestra players including Suzanne Beia, our own second violinist of the Pro Arte Quartet. (You can hear it in a YouTube video at the bottom.)

Leos Janacek

Rhapsodie Quartet MSO Greg Anderson

We’ve been getting around 175 people for our programs at the Wisconsin Institutes for Discovery, including lots of people who come back over and over.

For me, doing this series is hugely stimulating — being able to collaborate across traditionally rigid academic boundaries is one of the reasons I was excited to come to Madison.

Here are the specifics:

Date: This Saturday, Oct. 24, at 4 p.m. in Mills Hall, FREE and OPEN TO THE PUBLIC

Speakers and performers:

Kevin Walters, WARF historian-in-residence

Klint Peebles, Department of Dermatology

Keith Findley, UW Law School

John Lee, Department of Industrial Engineering

Daniel Grabois, School of Music and SoundWaves curator

Rhapsodie String Quartet

For more information, visit:

http://discovery.wisc.edu/home/town-center/programs–events/soundwaves/soundwaves.cmsx

Sales pitch over!

Hope to see you there.

 


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