The Well-Tempered Ear

Classical music: The Madison Symphony Orchestra, Madison Opera, Wisconsin Chamber Orchestra and Overture Center cancel their fall seasons. Plus, on Saturday cellist Cole Randolph performs a virtual concert for Grace Presents

June 26, 2020
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ALERT: The Saturday at noon, Grace Presents will offer the first in its series of HD Virtual Concerts online. Future performers include organist Mark Brampton Smith and the Willy Street Chamber Players.

The performer this time is the cellist and recent UW-Madison graduate Cole Randolph (below). The program is: the Sonata for Solo Cello by the American composer George Crumb; two of the “Seven Songs Heard in China” by Chinese composer Bright Sheng; and the Suite for Solo Cello No. 3 by Johann Sebastian Bach.

Here is where you can hear the 40-minute concert inside the church on the Capitol Square: https://www.youtube.com/watch?v=0vaOCH53osk

You can also connect with Cole Randolph after the show by joining in a Zoom meet-and-greet immediately following the performance at https://us02web.zoom.us/j/88001773181

The meeting ID is: 880 0177 3181

You can hear Randolph (below, in a photo by Michael Anderson) playing in the YouTube video at the bottom.

By Jacob Stockinger

With all the talk of a second wave of coronavirus coming in the fall — complicated by the seasonal flu – concert cancellations don’t come as a surprise, unfortunately.

In fact, The Ear suspects many more cancellations are to come, including those from the UW-Madison, the Wisconsin Union Theater and the Middleton Community Orchestra.

Here is the latest round: the Madison Symphony Orchestra, the Madison Opera, the Wisconsin Chamber Orchestra and the Overture Center have all canceled their fall seasons, with some qualifications.

The announcements came on Thursday morning in the wake of the Overture Center canceling all performances this summer and fall through Nov. 30.

MADISON SYMPHONY ORCHESTRA

The Madison Symphony Orchestra has provided a short statement and a more complete and detailed press release.

Here is the statement:

“The Madison Symphony Orchestra’s 2020-21 “Beethoven and Beyond” season concerts and Overture Concert Organ performances are now canceled from September 2020 through January 2021.

“The move is due to the Overture Center’s decision to suspend events through Nov. 30, 2020, and the requirements of Dane County’s “Forward Dane” Reopening Plan.

“The 2020-21 season performances in February, March, April and May 2021 are scheduled to take place as planned.

“All subscribers will be sent a refund for the value of their tickets for the September 2020 through January 2021 concerts.”

Here is a list on the five MSO concerts – including the Beyond the Score performance of Stravinsky’s “Rite of Spring” on Jan. 25 — that will be canceled and the four that remain scheduled: https://madisonsymphony.org/concerts-events/2020-2021-symphony-season-concerts/

Here is a link to the full press release about the cancellations by the MSO (below, in a  photo by Peter Rodgers): https://madisonsymphony.org/press-release-june-2020-concert-events-update/

MADISON OPERA

The Madison Opera is canceling the two in-person performances of Verdi’s “Il Trovatore” (The Troubadour) but is planning on offering some kind of large digital event and smaller live events at its center.

Here is statement from the Madison Opera:

“Although the Overture Center for the Arts is closed until the end of November, we will not be going silent.

“We are creating a fall season that lasts from September through December, and includes both digital content and live performances at the Margaret C. Winston Madison Opera Center, our home in downtown Madison.

“Some of our signature engagement activities — such as Opera Novice and Opera Up Close — will have monthly editions that include artists from around the country.

“The Opera Center itself will be the site of “Live from the Opera Center,” a variety of streamed performances with a small live audience.

“Other performances will be created digitally and made available exclusively to subscribers.

“Artists involved include members of the original “Il Trovatore” cast: soprano Karen Slack, baritone Weston Hurt, bass Kenneth Kellogg, and stage director Fenlon Lamb. Other soloists include Wisconsin-based artists Jeni Houser (below), David Blalock, Emily Fons, Emily Secor and Kirsten Larson.

“We are working with our artists to create programming that is chosen from their passions: music they want to share, ideas they want to explore, and conversations they want to start. The challenges facing us will create new art, and new ways to make sure it is accessible to everyone.”

Marketing director Andrew Rogers told The Ear that the opera company is still deciding whether digital performances will be ticketed or free with suggested donations.

The full schedule will be announced in early August, after the digital online Opera in the Park takes place Saturday, July 25. For details, go to: https://www.madisonopera.org/2020/05/06/opera-in-the-park-is-going-digital/

To stay current about the regular opera season, you can sign up for the Madison Opera’s news updates via email by going to this website: https://www.madisonopera.org/fall2020/

WISCONSIN CHAMBER ORCHESTRA

The Nov. 20 opening concert with pianist John O’Conor of the Masterworks Series has been POSTPONED with no new date set yet.

Music director Andrew Sewell says the Family Concert on is still on for Saturday, Oct. 10, at the Goodman Community Center but the WCO is looking for an alternative venue.

The concert on Nov. 7 at the Verona Area Performing Arts Center has been CANCELED.

Both performances of Handel’s “Messiah” — on Dec. 9 and Dec. 12 at the Blackhawk Church in Middleton and the UW’s Hamel Music Center on Dec. 12 – have also been CANCELED.

And this season the WCO will not play Tchaikovsky’s “The Nutcracker” from Dec. 17-27 because the Madison Ballet has canceled those performances.

For more information about the WCO (below, in photo by Mike Gorski), go to: https://wcoconcerts.org/concerts-tickets/calendar

What do you think?

Do you think the cancellations are warranted?

Do you want to leave a message or comment encouraging and supporting the various groups and their many musicians?

The Ear wants to hear.


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Classical music: During global protests against racism, a longtime fan of the Madison Symphony Orchestra writes a letter to ask for more diversity and African-American composers

June 9, 2020
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By Jacob Stockinger

During the ongoing global protests and demonstrations against police brutality, racism and white privilege, the Madison Symphony Orchestra (below, in a photo by Peter Rodgers) will hold its annual meeting next Tuesday, June 16, at 3:30 p.m.

The meeting is NOT open to the public — as erroneously stated in an earlier version — but just to season subscribers (not single ticket buyers) and members of MSO boards. The meeting will be virtual and held online via Zoom.

During the meeting, a statement about diversity and inclusion will be read, according to the MSO. 

If you have questions, you can call Alexis Carreon at (608) 257-3734.

With both the symphony and current events in mind, a longtime MSO subscriber has written the following letter to Manager of Individual Giving Jeff Breisach.

Please read the letter and then let us know what you think.

Do you agree or disagree?

What else would you like to say about the role of MSO in adapting to concerns about racism, injustice and privilege?

Do you have any suggestions?

“Dear J. Breisach:

“Please share my following concerns with those planning the annual meeting of the Madison Symphony Orchestra:

“In light of the recent historic events, I hope MSO will add an item or two to deal with the economic and racial injustice prevalent in Madison, as well as elsewhere in our nation.

“Specifically:

  • Empty seats should be made available as Rush Seats ($1 or $5) the day of the concert to open our halls to those facing economic disparity. Such disparity rests on a long history of racism and poverty injustice in our town and in our land. Our hall should always be full and should have a more multi-ethnic, multi-age audience than is currently the case. As our audiences stand, we are one of the most racially and economically privileged events in Madison. That must stop.
  • We need more racially diverse composers included in our regular programming–at the very least during the month of February, but even better throughout the year. And I’m not just thinking of “Porgy and Bess” tunes. Samuel Coleridge-Taylor (below top) also comes to mind as a composer we need to hear more often. Le Chevalier de Saint-Georges — Joseph de Boulogne (1745-1799, below bottom) — is another. (Editor’s note: You can hear the Romance for violin and orchestra by Coleridge-Taylor in the YouTube video at the bottom.) There are more. Having a local black chorus in for Christmas is not enough!

“It is time for MSO to acknowledge its history of white privilege and take some steps to more widely acknowledge the richness of a diverse local audience and classical music history.

Sincerely,

Carol Troyer-Shank

“PS: I have been a MSO ticket holder in the economically denigrated balcony for more than 20 years.

“PS2: The architect and designers clearly thought about making more money — not about safety of attendees — when they designed a balcony to squeeze in more people instead of to allow ease of movement for lower-cost ticket holders. Shame on them! So, of course, all those seats should be filled every time. Even at $5 a ticket, the MSO would gain enormous improvement in their local image.”

 


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Classical music: University Opera updates and stages Mozart’s “Cosi fan tutte” on this Friday night, Sunday afternoon and Tuesday night. Plus, here are the winners of the Madison Symphony Orchestra’s Final Forte

February 27, 2020
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NEWS UPDATE: If you missed it, here are the results of Wednesday’s night Final Forte teenage concerto competition with the Madison Symphony Orchestra, which was broadcast live from Overture Hall on Wisconsin Public Radio and PBS Wisconsin (formerly Wisconsin Public Television).

First and second place prizes of a $2,000 scholarship went to pianist Michael Wu and pianist Jessica Jiang, respectively. The two runners-up — violinists Emily Hauer and Jonah Kartman — each received a scholarship of $1,000.

Here is a link to more information, photos and background – including teachers — for each of the four contestants as well as the dates for rebroadcasting the finalists’ concert on radio and TV.

https://welltempered.wordpress.com/2020/02/23/classical-music-this-wednesday-night-four-teenage-soloists-compete-in-this-years-final-forte-competition-with-the-madison-symphony-orchestra-attend-it-live-for-free-or-watch-and-hear-it-l/

By Jacob Stockinger

The prize-winning University Opera and UW Symphony Orchestra will stage three performances of “Cosi fan tutte” (So Do They All, or Women Are Like That), the late comic and seriously satirical opera by Mozart about love, gender roles and cheating on partners.

The performances are in Old Music Hall on Bascom Hill on this Friday night, Feb. 28, at 7:30 p.m.; Sunday afternoon, March 1, at 2:30 p.m.; and Tuesday night, March 3, at 7:30 p.m.

Tickets are $25 for general admission with reserved seats, $20 for seniors (62 and up) and $10 for UW students.

As usual, UW students will alternate certain roles during the three performances. (Below is returning singer Anja Pustaver, one of the three Despina’s in the production.)

The stage director is David Ronis, the head of the opera program at the UW-Madison’s Mead Witter School of Music. He has won numerous national awards during his tenure at the UW-Madison for his inventive re-imaginings of well-known operas and musicals.

The student orchestra will be conducted by Oriol Sans, the acclaimed new professor of conducting and director of Orchestral Activities at the UW-Madison. (In the YouTube video at the bottom, you can hear the Overture to  “Cosi” played by the Metropolitan Opera conducted by James Levine.)

Below is a studio photo by radio host Norman Gilliland of members of the production when they appeared on Wisconsin Public Radio. From left are: conductor Oriol Sans, director David Ronis, soprano Julia Urbank and soprano Cayla Rosche.

The opera has been updated to the Roaring Twenties, at a time when the women’s suffrage movement and other women’s rights issues were gaining traction. The re-staging also seems especially timely and contemporary, given the #MeToo and Time’sUp movements.

Here is a link to the full press release with the complete cast and production staff as well as a sketch of the abstract stage set (below) designed by Joseph Varga and other information, including a detailed synopsis and an explanation of the reason for setting the opera by in the Roaring 20s: https://www.music.wisc.edu/2020/02/10/cosi-fan-tutte/

Here is a link to a shortened version – with information about tickets and parking — on the Mead Witter School of Music’s home website under Concerts and Events: https://www.music.wisc.edu/event/university-opera-mozarts-cosi-fan-tutte/2020-02-28/

 


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Classical music: Renowned organist Hector Olivera will play classics and also improvise spontaneously in Overture Hall on Tuesday night

February 9, 2020
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By Jacob Stockinger

At 7:30 p.m. on this Tuesday night, Feb. 11, in Overture Hall, the renowned Argentinian organist and composer Hector Olivera (below) will make his local debut on the Overture Concert Organ Series sponsored by the Madison Symphony Orchestra.

Olivera will perform on the Klais Overture Concert Organ (below)

All tickets are $20.

The program includes works by: Johann Sebastian Bach; Cesar Franck; Wolfgang Amadeus Mozart; Astor Piazzolla; Louis Vierne; Marco Enrico Bossi; and William Ralph Driffill.

For the specific works on the program, plus information about buying tickets, biographical background and reviews of his past performances, go to: https://madisonsymphony.org/event/organ-hector-olivera/

Says Greg Zelek (below), the MSO organist and Juilliard School graduate who also organizes the organ concert series:

“Known as one of the most exciting organists of the 20th century, international concert organist Hector Olivera will entertain and exhilarate the audience with an unforgettable performance.

“Born in Buenos Aires, Argentina, Mr. Olivera has performed all over the world and has had audiences leaping to their feet with applause for years.

“His debut performance at Overture Hall will feature organ classics like Vierne’s Carillon de Westminster, as well as transcriptions like “Oblivion” by another Argentine native, Astor Piazzolla.

“He will close the concert with an improvisation on a submitted theme that is sure to enthrall and amaze everyone in attendance.”

Want proof or a preview?

You can hear Olivera improvise on a traditional Chinese folk song, first sung to him, during a concert in Shenzhin, China, in the YouTube video below:


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Classical music: A FREE concert of stripped down Opera Scenes takes place this Tuesday night at UW-Madison

November 25, 2019
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By Jacob Stockinger

It has been a busy week for students and staff in the opera program at the University of Wisconsin-Madison Mead Witter School of Music.

Last week saw three sold-out and critically acclaimed performances of Benjamin Britten’s opera “A Midsummer Night’s Dream.” Here is a review: https://welltempered.wordpress.com/2019/11/23/classical-music-university-opera-succeeded-brilliantly-by-staging-brittens-a-midsummer-nights-dream-as-a-pop-project-of-andy-warhol-and-the-factory-in-the-1960s/

This week – on Tuesday night, Nov. 26, at 7:30 p.m. in Music Hall (below) at the foot of Bascom Hill – the UW-Madison Opera Workshop will present a concert that presents a series of stripped down, quasi-staged opera scenes. There is piano accompaniment instead of an orchestra, and sometimes a prop with the suggestion of a costume instead of full costumes and full sets. 

Admission is FREE to the public and no tickets are required.

David Ronis (below top, in a photo by Luke Delalio) and Mimmi Fulmer (below bottom) are the directors, and Ben Hopkins is the Teaching Assistant

No specific roles, arias or works are listed.

But the program features scenes from: “Werther” by the French composer Jules Massenet; “Fidelio” by Ludwig van Beethoven; “Little Women” by  American composer Mark Adamo (below top); “Eugene Onegin” by Russian composer Peter Ilyich Tchaikovsky; “A Little Night Music” by American Broadway composer Stephen Sondheim; “Dead Man Walking” by American composer Jake Heggie (below bottom); and “Hansel and Gretel” by German composer Engelbert Humperdinck.


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Classical music: Tuesday night brings concerts of band music as well as organ and violin duets

October 21, 2019
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By Jacob Stockinger

This Tuesday night, Oct. 22, will see concerts of band music and organ-violin duets.

Here are details:

ORGAN AND VIOLIN CONCERT

At 7:30 p.m. in Overture Hall, the Overture Concert Organ Series, sponsored by the Madison Symphony Orchestra and organized by MSO principal organist Greg Zelek, offers a concert of music for organ and violin.

The organist is Michael Hey (below right), a Wisconsin native who won first prize at an organ competition in Shanghai, China, and is the organist at the famed St. Patrick’s Cathedral in New York City.

The violinist is Christiana Liberis (below left) who recently toured with the rock band The Eagles.

Tickets are $20.

The program includes music by Johann Sebastian Bach, Sir Edward Elgar, Maurice Ravel, Charles-Marie Widor, Giovanni Battista Vitali, Naji Hakim and Fritz Kreisler.

In the YouTube video at the bottom, you can hear the duo perform a haunting version of the popular “Gymnopedie No. 1” by Erik Satie

For information, including specific works on the program and detailed biographies about the performers, go to: https://madisonsymphony.org/event/organ-michael-hey-christiana-liberis/

UW-MADISON CONCERT BAND

At 7:30 p.m. in the new Mead Witter Foundation Concert Hall of the  Hamel Music Center, 740 University Avenue, the UW-Madison Concert Band (below) will perform a FREE concert.

The band will perform under director Scott Teeple (below) and guest conductor Ross Wolf.

The program includes:

“Lux Arumque” by Eric Whitacre
“Firefly” by Ryan George
“Colonial Song” by Percy Grainger/ed. Mark Rogers
“Huntington Tower Ballad” by Ottorino Respighi
“George Washington Bridge” by William Schuman

For information, go to: https://www.music.wisc.edu/event/uw-concert-band-and-winds-of-wisconsin/


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Here is a news update on American Kenneth Broberg and the six other finalists in the piano concerto round of the International Tchaikovsky Competition on medici.tv for Tuesday, Wednesday and Thursday

June 24, 2019
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Here is a news update on the final round of the piano contest at the 16th International Tchaikovsky Competition in Moscow:

The Ear still hasn’t seen word about the specific repertoire, besides the required Tchaikovsky concerto, that seven finalists in the 16th International Tchaikovsky Competition will perform this week.

However, they will take place on Tuesday, Wednesday and Thursday at approximately 10 a.m. and 11:45 a.m. with an extra session on Thursday at 2 p.m., CDT.

American pianist Kenneth Broberg (below, in a photo by Jeremy Enlow), who played in Madison last season at the Salon Piano Series held at Farley’s House of Pianos, will perform second-to-last on Thursday, June 27, at 11:45 a.m.

The Ear is guessing that he will perform Sergei Rachmaninoff’s “Rhapsody on a Theme of Paganini,” which is what he played at the 2017 Van Cliburn International Piano Competition where he captured the silver medal.

Stay tuned!

Here is the complete schedule for the final concerto round, which will be live-streamed on TCH16.medici.tv .

Tuesday is Russian Konstantin Emelyanov at 10 a.m. and Russian Dmitry Shishkin at 11:45 a.m. Wednesday is Chinese An Tianxu at 10 a.m. and Russian Alexey Melnikov at 11:45. Thursday is French Alexandre Kantorow at 10 a.m. and American Kenneth Broberg at 11:45 a.m.; and Japanese Mao Fujita at 2 p.m.

Here is a link, or go to PIANO on the home website and click on WATCH: https://tch16.medici.tv/en/piano/

You may experience some delays or temporary disruptions in the live-streaming. Medici.TV says that so far the competition has had more than 10 million views from more than 180 countries, and the online service is struggling to fix outage problems. 


Classical music: American pianist Kenneth Broberg survives into the final concerto round of the 16th International Tchaikovsky Competition in Moscow. Performances start being live-streamed on Tuesday morning

June 23, 2019
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By Jacob Stockinger

It started with 25.

Then there were 14.

And now there are seven.

And American pianist Kenneth Broberg (below), 26, is among the seven pianists who have survived into the concerto finals of the 16th International Tchaikovsky Competition in Moscow. (Competitions, some in Saint Petersburg, are also taking place in violin, cello, voice, woodwinds and brass. You can see the official preview in the YouTube video at the bottom.)

Broberg, the silver medalist at the 2017 Van Cliburn Competition performed a recital in Madison last season as part of the Salon Piano Series at Farley’s House of Pianos.

The other American, 32-year-old Sara Daneshpour (below), was eliminated during the semi-finals that finished yesterday.

Each finalist must perform a Tchaikovsky piano concerto, either the famous No. 1 or the much less familiar Piano Concerto No. 2, plus another concerto of their choice. Usually there is also a lot of Rachmaninoff and often Prokofiev.

So far, The Ear hasn’t seen what concertos Broberg will play or on what day he will perform. When he finds out, he will let you know. If you find out, please leave the information in the comment space.

The concerto concerts will be live-streamed for FREE on Tuesday, Wednesday and Thursday at 10 a.m. because of the eight-hour time difference with Moscow. (Below the logo is the historic Great Hall of the Moscow Conservatory, where the concerto performances, like the solo recitals, are held.)

To follow the concertos, go to: https://tch16.medici.tv/en/

If you hover the cursor over PIANO and then CONTESTANTS you can also find out a lot, and also hear the preliminary and semi-final recitals that Broberg performed. Here is a link to his biography and  background plus his two performances in Moscow:

https://tch16.medici.tv/en/competitors/kenneth-broberg-/

There are suggestions that there was some disagreement among the international panel of judges. The original 25 contestants were supposed to be reduced to 12, but ended up being 14. Then there were supposed to be six finalists, but they named seven.

The other finalists are: Konstantin Emelyanov, 25, of Russia; Mao Fujita, 20, of Japan; Alexandre Kantorow, 22, of France; Alexey Melnikov, 29, of Russia; Dmitry Shishkin, 27, of Russia; and An Tianxu, 20, of China.

All were impressive during the first two solo rounds and received enthusiastic applause, but Mao Fujita received the only standing ovations over 39 solo recitals. The archived performances of all of them are also worth checking out.


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