The Well-Tempered Ear
The New York Times music critics pick 10 online concerts and operas to watch through the month of November
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By Jacob Stockinger
Classical music critics for The New York Times have again listed their picks of virtual and online concerts that will be streamed during the month of November, starting this Sunday, Nov. 1, and running right through Nov. 30. In September, they did the same for the month of October.
The list of 10 highlights includes chamber music, orchestral music and operas as well as lots of new music, world premieres of commissions and even the Cliburn International Piano Competition, now known simply as The Cliburn.
Most of the events are posted and available for quite a while.
Note that all times are Eastern and that on this Sunday, Nov. 1, daylight saving ends.
As the critics point out, the list may be especially helpful and enjoyable now that the weather is turning colder, people are isolating at home during the nationwide spikes in coronavirus cases, and concert halls remain closed to the public.
Well-known institutions such as The Metropolitan Opera (below) and the Los Angeles Opera are featured. (You can sample an earlier Met production of Philip Glass’ “Satyagraha” – about the early life of Gandhi — in the YouTube video at the bottom.)
So are symphony orchestras from Detroit, Seattle, San Francisco and Cincinnati.
And pianist Igor Levit (below top), who this past year released the highly praised, award-winning complete cycle of 32 piano sonatas by Beethoven and who was named Artist of the Year by Gramophone magazine, is also featured, as is the outstanding Chicago-based violinist Jennifer Koh (below bottom, in a photo by the Los Angeles Times).
Here is a link to the story: https://www.nytimes.com/2020/10/28/arts/music/classical-music-stream.html
What do you think of the choices?
Do you have other concerts or classical music events to add to the list?
The Ear wants to hear.
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Classical music: Today is the Winter Solstice. It’s a good time to listen to Schubert’s “Winterreise” (Winter Journey) — this year in English translation
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Winter starts today – Saturday, Dec. 21, 2019 – when the Winter Solstice arrives tonight at 10:19 p.m.
That means tonight — the longest night of the year — we turn the corner. The days start getting longer and the nights shorter.
It is also the day when The Ear likes to listen to the best winter music ever written: the cycle of 24 songs called “Winterreise” (Winter Journey) by Franz Schubert (1797-1828).
Over the years, The Ear has heard many fine versions. Among his favorite singers are Ian Bostridge, Dietrich Fischer-Dieskau, Matthias Goerner and Thomas Quasthoff.
Next year, you can probably expect to see a new release of the performance this past week by mezzo-soprano Joyce DiDonato and the pianist-conductor Yannick Nézet-Séguin.
But this year, he is listening – even as he writes – to a 2018 version by the critically acclaimed British baritone Roderick Williams (below top) with pianist Christopher Glynn (below bottom) on the Signum Classics record label.
The real and unusual appeal is that all the songs are sung in English — not the original German.
And The Ear finds it very appealing not to have to read translations but instead to sit back and listen directly to the meaning of the stories in the songs — all sung with excellent diction — in the austere, subtle and outstanding translation by theater director and writer Jeremy Sams (below).
It makes The Ear want to hear more Lieder or art songs sung in English translation — both live and recorded — just as he likes the translation, used by the Metropolitan Opera, done by the late American poet J.D. “Sandy” McClatchy of Mozart’s opera “The Magic Flute”
Try it and see what you think.
Here is the first song on YouTube, where the audio proceeds through the remainder of the 70-minute cycle after the end of each song.
Enjoy. And let us know what you think of the English translation:
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