The Well-Tempered Ear

Classical music: The timing and political climate could not be more relevant for seeing the Madison Opera’s production of “Fellow Travelers” this Friday night and Sunday afternoon

February 6, 2020
3 Comments

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By Jacob Stockinger

You might recall from a previous blog posting that this weekend, the Madison Opera will present its production of the 2016 opera “Fellow Travelers.”

(A preview from the Minnesota Opera’s production, which featured the same sets and many of the same singers at the Madison Opera’s production, can be seen in the YouTube video at the bottom.)

Performances are this Friday night, Feb. 7, at 8 p.m. and Sunday afternoon, Feb. 9, at 2:30 p.m. in the Capitol Theater of the Overture Center.

Here is a link to more background and details about American history, the production, the cast and tickets.

https://welltempered.wordpress.com/2020/01/14/classical-music-background-discussions-lectures-and-documentaries-lead-up-to-madison-operas-production-of-the-new-lgbtq-themed-opera-fellow-travelers-on-feb-7-and-9/

Today, all The Ear wants to do is to point out how timely this story about the “Lavender Scare” of purging and punishing gays during the Red Scare, anti-Communist witch hunt of McCarthyism in the late 1940s and 1950s.

The opera’s story is about a young man (below) who supports Republican Sen. Joseph McCarthy of Wisconsin and then finds himself romantically and sexually attracted to another man who works in the State Department, one of McCarthy’s favorite targets.

He then has to deal with hypocrisy, with the contradictions between his personal life and his political beliefs as he goes from being victimizer to victim.

The political climate for such a work exploring fear and prejudice couldn’t be more relevant .

A lot of the credit for that can go directly to President Donald Trump (below), the master of “Fake News.”

Trump is a right-wing fear-monger and name-smearer, constantly raging against “radical left-wing Democrats.” He has even called Sen. Bernie Sanders — a Democratic candidate for president — a “Communist,” even though Sanders describes himself as a democratic Socialist along the lines of Western European socialists.

It is also no secret that in addition to such unfair and insulting name-calling, Trump and his homophobic supporters – including Vice President Mike Pence and Christian Fundamentalists – are looking to roll back the civil rights and human rights of people who are lesbian, gay, bisexual, transgender and queer.

And they want to do so even at a time when an openly gay man who is married, Pete Buttigieg, is running for president and seems to have just won the Iowa caucuses.

Moreover, there is a direct link between McCarthyism and the homophobia of the Liar-in-Chief.

Remember that McCarthy’ lawyer was a closeted and self-hating gay man named Roy Cohn (below right, with McCarthy). There is some evidence that McCarthy himself was secretly homosexual too.

After the humiliating end of the Army-McCarthy hearings and the premature death of McCarthy, Cohn went into private practice in New York City.

And that is where Cohn became the lawyer – and a role model of thuggish public behavior — for a young real estate developer named Donald Trump (below left, with Roy Cohn).

Such partisan times as the present seem to call for and inspire didactic art – better called “message art.” The Ear hasn’t seen the opera yet, so he can’t say how well it fits the bill.

But at first glance, the opera sure seems to fit the times we live in and the personalities of many of those who determine such a disturbing political and social climate. As The Nation magazine put it, “Trumpism is the New McCarthyism.”

In short, the opera’s plot seems both pertinent and realistic, one that could take place in today’s Washington, D.C.

The Ear is anxious to find out more and to make up his own mind, including about the music to be sung by the cast and played by the Madison Symphony Orchestra under conductor John DeMain.

He also hopes many of you will see the opera, and then leave your reactions and comments here, be they positive or negative.

The Ear wants to hear.

 


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Classical music: Here is a good news update on the tour to Belgium later this month by the University of Wisconsin’s Pro Arte Quartet.

May 12, 2014
1 Comment

By Jacob Stockinger

If you remember, the last you heard about it  — and the last time I posted something about it — the planned tour to its homeland of Belgium by the Pro Arte Quartet (below, in a photo by Rick Langer), longtime resident artists at the University of Wisconsin-Madison, was in jeopardy.

Pro Arte Quartet new 2 Rick Langer

That came about because of an international ban on materials from endangered species that were used in new and even old musical instruments.

Here is a link to that background post:

https://welltempered.wordpress.com/2014/04/16/classical-music-catch-the-pro-arte-quartets-free-must-hear-concert-of-the-program-for-its-upcoming-back-to-belgium-tour-on-thursday-night-at-730-especially-sinc/

Well, things are looking up.

Here is an update from Sarah Schaffer (below), the tireless and clever contact at the University of Wisconsin-Madison School of Music who also heads the Centennial Committee of the string quartet and has been arranging the tour:

Sarah Schaffer mug

“Hello everyone,

“I just wanted to catch you all up on the latest developments concerning the PAQ trip to Belgium.

“As most of you know, recent efforts by U.S. Fish & Wildlife Service to step up enforcement of long-standing policies related to international trade of endangered species have jeopardized travel for all musicians because so many (especially old) instruments contain material most of interest: ivory, Brazilian rose wood, and sea turtle.

ivory on 2 bows

“An “instrument passport” allows border crossing with instruments containing these materials but, since learning of the new enforcement in late March, PAQ members simply did not have time to obtain these permits before travel on May 20.

“We’ve spent the past month on a multi-pronged strategy in hopes of finding some solution that would allow PAQ members to travel with their own instruments: an accelerated permitting process, a waiver, a “diplomatic suitcase,” intervention from the Belgian government, even (briefly) the untenable possibility of alternate instruments and bows.

“We seemed to be beating our heads against unyielding walls, until last Thursday when a solution appears to have presented itself.

“The path led from friends advocating our case to the Chancellor’s’ office, the engagement of her Office of Federal Relations who reached the office of U.S. Senator Tammy Baldwin (below), who in turn took our case to the U.S. Fish and Wildlife Service, the agency overseeing the new enforcement and also the issuer of the permit.

Tammy Baldwin official portrait

“Thanks to the efforts of all of these individuals and agencies, US F&W assured us last Thursday that if all application materials were received by this past Monday, the instrument “passports” will be issued in time for PAQ to travel.

“We are now in that optimistic uneasy phase of waiting for the arrival of the documents, but with the news have now actually booked travel and are in the process of finalizing details for the Belgian tour.

” With luck, everything will go off without a hitch. The necessary permits will probably go out on Wednesday or Thursdayfor receipt here Thursday or Friday.

“Meanwhile, we’ve purchased plane flights, booked the hotel, and are in general behaving as if we’re
travelling next week. Of course, it still all depends on those permits arriving.

“But we are now assuming the remarkable set of concerts and centennial events — including a day in the village of founding violinist Alphonse Onnou where, among many events,  a street will be named after him, a Pro Arte Quartet exhibit will take place — arranged largely by our friend in Belgium, Anne van Malderen, will indeed take place from May 20 to May 28.”

For more about the Pro Arte Quartet’s centennial, listen to this special CBS-TV/WISC-TV Channel 3 news show on YouTube:

 

 

 

 

 

 

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