The Well-Tempered Ear
Classical music: UW-Madison piano students will perform a FREE concert of all 24 preludes by Debussy on Saturday night. On Sunday night, the Willy Street Chamber Players perform their summer preview concert
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By Jacob Stockinger
This is a busy weekend, especially if you are a fan of the Madison Symphony Orchestra. But two more events deserve notice:
SATURDAY
This year is the centennial of the death of the pioneering French composer Claude Debussy (below). The event will be celebrated at the University of Wisconsin-Madison Mead Witter School of Music all day this Saturday.
That’s when the annual “Keyboard Day” will take place, with a focus on French music and general matters of technique and interpretation. It is called “Debussy and the French Style” and covers everything from the French baroque keyboard masters to modern music, including how to use songs and poetry as keys to a composer’s mind.
All events are FREE and OPEN to the public.
But the really appealing part for many promises to be a concert at 7 p.m. in Mills Hall. That’s when UW students, both undergraduate and graduate, perform the complete 24 preludes by Debussy, which are landmark works of the piano repertoire. (You can hear Lang Lang play the famous and popular “Girl with the Flaxen Hair” in the YouTube video at the bottom.)
It should be very memorable. The Ear remembers enjoying a similar event when students played all the mazurkas by Chopin and all the sonatas by Mozart.
Here is a link to the outstanding schedule of the events, workshops and master classes by faculty members, invited high school students and guest pianist Marina Lomazov (below), that start in the morning at 9 a.m. in Mills Hall:
https://www.music.wisc.edu/event/keyboard-day-with-marina-lomazov-and-mead-witter-faculty/
SUNDAY
On Sunday night, the critically acclaimed Willy Street Chamber Players (below) will give their usual preview concert – a sampler of sorts — of their upcoming summer season.
The concert will be from 7 to 8:30 p.m. in A Place to Be (below), a cozy and intimately exotic venue, at 911 Williamson Street on Madison’s near east side.
The program is To Be Announced, but the Willys have a great knack for combining older classics with new music.
Tickets are $20.
For information about the group and the concert, and to obtain tickets, go to:
http://www.willystreetchamberplayers.org/calendar.html
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Classical music: It’s a good time to take in FREE graduate student recitals at the UW-Madison, including one by hornist Dafyyd Bevil this Friday night
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By Jacob Stockinger
The end of the semester is drawing near, and that is always a good time to attend the many excellent and FREE pubic recitals that are given by undergraduate and especially graduate students at the UW-Madison’s Mead Witter School of Music.
In the coming weeks before the semester ends on Dec. 13, The Ear sees that solo and ensemble performances will be given by pianists, singers, flutists, violinists, violists, cellists, percussionists, tubists and trombonists.
Some of the musicians list a full program, while others, unfortunately, just list composers. And because the hall is used so much, performance times (6:30 p.m. and 8:30 p.m.) can be inconveniently early or late. Still, there is a lot of great music to be heard.
Here is a link to the website calendar of events that include faculty, guest artists and student performances:
http://www.music.wisc.edu/events/
And here is a good example to start with this week.
Local hornist and UW-Madison doctoral candidate Dafydd Bevil (below) will present a FREE public recital of chamber music this Friday night, Nov. 10, at 8:30 p.m.
The event, like most other degree recitals, will take place in Morphy Recital Hall (below), located in the UW Humanities Building.
The program contains a wide variety of music featuring several different instrumental groupings and includes two film works (marked with asterisks) that Bevil will be recording this spring:
Program includes S.O.S*.: Trio for Horn, Trumpet, and Trombone by Ennio Morricone; Timeline* (1945- ): Trio for Horn, Viola, and Piano by Bruce Broughton; Horn Quintet, K. 407, for horn and strings by Wolfgang Amadeus Mozart; and Music for Brass Instruments, a brass sextet by Ingolf Dahl.
For more information about Bevil, go to his website at http://dafyddbevilmusic.wix.com/dafyddbevil
You can hear him perform Franz Strauss’ “Nocturne” for horn and piano in the YouTube video below:
Tags: artist, Arts, Bach, Baroque, Beethoven, brass, Bruce Broughton, calendar, Cello, Chamber music, Classical music, composer, concerto, doctorate, Early music, Ennio Morricone, ensemble, event, faculty, film, flute, Franz Schubert, Franz Strauss, Friday, graduate, guest, Horn, Ingolf Dahl, Jacob Stockinger, Johann Sebastian Bach, line, Ludwig van Beethoven, Madison, Mead Witter School of Music, movie, Mozart, Music, night, nocture, percussion, Pianist, Piano, program, quintet, S.O.S., semester, sextet, singer, solo, Sonata, SOS, strings, Student, symphony, time, Timeline, trio, Trombone, Tuba, undergraduate, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, vocal music, Website, Wisconsin, Wolfgang Amadeus Mozart, work, YouTube
Classical music: UW oboist Aaron Hill performs world premieres and little known composers in a FREE recital Sunday afternoon
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By Jacob Stockinger
This is Homecoming weekend at the University of Wisconsin-Madison, and it is busy on many counts, including several classical music concerts in the city on Sunday afternoon.
But one of the more intriguing is a FREE recital at 3 p.m. in Mills Hall by UW-Madison Professor Aaron Hill (below), who teaches oboe and also performs in the Wingra Woodwind Quintet.
Hill will be joined by collaborative pianist Daniel Fung (below), who is also a vocal coach at the Mead Witter School of Music at the UW-Madison.
Particularly noteworthy is the number of world premieres and relatively unknown contemporary composers on the program.
Here is the program:
“Poem,” for oboe and piano (1953) by Marina Dranishnikova (1929-1994, below). (You can hear it in the YouTube video at the bottom.)
Oboe Sonata (1947) by Jean Coulthard (1908-2000)
- Gently Flowing
- Sicilienne
- Allegro
Intermission
* Soliloquies (2013) by Andre Myers (b. 1973)
- To be or not to be
- There’s Rosemary, that’s for remembrance
- In the Month of May
- Spring Discourse
* world premiere performance
* After Manchester (2017) Aaron Hill and Michael Slon (b. 1982 and 1970, respectively) * world premiere performance
Four Personalities (2007) Alyssa Morris (b. 1984)
- Yellow
- White
- Blue
- Red
Here are some program notes by Aaron Hill:
“This program highlights five different ways to program previously unfamiliar music, as explained below.
“Poem” by Marina Dranishnikova came to me through our local community. Oliver Cardona, currently a junior music major at UW-Madison, initially brought it to my attention. The work was discovered and edited by my predecessor, Professor Marc Fink (below), during his travels in Russia.
I first heard the Oboe Sonata by Jean Coulthard (below) at the 2017 International Double Reed Society conference at Lawrence University in Appleton, Wis.
Charles Hamann, the principal oboist of the National Arts Centre Orchestra in Ottawa, edited and recorded it as part of a large project to bring international attention to masterpieces by Canadian composers.
Andre Myers (below) attended the University of Michigan with me and we first became acquainted when I performed one of his orchestral works. His beautiful writing for English horn started our friendship and 15 years later, he wrote his Soliloquies for me.
The first two are based on famous scenes from Shakespeare’s “Hamlet.” The third is based on a poem by Minnesota’s first poet laureate, Robert Bly, which will be read aloud from the stage. The final movement is inspired by a dream vision he had of centaurs playing in a meadow.
“After Manchester” was originally a free improvisation I recorded and posted to social media in the wake of the terror attack at Ariana Grande’s concert on June 4, 2017.
Later in the summer, Professor Michael Slon (below), the Director of Choral Activities at the University of Virginia, transcribed my improvisation and wrote a piano part to transform it into a piece of chamber music. The work was completed just days before the violent events in Charlottesville.
Professor Alyssa Morris (below) currently teaches oboe at Kansas State University and her compositions have become widely performed as standard literature for oboists in recent years.
She wrote “Four Personalities” to perform in her own undergraduate recital at Brigham Young University and I first heard it while searching for oboe music on YouTube. The piece is based on the Hartmann Personality Test.
In her words, the colors correspond to the following types:
Yellow: Yellow is fun-loving. The joy that comes from doing something just for the sake of doing it is what motivates and drives yellow.
White: White is a peacekeeper. White is kind, adaptable, and a good listener. Though motivated by peace, white struggles with indecisiveness.
Blue: Blue brings great gifts of service, loyalty, sincerity, and thoughtfulness. Intimacy, creating relationships, and having purpose is what motivates and drives blue.
Red: Motivated by power. Red is aggressive and assertive. Red is visionary, confident, and proactive.
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Classical music: Get the new UW-Madison brochure for the School of Music concerts, faculty and students. It’s a MUST-HAVE and a MUST-READ, and it is FREE to anyone
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By Jacob Stockinger
Although the UW-Madison officially opened yesterday, today is the first day of instruction. And this weekend will see the beginning of the new concert season at the Mead Witter School of Music.
On Sunday afternoon at 1:30 p.m. in Morphy Hall, faculty soprano Mimmi Fulmer and alumnus pianist Thomas Kasdorf will kick off the season with a FREE concert of music and songs celebrating the 100th anniversary of the independence of Finland.
But that’s just the beginning to an event-filled school year that includes mostly free solo recitals, chamber music, orchestral music, opera, choral music and more.
And this year, there is a new guide to the concert season and the School of Music itself.
The short and usual glossy brochure of listings has given way to a booklet guide. It is 8-1/2 by 11 inches big and has 24 well-filled pages. It is printed on regular paper and has much more information about the events and the people who make them happen. It takes you behind the scenes as well as in the hall and on the stage.
It is less showy, to be sure, but so much more readable and informative. And it feels great in your hands.
On the right hand margin, you’ll find concerts with performers and programs. To the left and in the center, you will find news, biographies and other information about musicians, donors and an update about the new concert hall building.
The new guide, which you can get for FREE, is the brainchild of Kathy Esposito (below), the music school‘s publicist and concert manager.
Here is what Esposito has to say:
“Our School of Music website, which debuted in 2014, required resources that previously had been devoted to multiple print publications.
“So we dropped back to only one, a printed events calendar.
“I’m happy to say that for the 2017-18 academic year, we finally found time to enlarge the printed concert calendar into a true newsletter as well.
“We certainly have enough news to share. Much of what’s in there had not been, or still is not, placed on the website at http://www.music.wisc.edu.
“My personal favorites are the stories from students, both undergrad and grad. As a mom of two young musicians, I can, to some degree, understand both the challenges and the thrills of their careers. Learning about their lives is the best part of my job. Occasionally I can help them, too.
“A couple of other things to give credit where credit is due.
“My assistant, Brianna Ware, who is a graduate student in piano, caught and corrected many errors.
“The brochure was designed by Bob Marshall of Marshall Design in Middleton. He did a masterful job. Bravo!
“Printing was coordinated by the fabulous Sue Lind at DoIT (Division of Information Technology) Printing and Publishing, who helped me to choose a new paper stock, a lightweight matte.
“Lastly, upon request from our older readers, we increased the font size slightly.
“We mailed the brochure to all alumni, national and international. That also was new. And our feedback has been quite positive.
“I’m happy to send readers a FREE copy of this fall’s brochure – with the somewhat humdrum title “Concerts, News and Events” – to those who email their postal addresses to me. I’ll place you on the list for next year, too. Send your name and postal address to kesposito@wisc.edu
About twice a month, we also publish an e-newsletter in the form of a blog, which I also paste into an email for those on a Wisclist, who don’t get the blog. It is the same information, but I think the blog is prettier.
That’s available via this link: https://uwmadisonschoolofmusic.wordpress.com/
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Classical music education: Here is the latest update on the search for a new director of University Opera.
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By Jacob Stockinger
Recently, a reader asked The Ear about the status of the nationwide search for a new artistic director of University Opera after two years of having David Ronis (below, in a photo by Luke Delalio) as a popular guest director from New York City after the retirement of William Farlow.
That’s when word came from Martha Fischer (below), professor of collaborative piano at the University of Wisconsin-Madison School of Music. Fischer is the head of the search committee to find a new director of the opera program.
Here is what Professor Fischer sent: her official update with the PVL (Professional Vacancy Listing) attached:
Writes Fischer as a prefatory comment: “We are incredibly fortunate, thanks to the Karen K. Bishop fund, to be able to search for a full-time tenure track Assistant Professor of Opera. At a time when the University as a whole is feeling extreme budget pressures, it is indeed something to celebrate.
“We are currently accepting applications from a broad and diverse pool of applicants with a deadline of Dec. 1, 2015.
“We are following the University of Wisconsin‘s strict guidelines about how searches are conducted to ensure a fair and equitable process.
“We are hopeful that we will be able to announce a new opera director sometime in the spring.”
The Ear notes that under Wisconsin’s open record laws, there will be no word about the dozens of individual applicants until the finalist stage of the search. That is designed to help protect the current jobs of applicants who do not make it into the pool of four or five finalists who are invited to visit the campus. (Below is a photo by Michael R. Anderson from the most recent production, “The Marriage of Figaro” by Wolfgang Amadeus Mozart.)
Marriage of Figaro dress rehearsal. Tia Cleveland (Marcellina), Joel Rathmann (Figaro), Anna Whiteway (Susanna), Thomas Weis (Bartolo).
Here is the official notice for the UW-Madison School of Music Position Vacancy Listing for the Karen K. Bishop Director of Opera:
“The School of Music at the University of Wisconsin-Madison invites applications for an Artistic Director of University Opera and teacher of operatic performance, interpretation, and literature.
“This is a full-time, tenure-track appointment at the Assistant Professor level beginning August 2016. Successful candidates will demonstrate evidence of an established or emerging national/international career, along with an ability to enhance the School’s educational mission and overall commitment to teaching.
“Candidates will be expected to pursue creative activities or research interests appropriate to a tenure-track position.
“Candidates will also be expected to help recruit and teach a diverse student body of undergraduate and graduate students, to advise and mentor students, to serve on graduate degree committees, and to carry out leadership and service within the School, College, and University.
Duties:
- Serve as Artistic Director of University Opera
- – Organize, administer and coordinate all facets of the program, recruiting and fundraising as necessary
- – Direct and supervise all facets of two major productions each year
- Coordinate and co-teach the University Opera Workshop Course
– Prepare scenes and productions, including stage movement and character development;
- Promote and participate in local and state outreach programs
- Nurture relationships and serve as liaison with community and regional arts organizations
- Teach related courses as needed and according to the candidate’s expertise
- Supervise doctoral minors in opera/voice coaching and in opera production
- Minimum Qualifications:
- Master’s degree with significant professional experience
- Proven excellence as an opera director in the professional and/or academic setting
- Comprehensive knowledge of operatic literature, styles and traditions
- Ability to pursue research and/or creative activity and service to the profession at the national/international level
- Ability to teach effectively in the classroom and in rehearsal, at both the undergraduate and graduate levels
- Ability to guide research and advise on the preparation of graduate documents and exams
- Ability to work effectively and collaborate within the School of Music and with outside groups and community arts organizations
- Ability to serve as advisor for doctoral minors
- Commitment to recruitment for the School of Music
- Ability to collaborate with the voice faculty, School of Music, and university in developing and planning for the opera program
Preferred Qualifications:
- PhD/DMA/MFA completed
- Ability to conduct/lead musical rehearsals
- Ability to coach singers from the piano
- Fluency in standard operatic languages (French, German, Italian, English)
- Experience as an operatic performer
- Salary: $65,000 (minimum)
(Below is a photo of the University Opera’s 2011 production of Giacomo Puccini‘s “La Bohème.”)
Tags: Affirmative action, Artistic director, Arts, Association of American Universities, choral music, Classical music, coaching, college, David Ronis, English, French, German, Graduate School, graduate students, Italian, Jacob Stockinger, La bohème, Madison, Mozart, Music, Music education, New York City, opera, outreach, Piano, professor, Puccini, research, salary, singers, state, teach, tenure, Tenure (academic), The Marriage of Figaro, undergraduate, United States, university, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Opera, UW Opera, vocal music, Wisconsin, Wolfgang Amadeus Mozart
Classical music: Is there better graduation music than the old stand-by, “Pomp and Circumstance” No. 1 by Sir Edward Elgar? The Ear doubts it.
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By Jacob Stockinger
This is graduation weekend at the University of Wisconsin-Madison. This year, the biggest ceremonies will be held outdoors in Camp Randall Stadium, as in the photo below.
It started last night, Friday night, with doctoral students, MFA‘s and professional degree students including doctors, lawyers, business people and veterinarians who had their ceremony indoors at the Kohl Center.
Today, Saturday, May 17, 2014, is devoted to the largest number of graduates -– the undergraduates as well as master’s students.
The Ear wants to honor all UW students who are graduating, but especially the students — both undergraduate and graduate — at the University of Wisconsin-Madison School of Music who have brought him so many hours of pleasure and memorable listening.
But what to choose to play?
Believe me, I have thought long and hard about it.
And for the life of me, I still do not think there exists anything better than the old stand-by: The “Pomp and Circumstance’ March No. 1, originally written by Sir Edward Elgar (below) for the coronation of a King of England. (You can hear it in a YouTube video at the bottom.)
Of course, there are other fine marches by Elgar in the same set.
But none surpasses the really famous one, the omnipresent one at this time of year, THE Pomp and Circumstance March that captures the vitality and rush, yet also the dignity and hope of the event — and yes, all the bittersweet sadness of leaving behind close friends and mentors.
If you know of a better musical offering for graduation or commence, please leave a reply or comment with a YouTube link is possible and certainly the composer’s name and work’s title.
In the meantime, here it is again. You have no doubt heard it before probably many times. But no matter that it is a cliché or that is banal. It never fails to give me both goosebumps and tears, and it always makes me wish that I too were among those students processing through commencement.
Are you ready?
Graduates: Please line up, adjust your robe and mortar board, and smile.
Maestro, a downbeat please!
Best wishes and congratulations to all.
Tags: Arts, bachelor's, Camp Randall Stadium, Classical music, Colleges and Universities, commencement, coronation, doctor, Doctor of Medicine, Doctor of Veterinary Medicine, DVM, Education, Edward Elgar, Elgar, graduate, Graduate School, graduation, Jacob Stockinger, JD, King, King of England, knighthood, Kohl Center, law degree, lawyer, master's doctorate, MBA, MD, MFA, musical offering, Orchestra, Pomp and Circumstance Marches, professions, royal, Royal Albert Hall, Student, undergraduate, Undergraduate education, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, veterinarian, Wisconsin-Madison, YouTube
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