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By Jacob Stockinger
The Ear has received the following announcement with the lineup for next season’s concerts at the Wisconsin Union Theater (below top, with a photo of Shannon Hall below bottom), which he calls “The Carnegie Hall of Madison.”
The upcoming season of the Wisconsin Union Theater features eight performances, including a rescheduled performance on Oct. 24 by world-renowned vocalist Renée Fleming (below), who was previously scheduled to perform May 2, 2020, as part of the 100th Concert Series but had to cancel because of the COVID-19 pandemic. Fleming recorded a special message for Wisconsin Union Theater patrons: https://youtu.be/V1B4L2KFUls.
During the 101st Concert Series, patrons will have the opportunity to attend performances by the following artists. Click on the links and names to find out more:
All programs are subject to change. The WUT team will announce when subscriptions and single-event tickets, along with prices, will become available for purchase at a later date.
The Wisconsin Union Theater’s Concert Series is one of the oldest uninterrupted series of its kind in the United States and has brought such talented artists as pianists Arthur Rubinstein and Vladimir Horowitz, violinists Fritz Kreisler and Itzhak Perlman, and pianists Vladimir Ashkenazy and Claudio Arrau to Madison.
The Wisconsin Union Theater holds numerous arts events throughout the year and has provided cultural experiences for community members and visitors for more than 75 years.
The student-led Wisconsin Union Directorate (WUD) Performing Arts Committee plans many of the Wisconsin Union Theater’s events, including the Concert Series.
More information — including ticket prices and programs — about the Concert Series and other 2020-21 Wisconsin Union Theater events will be made available soon at uniontheater.wisc.edu and on the Wisconsin Union Theater Facebook page.
Tickets purchased for Fleming’s May 2, 2020, performance are valid for the Oct. 24, 2020, performance.
Violinist Gil Shaham (below), who was to perform March 28, 2020, as part of the 100th Concert Series season will instead perform as part of the 2021-22 Wisconsin Union Theater season. Ticket holders for Shaham’s previously scheduled performance date are receiving refunds.
The upcoming year of programming will undoubtedly bring new challenges, and the Wisconsin Union team will continue to make decisions with the health and safety of team members and patrons in mind while providing experiences for a lifetime.
While Memorial Union and Union South remain closed to the public until further notice, the Wisconsin Union continues to provide support services, such as Meals To-Go, and online events and activities.
ALERT: The Pro Arte Quartet, artists-in-residence at the UW-Madison School of Music, will give a FREE concert this Saturday night at 8 p.m. in Mills Hall. The program features: the String Quartet No. 1 in B-flat Major, Op. 18, No. 1 (1799-1800) by Ludwig van Beethoven; the Langsamer Satz (Slow Movement) for String Quartet (1905) by Anton Webern; and the String Quartet in E-flat Major, K. 428 (1783) by Wolfgang Amadeus Mozart.
By Jacob Stockinger
The Ear has received the following word from Clocks in Motion:
Clocks in Motion (below), Madison’s premier new music ensemble, welcomes the renowned bass clarinet and marimba duo Transient Canvas to Madison for a collaborative performance of new sounds, new instruments, and new music.
Featuring a world premiere by Italian-American modernist composer Filippo Santoro, as well as rarely heard works by Daniel T. Lewis, Matthew Welch, and Franco Donatoni, this concert offers a singular chance to experience the cutting edge of new music.
The performance is this Wednesday night, Nov. 4, at 7 p.m. in the DeLuca Forum (below bottom) of the Wisconsin Institutes for Discovery (below top), across from the Union South at 330 North Orchard Street.
It will feature Transient Canvas (below), which consists of the “dazzling” (Boston Globe) clarinetist Amy Advocat and the “expert and vivid” (Boston Musical Intelligencer) marimbist Matthew Sharrock performing thrilling repertoire commissioned for their distinctive instrumentation, as well as larger works in partnership with Clocks in Motion.
Tickets are $12 in advance and $15 the day of the show; $5 with a student ID. PURCHASE TICKETS
Praised by the Boston Globe as “superb,” Transient Canvas has been blazing its own trail in the world of contemporary music since 2011. In four years, they have premiered over 40 new works, essentially creating an entirely new repertoire for their unique instrumentation. Fearless in their programming and hungry for new collaborations, TC actively seeks out new composers who will stretch their instrumentation to its limits. (You can hear a sample in the YouTube video at the bottom)
Hailed as “nothing short of remarkable” (ClevelandClassical.com), Clocks in Motion is a group that performs new music, builds its own instruments, and breaks down the boundaries of the traditional concert program. The group Clocks in Motion consistently performs groundbreaking concerts involving performance art, theater, and computer technology.
Featuring world premieres alongside rarely performed classic works, the ensemble strives to create a new canon of percussion repertoire.
Clocks in Motion works passionately to educate young audiences through master classes, residencies, presentations, and school assemblies. The ensemble’s unique skill sets and specialties contain an impressive mix of rock, jazz, contemporary classical, orchestral, marching, and world styles.
ALERT REMINDER: Tonight, Monday, Dec, 9, the UW Master Singers, under conductors Adam Kluck and Brian Gurley, will perform a FREE concert of Franz Joseph Haydn‘s “Lord Nelson” Mass at 7:30 p.m. in Mills Hall. The singers will be accompanied by a pick-up orchestra. Like other late masses of Haydn, it is a great work that deserves to be performed andheard more often.
By Jacob Stockinger
On this Friday, the critically acclaimed New Music group Clocks in Motion (below) will present a “New Discoveries” program with two world premieres.
“Allhallows,” a new work by Madison composer John Jeffrey Gibbens (below, in a photo by Milt Leidman) features two unique instruments built by Clocks in Motion: the quarimba, an unconventionally tuned marimba allowing for a 24-note scale, and the galvitone, a set of meticulously tuned steel pipes.
The second world premiere, Percussion Duo, by Tom Lang (below), is a virtuosic work for one pianist and one percussionist playing marimba and vibraphone simultaneously in a “stacked” arrangement. Lang, a UW-Madison graduate now living in Minneapolis, creates sophisticated and intertwining rhythms and pitches in this piece, resulting in a dynamic interplay between the musicians.
The program will close with Iannis Xenakis’ powerful composition, Persephassaby the famous 20tyh century composer Iannos Xenakis (below). This work features 6 percussionists surrounding the audience with an array of drums, gongs, siren whistles, tam-tams, cymbals, wooden bars, and metal slabs. The resulting three-dimensional antiphonal effect makes for an unmatched live experience.
Hailed as “nothing short of remarkable” (ClevelandClassical.com), Clocks in Motion is a group that performs new music, builds rare instruments, and breaks down the boundaries of the traditional concert program. Formed in 2011, the ensemble is currently in residence at the University of Wisconsin School of Music. You can hear them in the video at the bottom, one of a dozen that the group has posted on YouTube.
The individual members (below) of Clocks in Motion’s unique skill sets and specialties contain an impressive mix of musical styles including, rock, jazz, contemporary classical music, orchestral percussion, marching percussion, and world music styles. Among its many recent engagements, the group served as resident performers and educators at the Interlochen Arts Academy, Rhapsody Arts Center, University of Michigan, Baldwin-Wallace University, and the Madison Museum of Contemporary Art.
You may also recall the unusual rave review the group received on this blog from critic and musician Mikko Utevsky when Clocks in Motion last performed. Here is a link: