The Well-Tempered Ear

Classical music: This Saturday night brings concerts by the Festival Choir of Madison and a harpsichord rededication recital by Trevor Stephenson

November 2, 2018
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By Jacob Stockinger

The Ear has received announcements for the following two events that will place on Saturday night:

FESTIVAL CHOIR OF MADISON

The Festival Choir of Madison (below) will present the first concert of the season — “Angels and Demons” — on this Saturday, Nov. 3, at 7:30 p.m. in the Atrium auditorium of the First Unitarian Society of Madison, 900 University Bay Drive, in Madison.

The choir and artistic director, Edgewood College professor Sergei Pavlov (below), will take listeners on a Dante-inspired journey — from the Inferno in “The Divine Comedy” through Purgatory all the way to Paradise — as interpreted by composers Karl Jenkins, Zdenek Lukas, Gyorgy Orban, Alfred Schnittke, Joseph Rheinberger, Rodion Schedrin, Wolfgang Amadeus Mozart and Marteen Spruijt. (Sorry, but there has been no word on specific works to be performed.)

Guest pianist Kyle Johnson, organist Ted Reinke, percussionist James McKenzie and a string ensemble will accompany the choir throughout the journey.

Concert admission, with general seating, is $10 for students, $15 for senior citizens, and $20 for adults, with tickets available at the door the day of the concert. Tickets can also be purchased online at: https://www.festivalchoirmadison.org/concerts/2018/11/3/angels-and-demons

The Festival Choir of Madison is an auditioned, mixed-voice volunteer choir of over 50 experienced singers. It performs thematic concerts of artistically challenging choral music from around the world for listeners who enjoy traditional, modern and eclectic works, and for singers who enjoy developing their talents with others.

To learn more about the organization and see upcoming concerts, go to: www.festivalchoirmadison.org

HARPSICHORD AT IMMANUEL LUTHERAN CHURCH

On this Saturday night, Nov. 3, at 7 p.m. at Immanuel Lutheran Church, 1021 Spaight Street, there will be a harpsichord rededication celebration and concert.

The appearance and musicality of this renovated double-mansuel. French 18th-century instrument at Immanuel Lutheran have recently been restored and upgraded under the exceptional guidance and expertise of Trevor Stephenson (below bottom), artistic director and founder of the Madison Bach Musicians.

Immanuel is excited to share the instrument (below) with the Madison community by presenting Stephenson in a rededication harpsichord concert. (Composers on the program include Jean-Philippe Rameau, Johann Sebastian Bach, George Frideric Handel and Domenico Scarlatti. No program of specific works has been provided.)

A pre-concert interactive lecture discussing the instrument and rebuilding process will precede the concert starting at 6:30 p.m.

A freewill offering is appreciated at the concert.

A brief reception will follow, and all are welcome.


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Classical music: Third Coast Percussion offers a FREE concert of new music tonight and a FREE master class on Thursday at the University of Wisconsin. Also, settings by American composers of poems by American poet Emily Dickinson songs will be featured at the FREE Friday Noon Musicale at the First Unitarian Society.

October 9, 2013
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ALERT: On this Friday from 12:15 to 1 p.m., the FREE Friday Noon Musicale in the Landmark Auditorium of the historic Frank Lloyd Wright-designed First Unitarian Society, 900 University Bay Drive, soprano Julia Foster and pianist Susan Gaeddert will perform songs by Francesco Santoliquido and Francis Poulenc, plus settings of poems by the great American poet Emily Dickinson (below, in a photograph) by various American composers (Ernst Bacon, Daniel Crozier, John Duke, Henry Mollicone and Andre Previn).

emily dickinson photo

By Jacob Stockinger

Tonight at 7:30 p.m. in Mills Hall, on the University of Wisconsin-Madison campus, the acclaimed group Third Coast Percussion (below, in a photo of Saveria Truglia) will perform a program of modern and contemporary percussion music.

Third Coast Percussion by Saverio Truglia

The program includes: “Fractalia” by Owen Clayton Condon (at bottom in a YouTube video); “Mallet Quartet by Steve Reich; “Third Construction” by John Cage; and “Resounding Earth” (commissioned work) by Augusta Read Thomas (below), former composer-in-residence of the Chicago Symphony Orchestra.

augusta read thomas

Then on Thursday, from 12:15 to 2:15 p.m. in Room 1321 of the George Mosse Humanities Building, the percussion ensemble will give a public master class.

Hailed by The New Yorker magazine as “vibrant” and “superb,” Third Coast Percussion explores and expands the extraordinary sonic possibilities of the percussion repertoire, delivering exciting performances for audiences of all kinds.

Since its formation in 2005, Third Coast Percussion has gained national attention with concerts and recordings that meld the energy of rock music with the precision and nuance of classical chamber works. Third Coast Percussion is the Ensemble-in-Residence at the University of Notre Dame.

For more information about Third Coast Percussion, visit the group’s website:

http://www.thirdcoastpercussion.com

You can also read the preview blog post by Kathy Esposito on the UW School of Music’s terrific new blog “Fanfare:

http://uwmadisonschoolofmusic.wordpress.com/2013/09/19/third_coast/


Classical music Q&A: The FREE Friday Noon Musicales start again this week at the First Unitarian Society of Madison. FUS music director Dan Broner discusses how the programs come together. Plus, the UW Chamber Orchestra performs a FREE concert of Schumann, Haydn and Wagner on Tuesday night.

September 30, 2013
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REMINDER: The UW Chamber Orchestra (below) performs a FREE concert tomorrow, on Tuesday night, Oct. 1, at 7:30 p.m in Mills Hall. The program, under conductor James Smith, features Robert Schumann’s “Overture, Scherzo and Finale,” Franz Joseph Haydn’s Symphony No. 88 and Richard Wagner‘s “Siegfried Idyll.” 

UW Chamber Orchestra low res

By Jacob Stockinger

Madison has so much fine free music to offer listeners, especially at the University of Wisconsin School of Music through the Faculty Concert Series and various student groups.

But one of the most enjoyable events is also one of the most low-profile.

I am speaking about the weekly Friday Noon Musicales (below) that take place in the Landmark Auditorium of the First Unitarian Society’s historic Meeting House, near University Hospital, at 900 University Bay Drive off, just University Avenue on the city’s near west side. 

FUS1jake

It is not surprising that the Friday Musicales exist because the Unitarians in Madison — which has the highest concentration of Unitarians in the U.S. —  always place a major emphasis on music, as did its famous architect Frank Lloyd Wright. (An excerpt from an All-Mozart Sunday is in a YouTube video at the bottom.)

You can bring lunch, drink coffee or tea, or, as I do, eat before and take along a small dessert.

But so often the midday music concert is itself the dessert, the real treat. Imagine the fun of hearing live music for a daytime break. It is like a parenthesis, a time-out or an oasis in the day. Often I have walked into the concert with less enthusiasm and energy than I left with. The music recharges me and provides a spark to get through the rest of the day.

The setting and presentation are informal. But I have found the audiences very appreciative and generally quiet and well-behaved, though sometimes the knitters and readers, especially if they are in the front rows, strike me as rude and disrespectful to the performers.

I have heard singers and solo pianists, string trios and string quartets, all kinds of soloists and ensembles and music.

The Musicale series starts again this week, this Friday Oct. 4. So The Ear asked the First Unitarian Society’s music director Dan Broner to provide some background.

The many-talented Broner (below) not only plans the concerts and performers, he also plays the pianist himself as an accompanist in many of the concerts.

Here is Dan Broner’s email Q&A with The Ear:

Dan Broner BIG mug

How long have the Free Friday Noon musicales been held? Are they expensive to put on and how are they funded?

They have been held since 1987. They are an outreach program to the community and funded by the First Unitarian Society’s operating budget. The costs are that portion of my salary for administering and performing in the series, plus piano tuning and minimal utility expenses.

The musicians donate their services, and the 45-minute concerts (they run 12:15 to 1 p.m.) are free and open to the public.

How successful have they been? What is the typical attendance and how it is trended in recent years? Do certain kinds of concerts (instrument, voice, program, performer) attract a bigger or smaller audience?

The Musicales attract listeners of all ages, but are particularly attractive to seniors, and workers who can attend during their lunch break.

They regularly attract between 50 and 75, numbers, which have been consistent for the past 11 years of my tenure.

Attendance would most likely be higher if it we had more parking. But we share the lot with the Meeting House Nursery School, which limits availability.

Generally instrumental performances attract a larger audience, and more well-known artists will generate a larger crowd as well.

What do you hear from the public as a reaction to the concerts?

Almost every week I will receive favorable comments from attendees who enjoy the Musicales. Some have stated that they are their favorite musical events.

The Musicales are scheduled between October and May and many folks have said that they are eager for the season to begin.

How do you line up artists and programs? Do they come to you or you come to them?

Many artists contact me. They are attracted by the historic Frank Lloyd Wright landmark venue (below): the architecture, acoustics and the fully restored 1889 Steinway Model A grand piano.

Often they are students and teachers from the University of Wisconsin School of Music and other area universities who would like a trial run of recitals they are preparing.

Every summer I send out an email to every artist who has performed in the series and many elect to perform again.

FUS exterior BIG COLOR USE

Are there special programs you would like to point out for the current season?

There are many intriguing musicales this season, but a few do stand out for me personally. I’m eager to hear the young Madison pianist Garrick Olsen (below top), who is playing on Dec. 6. I always enjoy hearing the fine violinist, Kangwon Kim (below middle), and I look forward to collaborating with her on the Johannes Brahms’ Sonata in G for Violin and PIano on Friday, Jan. 10.

The fine Chicago area virtuoso pianist Mark Valenti will be performing at the Musicales for the first time on Jan. 31. Madison native pianist Kathy Ananda-Owens, from the St. Olaf College music faculty, plays on Feb. 7 and the Black Marigold Woodwind Quintet (below bottom), which is always fun, performs on March 14.

Garrick Olsen 2

Kangwon Kim

Black Marigold

Is there anything else you would like or add or say?

Thank you for the opportunity to comment on this unique series. We welcome new listeners and musicians interested in performing.

Please join us for the first Musicale on this Friday, October 4, at 12:15 p.m. Violist Shannon Farley (below), with guitarist Christopher Allen and pianist Greg Punswick, will be performing music of J.S. Bach, Franz Schubert, Robert Schumann and Cesar Franck.

Shannon Farley viola FUS


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