The Well-Tempered Ear

Classical music: Music from Schubert’s last year of life is the focus of this year’s UW-Madison’s Schubertiade this Sunday afternoon when a world-famous Schubert scholar will share her insights

January 25, 2019
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NEWS UPDATE: The UW-Madison is offering FREE ADMISSION to Sunday afternoon’s Schubertiade, discussed below, to furloughed federal workers, who just have to show their federal identification to an usher.

By Jacob Stockinger

The University of Wisconsin-Madison’s sixth annual Schubertiade – a re-creation of the historical and informal celebration of his music that Franz Schubert (1797-1828) used to hold with friends – will take place this Sunday afternoon, Jan. 27, at the UW-Madison’s Mead Witter School of Music.

The focus this year is the music composed in the last year of Schubert’s life, before his death at 31.

A schedule of events and information about tickets are below.

This Schubertiade will feature a world-famous Schubert scholar. Susan Youens, recently retired from the University of Notre Dame, has one of the most impressive musicology resumes in the world, and will share her insights about the late style of Franz Schubert (below) in her pre-concert lecture.

Youens has won four fellowships from the National Endowment for the Humanities, as well as fellowships from the National Humanities Center, the Guggenheim Foundation, and the Institute for Advanced Study at Princeton. She has published eight books, hundreds of articles, essays and chapters, and lectured all over the world.

“Dr. Youens (below) will explore the rich relationship of Schubert’s music to the poems he chose to set and the emergence of new directions in Schubert’s style,” says co-organizer William Lutes. “The influence of Beethoven had loomed large throughout Schubert’s music, and in the year following Beethoven’s death, the 31-year-old composer wrote works of homage to this great master, as he saw his own music becoming more widely recognized, published and performed.”

Highlights of the Schubertiade will be a complete performance of Schubert’s 14 final songs, published after his death as Schwanengesang, or “Swan Songs” — among the composer’s richest and most forward-looking works. (You can hear the famous “Serenade” from “Swan Songs” sung by Angela Gheorghiu in the YouTube video at the bottom,)

Also on the program are the humorous and risqué Refrain-Lieder; the slow movement of the great Piano Trio in E-flat major; the enchanting Rondo in A major for piano four-hands; and the beautiful song Auf den Strom for voice, horn and piano, composed for a concert commemorating the first anniversary of Beethoven’s death, and filled with subtly haunting references to Beethoven’s Symphony No. 3 “Eroica.”

In addition to pianists and singers Martha Fischer and William Lutes (below), guest performers will include voice faculty members Mimmi Fulmer, Julia Rottmayer and Paul Rowe, voice students Sarah Brailey, Wesley Dunnagan, and Benjamin Hopkins, graduate hornist Joanna Schulz, and guest singer Cheryl Bensman-Rowe.

Also participating is the Perlman Trio (Mercedes Cullen, violin; Micah Cheng, cello; and Kangwoo Jin, piano).

The School of Music also thanks donors Ann Boyer and Kato Perlman for their longtime support of the Schubertiades, the Perlman Trio and other musicians and events.

2019 SCHUBERTIADE SCHEDULE

Pre-concert lecture: 2 p.m., Sunday, Jan. 27, Morphy Hall. (Free.)

Concert: 3 p.m., Sunday, Jan. 27, Mills Hall. (Ticketed.)

Post-concert reception, included with ticket purchase: Sunday, Jan. 27, at the nearby University Club, 5:30 p.m.

TICKETS: $17 for adults, $7 for all age students/children; free to music majors, faculty and staff. To avoid long lines, we suggest arriving 30 minutes early or buying tickets ahead of time, either in person or online. Please see the link below.

Purchase options (online, by telephone and in person) here: https://www.music.wisc.edu/about-us/tickets/

To buy tickets directly online, click here.


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Classical music: Third Coast Percussion offers a FREE concert of new music tonight and a FREE master class on Thursday at the University of Wisconsin. Also, settings by American composers of poems by American poet Emily Dickinson songs will be featured at the FREE Friday Noon Musicale at the First Unitarian Society.

October 9, 2013
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ALERT: On this Friday from 12:15 to 1 p.m., the FREE Friday Noon Musicale in the Landmark Auditorium of the historic Frank Lloyd Wright-designed First Unitarian Society, 900 University Bay Drive, soprano Julia Foster and pianist Susan Gaeddert will perform songs by Francesco Santoliquido and Francis Poulenc, plus settings of poems by the great American poet Emily Dickinson (below, in a photograph) by various American composers (Ernst Bacon, Daniel Crozier, John Duke, Henry Mollicone and Andre Previn).

emily dickinson photo

By Jacob Stockinger

Tonight at 7:30 p.m. in Mills Hall, on the University of Wisconsin-Madison campus, the acclaimed group Third Coast Percussion (below, in a photo of Saveria Truglia) will perform a program of modern and contemporary percussion music.

Third Coast Percussion by Saverio Truglia

The program includes: “Fractalia” by Owen Clayton Condon (at bottom in a YouTube video); “Mallet Quartet by Steve Reich; “Third Construction” by John Cage; and “Resounding Earth” (commissioned work) by Augusta Read Thomas (below), former composer-in-residence of the Chicago Symphony Orchestra.

augusta read thomas

Then on Thursday, from 12:15 to 2:15 p.m. in Room 1321 of the George Mosse Humanities Building, the percussion ensemble will give a public master class.

Hailed by The New Yorker magazine as “vibrant” and “superb,” Third Coast Percussion explores and expands the extraordinary sonic possibilities of the percussion repertoire, delivering exciting performances for audiences of all kinds.

Since its formation in 2005, Third Coast Percussion has gained national attention with concerts and recordings that meld the energy of rock music with the precision and nuance of classical chamber works. Third Coast Percussion is the Ensemble-in-Residence at the University of Notre Dame.

For more information about Third Coast Percussion, visit the group’s website:

http://www.thirdcoastpercussion.com

You can also read the preview blog post by Kathy Esposito on the UW School of Music’s terrific new blog “Fanfare:

http://uwmadisonschoolofmusic.wordpress.com/2013/09/19/third_coast/


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