The Well-Tempered Ear

Classical music: This Saturday night brings both the Escher String Quartet to the Wisconsin Union Theater and the UW-Madison Choral Union and UW Symphony Orchestra to the Hamel Music Center

January 22, 2020
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CORRECTION: The Ear received the following correction to the story he posted yesterday about the Wisconsin Chamber Orchestra and apologizes for the error:

 “There was a change to our rollout in Brookfield. We are only repeating the fifth Masterworks concert on Saturday, May 9, at 7:30 p.m. at the Sharon Lynne Wilson Center for the Arts. We are NOT repeating this Friday’s concert in Brookfield.

“We will perform a Family Series concert of “Beethoven Lives Next Door” on Sunday, March 29, at 3 p.m. at the same Brookfield venue.”

By Jacob Stockinger

The upcoming weekend is a busy one for classical music.

The busiest night is Saturday night when two major concerts will take place: a performance by the Escher String Quartet and the postponed concert by the UW Choral Union and UW Symphony Orchestra with soloists.

Here are details:

ESCHER STRING QUARTET and DAVID FINCKEL

The concert by the Escher String Quartet (below) with cellist David Finckel (below bottom. formerly of the critically acclaimed Emerson String Quartet) takes place on this Saturday night, Jan. 25, at 7:30 p.m. in Shannon Hall of the Wisconsin Union Theater.


The performance is part of the special season celebrating the centennial anniversary of the Concert Series.

The program includes the sublime Quintet in C Major, D. 956, with two cellos, by Franz Schubert and the String Quartet in A minor by the great early 20th-century Viennese violinist and composer Fritz Kreisler (below).

Tickets are $30-$50. For more information and to reserve tickets, go to: https://artsticketing.wisc.edu/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=CFC3765F-5F1D-4663-BCA0-985BE3049CF5

For more information about the Escher String Quartet, including a video performance and detailed background, go to: https://union.wisc.edu/events-and-activities/event-calendar/event/escher-string-quartet-with-david-finckel/

UW CHORAL UNION

Also on this Saturday night at 8 p.m., in the Mead Witter Foundation Concert Hall in the new Hamel Music Center at 740 University Avenue, the UW Choral Union  and UW Symphony Orchestra (below top), along with two vocal soloists – soprano Chelsie Propst (below middle) and baritone James Harrington (below bottom) — will perform a concert originally scheduled for Dec. 7 and then postponed.

The program, without intermission, is one 80-minute work: the epic and influential “A Sea Symphony” by the great 20th-century British composer Ralph Vaughan Williams (below).

General admission tickets are $18 for the general public and faculty or staff; and $10 for UW students. To reserve tickets, go to Campus Arts Ticketing at: https://artsticketing.wisc.edu/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=412623A4-4FB9-40D6-BC23-A425360713EA

Beverly Taylor (below), the longtime director of choral activities at the UW who will retire this spring, sent the following note:

“The text by American poet Walt Whitman presents four symphonic scenes of great breadth and imagination, with lush harmonies and constantly varying tempos and dynamics.” (You can hear the Waves section, or third movement, from “A Sea Symphony” in the YouTube video at the bottom.)

 


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Classical music: FREE Just Bach concerts start again this Wednesday at noon. Bach Around the Clock has almost filled performing slots

January 19, 2020
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ALERT: Bach Around the Clock, a daylong celebration of the birthday of Johann Sebastian Bach with performances by professional and amateur musicians, will take place on Saturday, March 28, from 10 a.m. to 10 p.m. at St. Andrew’s Episcopal Church, 1833 Regent Street, in Madison. The festival schedule of performers is almost full, but a few spaces are still available. Please contact BATC soon if you are thinking about performing.

By Jacob Stockinger

The Just Bach series of FREE monthly noontime concerts (below) will start again this week on Wednesday, Jan. 22, at noon at Luther Memorial Church, 1021 University Avenue.

It is free and open to the public, with a goodwill offering collected. Food and beverages for lunch are allowed. 

Singers for the concert are: Sarah Brailey, soprano; Lindsey Meekhof, mezzo-soprano; James Mauk, tenor; and UW-Madison professor Paul Rowe, bass-baritone (below, in a photo by Michael R. Anderson).

The period-instrument players are: Brian Ellingboe, bassoon; Marika Fischer Hoyt, violin 1; Thalia Coombs, violin 2; Micah Behr, viola; Anton TenWolde, cello; and Mark Brampton Smith, organ.

The concert will open with the Toccata and Fugue in F Major, BWV 540, performed by organist Mark Brampton Smith (below).

Just Bach co-founder, UW graduate student and acclaimed soprano Sarah Brailey (below) will lead the chorale sing-along, a beloved audience-participation feature of the programs.

The concert closes with Cantata 155 ‘Mein Gott, wie lang,’ ach lange?’ (My God, how long, ah, how long?). You can hear the title aria in the YouTube video at the bottom.

Says co-founder and baroque violist-violinist Marika Fischer Hoyt (below): “It is a beautiful five-movement work about enduring the darkness of hard times and emerging once more into the light.

“The four vocal soloists shine in the first four movements (including an alto-tenor duet featuring a lovely bassoon obbligato part), and the Cantata concludes with a Chorale in which all take part.

Other Just Bach concerts this spring, all Wednesdays at noon, are: Feb. 19, March 25, April 15 and May 20.

Future programs will be announced at: https://justbach.org


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Classical music: Background discussions, lectures and documentaries lead up to Madison Opera’s production of the LGBTQ-themed, McCarthy-era opera “Fellow Travelers” on Feb. 7 and 9

January 14, 2020
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By Jacob Stockinger

The Madison Opera continues its foray into 21st-century operas with Gregory Spears’ Fellow Travelers on Friday night, Feb. 7, at 8 p.m. and Sunday afternoon, Feb. 9, at 2:30 p.m. in the Capitol Theater at the Overture Center.

(Production photos below are by Dan Norman of the Minnesota Opera production, which is being encored in Madison. You can see and hear a preview of the Minnesota Opera production in the YouTube video at the bottom.)

The acclaimed 2016 opera is set in 1950s Washington, D.C. The “Lavender Scare,” in which suspected homosexuals saw their livelihoods and lives destroyed, has enveloped the U.S. government. (Below are Andres Acosta as Timothy Laughlin and Sidney Outlaw as Tommy McIntyre.) 

Against this backdrop, Timothy Laughlin, a recent college graduate and an ardent supporter of Wisconsin’s anti-Communist Republican Senator Joseph McCarthy, meets Hawkins Fuller, a State Department official.

The two men (below, Acosta on the right) embark on a relationship, tangled in a web of fear and necessary deceit. Their friends and colleagues fill out a story of individuals grappling with their beliefs and emotions.

With a libretto by Greg Pierce that is based on Thomas Mallon’s 2007 novel, Fellow Travelers was praised as “a near-perfect example of fast-flowing musical drama” by The New York Times and tells of the very human consequences of prejudice and fear, with compassion, nuance and incredible beauty.

The opera will be sung in English with projected text.

The performance will last approximately 2 hours 25 minutes, including one intermission.

For more information, go to: www.madisonopera.org/FellowTravelers

Tickets are $26 to $118 with discounts available for students and groups. Go to the Overture Center box office at 201 State Street or call it at (608) 258-4141 or go online to www.MadisonOpera.org/Tickets

“When I saw Fellow Travelers, I knew before it was over that I would be producing it in Madison,” says Madison’s Opera’s General Director Kathryn Smith (below in a photo by James Gill). “I fell in love with the haunting music and the well-drawn characters, and the emotional impact at the end was even more powerful than I had anticipated. I am truly looking forward to sharing this modern masterpiece with our community.”

Peter Rothstein (below) directs this production in his Madison Opera debut. Rothstein, who received his MFA from the UW-Madison, directed Fellow Travelers for Minnesota Opera in 2018.

The Twin City Arts Reader called his production “equal parts sweeping love affair and tragic circumstance. To some, the events will feel comfortably distant for this doomed period romance. For others, they will seem all too real and possible in this day and age. It’s a powerful combination.”

Making his Madison Opera debut as Timothy Laughlin is Andres Acosta (below), who performed this role to acclaim at the Minnesota Opera.

Ben Edquist (below), who debuted at Opera in the Park this past summer, sings Hawkins Fuller.

Adriana Zabala (below, of Florencia en el Amazonas) returns as Mary Johnson, who works with Hawkins and is a friend and voice of conscience for him and Timothy.

Returning to Madison Opera are Sidney Outlaw (below top, of Gounod’s Romeo and Juliet) as Tommy McIntyre, a political insider, and Alan Dunbar (below bottom, in a photo by Roy Hellman, of Mozart’s The Magic Flute) in multiple roles, including Senator Joseph McCarthy and a government interrogator who puts Hawkins through a lie detector test.

Andrew Wilkowske (below) debuts in several roles, including Senator Potter and General Arlie.

Filling out the cast is Madison Opera Studio Artist Emily Secor (below top) as Miss Lightfoot, who works in Hawkins’ office; soprano Cassandra Vasta (below bottom) as Lucy, whomHawkins marries; and Madison Opera Studio Artist Stephen Hobe in five different roles.

John DeMain (below, in a photo by Greg Anderson) conducts, with the Madison Symphony Orchestra in the pit.

Madison Opera’s production of “Fellow Travelers” is sponsored by: Fran Klos; Sally and Mike Miley; David Flanders and Susan Ecroyd; John Lemke and Pamela Oliver; Sharyn and Carl Stumpf; and Dane Arts. Community events are sponsored by The Capital Times.

RELATED EVENTS

In addition to the two performances, Madison Opera offers several events to allow deeper exploration of the opera and its historical background.

They include a free discussion of the “Wisconsin Dimension” of this period in history at the Madison Central Library and a free showing of The Lavender Scare documentary at PBS Wisconsin (formerly Wisconsin Public Television).

OPERA NOVICE: WELCOME TO THE 21st CENTURY

This Friday, Jan. 17, 6-7 p.m. FREE and open to the public at the Madison Opera Center (below), 335 West Mifflin Street

New to opera? Not sure how you feel about modern opera? Come to the Madison Opera Center for a short, fun and informative evening, led by General Director Kathryn Smith.

Learn about some of the new American operas that are shaping the operatic landscape in the 21st century, including Fellow Travelers. Studio Artist Stephen Hobe (below) will sing an aria from Fellow Travelers, and there will be plenty of time for questions. It’s the perfect jump-start for the opera-curious.

FELLOW TRAVELERS: THE WISCONSIN DIMENSION

This Sunday, Jan. 19, 3–4:30 p.m.; FREE and open to the public at the Madison Central Library, 201 West Mifflin Street

 Join us for a discussion of how the Lavender Scare and its fallout was felt in Wisconsin, led by R. Richard Wagner (below top), activist and author of We’ve Been Here All Along: Wisconsin’s Early Gay History (below middle), and Susan Zaeske (below bottom), a UW-Madison campus leader in the arts and humanities who has taught an experiential-learning course on LGBTQ history.

THE LAVENDER SCARE– Documentary Screening

Friday, Jan. 24, 7 p.m.; FREE and open to the public at PBS Wisconsin, 821 University Avenue

PBS Wisconsin (formerly Wisconsin Public Television) presents a screening of The Lavender Scare, the first documentary film to tell the little-known story of an unrelenting campaign by the federal government to identify and fire all employees suspected of being homosexual.

Narrated by Glenn Close, the film was praised as “a gripping, nimbly assembled documentary… vivid, disturbing and rousing” by the Los Angeles Times. The screening will be followed by a discussion.

OPERA UP CLOSE: FELLOW TRAVELERS

Sunday, Feb. 2, 1-3 p.m.; FREE for full-season subscribers; $10 for two-show subscribers; and $20 for non-subscribers; at the Madison Opera Center, 335 West Mifflin Street

Join the Madison Opera for a multimedia behind-the-scenes preview of Fellow Travelers. General Director Kathryn Smith will discuss many aspects of the opera, including the historical events that provide the story’s backdrop, the novel on which it is based, and how this 2016 opera swiftly spread across the country.

Principal artists, stage director Peter Rothstein, and conductor John DeMain will participate in a roundtable discussion about Madison’s production and their own takes on this acclaimed 2016 work.

PRE-OPERA TALKS

Friday, February 7, 2020, 7 p.m. and Sunday, February 9, 2020, 1:30 p.m. FREE to ticket holders at the Wisconsin Studio in the Overture Center

Join General Director Kathryn Smith one hour prior to performances for an entertaining and informative talk about Fellow Travelers.

 


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Classical music: What concerts or performances in 2019 did you most like, and do you most remember and want to praise?

January 12, 2020
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By Jacob Stockinger

The concert season’s winter intermission will soon draw to a close.

So this is a good time to recall favorite concerts and performances of last year.

But let’s be clear.

This is a not a request to name “The Best Concerts of 2019.”

Calling them the most memorable concerts doesn’t necessarily mean they were the best.

Perfection or “the best” sounds so objective, but can really be quite personal and subjective. So much can depend not only on the music and the performers, but also on your own mood and your taste or preferences.

So please share the concerts or performances that you most liked and enjoyed, the one that most still linger in your mind. And, if you can pin it down, tell us why you liked them so much and why they linger for you.

There are so many excellent groups and concerts, so much fine classical music, in the Madison area that there should be lots of candidates.

Here are several performances or complete concerts that The Ear remembers with special fondness.

The MADISON SYMPHONY ORCHESTRA (below, in a photo by Peter Rodgers) held a season-long celebration of the 25th anniversary of John DeMain’s tenure as its music director and conductor. The big event came at the end: Mahler’s massive Symphony No. 8 – the so-called “Symphony of a Thousand” – that brought together the MSO and the MSO Chorus as well as the Madison Youth Choirs and the UW-Madison Choral Union.

It proved an impressive, overwhelming and moving display of coordination and musicianship, a testament to how far DeMain (below, in a photo by Prasad) has brought the orchestra.

(Also memorable on the MSO season were pianist Marc-Andre Hamelin in Ravel’s jazzy Piano Concerto in G Major and UW-Madison pianist Christopher Taylor in the Leonard Bernstein’s “Age of Anxiety” symphony during the MSO tribute to Bernstein, with whom DeMain worked closely.)

The WISCONSIN CHAMBER ORCHESTRA (below, in a photo by Mike Gorski), under its veteran music director Andrew Sewell, continues to test its own limits and surpass them. Particularly impressive was the last concert of the winter season with Shostakovich’s Symphony No. 14 featuring two outstanding soloists: soprano Mary Mackenzie and bass Timothy Jones.

The playing of the difficult score was precise but moving, and the singing blended beautifully. It made one understand why during this season – when the orchestra marks 60 years and maestro Sewell (below, in a photo by Alex Cruz) marks his 20th season — the WCO has deservingly graduated to two performances of each Masterwork concert (one here on Friday nights followed by one in the Milwaukee suburb of Brookfield on Saturday night).

Also memorable was an impressive concert by the mostly amateur but critically acclaimed MIDDLETON COMMUNITY ORCHESTRA. The Ear likes amateur musicians, and for their 10th anniversary concert they really delivered the goods in Dvorak’s famous Symphony No. 9 “From the New World” and, with fabulous guest soloist J.J. Koh (below — principal clarinet of the Madison Symphony Orchestra — in Mozart’s sublime Clarinet Concerto.

But it wasn’t only large-scale works that The Ear remembers.

Three chamber music concerts continue to stand out.

During the summer, the WILLY STREET CHAMBER PLAYERS and guest UW-Madison pianist Christopher Taylor (both below) delivered a performance of Dvorak’s Piano Quintet in A Major that would be hard for any group to match, let alone surpass, for its tightness and energy, its lyricism and drama.

The same goes for the veteran PRO ARTE QUARTET at the UW-Madison, which this fall started its complete cycle of Beethoven’s 16 string quartets in the new Hamel Music Center to celebrate the Beethoven Year in 2020 when we mark the 250th anniversary of the composer’s birth.

The quartet played early, middle and late quartets with complete mastery and subtlety. Treat yourself. Don’t miss the remaining five concerts, which resume in February and take place over the next year at the Hamel center and also at the Chazen Museum of Art, from where they will also be live-streamed.

Finally, The Ear will always remember the wholly unexpected and thoroughly captivating virtuoso accordion playing he heard last summer by Milwaukeean Stas Venglevski (below) at a concert by the BACH DANCING AND DYNAMITE SOCIETY. Venglevski performed music by Johann Sebastian Bach, Igor Stravinsky and Astor Piazzolla in a new and enthralling way.

Unfortunately, for various reasons The Ear missed many other concerts – by the Madison Opera and the University Opera among others – that promised to be memorable performances.

But perhaps you can fill him in as we start 2020 concerts next weekend.

What concerts in 2019 did you like most and do you most remember and praise? Why?

The Ear wants to hear.


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Classical music: The Middleton Community Orchestra and violinist Naha Greenholtz perform this Wednesday night in the new Hamel Music Center at the UW-Madison. At noon, the FREE Just Bach concert celebrates Christmas

December 17, 2019
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ALERT 1: This Wednesday, Dec. 18, at noon in Luther Memorial Church, 1021 University Avenue, Just Bach wraps up its FREE one-hour period-instrument concerts for this semester. The program features “joyous selections” from the Christmas Oratorio, the Magnificat, and the Advent Cantata 36. For more information about the program and the performers, go to: https://justbach.org

ALERT 2: The Madison Symphony Orchestra, which just gave three sold-out performances of its Christmas concert, is holding its annual holiday ticket sale. It started Monday and runs through Dec. 31. You can save up to 50 percent on tickets to the remaining concerts of the season. For more information and to order, go to: https://madisonsymphony.org/holidaysale/

By Jacob Stockinger

Looking for a break from holiday music?

This Wednesday night, Dec. 18, the mostly amateur but critically acclaimed Middleton Community Orchestra (below) will perform in the Mead Witter Foundation Concert Hall of the new Hamel Music Center at the UW-Madison – NOT at its usual venue, the Middleton Performing Arts Center that is attached to Middleton High School.

The appealing program under guest conductor Kyle Knox starts at 7:30 p.m. It features the dramatic Overture to “Die Meistersinger” (The Master Singers) by Richard Wagner (you can hear the Overture in the YouTube video at the bottom); the popular and virtuosic Symphonie Espagnole (Spanish Symphony) by French composer Edouard Lalo, with violin soloist Naha Greenholtz; and the lovely Suite from the opera “Der Rosenkavalier” by Richard Strauss.

There will be a post-concert reception in the lobby.

Admission is $15; free for students. Tickets are available at the door – student tickets are available at the door only — and at the Willy Street Coop West. The hall is at 740 University Avenue with parking in the nearby Lake Street Ramp. The box office opens at 6:30 p.m. and doors to the hall open at 7 p.m.

The Ear asked the co-founders and co-directors of the group – Mindy Taranto and Larry Bevic — why they chose to play in the Hamel Music Center this time. He recieved the following reply:

“We decided to rent the Mead Witter Foundation Concert Hall (below top, in photo by Bryce Richter for University Communications) in the Hamel Music Center (below bottom) for several reasons.

“This is our 10th anniversary season and we wanted to give our musicians a really special experience. Many of us are curious about the new hall and are really excited to be playing there.

“Also, Kyle Knox (below) – a UW-Madison graduate and the music director of the Wisconsin Youth Symphony Orchestras — is a phenomenal conductor and this program is exceptionally difficult and beautiful.

“It is an honor to get to perform at the UW-Madison with Kyle conducting such a beautiful program. He has brought this orchestra along so far, and for that we are incredibly grateful. He is a brilliant musician and our work with him has improved the orchestra so remarkably over the eight years he has been regularly working with us.

“We also thought that so many of our patrons enjoy our concerts when violinist Naha Greenholtz (below, in a photo by Chris Hynes) – the concertmaster of the Madison Symphony Orchestra — is our soloist, and with the MSO connection, holding the concert at Hamel will hopefully boost attendance at the concert.

Naha sounds amazing and if you could see how much our musicians enjoy her annual appearance with MCO, you’d know why we want to play with her every year.

“As we conclude the first half of our 10th season, we are grateful to the musicians in MCO and to the community that supports us.

“We are probably one of the few organizations on the Madison arts scene that puts literally every dollar into music. As the two co-founders, we run the organization on a volunteer basis and we don’t spend any money on advertising.

“All of our resources go to hiring astonishing local musicians, renting performance space, and buying music to provide meaningful musical experiences for our musicians and our patrons.”

For information about how to join the orchestra, how to support it and what its remaining concerts are this season, go online to: http://middletoncommunityorchestra.org or call 608-212-8690.

 


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Classical music: The Wisconsin Chamber Orchestra and guest soloists will give a FREE public concert on Friday, Dec. 27, in the new Hamel Music Center at the UW-Madison to honor arts patrons Sandy and Jun Lee

December 15, 2019
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By Jacob Stockinger

If you are looking for a non-holiday concert to go to during Christmas week, the Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) — which just performed a sold-out “Messiah” and is about to play the score for Madison Ballet’s production of “The Nutcracker” — has a surprise gift for you.

On Friday, Dec. 27, at 8 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Ave., at the UW-Madison, the WCO and three guest soloists will give a FREE “Winter Celebration” concert that is open to the public. (Donations to the WCO are suggested.)

The occasion is to celebrate the 50th wedding anniversary of Sandy and Jun  Lee (below), who are generous patrons of the arts in Madison.

The three guest artists for the concert are:

UW-Madison piano graduate Jason Kutz (below), who performs with the Willy Street Chamber players and other groups, will play the Introduction and Allegro Appassionato, Op. 92, by Robert Schumann.

Local mezzo-soprano opera star Kitt Reuter-Foss (below), who has sung at the Metropolitan Opera, will sing the “Habanera” from Bizet’s “Carmen” and “What a Movie” from Leonard Bernstein’s “Trouble in Tahiti.” (You can hear the famous “Habanera” in the YouTube video at the bottom.)

Renowned Chicago violinist Rachel Barton Pine, who has played several times with the WCO and just two months ago performed with the Madison Symphony Orchestra, will play the Violin Concerto No. 3 in B Minor, Op. 61, by Camille Saint-Saens.

In addition, the WCO, under the baton of music director Andrew Sewell (below, in a photo by Alex Cruz), will perform the “Poet and Peasant” Overture by Franz von Suppe; and the Overture to “Orpheus in the Underworld” by Jacques Offenbach.

Although the concert is free, tickets are required. You can go to this link to register by putting in your name and other required information: https://wisconsinchamberorchestra.org/performances/winter-celebration/

 


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Classical music: A public memorial for critic John W. Barker is this Sunday afternoon. You can also help honor him with a named chair at the UW-Madison’s new Hamel Music Center

December 13, 2019
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By Jacob Stockinger

You might recall that John W. Barker (below, in a photo by Mark Golbach) — a retired UW-Madison professor of medieval history and  a longtime, well respected music critic, lecturer and radio host for WORT —  died at 86 on Oct. 24.

His wife Margaret writes:

Dear Friends,

There will be a gathering to remember John at Capitol Lakes Retirement Center, 333 West Main Street – downtown and two blocks off the Capitol Square — this Sunday afternoon, Dec. 15, at 3:30 p.m. Please join us for memories and music. And please pass the word.

Barker wrote frequently for this blog as well as for Isthmus, The Capital Times and the American Record Review. He had a long, full life with distinguished careers in both history and music.

For a complete obituary, go to: https://madison.com/news/local/obituaries/barker-john-walton/article_04261147-4317-5cf2-9b6a-4098f3ffca06.html

Barker has already been honored by a special performance for him and then by the current season being dedicated to him by Middleton Community Orchestra; and by the Madison Early Music Festival, in which he was very active for many years, naming its annual concert lecture series after him.

Another way to honor Barker is to contribute to a project that is headed by local businesspeople Orange and Dean Schroeder, who founded the annual Handel Aria Competition, of which Barker was a founding board member who also served as a judge. The Schroeders write:

“Members of the Madison musical community have decided to honor John W. Barker by dedicating a seat in his memory in the new Hamel Music Center at the UW-Madison. The cost is $1,500 of which $950 has already been raised. If you would like to join us, please click on this link and specify that you are making the gift in his memory: https://secure.supportuw.org/give/?id=515d53cf-e8ff-4caa-9260-c7885c66b309

John W. Barker sang in choirs and loved choral music, like the last movement, “In Paradise,” of the Requiem by Gabriel Faure that you can hear in the YouTube video at the bottom.

Thank you, John. Rest in peace.


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Classical music: The Madison Symphony Orchestra performs its annual gala Christmas concert this weekend and also offers a FREE community carol sing this Saturday morning

December 12, 2019
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

As Charles Dickens might say, the Madison Symphony Orchestra knows how to keep Christmas well.

Over many years, “A Madison Symphony Christmas” has become a  popular and major annual kickoff to the holiday season in the Madison area by embracing the season with Christmas classics and new music.

Much of the event’s appeal derives from the diversity and range of the performers. This year it again features the full orchestra plus the Madison Symphony Chorus, the Madison Youth Choirs and the Mount Zion Gospel Choir.

In addition, two opera stars who have performed with the Madison Opera — tenor Mackenzie Whitney (below top) and soprano Michelle Johnson (below bottom)– return to the stage for this annual family-friendly tradition. For biographies of the two singers, go to: https://madisonsymphony.org/event/a-madison-symphony-christmas-2019/

MSO principal harpist Johanna Wienholts (below) is a featured soloist in a concerto by George Frideric Handel.

“A Madison Symphony Christmas” takes place in Overture Hall, 201 State Street, on this Friday night, Dec. 13, at 7:30 p.m.; Saturday night, Dec. 14, at 8 p.m.; and Sunday afternoon, Dec. 15, at 2:30 p.m.

Tickets are $19 to $95 with discounts available. See below for details.

NOTE: On this coming Saturday morning, Dec. 14, at 11 a.m., Greg Zelek (below, in a  photo by Peter Rodgers) — the Madison Symphony Orchestra’s Principal Organist and Curator of the Overture Concert Organ — leads a FREE Community Carol Sing in Overture Hall. All ages are welcome, and no tickets or reservations are needed. Learn more at: https://madisonsymphony.org/event/free-community-carol-sing-2019/

Music director and conductor John DeMain (below) offers the following preview of the MSO concert:“This is the biggest celebration of the season in Madison and beyond. It has four different choruses and choirs as well as amazing soloists from the orchestra, the world of opera and Broadway.

“The huge Madison Symphony Orchestra will play your favorite Christmas music, and there is a great carol sing-along featuring the Overture Hall organ playing with the MSO. After this concert, you’ll want to celebrate Christmas all year long.”

The program begins with classical styles in the first half, culminating in Handel’s “Hallelujah” Chorus (heard in the YouTube video at the bottom.) The concert climaxes with a Gospel music finale, and a chance for the audience to sing along.

Works to be performed include John Rutter’s version of “O Come, O Come Emmanuel”; the “Magnificat” by Johann Sebastian Bach; Franz Schubert’s “Wiegenlied” (“Lullaby”); and music by Charles Gounod, J. S. Bach, Felix Mendelssohn, Adolphe Adam, Dan Goeller and Randol Alan Bass.

The older voices of the Madison Youth Choirs (below) are featured in works by composer Stephen Hatfield, including a version of the traditional English “Apple-Tree Wassail.”

The Madison Symphony Chorus (below, in a photo by Greg Anderson) and soloists present of medley of familiar holiday favorites, including “Let It Snow! Let It Snow! Let It Snow!”

Finally, the Mount Zion Gospel Choir (below, in a photo by Bob Rashid) sings arrangements for choir and orchestra by co-director Leotha Stanley, including “The Joy of Christmas,” Stanley’s version of “Silent Night,” and a newly composed song by Stanley, “Christmas Hope.”

CONCERT, TICKET AND EVENT DETAILS

The lobby opens 90 minutes prior to each concert. The MSO recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations — and participate in singing carols with the Madison Symphony Chorus that take place in the Overture Hall lobby (below) 45 minutes before the concerts.

Program notes are available online for viewing in advance of the concerts: http://bit.ly/msodec19programnotes

  • Single Tickets are $19-$95 each and are on sale now at: https://madisonsymphony.org/event/a-madison-symphony-christmas-2019/through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
  • Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
  • Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
  • Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
  • Flex-ticket booklets of 8-10 vouchers for 19-20 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex

Discounted seats are subject to availability, and discounts may not be combined. 

 


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Classical music: The Madison Choral Project performs “Finding Our Path” this Friday night and Saturday afternoon. Plus, the Madison New Music Ensemble performs a FREE concert this Friday night

December 11, 2019
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By Jacob Stockinger

This weekend, the critically acclaimed Madison Choral Project (below) will give two performances – in two different venues this year — of its seventh annual holiday program.

The MCP was founded and is directed and conducted by Albert Pinsonneault (below), who taught at Edgewood College and now works at Northwestern University. The group’s stated goal is to inspire, enhance and improve life through music. (You can hear them singing the Octet from Mendelssohn’s oratorio “Elijah” in the YouTube video at the bottom.)

In keeping with a format that you often find in places of worship — think Scripture and hymns — the MCP once again uses a holiday formula that remains popular and works very effectively by combining the spoken word with choral music.

This year’s theme is “Finding Our Path” and features music and texts on the theme of feeling adrift, seeking guidance and finding our path.

Performances are on this Friday night, Dec. 13, at 7:30 p.m. in the Atrium Auditorium of the First Unitarian Society of Madison, 900 University Bay Drive; and this Saturday afternoon, Dec. 14, at 3 p.m. in the First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium.

Noah Ovshinsky (below), the news editor at Wisconsin Public Radio, will once again serve as the narrator.

Unfortunately, The Ear has seen no word about the works or composers in the musical part of the program, except that two commissions, including a world premiere by MCP composer-in-residence Justin Merritt, will be performed.

PREFERRED SEATING has a limit of 20 per concert. A reserved seat is in an acoustically “prime” spot in the house (center, about a third of the way back from the stage) and costs $40.

GENERAL ADMISSION is $28 purchased in advance and online or $32 at the door.

STUDENT TICKETS are $10 and can be purchased in advance or at the door. Please show valid student ID at will-call to redeem the ticket.

To purchase tickets online, go to: http://themcp.org/tickets

For more information, including a list of other concerts this season as well as recordings and videos, go to: http://themcp.org/concerts-2

MADISON NEW MUSIC ENSEMBLE

This Friday night, Dec. 13, at 7 p.m. the Madison New Music Ensemble (below) will perform a FREE concert at the Capitol Lakes Auditorium, 333 W. Main St., in downtown Madison, two blocks off the Capitol Square.

Parking is available in the ramp across from Capitol Lakes.

The concert features music by Joseph Koykkar (below), a Madison-based composer who teaches at the UW-Madison; Gabriela Lena Frank; Gareth Farr; Astor Piazzolla; and Paul Harvey.

Performers in the Madison New Music Ensemble are: Danielle Breisach, Amy Harr, Xinyi Jiang, Elena Ross, Joseph Ross and Bethany Schultz.

For more information, go to the Madison New Music Ensemble on Facebook: https://www.facebook.com/madisonnewmusicensemble/

Or go to the YouTube link:

https://www.youtube.com/watch?v=oehEnNWbA0Q

 


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Classical music: The Wisconsin Chamber Choir sings a holiday program of Bach, Vivaldi and other composers this coming Saturday night

December 10, 2019
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The Wisconsin Chamber Choir (below top) will perform a holiday program this coming Saturday night, Dec. 14, at 7:30 p.m. at the First Unitarian Society of Madison’s Atrium Auditorium (below bottom, in a photo by Zane Williams), 900 University Bay Drive.

The program features Antonio Vivaldi’s “Gloria” paired with Johann Sebastian Bach’s Advent cantata, Nun komm der Heiden Heiland (Now Come, Savior of the Nations, BWV 61), performed with the professional orchestra Sinfonia Sacra.

(You can hear the familiar and energetic opening of Vivaldi’s “Gloria” — performed by Sir John Eliot Gardiner, the Monteverdi Choir and the English Baroque Soloists — in the YouTube video at the bottom.)

Complementing the Vivaldi and Bach works are additional selections, including a unique collection of O Antiphons — Latin prayers for the season of Advent.

For more information about the musical form, go to: https://en.wikipedia.org/wiki/O_Antiphons

Strikingly modern compositions by John Tavener (below top, in a photo by Steve Forrest), Vytautas Miskinis and Pavel Lukaszewski alternate with French Baroque settings by Marc-Antoine Charpentier (below bottom).

Seasonal carols round out the program in arrangements by three of the WCC’s favorite composers: Peter Blotch; the late American composer from Minneapolis Stephen Paulus (below); and Giles Swayne.

Advance tickets are available for online for $20 ($10 for students) from http://www.wisconsinchamberchoir.org/tickets or Brown Paper Tickets; or in person at Orange Tree Imports and Willy Street Coop, or from a member of the choir.

The ticket price at the door is $25.

Founded in 1998, the Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Bach, Handel, Mozart and Brahms as well as a cappella works from various centuries and world premieres.

WCC artistic director Robert Gehrenbeck (below), who heads the choral program at the UW-Whitewater, has been hailed by critics for his vibrant and emotionally compelling interpretations of a wide variety of choral masterworks.

Since 2002, the WCC has presented cantatas and oratorios with full orchestra, annually or biennially, including last season’s Christmas Oratorio by Johann Sebastian Bach.

The players assembled for these performances, known collectively as Sinfonia Sacra, are members of the best regional orchestras, including the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Madison Bach Musicians, the Wisconsin Baroque Ensemble and Sonata à Quattro.

For more information about the Wisconsin Chamber Choir, including how to join it as well as its future concerts, reviews, biographies, history and recordings, go to: https://www.wisconsinchamberchoir.org

 


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