The Well-Tempered Ear
Classical music: The 7th annual Schubertiade at the UW-Madison is this Sunday afternoon and will explore the influence of Beethoven on Schubert
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By Jacob Stockinger
This coming Sunday afternoon, Jan. 26, is the seventh annual UW Schubertiade – named after the evening gatherings of friends (below) where the composer Franz Schubert performed and premiered his own music.
This year’s theme, given that 2020 is the Beethoven Year, is the immense influence that the older Beethoven (below top) 1770-1827) had on the younger Schubert (below bottom, 1797-1828).
The event will begin with a pre-concert lecture by UW-Madison Professor of Musicology Margaret Butler at 2:15 p.m. in the Rehearsal Hall at the new Hamel Music Center, 740 University Avenue, next to the Chazen Museum of Art.
Then at 3 p.m. in the 330-seat Collins Recital Hall in the same building, the two-hour concert will take place.
The concert will close with the usual custom. The audience and performers will join in singing “An die Musik” (To Music). (In the YouTube video at the bottom, you can hear it sung by legendary German soprano Elisabeth Schwarzkopf and legendary British accompanist Gerald Moore.)
A reception will follow the concert in the main lobby.
For more description of the event plus a complete program and list of performers – who consist of UW-Madison graduates and musicians including soprano Jamie Rose Guarrine (below top) and mezzo-soprano Alisanne Apple (below middle) as well as the Pro Arte Quartet (below bottom, in a photo by Rick Langer) – go to: https://www.music.wisc.edu/event/our-annual-schubertiade/
At the site, you will also find information about buying tickets – general admission is $20 with free student tickets on the day of the concert is space is available – and about parking.
The event was founded by and continues to be directed by wife-and-husband pianists Martha Fischer and Bill Lutes (below) who also sing, accompany and play works for piano, four hands.
Lutes sent the following introductory remarks: “Ever since Martha and I presented the first of our annual Schubertiades back in January 2014, we’ve looked for ways to keep our all-Schubert birthday parties fresh and interesting for our audience.
“From time to time we contemplated introducing another composer – maybe even switching our allegiance from the immortal Franz to another of our favorites: perhaps a “Schumanniade.”
“This time, with six years of all-Schubert behind us, we thought we would do the obvious and finally unite Schubert with the composer who probably meant more to him than almost any other – Beethoven, whose 250th birthday is being celebrated this year.
“Once Beethoven moved permanently to Vienna at age 22, he soon became famous and eventually was regarded as the greatest of the city’s composers.
“Schubert, who was born in Vienna five years after Beethoven’s arrival, grew up hearing the older master’s works, often at their premieres. As his genius flowered early, Schubert was often challenged and inspired by Beethoven’s music.
“We bring together these two giants who lived in the same city, knew the same people, attended the same musical events, perhaps met or quite possibly didn’t.
“Yet Beethoven’s presence and example guided Schubert in his own road toward the Ultimate Sublime in music. Our concert of “Influences and Homages” features works where the musical, if not the personal, relationship is there for all to hear.”
Lutes also supplied a list of the song titles in English translation:
“Ich liebe dich” – I love you
“Der Atlas” – Atlas
“Auf dem Strom” – On the River
“Der Zufriedene” – The Contented Man
“Der Wachtelschlag” – The Quail’s Cry
“Wonne der Wehmut” – Joy in Melancholy
“Kennst du das Land?” – Do You Know the Land?
“An die ferne Geliebte” – To the Distant Beloved
“An die Freude” – Ode to Joy
“Gruppe aus dem Tartarus” – Scene from Hades
“Elysium”
“Nachthymne” – Hymn to the Night
“Abendlied unterm gestirnten Himmel” – Evening Song Beneath the Starry Firmament
Have you attended a past Schubertiade (below, in Mills Hall)?
What did you think?
Would you recommend it to others?
The Ear wants to hear.
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Classical music: This week brings some appealing solo recitals and chamber music performances for piano, violin, cello, guitar and piano trio.
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By Jacob Stockinger
This coming week has some big musical events, including the Madison Opera’s production of Giacomo Puccini’s opera “La Bohème” on Friday night and Sunday afternoon; and the annual two days of fall concerts by the Wisconsin Youth Symphony Orchestras on Saturday and Sunday. Both of those events will be previewed at length later this week.
But there is also some very appealing music on a smaller scale, including a solo piano recital, a violin and piano recital, a guitar recital, and a chamber music concert that features piano trios.
Here are the four stand-out events:
TUESDAY NIGHT
On Tuesday night at 8 p.m. in Mills Hall, Canadian-born pianist Joel Hastings will give a FREE guest artist concert.
His program features five transcriptions by Franz Liszt (1811-1886): Il m’aimait tant – Mélodie; Die Gräberinsel der Fürsten zu Gotha – Lied von Herzog Ernst, zu Sachsen-Coburg- Gotha; Spanisches Ständchen – Melodie von Graf Leó Festetic Romance du Comte Mikaïl Wielhorsky; Die Zelle in Nonnenwerth – Elegie/ Also included is piano music by Jean Roger-Ducasse (1873-1954) including Barcarolle No. 1, Chant de l’Aube, Sonorités and Rythmes; and Twelve Etudes, Op. 8, by Alexander Scriabin (1872-1915).
Joel Hastings (below), who teaches at Florida State University in Tallahassee, was the winner of the 2006 Eighth International Web Concert Hall Competition and the 1993 International Bach Competition at the Kennedy Center in Washington, D.C. After his performance at the 10th Van Cliburn International Piano Competition in Fort Worth, Texas, one reporter designated Hastings the “audience favorite” while another declared, “the kinetic fingers of this young Canadian reminded me strongly of his late countryman, Glenn Gould.”
Hastings will also give a FREE and PUBLIC master class on Wednesday, Nov. 11, from noon to 2 in Morphy Hall.
For more information about events at the UW-Madison including student performances, visit:
http://www.music.wisc.edu/events/
WEDNESDAY
The UW-Madison Guitar Ensemble (below) will perform a FREE concert at 7:30 p.m. in Morphy Hall under director Javier Calderon. Sorry, The Ear has received nothing specific about the program.
Undergraduates Erik Anderson, left, and Anthony Caulkins perform a duet during a UW Guitar Ensemble music concert in Mills Hall at the Mosse Humanities Building at the University of Wisconsin-Madison during spring on April 17, 2013. The photograph was created for #UWRightNow, a 24-hour multimedia and social-network project. (Photo by Jeff Miller/UW-Madison)
FRIDAY
At 8 p.m. in Mills Hall, Soh-Hyun Park Altino (below, in a photo by Caroline Bittencourt), the new professor of violin at the University of Wisconsin-Madison School of Music, will make her local debut. (She is seen below teaching in a photo by Michael R. Anderson.)
Altino (left), with freshman violinist Lydia Schweitzer, has developed a specialty in addressing overuse injuries.
Her must-hear program features the Sonata No. 3 in C Major for Solo Violin, BWV 1005, by Johann Sebastian Bach (which you can hear performed by Hilary Hahn in a YouTube video at the bottom); the Sonata No. 2 for Violin and Piano by Johannes Brahms; the Romance, Op. 23, by American composer Amy Beach; and the Sonata No. 2 for Violin and Piano by American composer Charles Ives. UW professor of collaborative piano Martha Fischer will perform with her. Admission is $12 for the public; free for all students.
For more information, visit these sites:
http://www.music.wisc.edu/event/debut-faculty-concert-soh-hyun-park-altino-violin/
For a Q&A:
http://www.music.wisc.edu/2015/07/31/welcoming-new-faculty-violinist-prof-soh-hyun-park-altino/
For a fine background story and preview about a “world-class talent” from Isthmus:
http://www.isthmus.com/music/violin-professor-soh-hyun-park-altino/
SATURDAY
This Saturday afternoon, Nov. 14, at 3 p.m., St. Andrew’s Episcopal Church (below), located at 1833 Regent Street in Madison, will host a performance by participants in The Leonard Sorkin International Institute of Chamber Music.
Parking is on the street and admission is a free-will offering.
The Leonard Sorkin International Institute of Chamber Music (ICM) offers a concentration in chamber music performance for advanced level graduate students and young professional musicians. The program is based at University of Wisconsin-Milwaukee and is directed by violin professor Bernard Zinck.
The program prepares students for careers in performance with a combination of weekly masterclasses, coaching and private lessons as well as financial and facility support. ICM students enjoy a rehearsal space and office dedicated to their use, mentors on self-management or advice on seeking professional management, and contest travel finances in addition to generous fellowships which pay tuition plus a modest stipend.
Typically, individual students form chamber ensembles such as string quartets or piano trios, give one group recital each semester, and use the repertoire from these recitals in outreach presentations, concerts and competitions.
The program to be performed at St. Andrew’s is: Piano Trio, Op. 33, in E-flat major by Louise Farrenc; Sonata for Cello and Violin by Maurice Ravel; and Piano Trio No. 3 in C Major, Op. 87, by Johannes Brahms.
For more information and biographies of the performers, go to an scroll down:
http://www.standrews-madison.org/saint-andrews-concert-series.html
Tags: arrangement, Arts, Bach, Bach-Werke-Verzeichnis, background, barcarolle, Baroque, Bernard Zinck, Canada, Cello, Chamber music, classical guitar, Classical music, etude, Fines Arts Quartet, Glenn Gould, guitar, Hilary Hahn, International Bach Competition, International Web Concert Hall Competition, Isthmus, Ives, Jacob Stockinger, Javier Calderon, Jean Roger-Ducasse, Johann Sebastian Bach, Johannes Brahms, Kennedy Center, La bohème, Leonard Sorkin, Leonard Sorkin Institute for Chamber Music, Liszt, Louise Farrenc, Madison, Madison Opera, Milwaukee, Music, opera, Piano Trio, preview, Ravel, Romance, Scriabin, Soh-Hyun Park Altino, Sonata, transcription, Undergraduate education, United States, University of Wisconsin-Madison School of Music, University of Wisconsin-Milwaukee, University of Wisconsin–Madison, UW-Milwaukee, Van Cliburn International Piano Competition, Violin, Washington D.C., Wisconsin, YouTube
Classical music: The New Hyperion Jazz Babies perform Sunday to raise funds for The Karlos and Melinda Moser Opera Ticket Fund and to mark 35 years of Opera Props
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ALERT: This week’s FREE Friday Noon Musicale, from 12:15 to 1 p.m. at the First Unitarian Society of Madison, 900 University Bay Drive, features S. Christian Collins and Alyssa Smith, piano and harpsichord, performing music by Johann Sebastian Bach, Domenico Scarlatti, Ludwig van Beethoven, Claude Debussy and S. Christian Collins.
By Jacob Stockinger
A friend writes:
The New Hyperion Orchestra, the New Hyperion Jazz Babies and friends celebrate the 35th anniversary of Opera Props — the supporting group for University Opera at the University of Wisconsin-Madison School of Music — with a benefit fundraiser to support the Karlos and Melinda Moser Opera Ticket Fund.
The concert, entitled, “What’s Wrong with Me? Love, Phobias and other Ailments,” will take place on this Sunday, Nov. 8, at 7:30 p.m. in Music Hall, and will feature show tunes about maladies that have plagued the human race for centuries. (The Carol Rennebohm Auditorium is located in Music Hall, below, at the foot of Bascom Hill on North Park Street.)
Karlos Moser (below left), who founded Opera Props and saw five renovations of Music Hall during his 36 years as UW-Madison’s Opera Director, celebrates his 85th birthday this year. But age is no matter to a seasoned performer. Moser will head the concert as lead vocalist, crooning about everything from Spoonerisms to Arachnophobia.
Joining him are his wife, Melinda Moser (below right), on the piano, clarinetist Eric Ellis, violinist Rebecca Mackie, and bassist Ben Ferris. Together, they create the New Hyperion Jazz Babies, an offshoot of the Original Hyperion Oriental Fox Trot Orchestra.
“Last year, we celebrated the 40th year reunion of the founding of the OHOFTO with some of the original members,” says Moser. “We now want to pass on this rich tradition to a new generation.”
The Original Hyperion, founded in Madison in 1974 by Rick Mackie and Moser, began with a mix of students and professional musicians, who quickly established their standing in this jazz-influenced style.
In the spirit of passing the baton, the Sunday concert will conclude with a number of student musicians, including three opera ticket fund recipients and students from Sun Prairie High School, along with their musical director, Steve Sveum.
Also making special appearances are tenor Fabian Qamar and soprano Nicole Heinen, both Opera Props recipients in the graduate music program, as well as a mystery guest from Fleet, England, who was a ticket fund recipient.
Tickets are $25 for general admission, with students receiving two tickets for the price of one. In honor of Karlos Moser’s 85th birthday, every $85 donation to the Opera Fund will be met with one free ticket.
Please send donations of any amount directly to the UW Foundation online at supportuw.org/giveto/operatickets, or by mail at US Bank Lockbox, Box 78807, Milwaukee, 53278 (memo: “Moser Fund for Opera Tickets”). $85 gifts may be confirmed at kmoser@wisc.edu or 608-274-1150.
General admission tickets are available in advance through the Campus Arts Ticketing Box Office at (608) 265-ARTS and online at http://www.arts.wisc.edu/ (click “box office”). Tickets can also be purchased in person at the Wisconsin Union Theater Box Office Monday-Friday, 11:30 a.m.-5:30 p.m. and Saturdays, noon-5 p.m. and the Vilas Hall Box Office, Monday-Friday, 11:30 a.m.-5:30 p.m. Beginning one hour before the performance, tickets can be purchased at the door.
All proceeds will go to the Karlos and Melinda Moser Opera Ticket Fund, which buys expensive opera tickets for UW-Madison music students.
Tags: Arts, Bach, Bascom Hill, bass, choral music, clarinet, Classical music, Debussy, Domenico Scarlatti, double bass, First Unitarian Society of Madison, fox trot, harpsichord, Jacob Stockinger, Jazz, Johann Sebastian Bach, Karlos Moser, Ludwig van Beethoven, Madison, Milwaukee, Music, opera, Piano, Undergraduate education, United States, University of Wisconsin-Madison School of Music, University of Wisconsin-Milwaukee, University of Wisconsin–Madison, Violin, vocal music, Wisconsin, Wisconsin Union Theater
Classical music: The University of Wisconsin-Madison School of Music will open its new season Saturday night with a FREE recital of Latin American and German music by flutist Stephanie Jutt.
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By Jacob Stockinger
The Ear likes that a new season at the University of Wisconsin School of Music will officially open in an intimate rather than grand manner with a chamber music concert.
At 8 p.m. in Morphy Recital Hall on this Saturday, Sept. 6, flutist Stephanie Jutt (below) will perform Latin American music plus a classic masterpiece sonata by Johannes Brahms. The concert is FREE and OPEN to the public.
Jutt, who is a longtime professor the UW-Madison School of Music, is also the principal flute of the Madison Symphony Orchestra as well as a co-founder and co-artistic director of the Bach Dancing and Dynamite Society, which performs each summer in June. She also performs in the Wingra Woodwind Quintet (below, in a photo by Michael Anderson) at the UW-Madison.
On this program, Jutt and Venezuelan pianist Elena Abend will offer audiences a look at some of the beautiful and spicy music written by Latin American composers, including Argentinean composers Carlos Guastavino (below top), Astor Piazzolla (below middle) and Angel Lasala (below bottom).
Jutt recently traveled to Argentina to research this repertoire, and will be recording it with Elena Abend later this year in New York City.
Born in Caracas, Venezuela, pianist Elena Abend (below) has performed with all the major orchestras of her country. Receiving her Bachelor and Master degrees from the Juilliard School, she has performed at venues such as the Purcell Room in London’s Royal Festival Hall, Avery Fisher Hall in Lincoln Center, Weill Recital Hall at Carnegie Hall, Academy of Music with the Philadelphia Orchestra, as well as the Wigmore Hall in London, Toulouse Conservatoire, Theatre Luxembourg, the Corcoran Gallery in Washington D.C., Chicago Cultural Center and the Pabst Theater in Milwaukee.
More performances include Ravinia and Marlboro Music Festivals, live broadcasts on Philadelphia’s WFLN, The Dame Myra Hess Concert Series on Chicago’s WFMT and Wisconsin Public Radio at the Chazen Museum of Art in Madison. She has recorded for the Avie label and numerous recording and editing projects for Hal Leonard’s G. Schirmer Instrumental Library and Schirmer Performance Editions.
Elena Abend currently serves on the Piano and Chamber Music Faculty at the University of Wisconsin-Milwaukee.
Program:
Milonga en Re (at bottom in a YouTube video) Astor Piazzolla (1921-1992)
Tanguano Astor Piazzolla (1912-1992)
Introduccion y Allegro Carlos Guastavino (1912-2000)
With ELENA ABEND, PIANO
Sonata in E-flat Major, Op. 120 Johannes Brahms (1833-1897) as arranged for flute by Stephanie Jutt
With UW Piano Professor CHRISTOPHER TAYLOR (below)
INTERMISSION
Poema del Pastor Coya Angel Lasala (1914-2000)
Con la Chola y el Changuito Carlos Guastavino (1912-2000)
Fuga e Misterio Astor Piazzolla (1921-1992)
Tags: Angel Lasala, Argentina, Arts, Avery Fisher, Avery Fisher Hall, Avie Records, Ástor Piazzolla, Bach Dancing and Dynamite Society, Brahms, Carlos Guastavino, Carnegie Hall, Chamber music, Chazen Museum of Art, Chicago, Christopher Taylor, D.C., ELENA ABEND, flute, France, G. Schirmer, Hal Leonard, Jacob Stockinger, Johannes Brahms, Juilliard School, Juilliard School of Music, LIncoln Center, London, Madison, Madison Symphony Orchestra, Marlboro Festival, Music, Myra Hess, New York City, Orchestra, Paris, Piano, Ravinia, Royal Festival Hall, Sonata, University of Wisconsin-Madison School of Music, University of Wisconsin-Milwaukee, University of Wisconsin–Madison, Venezuela, Washington, Weil Hall, Weill Hall, WFMT, Wigmore Hall, winds, Wingra Woodwind Quintet, wisconsin public radio, YouTube
Classical music: A piano recital next Sunday afternoon by college educator Father Robert Koopmann will benefit the Benedictine Women at the Holy Wisdom Monastery in Middleton. Reservations must be made by Wednesday.
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By Jacob Stockinger
A piano recital by Father Robert Koopmann (below), a member of the Order of St. Benedict, called “Celebrating Benedict” will be presented next Sunday, July 21, at 4 p.m. in the Assembly Room, Holy Wisdom Monastery, 4200 County Road M, Middleton. Here are links to the monastery’s website and to a map with directions on how to get there:
The 70-minute program includes the Prelude in G-sharp minor, Opus 32, No. 12; Prelude in E-flat major, Opus 23, No. 6; and the Prelude in C Major, Op. 32, by Sergei Rachmaninoff (1873-1943); the Rondo in D Major, K. 485 by Wolfgang Amadeus Mozart (1756-1791); the “Prelude, Chorale and Fugue” by César Franck (1822-1890); Intermezzo in B Minor, Op. 119, No. 1; Intermezzo in A Major, Op. 118, No. 2; and Capriccio in G minor Op. 116, No. 3, by Johannes Brahms (1833-1897); “Jeux D’Eau” (Waterplay or Fountain, played by Martha Argerich in a YouTube video at the bottom) by Maurice Ravel (1875-1937); and Two Sacred Improvisations by the pianist Robert Koopmann, “Adoro Te Devote” and “Precious Lor.”
Donations will be accepted at the door or online to support the mission of the Benedictine Women of Madison at Holy Wisdom Monastery (below). A light reception will follow the concert.
If you do plan on attending this concert, please let Mike know by this Wednesday, July 17 at mikesb@benedictinewomen.org or call (608) 836-1631, ext. 124 so that food and seating can be provided for all. More information is at the Holy Wisdom website.
Father Bob Koopmann is a longtime friend of the sisters at Holy Wisdom Monastery. He is Professor of Music and President Emeritus, and has been on the faculty of Saint John’s University and the College of Saint Benedict in Minnesota since 1975, where he has taught piano, music literature, and courses on creativity and the creative process.
He has performed as a piano soloist and accompanist, as well as in chamber ensembles and with orchestras throughout the USA and abroad, including 20 states, Europe, South Africa, Chile, Kenya, and Tanzania.
He has released a number of recordings since 1994. His doctorate is from the University of Iowa, with other degrees from the University of Wisconsin-Milwaukee and Saint John’s University, and post-doctoral work with faculty from The Royal Academy (London) and The Juilliard School (New York).
Koopmann was president of Saint John’s University from 2009 until July 2012. He was on sabbatical for the 2012-2013 academic year, studying music, theology, and spirituality in Berkeley, California and New York City.
He will present a concert tour in Japan in August.
Tags: Benedict, College of Saint Benedict and Saint John's University, Holy Wisdom Monastery, improvisation, Jacob Stockinger, Johannes Brahms, Juilliard School, Madison, Martha Argerich, Maurice Ravel, New York City, Order of Saint Benedict, Piano, Sergei Rachmaninoff, University of Wisconsin-Milwaukee, Wolfgang Amadeus Mozart, YouTube
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The Well-Tempered Ear 