The Well-Tempered Ear
Classical music: This week brings three period-instrument concerts — two of them FREE — of early music from the Baroque and Classical eras including works by Bach, Telemann and Haydn
3 Comments
CORRECTION: The concert listed below by Sonata à Quattro on Thursday night at Oakwood Village West, near West Towne Mall, is at 7 p.m. — NOT at 8 as erroneously first listed here. The Ear regrets the error.
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
This week features three concerts of music from the Baroque and early Classical eras that should attract the attention of early music enthusiasts.
WEDNESDAY
This Wednesday, April 24, is the penultimate FREE Just Bach concert of the semester. It takes place at 1 p.m. in Luther Memorial Church, 1021 University Avenue.
This month’s program, featuring the baroque flute, presents the program that was canceled because of the blizzard in January.
First on the program is the Trio Sonata in G Major, BWV 1038, for flute, violin and continuo, a gorgeous example of baroque chamber music.
Following that comes the Orchestral Suite No. 2, BWV 1067, for flute, strings and harpsichord, really a mini flute concerto.
The program ends with Cantata 173 “Erhoehtes Fleisch und Blut” (Exalted Flesh and Blood), scored for two flutes, strings and continuo, joined by a quartet of vocal soloists: UW-Madison soprano Julia Rottmayer; mezzo-soprano Cheryl Bensman-Rowe; tenor Wesley Dunnagan; and UW-Madison bass-baritone Paul Rowe.
The orchestra of baroque period-instrument specialists, led by concertmaster Kangwon Kim, will include traverse flutists Linda Pereksta and Monica Steger.
The last Just Bach concert of this semester is May 29. For more information, go to: https://justbach.org
THURSDAY
On Thursday night, April 25, at 7 p.m. — NOT 8 as mistakenly listed here at first –at Oakwood Village West, 6209 Mineral Point Road, the Madison group Sonata à Quattro (below) will repeat the Good Friday program it performed last week at a church in Waukesha.
The one-hour concert – featuring “The Seven Last Words of Christ” by Franz Joseph Haydn — is FREE and OPEN TO THE PUBLIC. (You can sample the first part of the Haydn work in the YouTube video at the bottom.)
Commissioned by the southern Spanish episcopal city of Cadiz, this piece was originally scored for orchestra, but it enjoyed such an immediate, widespread acclaim, that the publication in 1787 also included arrangements for string quartet, and for piano. In nine movements beginning with an Introduction, Haydn sets the phrases, from “Father, forgive them, for they know not what they do” to “Into Thy hands I commend my spirit,” concluding with one final movement depicting an earthquake.
Performers for this program are: Kangwon Kim, Nathan Giglierano, Marika Fischer Hoyt and Charlie Rasmussen. Modern string instruments will be used, but played with period bows.
The period-instrument ensemble Sonata à Quattro was formed in 2017 as Ensemble-In-Residence for Bach Around The Clock, the annual music festival in Madison.
The ensemble’s name refers to baroque chamber music scored for three melody lines plus continuo. The more-familiar trio sonata format, which enjoyed great popularity in the 17th and 18th centuries, employs a continuo with only two melody instruments, typically treble instruments like violins or flutes.
In contrast, a typical sonata à quattro piece includes a middle voice, frequently a viola, in addition to the two treble instruments and continuo; this scoring has a fuller, richer sonority, and can be seen as a precursor to the string quartet. For more information, go to: https://www.facebook.com/sonataaquattro/
SATURDAY
On Saturday, April 27, at 7:30 p.m. at Saint Andrew’s Episcopal Church, 1833 Regent Street, the veteran Wisconsin Baroque Ensemble (below) will perform a concert of baroque chamber music.
Tickets are at the door only: $20 for the public, $10 students.
Performers are: Brett Lipshutz, traverse flute; Sigrun Paust, recorder; Monica Steger, traverse; Anton TenWolde, baroque cello; and Max Yount, harpsichord.
The program is:
Johann Baptist Wendling – Trio for two flutes and bass
Johann Pachelbel – Variations on “Werde Munter, mein Gemuethe” (Be Happy, My Soul)
Friedrich Haftmann Graf – Sonata or Trio in D major for two German flutes and basso continuo
Daniel Purcell – Sonata in F Major for recorder
INTERMISSION
Georg Philipp Telemann – Trio for recorder, flute,and basso continuo TWV 42:e6
Franz Anton Hoffmeister – Duo for two flutes, Opus 20, No. 1
Joseph Bodin de Boismortier – Trio Sonata, Op. 37, No. 5
Telemann – Trietto Methodicho (Methodical Sonata) No 1. TWV 42: G2
After the concert, a reception will be held at 2422 Kendall Avenue, second floor.
For more information, go to: https://wisconsinbaroque.weebly.com
Tags: #17thCentury, #18thCentury, #AntonTenWolde, #BachAroundtheClock, #BachCantata, #BaroqueCello, #BaroqueChamberMusic, #BaroqueEra, #BlogPost, #BlogPosting, #BrettLipshutz, #CadizSpain, #CharlieRasmussen, #CherylBensman-Rowe, #ChristianMusic, #ChristianReligion, #Classicalera, #CommissionedMusic, #CriticalAcclaim, #DanielPurcell, #DuetMusic, #FacebookPost, #FacebookPosting, #FacultyMember, #FleshandBlood, #FluteConcerto, #FranzAntonHoffmeister, #FranzJosephHaydn, #FriedrichHartmannGraf, #GeorgPhilippTelemann, #GoodFriday, #HistoricallyInformedPerformancePractices, #JesusChrist, #JohannBaptistWendling, #JohannPachelbel, #JohannSebastianBach, #JosephBodindeBoismortier, #JuliaRottmayer, #JustBach, #KangwonKim, #LindaPereksta, #LutherMemorialChurch, #MarikaFischerHoyt, #MaxYount, #MeadWitterSchoolofMusic, #Mezzo-sopranoSinger, #MonicaSteger, #Musicfaculty, #NathanGiglierano, #OakwoodVillageWest, #OrchestralSuite, #PaulRowe, #PeriodInstrument, #PeriodInstruments, #PianoMusic, #ProtestantReligion, #SevenLastWordsofChrist, #SigrunPaust, #SonataaQuattro, #SopranoSinger, #St.Andrew'sEpiscopalChurch, #StringInstruments, #StringQuartet, #TenorSinger, #TheCrucifixion, #ThemeAndVariations, #TraverseFlute, #TrioSonata, #UniversityofWisconsin-Madison, #ViolaMusic, #VocalMusic, #WaukeshaWisconsin, #WesleyDunnagan, #WestTowneMall, #WisconsinBaroqueEnsemble, #YouTubevideo, 17th century, 18th century, acclaim, Anton TenWolde, Arts, audience, Bach, Bach Around the Clock, Baroque, Baroque cello, baroque era, bass-baritone, blog, blood, bow, Brett Lipshutz, BWV, Cadiz, cancel, Cantata, Cello, Chamber music, Charlie Rasmussen, Cheryl Bensman Rowe, choral music, Christ, Christianity, church, Classical, Classical music, composer, Concert, concertmaster, concerto, continuo, correction, cross, crucifixion, Daniel Purcell, door, duo, Early music, earlymusic, employ, ensemble, era, error, exalted, Facebook, faculty, festival, flesh, flute, Franz Anton Hoffmeister, Franz Joseph Haydn, free, Friedrich Hartmann Graf, Georg Philipp Telemann, German, Good Friday, happy', harpsichord, historically informed performance practices, instrument, Jacob Stockinger, Jesus Christ, Johann Baptist Wendling, Johann Pachelbel, Johann Sebastian Bach, Joseph Bodin de Boismortier, Julia Rottmayer, Just Bach, Kangwon Kim, like, Linda Pereksta, line, link, Luther Memorial Church, Lutheranism, Madison, Madison Symphony Orchestra, Marika Fischer Hoyt, Max Yount, May, Mead Witter School of Music, melody, member, methodical, Mezzo-soprano, mistake, modern, Monica Steger, movement, Music, Nathan Giglierano, open, Orchestra, orchestral, Paul Rowe, performer, period instruments, phrase, Piano, piece, popularity, Protestant, public, publication, Quartet, reception, recorder, Retirement, Saturday, semester, Seven Last Words, share, Sigrun Paust, Sonata, Sonata à Quattro, soprano, soul, Spain, Spanish, specialist, St. Andrew's Episcopal Church, String quartet, strings, Suite, tag, tenor, Thursday, ticket, traverse, treble, trio sonata, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University of Wiscosnin, variations, Veteran, Viola, Violin, vocal music, voice, Waukesha, Wednesday, Wesley Dunnagan, West Towne Mall, Wisconsin, Wisconsin Baroque Ensemble, Wisconsin Chamber Orchestra, word, You Tube, YouTube
Classical music: The new early music, a cappella vocal group Voces Aestatis (Voices of Summer) makes an impressive debut with many Renaissance composers and works. Plus, the Token Creek Chamber Music Festival opens to acclaim.
Leave a Comment
ALERT: Perhaps you didn’t make it to the opening of the Token Creek Chamber Music Festival last Saturday night or Sunday afternoon (below is a photo of the renovated barn concert hall). The festival runs through this coming Sunday afternoon and is celebrating both its 25th anniversary and the 300th anniversary of the birth of Carl Philip Emmanuel Bach. Here is a link to a review written for the Classically Speaking blog of Madison Magazine by Greg Hettmansberger, along with two preview stories from this blog:
By Jacob Stockinger
Last Friday was one of those nights, one of those increasingly frequent “train wrecks,” as The Wise Critic likes to call them, when two or more worthy classical musical events conflict and compete.
The Ear could not be in two places at once.
The two concerts were given by the Madison Area Youth Chamber Orchestra (MAYCO), which was reviewed yesterday by John W. Barker.
At another venue, at exactly the same time, the new early music vocal group Voces Aestatis made its Madison debut.
To give you an idea of that performance, The Ear welcomes another new reviewer -– Ann Boyer, a retired medical research librarian at the University of Wisconsin-Madison and a longtime member of the UW-Madison Choral Union.
Here is her review debut for The Well-Tempered Ear:
By Ann Boyer
The new Renaissance Choral group Voces Aestatis (Latin for Summer Voices) — all 13 of them, including director Ben Luedcke — delighted the 200 or so listeners who filled St. Andrew’s Episcopal Church, on Regent Street, last Friday night. (Below is a photo of the choral group, minus Jerry Hui, the composer, singer and teacher who did graduate work at the University of Wisconsin-Madison School of Music and now teaches at the University of Wisconsin-Stout.)
They had rehearsed four times, we learned, but had been instructed to come prepared. They were professionals, and it showed.
Songs were arranged in thematic pairs or threes, the sacred songs reflecting such themes as the imperfection of humankind, the birth of Jesus (emphasizing Mary’s role), and the death of Jesus.
Composers included Michael Praetorius, De Victoria and Giovanni di Palestrina, Orlando di Lasso, Thomas Tallis, Orlando Gibbons and Heinrich Schütz. A particularly beautiful song was one by Antonio Lotti (below)
The second half of the program consisted of secular songs: the famous “Mille Regretz” (A Thousand Regrets) by Josquin des Prez (below and at bottom in a YouTube video performance by the famed Jordi Savall), sung sweetly and gently; the strange, expressionistic harmonies of Gesualdo and a work by Claudio Monteverdi with surprisingly erotic lyrics. A final pair of somber songs by Weelkes and Wilbye ended the program on a dark note, relieved by the encore: the chipper ”El Grillo” (The Grasshopper).
The group demonstrated fluidity of line, diction which varied from very clear to less so, good phrasing in particular songs, and good vocal blending. Towards the beginning the women’s voices seemed to dominate, but this corrected itself as the program continued.
The energy of director Ben Luedcke (below) – another UW-Madison graduate who was the music director of Lake Edge Lutheran Church and the founder-director of the Madison Summer Choir and who is completing a master’s degree at the University of Iowa — carried us all along.
We hope that the group will reassemble next summer.
Tags: American Record Guide, Ann Boyer, Antonio Lotti, Arts, Ben Luedcke, C.P.E. Bach, Carl Philip Emmanuel Bach, choral music, Classical music, Claudio Monteverdi, Early music, Episcopal, Episcopal Church, Fantasia on a Theme by Thomas Tallis, Friday, Greg Hettmansberger, Heinrich Schütz, Jacob Stockinger, John W. Barker, Jordi Savall, Lutheranism, Madison, Madison Magazine, Madison Summer Choir, Michael Praetorius, Mille Regretz, Monteverdi, Music, Orlando di Lasso, Orlando Gibbons, Regent Street, Reniassance, Singing, song, summer, Thomas Tallis, Token Creek Chamber Music Festival, University of Iowa, University of Wisconsin-Madison School of Music, University of Wisconsin-Stout, University of Wisconsin–Madison, University of Wiscosnin, UW Choral Union, vocal music, Voces Aestatis, YouTube
Recent Comments
 | Ronnie on How do post-pandemic concert a… |
 | welltemperedear on How do post-pandemic concert a… |
 | Polly Kuelbs on How do post-pandemic concert a… |
| welltemperedear on How do post-pandemic concert a… |
 | Ann Boyer on How do post-pandemic concert a… |
The Well-Tempered Ear 