The Well-Tempered Ear

Classical music: Piano and viola duo Vis-à-Vis gives a FREE concert this Saturday at noon as part of Grace Presents

January 11, 2018
1 Comment

By Jacob Stockinger

For a while, the acclaimed FREE community outreach concert series Grace Presents had folded.

But now it is back.

Grace Presents’ new coordinator Yanzel Rivera, who is a graduate student at the UW-Madison Mead-Witter School of Music, has sent the following information to post:

“Grace Presents, which offers free monthly concerts on the Capitol Square, will feature the Vis-À-Vis duo (below) of violist Brandin Kreuder and pianist Craig Jordan.

“The one-hour concert, called “Clarke and Brahms” will take place this Saturday, Jan. 13, at noon at the Grace Episcopal Church, 116 West Washington Avenue, across from the Capitol Square.

The program features: Four Pieces by British composer Frank Bridge, (1879-1941); a Sonata by British composer Rebecca Clarke, (1886-1979, below top); “Un regard dans le vide” or ‘A Look Into the Void” (2017) by American composer Christian Messier (b. 1995, below bottom), who studies at Lawrence University in Appleton, Wisconsin;  and the Sonata in F Minor by Johannes Brahms (1833-1897).

ABOUT THE PERFORMERS

“Duo Vis-À-Vis aims to bring engaging and explorative chamber music performances to communities across the country and share their love for musical collaboration and expression.

“The duo is comprised of violinist/violist Brandin Kreuder, and pianist, Craig Jordan. Brandin is a native of Burlington, Wisconsin, and a 2016 graduate of Lawrence University and Conservatory (below) who holds a B.A. in Studio Art and a B.M. in Violin Performance.

“Brandin is currently in his second year of his Master of Music degree studying viola with virtuoso violist Jodi Levitz at the Frost School of Music, University of Miami.

“Jordan, from Ames, Iowa, is a junior at the Lawrence Conservatory of Music pursuing his Bachelor of Music degree in Piano Performance under the teaching of Catherine Kautsky, with an emphasis on Collaborative Piano. He is currently studying this fall semester at the Conservatorium van Amsterdam in the Netherlands with Marta Liébana Martínez.

“Since its debut in spring 2016, duo Vis-A-Vis has performed three recital tours in Wisconsin, Iowa, Florida, Missouri, Colorado and Massachusetts. Their recent tour “Reminiscence” brought the duo to their widest variety of performance locations yet. One of these performances also served as the beginning of a new chamber music series hosted by the College Light Opera Company in Falmouth, Mass.

(You can hear Duo Vis-à-Vis (below) perform the Violin Sonata by Cesar Franck in the YouTube video at the bottom.)

ABOUT GRACE PRESENTS

Grace Presents features a diverse range of music, including everything from classical and folk to jazz and bluegrass. The performers include nationally recognized musicians and exceptional young talent from Madison and beyond.

The mission is to create a premier concert series that everyone in the Madison community can enjoy. Each month it welcomes a diverse audience to its concerts, including Madison residents, students, farmers’ market shoppers, tourists, and people who are homeless.

The organizers invite audiences to bring a lunch to enjoy inside the church during our concerts.

A celebrated historic landmark established in 1839, Grace Episcopal Church (below top and bottom) is the oldest church in Madison. Known for its grand Gothic architecture and distinctive red doors, the church features hand-carved woodwork, brilliant stained glass windows–including a Tiffany window–and a cathedral organ.

Grace Presents is supported in part by a grant from Dane Arts, the W. Jerome Frautschi Foundation, the Madison Arts Commission, with additional funds from the Wisconsin Arts Board.

The series also relies on donations from sponsors and free-will offerings at each concert.

Advertisements

Classical music: The Oakwood Chamber Players perform rarely heard repertoire this Saturday night and Sunday afternoon

January 10, 2018
Leave a Comment

By Jacob Stockinger

The Oakwood Chamber Players (below) continue their 2017-2018 season series “Journey” with a concert titled Horizon on this Saturday, Jan. 13, at 7 p.m. and Sunday, Jan. 14, at 2 p.m.

As the group often does, it will present a program of old and new works by composers who are rarely heard or performed.

Both concerts will be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on the city’s far west side near West Towne Mall.

Tickets can be purchased with cash or personal checks at the door: $25 for general admission, $20 for seniors and $5 for students. Visit www.oakwoodchamberplayers.com for more information.

Sunset 1892 by Michael Mikulka is a musical interpretation of a painting by influential American landscape artist George Inness. (Below is another sunset painting, “Sunset Montclair – 1892,” by George Inness, whose work can be found in the Metropolitan Museum of Art in New York City.)

The pastoral colors are represented musically in an evocative manner by the warm timbres of the clarinet and the viola interwoven with pianistic light and shadow. An emerging American composer, Mikulka (below) saw his piece win the grand prize in a 2008 competition. (You can hear it, and see the original inspiration, in the YouTube video at the bottom.)

Serenade for Five Instruments by Italian composer Alfredo Casella (below) was written for a music composition contest in 1927. It nimbly combines the contrasting sounds of the clarinet, bassoon, trumpet, violin, and cello. His musical style is attributed in part to the influence of his avid appreciation for visual art.

This piece was one of the composer’s favorites and is a delightful work with five short contrasting movements that range from lilting to witty to sweetly melodic. Casella studied with Gabriel Faure and was film composer Nino Rota’s composition teacher. (Rota is famous and most familiar for his soundtracks for movies by Federico Fellini, but he also composed a lot of outstanding chamber music.)

Quintet for Winds and Piano by Swiss composer Hans Huber (below) was premiered in 1918 and written for piano, flute, clarinet, horn and bassoon.

Listeners will perceive the influence of Brahms and Schumann in his Romantic style. However, Huber definitely shows individual flair in his approach. The four-movement work is spirited and captivating, and features each of the instruments over the course of the composition with an obvious talent for virtuosic piano writing throughout its entirety.

Guest instrumentalists are Jason Kutz, piano (below); Ariel Garcia, viola; and Halie Brown, trumpet.

The members of the Oakwood Chamber Players (above) are Marilyn Chohaney, flute; Nancy Mackenzie, clarinet; Amanda Szczys, bassoon; Anne Aley, horn; Leyla Sanyer, violin; and Maggie Darby Townsend, cello.

This is the third of five concerts in the Oakwood Chamber Players’ 2017-2018 season series entitled Journey. Remaining concerts will take place on March 10 and 11; and May 19 and 20.

The Oakwood Chamber Players are a group of Madison-area professional musicians who have played with other ensembles such as the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra, and who have rehearsed and performed at Oakwood Village for over 30 years.


Classical music: Longtime NPR host Robert Siegel brought his love of classical music to “All Things Considered.” Here are 10 interviews and some background to mark his recent retirement

January 8, 2018
Leave a Comment

By Jacob Stockinger

If you are a fan of “All Things Considered” on National Public Radio – and The Ear certainly is – you probably already know not to listen for veteran host Robert Siegel (below) on this afternoon’s broadcast.

Or any other ATC broadcast in the future.

That is because last Friday afternoon Siegel had his last sign-off. He retired after spending 41 years with NPR – the first 10 as a reporter, including as a London correspondent, and the last 31 as a host of the prize-winning afternoon news and features magazine “All Things Considered,” which, by the way, was created by Jack Mitchell, who later came to teach Mass Communications at the UW-Madison.

There will be much to miss about Siegel. His qualities included a calming voice, a ready laugh, fairness and objectivity, a convivial studio presence and sharp but respectful interviewing skills.

One of the things that The Ear hopes will survive Siegel’s departure is the much-needed public attention he brought to classical music, which he loved and which the other media today so often ignore.

The mark his retirement, NPR classical music blogger Tom Huizenga compiled a list of 10 important interviews that Siegel conducted over the years. Then he put links to those interviews on an NPR blog.

Huizenga also got Siegel to open up about the formative influences that sparked his love for classical music. They included his young love for the Piano Concerto No. 5 in E-flat Major, Op. 73, by Ludwig van Beethoven — the so-called “Emperor” Concerto, which you can hear played by Alfred Brendel in the YouTube video at the bottom.

Siegel went on to cover big stars like superstar soprano Renee Fleming; medium stars like violinist Gil Shaham (below), who performs with the Madison Symphony Orchestra this month; and smaller and new stars like the iconoclast harpsichord virtuoso Mahan Esfahani.

He also covered a U.S. Army rifleman who performed a violin recital for Churchill and Truman, and the role that music by Beethoven played in Communist China.

And there are many, many more, for which classical music and we listeners owe a debt to Siegel.

Check it out and enjoy! Here is a link to that posting on the Deceptive Cadence blog:

https://www.npr.org/sections/deceptivecadence/2018/01/05/575906745/10-interviews-celebrating-robert-siegels-love-for-classical-music


Classical music: For reviving and securing Bach Around the Clock, The Ear names Marika Fischer Hoyt as “Musician of the Year” for 2017

December 30, 2017
5 Comments

By Jacob Stockinger

Regular readers of this blog know how much The Ear likes to recognize community-based initiatives, amateur participation, and events that are affordable or free to the public and so help build and widen the audience for classical music.

On all those counts, the Musician of the Year for 2017 goes to Marika Fischer Hoyt (below) who revived Bach Around the Clock and has given it a seemingly secure future.

In Madison, Bach Around the Clock was originally sponsored and put on for several years by Wisconsin Public Radio’s music director Cheryl Dring. But when Dring left for another job five years ago, WPR ended the event, which got its national start in New Orleans and is now celebrated in many other cities to mark the March birthday of Baroque composer Johann Sebastian Bach.

Yet it is not as if Fischer Hoyt didn’t already have enough on her plate.

She is a very accomplished and very busy violist.

As a modern violist, she plays with the Madison Symphony Orchestra and is a founding member of the Ancora String Quartet (below), with which she still plays after 17 seasons. She is also  a member of the Madison Symphony Orchestra.

As a specialist on the baroque viola, she is a member (below far left) of the Madison Bach Musicians who also plays for the Handel Aria Competition and the Madison Early Music Festival.

In addition, she is a private teacher who finds time to attend early music festivals around the country.

To get an idea of what she has done to put Bach Around the Clock (BATC) on a stable footing here, read the update posting from a couple of days ago:

https://welltempered.wordpress.com/2017/12/28/classical-music-bach-around-the-clock-2018-is-set-for-march-10-here-is-a-year-end-update-with-more-impressive-news/

Not only did Fischer Hoyt obtain the participation of some 80 performers — students and teachers, amateurs and professionals, individuals and groups– she also got cooperation, facilities, performers and help from St. Andrew’s Episcopal Church, 1833 Regent Street, on Madison’s near west side.

She obtained donations of money and even food to stage the event.

She herself played in the event that drew hundreds of listeners.

She lined up local sound engineers who recorded the entire event, which was then broadcast in parts by Rich Samuels (below) on WORT-FM 89.9 and streamed live as far away as London.

She served as an emcee who also conducted brief interviews about the music with the many performers (below right, with flutist Casey Oelkers)

Recognizing she can’t keep doing so much by herself, the energetic Fischer Hoyt has turned BATC into a more formal and self-sustaining organization with a board of directors.

She has sought advice from experts about Bach and Bach festivals.

She applied for and won one of five national grants from Early Music America in Boston.

She has consulted legal help to make BATC a nonprofit charitable organization, which should help guarantee a steady stream of funding.

And artistically, she has added a back-up mini-orchestra to accompany singers and instrumentalists.

The event this year is on Saturday, March 10, a little early for Bach’s 333rd birthday (March 31, 1685) but a smart decision to avoid spring break in the schools and at the UW, and to help recruit the many performers who are also important, if secondary,  Musicians of the Year.

But the center of the event, the force holds it all together, is Marika Fischer Hoyt and all the hard work, done over a long time, that she has invested in making Bach Around the Clock a permanent part of Madison’s classical music schedule and cultural scene.

If you didn’t go last year, try it this year. It is wonderful, inspiring and enjoyable.

Please join The Ear in congratulating Marika Fischer Hoyt for making Bach Around the Clock the success it now is and giving it the future it now has. Leave your comments about her and BATC in the COMMENT section.

To celebrate, here is a YouTube video of the Brandenburg Concerto No. 3 by Johann Sebastian Bach:


Classical music: Do you know the influence of classical music in the “Star Wars” movies?

December 18, 2017
2 Comments

By Jacob Stockinger

This past weekend, the seventh and latest episode of the “Star Wars” movie franchise premiered and beat expectations.

Last The Ear heard, at the box office “Star Wars: The Last Jedi” (below) grossed more than $220 million in the U.S. and more than $230 million internationally. That would make it the second most profitable movie opening ever.

So chances are good that many readers of this blog saw it.

But did they hear the influence to classical music in this and other “Star Wars” films?

If not, here is a link to a 2015 story, posted by radio station WQXR-FM in New York City, in which the film score composer John Williams (below) explains the connections he used.

Here are two hints: Tchaikovsky and Chopin.

Hope you enjoy it:

http://www.wqxr.org/story/throwback-thursday-classical-music-influences-inside-john-williams-star-wars-score/

Of course, “Star Wars” is hardly alone.

The Ear thinks of the Piano Concerto No. 21 by Mozart in the film “Elvira Madigan.”

He also liked the way the used the Symphony No. 7 by Beethoven in “The King’s Speech.”

Do you have other favorite uses of classical music in films?

Use the COMMENT section to let us know the film, the piece and the composer with a link to a YouTube sample if possible.

The Ear wants to hear.


Classical music: Grammy winners Takacs Quartet and pianist Garrick Ohlsson perform a MUST-HEAR concert of Mozart, Brahms and Shostakovich this Sunday night at the Wisconsin Union Theater. Plus, you can hear a FREE performance of string music by Johan Halvorsen and Philip Glass this Friday at noon

November 30, 2017
Leave a Comment

ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features the Passcaglia Duo of Norwegian composer Johan Halvorsen and String Quartet No. 5 by American contemporary composer Philip Glass.

Performers are violinists Kaleigh Acord, Elspeth Stalter and Ela Mowinski; violist Shannon Farley; and cellist Morgan Walsh. The concert, which runs from 12:15 to 1 p.m., will be streamed live on the Facebook page of Noon Musicales.

By Jacob Stockinger

Separately and together, The Ear loves piano and strings.

So you can imagine the appeal of a concert that will take place this Sunday night at 7:30 p.m. in Shannon Hall at the Wisconsin Union Theater.

That’s when the veteran and venerable Takacs Quartet (below) and acclaimed pianist Garrick Ohlsson will join forces in a terrific all-masterpiece program.

The concert has all the makings of a MUST-HEAR event for chamber music fans.

The award-winning Takacs Quartet, founded 42 years ago in Hungary and widely recorded and honored, will play two string quartets.

The late String Quartet No. 21 in D Major, K. 575, by Wolfgang Amadeus Mozart (below), is the first of the composer’s three so-called “Prussian” quartets.

Known for a more relaxed style than the earlier “Haydn” quartets by Mozart, the Prussian quartets were composed for the King of Prussia, Friedrich Wilhelm II (below), who was a talented amateur cellist.

The Takacs will also perform the seven-movement String Quartet No. 11 in F minor by Dmitri Shostakovich (below). It is one of The Ear’s very favorite of the 16 quartets written by the Russian composer who endured the torments and treacheries of the Stalinist terror in the Soviet Union.

Then Garrick Ohlsson (below) will join in for the Piano Quintet in F Minor by Johannes Brahms. It is one of the four or five crowning quintets for piano and string quartet.

The Ear loves the playing of both artists and the program should be deeply interesting and moving. The Takacs possesses a mastery of many styles and has recorded numerous quartets by Haydn, Schubert, Schumann, Brahms, Smetana, Janacek and, more recently, by Dvorak as well as a terrific complete cycle of the 16 Beethoven quartets.

But the Takacs has recorded little Mozart (two string quintets) and little Shostakovich (one quartet and a piano quintet), so The Ear looks forward to hearing the quartet’s take on those composers.

The Takacs has recorded the Brahms Piano Quintet, but with British pianist Stephen Hough and Hungarian pianist Andras Schiff, but that work too should be a memorable performance with Ohlsson, the only American ever to win the International Chopin Piano Competition. (You can hear the energetic and lyrical opening movement from the Takacs-Hough recording in the YouTube video at the bottom, which has an intriguing and colorful bar graph to emphasize the structure.)

Tickets are $10-$47. For more information about purchasing tickets plus a video and more background about the artists, go to:

https://union.wisc.edu/events-and-activities/event-calendar/event/takacs-quartet-with-garrick-ohlsson/


Classical music: Start the holiday season with the Madison Symphony Orchestra’s FREE Community Carol Sing, with organ, on Monday night

November 22, 2017
Leave a Comment

By Jacob Stockinger

‘Tis the season—for singing together in groups!

The Madison Symphony Orchestra (MSO) will host a FREE Carol Sing in Overture Hall of the Overture Center, 201 State Street, on this coming Monday, Nov. 27, at 7 p.m.

All ages are welcome.

No tickets or reservations are needed for the free Carol Sing, which will last approximately 45 minutes.

MSO Principal Organist and Curator Greg Zelek will lead the Carol Sing with the Overture Concert Organ (below).

Familiar carols will be sung, and solo organ works will include the Carol Rhapsody (heard in the YouTube video at the bottom) by Richard Purvis and an arrangement of “Bring a Torch, Jeanette Isabella.”

Greg Zelek (below) is the Madison Symphony Orchestra’s own principal organist and Curator of the Overture Concert Organ and Series. Zelek has been praised as one of the most exciting young organists in the American organ scene. He has performed with the Metropolitan Opera, the New World Symphony, and in Carnegie Hall with the Metropolitan Opera orchestra.

Zelek directs the programming for the instrument. In addition to the Free Farmers’ Market Organ Concerts, the instrument is featured in the annual MSO Christmas concert, along with several Free Community Hymn Sings and a Christmas Carol Sing.

See details for all organ performances at www.madisonsymphony.org/organperformances.

Support for all Overture Concert Organ programs is provided by the Diane Endres Ballweg Fund.

The MSO’s Free Community Carol and Hymn Sings are presented in partnership with the Overture Center for the Arts.


Classical music: This weekend the Madison Symphony Orchestra and Grammy-winning guitarist Sharon Isbin will perform Spanish music and a new concerto by Chris Brubeck

November 13, 2017
Leave a Comment

By Jacob Stockinger

This weekend, the Madison Symphony Orchestra (MSO), with music director John DeMain conducting, will present the third concert of its 92nd season.

“Troubadour: Two Faces of the Classical Guitar” features Grammy-winning guitar virtuoso Sharon Isbin (below) playing two works: one written for Isbin by American composer Chris Brubeck; and the other by the Spaniard Joaquin Rodrigo. (Isbin will also give a FREE and PUBLIC master class on Thursday from 10 a.m. to noon in Morphy Recital Hall on the UW-Madison campus in the Humanities Building on North Park Street.)

In addition the MSO will perform two 20th-century ballet suites — The Three-Cornered Hat by Spanish composer Manuel De Falla and Billy the Kid by American composer Aaron Copland.

The concerts (below, in a photo by Peter Rodgers) are in Overture Hall at the Overture Center, 201 State Street on Friday, Nov. 17, at 7:30 p.m.; Saturday, Nov. 18, at 8 p.m.; and Sunday, Nov. 19, at 2:30 p.m.

Tickets are $18-$90. Details are below.

Invoking a sense of the American heartland, Billy the Kid was written by Copland (below) as a ballet following the life of the infamous outlaw. This piece is most well-known for the memorable “cowboy” tunes and American folk songs that paint a vivid picture of the Wild West.

The virtuosity and versatility of multiple Grammy Award-winner Sharon Isbin is on display in this program of contrasts: the jazz idioms of the American composer Chris Brubeck’s “Affinity: Concerto for Guitar and Orchestra,” written for Sharon Isbin, alongside the lush romanticism of the Spaniard Joaquin Rodrigo’s “Concierto de Aranjuez.” (You can hear Sharon Isbin play the beautiful slow movement of the Rodrigo concerto in the YouTube video at the bottom.)

The piece by Brubeck (below) contains strong hints of the jazz influence of his father, noted pianist and composer Dave Brubeck. Inspired by the gardens at Palacio Real de Aranjuez, Rodrigo’s composition attempts to transport the listener to another place and time through the evocation of the sounds of nature.

Isbin’s performances of Chris Brubeck’s “Affinity: Concerto for Guitar and Orchestra” have received wide acclaim: “The concerto takes off with Isbin delivering rapid-fire virtuosity with infectious themes. The slow middle is a tender jazz-based tribute to Dave Brubeck, and Isbin played with heartfelt warmth and tenderness. The finale was an infectious rhythmically driven journey through myriad styles. It was as intriguing as it was moving … Isbin is much more than a virtuoso; she is an artist of depth.”

The Three-Cornered Hat by De Falla (below) is based on a story written by Pedro de Alarcón about a Corregidor (magistrate) who tries, without success, to seduce the pretty wife of the local miller.

One hour before each performance, Michael Allsen (below, in a photo by Katrin Talbot), professor at UW-Whitewater, MSO trombonist and writer of MSO’s program notes, will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.

For more background on the music, please read Allsen’s Program Notes at: http://www.allsenmusic.com/NOTES/1718/3.Nov17.html.

The Symphony recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the pre-concert talk (free for all ticket-holders).

Single Tickets are $18-$90 each and are on sale now at https://www.madisonsymphony.org/singletickets, through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.

Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, go to: https://www.madisonsymphony.org/groups

Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $18 tickets. More information is at: https://www.madisonsymphony.org/studentrush

Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.

Discounted seats are subject to availability, and discounts may not be combined.

ABOUT SHARON ISBIN

Acclaimed for her extraordinary lyricism, technique, and versatility, Sharon Isbin has been hailed as “the pre-eminent guitarist of our time.” Recipient of numerous prestigious awards, her debut concert with the MSO comes after over 170 solo performances with orchestras including the New York Philharmonic, National Symphony, London Symphony, Baltimore Symphony, Orchestre National de France, and the Tokyo Symphony.

Isbin is the subject of a one-hour documentary presented by American Public Television. Seen by millions on over 200 PBS stations throughout the US, it is also available on DVD/Blu-ray and won the 2015 ASCAP Television Broadcast Award. “Sharon Isbin: Troubadour” paints the portrait of a trailblazing performer and teacher who over the course of her career has broken through numerous barriers to rise to the top of a traditionally male-dominated field.

The following is a dedicated website where you can view the trailer, read rave reviews, and see detailed broadcast dates: www.SharonIsbinTroubadour.com

Major funding for the September concerts is provided by: NBC-15, the Madison Symphony Orchestra League, and Elaine and Nicholas Mischler. Additional funding provided by Scott and Janet Cabot, John DeLamater and Janet Hyde, Steven Weber, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: A busy week at the UW-Madison brings the debut of a new conducting professor with the UW Symphony Orchestra plus a major voice recital, a string quintet and two master classes.

October 2, 2017
Leave a Comment

By Jacob Stockinger

It will be a busy week for classical music in Madison, especially at the University of Wisconsin-Madison Mead Witter School of Music.

Certainly the standout event is the debut of Chad Hutchinson (below). He is the new conducting teacher and succeeds James Smith.

The FREE concert by the UW Symphony Orchestra will take place on Saturday night at 8 p.m. in Mills Hall.

The intriguing program features the Prelude to the opera “Die Meistersinger” by Richard Wagner (you can hear George Solti perform it with the Vienna Philharmonic the YouTube video at the bottom); the orchestral arrangement by Leopold Stokowski of the piano prelude “The Sunken Cathedral” by Claude Debussy; the “Mothership,” with electronics, by the American composer Mason Bates; and the Symphony No. 3 “Eroica” by Ludwig van Beethoven, a work that was recently voted the best symphony ever written by more than a hundred conductors.

Here is a link to more about Hutchinson’s impressive background:

http://www.music.wisc.edu/chad-hutchinson/

And here is a schedule of other events at the UW:

WEDNESDAY

At 7:30 p.m. in Mills Hall conductor Scott Teeple leads the UW Wind Ensemble (below top) in its FREE season opener featuring music by Percy Grainger, Aaron Copland, Roger Zare and Jennifer Higdon. Also featured is guest oboist, faculty member Aaron Hill (below bottom).

Here is a link to program notes:

http://www.music.wisc.edu/event/wind-ensemble/

Also at 7:30 p.m. in nearby Morphy Recital Hall, the internationally renowned guest violist Nobuko Imai (below), from Japan, will give a free public master class in strings and chamber music.

THURSDAY

At noon in Mills Hall, guest violist Nobuko Imai (see above) will perform a FREE one-hour lunchtime concert with the Pro Arte Quartet, which has San Francisco cellist guest Jean-Michel Fonteneau substituting for the quartet’s usual cellist, Parry Karp, who is sidelined temporarily with a finger injury.

The ensemble will perform just one work: a driving and glorious masterpiece, the String Quintet No. 2 in G Major, Op. 111, by Johannes Brahms.

At 1 p.m. in Old Music Hall, Demondrae Thurman (below), a UW alumnus who is distinguished for playing the euphonium, will give a free public master class in brass.

For more information, go to:

http://www.music.wisc.edu/event/master-class-demondrae-thurman-euphonium/

NOTE: The 3:30 master class for singers by Melanie Helton has been CANCELLED. The UW hopes to reschedule it for late fall or spring.

FRIDAY

At 8 p.m. in Mills Hall, UW baritone Paul Rowe (below top, in a  photo by Michael R. Anderson) and UW collaborative pianist Martha Fischer (below middle) will give a FREE concert of three songs cycles by Robert Schumann (the famed “Liederkreis); Maurice Ravel; and UW alumnus composer Scott Gendel (below bottom).

For the complete program, go to:

http://www.music.wisc.edu/event/faculty-recital-paul-rowe-voice-martha-fischer-piano-2/

SATURDAY

At 8 p.m. in Mills Hall, the UW Symphony Orchestra (below) will perform under its new conductor Chad Hutchinson. See above.

SUNDAY

At 3 p.m. the afternoon concerts by Lyle Anderson at the UW Carillon (below) on Observatory Drive will resume.

Here is a link with a schedule and more information:

http://www.music.wisc.edu/event/carillon-concert/2017-10-08/


Classical music: What composers and what pieces give you shelter and sanctuary during troubled times?

October 1, 2017
4 Comments

By Jacob Stockinger

A week ago, The Ear went to the inspired all-Mozart program given by the University of Wisconsin-Madison’s Pro Arte Quartet with guest cellist Jean-Michel Fonteneau (below center) and guest clarinetist Alicia Lee (below right), who was making her debut as a new UW faculty member.

He expected a fine performance and he was not disappointed. Indeed, he shares the same very positive reactions that critic John W. Barker expressed in his review for this blog. Here is a link to that review:

https://welltempered.wordpress.com/2017/09/30/classical-music-uws-pro-arte-quartet-and-new-uw-clarinet-professor-alicia-lee-perform-a-sublime-all-mozart-program/

But something else happened too.

The sublime music of Mozart (below) – especially the Larghetto slow second movement of the late Clarinet Quintet, K. 581, but also the other movements and the String Quartet in G Major, K. 387 -– took The Ear into another world, into a parenthesis in time.

(You can hear a live performance in Japan by Yo-Yo Ma and others in the Larghetto movement, plus the rest of the Clarinet Quintet, in the YouTube video at the bottom.)

For a brief time – perhaps a total of about 80 or 90 minutes – The Ear was totally transported. He temporarily blocked out the political strife in Washington, D.C. and the Trump White House; the government turmoil here in Madison and around the world; and  the terrible, deadly natural disasters of floods, hurricanes and wildfires in the U.S. and elsewhere around the globe.

He just let the transcendent music and the performances wash over him, refreshing him with their beauty before he reemerged onto the street and into the painful reality of current events after the concert ended.

So The Ear offers a deeply felt thank you to the performers for planning and playing such a timely and therapeutic program. He needed that more than he knew. And he hopes more such concerts are in store. The times demand such balm, not as escapism but as a reminder of great good things that endure.

So here is The Ear’s question: What other composers and what other pieces or works do you find offer the same kind of sanctuary or shelter?

Leave a COMMENT with a link to a performance on YouTube if possible.


Next Page »

    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,128 other followers

    Blog Stats

    • 1,794,245 hits
%d bloggers like this: