The Well-Tempered Ear

Classical music: The timing and political climate could not be more relevant for seeing the Madison Opera’s production of “Fellow Travelers” this Friday night and Sunday afternoon

February 6, 2020
3 Comments

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By Jacob Stockinger

You might recall from a previous blog posting that this weekend, the Madison Opera will present its production of the 2016 opera “Fellow Travelers.”

(A preview from the Minnesota Opera’s production, which featured the same sets and many of the same singers at the Madison Opera’s production, can be seen in the YouTube video at the bottom.)

Performances are this Friday night, Feb. 7, at 8 p.m. and Sunday afternoon, Feb. 9, at 2:30 p.m. in the Capitol Theater of the Overture Center.

Here is a link to more background and details about American history, the production, the cast and tickets.

https://welltempered.wordpress.com/2020/01/14/classical-music-background-discussions-lectures-and-documentaries-lead-up-to-madison-operas-production-of-the-new-lgbtq-themed-opera-fellow-travelers-on-feb-7-and-9/

Today, all The Ear wants to do is to point out how timely this story about the “Lavender Scare” of purging and punishing gays during the Red Scare, anti-Communist witch hunt of McCarthyism in the late 1940s and 1950s.

The opera’s story is about a young man (below) who supports Republican Sen. Joseph McCarthy of Wisconsin and then finds himself romantically and sexually attracted to another man who works in the State Department, one of McCarthy’s favorite targets.

He then has to deal with hypocrisy, with the contradictions between his personal life and his political beliefs as he goes from being victimizer to victim.

The political climate for such a work exploring fear and prejudice couldn’t be more relevant .

A lot of the credit for that can go directly to President Donald Trump (below), the master of “Fake News.”

Trump is a right-wing fear-monger and name-smearer, constantly raging against “radical left-wing Democrats.” He has even called Sen. Bernie Sanders — a Democratic candidate for president — a “Communist,” even though Sanders describes himself as a democratic Socialist along the lines of Western European socialists.

It is also no secret that in addition to such unfair and insulting name-calling, Trump and his homophobic supporters – including Vice President Mike Pence and Christian Fundamentalists – are looking to roll back the civil rights and human rights of people who are lesbian, gay, bisexual, transgender and queer.

And they want to do so even at a time when an openly gay man who is married, Pete Buttigieg, is running for president and seems to have just won the Iowa caucuses.

Moreover, there is a direct link between McCarthyism and the homophobia of the Liar-in-Chief.

Remember that McCarthy’ lawyer was a closeted and self-hating gay man named Roy Cohn (below right, with McCarthy). There is some evidence that McCarthy himself was secretly homosexual too.

After the humiliating end of the Army-McCarthy hearings and the premature death of McCarthy, Cohn went into private practice in New York City.

And that is where Cohn became the lawyer – and a role model of thuggish public behavior — for a young real estate developer named Donald Trump (below left, with Roy Cohn).

Such partisan times as the present seem to call for and inspire didactic art – better called “message art.” The Ear hasn’t seen the opera yet, so he can’t say how well it fits the bill.

But at first glance, the opera sure seems to fit the times we live in and the personalities of many of those who determine such a disturbing political and social climate. As The Nation magazine put it, “Trumpism is the New McCarthyism.”

In short, the opera’s plot seems both pertinent and realistic, one that could take place in today’s Washington, D.C.

The Ear is anxious to find out more and to make up his own mind, including about the music to be sung by the cast and played by the Madison Symphony Orchestra under conductor John DeMain.

He also hopes many of you will see the opera, and then leave your reactions and comments here, be they positive or negative.

The Ear wants to hear.

 


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Classical music: The impressive second weekend of four concerts by the Bach Dancing and Dynamite Society adds elements of theater and dance to chamber music

June 14, 2018
1 Comment

By Jacob Stockinger

The second weekend of the three-weekend summer series of concerts by the Bach Dancing and Dynamite Society features two performances each of two programs.

The programs in this 27th season with its “Toy Stories” theme – “Play-Do(h)” and “GI Joe” – will be performed at The Playhouse (below) of the Overture Center on Friday and Saturday night at 7:30 p.m.

Sunday performances are at the Hillside Theater (below) at Taliesin, at the Frank Lloyd Wright compound in Spring Green, at 2:30 and 6:30 p.m.

Each program introduces elements of drama, using a narrator, and of dance.

The works include “The Kitchen Revue” by Bohuslav Martinu and “The Masked Ball” by Francis Poulenc as well as “Einstein on Mercer Street” by American composer Kevin Puts and “The Solder’s Tale” by Igor Stravinsky. (You can hear the first part of the Stravinsky work — “The Soldier’s March”  — with Jeremy Irons narrating and the composer conducting in the YouTube video at the bottom.)

The baritone singer is Timothy Jones (below top), a longtime favorite of BDDS audiences, and Milwaukee-based hip-hop dancer and choreographer Blake Washington (below bottom), who is returning for his second season with BDDS.

Here is a link to the introduction and complete schedule to the entire summer season, including a FREE concert of “American Haiku: for violin and cello this coming Wednesday night:

https://welltempered.wordpress.com/2018/06/07/classical-music-this-weekend-kicks-of-the-27th-season-of-bach-dancing-and-dynamite-concerts-with-the-theme-of-musical-works-as-toys-to-be-played-with-for-serious-fun/

Also included this weekend are various works for bassoon, flute, oboe, clarinet, trumpet, double bass and percussion by Alexandre Tansman; Georg Philipp Telemann, Gabriel Pierné and Robert Schumann.

A bonus to notice: This year for the first time, at the Hillside Theater at Taliesin, Enos Farms is offering picnic dinners that can be ordered, then picked up and eaten outside or in the Taliesin dining room. For food reservations, go to Tickets at http://bachdancing.org


Classical Music: Today is Memorial Day 2018. What music would you play to honor those who died in service to their country?

May 28, 2018
4 Comments

By Jacob Stockinger

Today is Memorial Day 2018, when those soldiers who died in war and military service to their country — in the Army, Navy, Air Force, Marines, Coast Guard or whatever other branch — are honored. (Below is an Associated Press photo of Arlington National Cemetery in Washington, D.C.)

Many blogs, newspapers and radio stations list classical music that is appropriate for the occasion.

But one of the very best overviews and compilations that The Ear has seen comes this year from Capital Public Radio in Sacramento, California.

Here is a link:

http://www.capradio.org/music/classical/2018/05/25/classical-selections-in-honor-of-memorial-day/

Another very good selection dates from last year and comes from Nashville Public Radio.

Perhaps that makes sense because Nashville is such a musical city.

Perhaps it has to do with other reasons.

Whatever the cause, this playlist gives you modern and contemporary composers and music (John Adams, Joseph Bertolozzi and Jeffrey Ames) as well as tried-and-true classics (Henry Purcell and Edward Elgar— the famous and moving “Nimrod” Variation that you can hear in the YouTube video at the bottom — Franz Joseph Haydn and Frederic Chopin).

It even features some music that The Ear is sure you don’t know.

Take a look and many listens:

http://nashvillepublicradio.org/post/classical-music-remembrance-and-loss-memorial-day-playlist#stream/0

Finally, you can also hear some appropriate music for today on Wisconsin Public Radio.

Do you agree with the choices?

Do you like them or at least some of them? Which ones?

Which music would you choose or add to mark today’s holiday?

Leave a title and, if possible, a link to a YouTube performance in the COMMENT section.

The Ear wants to hear.


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