The Well-Tempered Ear
Classical music: The Ancora String Quartet excels in music by Haydn, Dvorak and especially Ravel as it impressively opens its new season in two acoustically different venues
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By Jacob Stockinger
Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT-FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also took the performance photos.
By John W. Barker
The Ancora String Quartet offered a nicely balanced program last Saturday night to open its new season at St. Andrew’s Episcopal Church.
The program began with Haydn’s String Quartet in B-flat Major, Op. 76, No. 4, known as the “Sunrise” quartet. A work of the composer’s maturity, published in 1799, it shows him straining the boundaries of Austrian Classicism and pushing close to the proto-Romanticism of his student, Beethoven.
Each work in the program was preceded by a spoken introduction, given by a member of the ensemble, and for the Haydn quartet violist Marika Fischer Hoyt did the honors.
Then came three (Nos. 2, 5 and 10) of the 12 arrangements for quartet that Antonin Dvorak made from his song cycle, Cypresses. The spoken introduction in this case was given by first violinist Wes Luke (below), who not only spoke but also sensibly read aloud — in English translation — the words of each song. Dvorak’s deeply personal lyric expression came through the more meaningfully for that.
Finally came the Quartet in F Major by Maurice Ravel. For this, cellist Benjamin Whitcomb (below) gave a cogent spoken introduction. Ravel’s work matches Debussy’s string quartet — to be played later this season — as a chamber music contribution to so-called French “Impressionism.” But it also is one of the last great demonstrations of how initially stated themes can be quoted or re-introduced in new characters and colors throughout all the movements.
This program had special value for me because it was one I was able to hear twice on two successive evenings. I particularly profited from a double hearing of the Ravel, which allowed me to listen how the various themes popped out here and there in ever-varied differences. (You can hear the String Quartet by Ravel in the YouTube video at the bottom.)
The performances each time were beautifully precise and atmospheric, but the particular points of contrast involved instead a factor too often forgotten in evaluating a concert: the acoustic divergences of different performing sites.
The previous Friday evening, I heard the program in the Grand Hall of the Capitol Lakes Retirement Center. Its acoustics are tight and bright, bringing great clarity and immediacy to the playing.
By comparison, the sound at St. Andrew’s is bigger, richer and more reverberant, although differing in relation to how far up front or way back you sit—another variable to consider.
I spoke with the players about this, and it is clear that they must, and do, take account of such acoustic differences as they move from one performing site to another. Careful concert-goers, too, should always consider these differences as they listen.
A final thought: The Ancora String Quartet, which also includes Robin Ryan as second violin, has always played with splendid expertise and stylistic sense. But it seems clear to me by now that the settling in of Wes Luke as the new first violinist has brought added vigor and assertiveness to the group’s playing, making it an even more important ensemble than ever before in Madison’s musical life.
The concert will be repeated tonight in Janesville at 7:30 p.m. in the Kilmark Theatre of the UW-Rock County at 2909 Kellogg Avenue. The performance is FREE and OPEN to the public.
For more information about the Ancora String Quartet and its new season, go to the website: http://ancoraquartet.com
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Classical music: The Ancora String Quartet will open its new season this Saturday night with music by Haydn, Dvorak and Ravel.
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By Jacob Stockinger
The Ancora String Quartet (below in a photo by Barry Lewis) will open its 17th season this Saturday night with a varied program. Members, from left, are: Wes Luke and Robin Ryan, violins; Marika Fischer Hoyt, viola; and Benjamin Whitcomb, cello.
The ASQ members play with many other professional groups, including the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and the Madison Bach Musicians. Cellist Whitcomb teaches at the UW-Whitewater.
The concert will take place at 7:30 p.m. in St. Andrew’s Episcopal Church (below) on Madison’s near west side at 1833 Regent Street.
The stylistically varied program includes: The “Sunrise” Quartet, Op. 76, No. 4, by Franz Joseph Haydn; “Cypresses Nos. 2, 5 and 10 by Antonin Dvorak, and the String Quartet in F Major by Maurice Ravel.
Tickets at the door are $15 for the general public; $12 for seniors and students; and $6 for children under 12.
A post-concert reception to meet the members of the quartet is included in the ticket.
Another performance will take place on Tuesday, Oct. 3, at 7:30 p.m. in the Kirk Denmark Theatre, UW-Rock County. The performance is FREE and OPEN TO THE PUBLIC.
Here are some program notes from the Ancora String Quartet:
“The opening recital features something for every musical taste.
“First on the program is a superb example of mature Haydn, from its exquisite opening theme depicting the rising sun — a favorite image among composers — to the fleet Finale which gets faster and ever faster, racing towards its triumphant conclusion.
“Dvorak first set the poetic cycle Cypresses for voice and piano, but his own transcription for string quartet retains the lyrical vocal style of these miniature character pieces.” (You can hear Cypress No. 2 at the bottom in a YouTube video. The Ear considers Dvorak’s “Cypresses” to be little gems that are literally small masterpieces that are not as well-known as they should be. They make great encores.)
“The Ravel quartet brings French Impressionism at its finest, with iridescent colors, jazzy rhythms and propulsive energy.”
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Classical music: Music by four Wisconsin composers will be sung by the Festival Choir of Madison this coming Saturday night at the First Unitarian Society.
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By Jacob Stockinger
This Saturday night at 7:30 p.m. at the First Unitarian Society of Madison, the Festival Choir of Madison (below) will perform a program of music called “Wisconsin Sings!”
The concert features new and recent works by four composers with strong Wisconsin ties.
The program includes:
“Four Mystical Poems” by Eric William Barnum (below).
“The Night Has a Thousand Eyes” and “Make Me a Dream” (a world premiere finished just a few weeks ago) by Jerry Hui (below), a UW-Madison School of Music graduate who now teaches choral music at UW-Stout and who also performs early music with the Madison-based group Eliza’s Toyes.
“Under Your Feet” and “And Dream Awhile” by Blake Henson (below).
“Adoramus Te, Sanctus Parvulus” by Zach Moore (below)
There will be a pre-concert Lecture at 6:30 p.m.
Ticket prices are $9 for students, $15 for general admission and $12 for seniors.
Tickets are available at the door or at: http://festivalchoirmadison.org/Season1415/tickets.htm
Here is the origin of the program, as the choir director Bryson Mortensen (below), who also teaches at the UW-Rock County, explains it:
“A few years ago, I attended a conference in the Twin Cities where there was a concert composed entirely of pieces by living Minnesota composers.
“After leaving the concert, I thought, “surely Wisconsin could do the same!”
“Since then I have been digging up pieces and meeting composers in Wisconsin who could contribute works to the program.
“After all these years, we have put together a concert that presents the music of four composers who live in, have studied in or come from Wisconsin.
“From the nationally and internationally recognized music of composers like Blake Henson, Jerry Hui and Eric William Barnum to the young and blossoming composer Zach Moore, the concert presents a variety of styles and moods that make for a great evening together.”
For more information about the Festival Choir of Madison, here is a link to the choir’s homepage:
http://festivalchoirmadison.org
In the YouTube video below, you can hear the Festival Choir of Madison singing the Low Mass by French composer Gabriel Fauré:
Tags: Andrew Steffen, Arts, Blake Henson, Bryson Mortensen, choral music, Classical music, Early music, Eric William Barnum, Faure, Festival Choir of Madison, Gabriel Fauré, Jacob Stockinger, Jerry Hui, Low Mass, Madison, Minnesota, New Music, Twin Cities, University of Wisconsin-Madison School of Music, University of Wisconsin-Stout, University of Wisconsin–Madison, UW-Rock County, UW-Stout, vocal music, Wisconsin, YouTube, Zach Moore
Classical music: Choral music, wind music and brass music add to the season-ending events this super-busy weekend.
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By Jacob Stockinger
This weekend brings more season-closers. The groups concluding their concert seasons include the First Unitarian Society of Madison’s FREE Friday Noon Musicales; the Festival Choir of Madison; the UW Chamber Orchestra; and Edgewood College.
Here is a round-up of yet another busy weekend.
FRIDAY
On Friday afternoon, from 12:15 to 1 p.m., the last FREE Friday Noon Musicale of the season at the first Unitarian Society of Madison, 900 University Bay Drive, will feature Driftless Winds, a University of Wisconsin-Platteville Faculty Reed Trio.
Members are Laura Medisky, oboe; Corey Mackey, clarinet; and Jacqueline Wilson, bassoon.
The program, performed in the historic Landmark Auditorium designed by Frank Lloyd Wright, includes music by Wolfgang Amadeus, Jacques Ibert, Erwin Schulhoff and Ludwig van Beethoven.
Bring your lunch; coffee and tea are provided.
On Friday night, the Madison Chamber Choir will perform at 7:30 p.m. at Christ Presbyterian Church (http://www.madisonchamberchoir.com) . It will be directed by Adam Kluck.
On Friday night, May 2, at 7:30 p.m. in the First Congregational United Church of Christ, 1609 University Avenue, the University of Wisconsin-Stout Choirs come to Madison on a mini-tour, with a program titled “An Ode To The Bard: Shakespeare in Music.”
The concert will feature musical settings of Shakespeare’s words, popular music of his time (including tunes that are referenced in his plays), and works inspired by the legacy of William Shakespeare (below).
Performers include the Stout Symphonic Singers (an open-seat choir of about 30 singers) and the Stout Chamber Choir (an auditioned choir of 20 singers), both directed by composer-conductor Jerry Hui (below), with pianist Michaela Gifford.
Admission is free with a free-will donation welcomed.
SATURDAY
On Saturday at 11 a.m. at Oakwood Village West, 6209 Mineral Road, on Madison’s far west side, the UW-Stout Choirs will give a second performance of their Friday night program. See directly above.
On Saturday afternoon at 4 p.m. in Mills Hall, the All-University String Orchestra will perform a FREE concert under conductor Janet Jensen (below, in a photo by Katrin Talbot). Sorry, no word on a specific program.
On Saturday, May 3, at 7 p.m. in the St. Joseph Chapel at 1000 Edgewood College Drive, the Edgewood Concert Band and Jazz Ensemble will perform under the direction of Walter Rich and Daniel Wallach. Included will be works by Paul Dukas, Jenkins, Williams, Van der Roost and Franz von Suppe.
Admission is $7 to benefit music scholarships at the college.
On Saturday night at 7:30 p.m., the FESTIVAL CHOIR OF MADISON (below) will conclude its 40th season in the First Baptist Church, 518 North Franklin Avenue, in Madison. It will perform with the Pecatonica String Quartet and winds, and under the baton of artistic director Bryson Mortensen, who is the Director of Choral Activities at the University of Wisconsin-Rock County.
The program is entitled “Gloria” and features two Glorias: the well-known one by Antonio Vivaldi and a rarely heard one by Luigi Boccherini. A pre-concert lecture, begins at 6:30 p.m. The Ear hears there will also be an encore performance of Wolfgang Amadeus Mozart‘s “Ave Verum Corpus.”
Tickets are $18 general public, $14 for seniors and $8 for students if bought in advance – call (608) 274-7089; the day of the concert, tickets are $20, $15 and $10, respectively.
For more information, visit the link: http://festivalchoirmadison.org/index.htm
On Saturday night at 8 p.m. in Mills Hall, the UW Women’s Chorus and the University Chorus will perform a FREE concert under the direction of Anna Volodarskaya and Adam Kluck (below), respectively. Sorry, no word yet on a specific program.
SUNDAY
On “Sunday Afternoon Live From the Chazen” Museum of Art on the campus of the University of Wisconsin-Madison, from 12:30 to 2 p.m., members of the music faculty at the University of Wisconsin-Eau Claire will perform the second-to–last concert of that series this season. As always it will be broadcast live on Wisconsin Public Radio. The concert itself is FREE in the Brittingham Gallery No. 3. Sorry, no word on a program.
On Sunday afternoon at 2 p.m., in Mills Hall, the UW Concert Band will perform a FREE concert under director Mike Leckrone (below). Sorry, no word on the program.
On Sunday, May 4, at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive, the Chamber Singers, Men’s Choir, Women’s Choir and Campus-Community Choir.
Kathleen Otterson (below) will conduct the Women’s Choir, while Albert Pinsonneault will lead the Chamber Singers, Campus-Community Choir, and Men’s Choir.
Pinsonneault (below) will also conduct the combined choirs and the Edgewood Chamber Orchestra in a performance of Franz Joseph Haydn’s “Te Deum.”
Admission is $7 to benefit music scholarships at Edgewood.
On Sunday evening at 6:30 p.m. in Music Hall, at the foot of Bascom Hill, the Lincoln Chamber Brass of Chicago will perform a FREE concert, just a week before they compete at the prestigious Fischoff Chamber Music Competition.
All of them are members of Civic Orchestra of Chicago; at 21, the horn player already substitutes for the Chicago Symphony Orchestra. Four are students at Northwestern University, the fifth at DePaul. Four of the five, including Ansel Norris, who was born in Madison and in high school studied with UW-Madison trumpeter John Aley, will attend the Boston Symphony Orchestra’s Tanglewood Festival this summer.
Musicians of the Civic Orchestra of Chicago. The program includes Victor Ewald’s Brass Quintet No. 3; David Sampson’s “Morning Music”; Franz Biebl’s “Ave Maria” (arranged by Barker); and Giles Farnaby’s Suite of Dances.
Members (below, from left) are Ansel Norris and William Cooper, trumpets; Kevin Haseltine, horn; Joseph Peterson, trombone; and Scott Hartman, bass trombone.
For more information, visit: http://lincolnchamberbrass.wordpress.com/home/
At 7:30 in Mills Hall, the UW Chamber Orchestra (below) will perform its last concert of the season and its last concert before being either mothballed or terminated.
The performance is FREE and will be under the baton of director James Smith.
The program includes: Jacques Ibert’s “Hommage to Mozart”; Richard Strauss’ “Dance Suite After Francois Couperin”; and Mozart’s Symphony No. 39 in E Fat Major. (In a YouTube video at the bottom, you can hear the first movement performed by the legendary conductor Karl Bohm and the Vienna Philharmonic.)
For more about the news significance of the event, here is a link to yesterday’s blog post:
Tags: Antonio Vivladi, Arts, Ave Verum Corpus, band, Beethoven, Boccherini, Boston Symphony Orchestra, brass, Chamber choir, Chamber music, Chicago, Chicago Civic Orchestra, Chicago Symphony Orchestra, Choir, choral music, Classical music, Concert Band, DePaul University, Dukas, Early music, Edgewood College, encore, Erwin Schulhoff, First Unitarian Society of Madison, Fischoff Chamber Music Competition, Frank Lloyd Wright, Franz Joseph Haydn, Friday, Gloria, Horn, Jacob Stockinger, Jacques Ibert, Karl Böhm, Lincoln Chamber Brass, Ludwig van Beethoven, Luigi Boccherini, Madison, Mozart, Music, Northwestern University, Paul Dukas, Piano, reed, Richard Strauss, Saturday, Schulhoff, Shakespare, Symphony No. 39 in E Flat Major, Tanglewood, Te Deum, trio, Trumpet, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Eau Claire, UW-Platteville, UW-Rock County, UW-Stout, Vienna Philharmonic, von Suppe, William Shakespeare, wisconsin public radio, Wolfgang Amadeus Mozart, YouTube
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The Well-Tempered Ear 