The Well-Tempered Ear

Classical music: Flutist and activist Iva Ugrcic is Musician of the Year for 2018

December 31, 2018
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By Jacob Stockinger

The classical music scene in Madison is so rich that it is always a challenge to name a Musician of the Year.

There are just so many deserving candidates. One obvious example is conductor John DeMain, who is completing his 25th year of outstanding stewardship in directing the Madison Symphony Orchestra and the Madison Opera.

But part of the intent behind such an honor is not just to recognize well-known figures. It is to encourage a broader awareness of those people who do a lot for local classical music but who often fly under the radar for many people.

That is why The Ear is naming flutist and activist Iva Ugrcic (below) as the Musician of the Year for 2018.

As both a performer and entrepreneur, Ugrcic is always very busy broadening her varied career. Being both a player and an activist, she is making a difference, musically and socially, that deserves to be recognized and supported.

Serbian by birth and educated in Belgrade and Paris, she came to Madison where she completed her doctorate in flute performance and also took business courses at the UW-Madison Business School.

She is a first-rate performer who has won a national prize for performing. While at the UW-Madison’s Mead Witter School of Music, she won both the concerto competition (below) and the Irving Shain competition for wind instruments in duets. (You can hear her amazing technique in the YouTube video at the bottom. In it Ugrcic performs “Voice” for solo flute by the Japanese composer Toru Takemitsu.)

She now plays with the Black Marigold Wind Quintet and Sound Out Loud, both of which are based in Madison and both of which devote themselves to contemporary composers and new music.

This year, Urgcic also soloed with the Middleton Community Orchestra (below, in a photo by John W. Barker), performing to critical acclaim a relatively unknown concerto by 19th-century composer Carl Reinecke.

This year, Urgcic also took over as artistic director of the Rural Musicians Forum, which brings classical music, jazz, world music and ethnic music, played by outstanding performers to the Spring Green area, often at the Taliesin compound of architect Frank Lloyd Wright.

But perhaps her most long-lasting contribution is her founding and now directing the LunART Festival that, in the same year of the Me Too movement, sought to present an all-women event that featured composers, performers, visual artists and writers.

Such was its inaugural success in 2018 that it won a national prize from the National Flute Association and a second festival will take place from June 9 through June 9, 2019.

2019 will also see the release of her second solo recording devoted to the music of the contemporary Romanian composer Doina Rotaru, even while she is working on a recording of “Beer Music” by contemporary American composer Brian DuFord.

And all that is just the beginning for such a promising talent. We will be hearing much more from her and about her in years to come.

To see her impressive biography, as well as updated activities, video and audio clips, photographs and other information, go to: https://www.ivaugrcic.com/bio

Here is one more thing that speaks to The Ear. It feels important, even necessary, to recognize the positive contributions of an immigrant at a time when the current “America First” administration under President Donald Trump seems so paranoid and negative, so xenophobic and afraid of foreigners.

The U.S government should be less intent on condemning or stigmatizing immigrants, whether legal or undocumented, and should put more emphasis on their contributions and on the long and distinguished history they have in the United States.

Iva Urgcic is yet another example of the talent we Americans stand to lose if we do not accept and encourage the gifts that immigrants bring in so many ways — from the arts, medicine, education and technology to everyday life and work.

Please join The Ear is expressing gratitude and congratulations to Iva Urgcic.

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Classical music: Cellist-composer Steuart Pincombe performs music by Bach, Biber and Abel on this Thursday night at the Chocolaterian Cafe in Middleton

September 17, 2018
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By Jacob Stockinger

The Ear has received the following announcement about a special and unusual populist concert:

Cellist Steuart Pincombe (below) can regularly be found playing in some of the world’s more prestigious concert halls, premiering new compositions and soloing in major festivals.

On this coming Thursday night, Sept. 20, at 7:30 p.m., Pincombe will perform music in a more intimate setting: the Chocolaterian Cafe (below), located at 6637 University Avenue in Middleton. Phone is 608 836-1156.)

The concert is part of an international movement called Music in Familiar Spaces, which is bringing the classical music experience at its highest level into homes, cafes, breweries, bookstores or any place where people feel comfortable.

One of the aims of the Music in Familiar Spaces is to make classical music accessible to a wide and varied audience. This is accomplished not only by performing in familiar, comfortable and untraditional spaces, but by designing programs that invite the audience to experience the music in a new and engaging way.

The program at the Chocolaterian is titled “Sweet Sorrow” and features music of some of the Baroque period’s most beloved composers: Karl Friedrich Abel (below top in a painting by Thomas Gainsborough), Heinrich Biber (below middle) and Johann Sebastian Bach (below bottom) plus an original composition by Pincombe.

Pincombe will be joined by local violinist and concertmaster of the Madison Bach Musicians Kangwon Kim (below) in a selection from Biber’s Rosary Sonatas.

Here is the program:

Selections in D minor (From 27 Pieces for Viola da gamba) by Carl Friedrich Abel (1723-1787)

Violin Sonata No. 10 in G minor, “Crucifixion” (From the Rosary sonatas) by Heinrich Biber (1644-1702)

Suite No. 5 in C minor for Solo Cello, BWV 1011, by Johann Sebastian Bach (1685-1750). You can hear Mischa Maisky playing the Prelude to the Bach suite in the YouTube video at the bottom.

Psalm 56 for Voice and Viola da gamba by Steuart Pincombe (1987-)

In order to make the concert accessible to anyone, the audience is asked to name-their-own-ticket-price for the concert, paying what they can afford and what they deem the concert is worth.

The suggested ticket price is $15-30 per person, plus the cost of whatever food and drink you wish to purchase from the cafe.

Want to know more about Steuart Pincombe?

Here is a link to his home website: https://www.steuartpincombe.com

Steuart Pincombe’s career as a cellist has brought him to leading halls and festivals across North America and Europe and he has been named by the Strad Magazine as a “superb solo cellist” and a “gorgeous player [with] perfect intonation, imaginative phrasing” by the Philadelphia Inquirer.

Highlights of Steuart’s recent concert seasons include being a featured soloist with Solistenensemble Kaleidoskop (Germany), festival appearances with Asko | Schönberg (Netherlands), Cello8ctet Amsterdam (Netherlands), Ensemble Ansonia (Belgium), Oerknal! (Netherlands), performing with Holland Baroque Society (Netherlands) for King Willem Alexander of The Netherlands, appearing as soloist at the Amsterdam Cello Bienalle (Netherlands), and recording Bach’s Cello Suite No. 2 in Amsterdam’s Concertgebouw for All of Bach.

His concert “Bach and Beer” was selected by the Cleveland Plain Dealer as one of the Top 10 Classical Events of the Year and a concert in which he appeared as soloist with Rene Schiffer and Apollo’s Fire was numbered in London’s ‘5 Best Classical Music Moments of 2014’ according to The Telegraph (United Kingdom).

In 2015-2016, Pincombe toured North America for one year bringing classical music to new spaces and new audiences in a project he started called Music in Familiar Spaces.

He is currently visiting Teacher of Historical Performance at the Oberlin Conservatory of Music.


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