Then at 7:30 p.m. in Mills Hall, the UW Wind Ensemble (below top), conducted by Scott Teeple (below bottom), will perform a FREE concert of works by Jim Territo, William Schuman, Charles Ives, Percy Grainger and Paul Hindemith.
The Well-Tempered Ear
The New York Times music critics suggest 10 must-hear online classical concerts during December
November 30, 2020
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By Jacob Stockinger
Tomorrow is Dec. 1, 2020.
Lately, at the end of every month the music critics for The New York Times publish a list of 10 virtual and online classical concerts for the following month that they think deserve special attention.
Often – but not always — their choices feature the unusual: new music and world premieres; neglected repertoire; and lesser-known performers that most of us are not likely to hear locally.
The December choices, for example, include an oratorio “Perle Noire” (Black Pearl), by composer Tyshawn Sorey, about the famous African-American, Paris-based expat dancer Josephine Baker – she of the banana skirt (below). But she was more than just a risqué dancer and entertainer. She fought in the French Resistance movement against the Nazis and was a civil rights champion.
But this list also includes seasonal fare such the holiday tradition by which the Chamber Music Society of Lincoln Center performs in one night all six Brandenburg Concertos by Johann Sebastian Bach (you can hear an excerpt in the YouTube video at the bottom); and other holiday celebrations such as a concert by the early music vocal group Tenet (below, in a photo by Nan Melville.)
But those suggestions do not take away from more local efforts and performances.
The Ear is certain that those same critics would approve of supporting local musicians and music groups during the coronavirus pandemic.
And there are many local offerings. The Madison Symphony Orchestra, the Wisconsin Union Theater, the University of Wisconsin-Madison’s Mead Witter School of Music, the Madison Bach Musicians and Just Bach all have virtual online concerts scheduled for December.
You can check out their offerings at their websites and here on this blog as the month unfolds.
But if the Times’ choices interest you – and they should — here is a link: https://www.nytimes.com/2020/11/25/arts/music/classical-music-stream-december.html
Note that the blurbs show Eastern Time but also include how long the performances are posted for and links to the organizations presenting the concerts.
Happy listening!
And Happy Holidays!
Do you have other online performances – local, regional, national or international — to suggest?
Please leave the necessary information in the Comment section.
The Ear wants to hear.
Posted in Classical music
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Tags: #AmericanJazz, #AmericanSymphonyOrchestra, #AntoninDvorak, #AristoSham, #BaroqueMusic, #BlackPearl, #BlogPost, #BlogPosting, #BrandenburgConcerto, #CarlVine, #ChamberMusic, #ChamberMusicSocietyofLIncolnCenter, #CivilRights, #ClaudeDebussy, #ConradTao, #CoronavirusPandemic, #CreaturesofPromethus, #CurtisInstitute, #DoverQuartet, #DukeEllington, #EasternTime, #ElliottCarter, #Esa-PekkaSalonen, #FacebookPost, #FacebookPosting, #FranzJosephHaydn, #FredericChopin, #FrenchResistance, #GerardMcBurney, #GyorgyLigeti, #HolidayMusic, #HolidayTradition, #HomeWebsite, #IntenrationalContemporaryEnsemble, #JACKQuartet, #JacobStockinger, #JohannesBrahms, #JohannSebastianBach, #JosephineBaker, #JuliaBullock, #JustBach, #LeonBotstein, #LocalMusicians, #LudwigVanBeethoven, #MadisonBachMusicians, #MadisonSymphonyOrchestra, #MarcusRoberts, #MeadWitterSchoolofMusic, #MetropolitanMuseumofArt, #MoonlightSonata, #MusicCritic, #NateWooley, #NeglectedComposers, #NeglectedMusic, #NeglectedRepertoire, #NewMusic, #NewYorkCity, #OnlineConcert, #ParisFrance, #PerleNoire, #PhilharmoniaOrchestra, #PianoMusic, #PianoSonata, #RuthCrawfirdSeeger, #SaadHaddad, #SeasonalMusic, #SopranoSinger, #StephenFry, #StringQuartet, #TakaKigawa, #TheEar, #TheNewYorkTImes, #TheUW, #ToruTakemitsu, #TyshawnSorey, #UniversityofWisconsin-Madison, #VirtualConcert, #VocalGroup, #VocalMusic, #WisconsinUnionTheater, #WolfgangAmadeusMozart, #WorldPremiere, #YouTubevideo, African American, African-Amercican, always, American Symphony Orchestra, animation, Antonín Dvořák, approve, Aristo Sham, Arts, audience, Bach, baker, Ballade, ballet, banana, Baroque, Baroque music, Beethoven, black, Black Pearl, blog, blurb, Brahms, Brandenburg Concerto, Carl Vine, celebration, certain, Chamber music, Chamber Music Society of Lincoln Center, champion, choice, Chopin, choral music, civil rights, Classical music, Claude Debussy, composer, composers, Concert, concerto, conductor, Conrad Tao, coronavirus, Creatures of Prometheus, Curtis Institute, dancer, Debussy, December, Dover Quartet, duet, Duke Ellington, duo, Dvorak, Early music, earlymusic, Eastern time, efforts, Elliott Carter, entertainer, Esa-Pekka Salonen, Estampes, ex-pat, excerpt, Facebook, famous, fare, forward, France, Franz Joseph Haydn, Frédéric Chopin, French Resistance, Gerard McBurney, György Ligeti, Happy Holidays, happy', Haydn, hear, Holiday, holiday tradition, home website, images, information, instrumental, international, International Contemporary Ensemble, JACK Quartet, Jacob Stockinger, Jazz, Johann Sebastian Bach, Johannes Brahms, Josephine Baker, Julia Bullock, Just Bach, lately, Leon Botstein, Ligeti, like, link, listening, local, long, Lstin, Ludwig van Beethoven, Madison, Madison Bach Musicians, Madison Symphony Orchestra, Marcus Roberts, Mead Witter School of Music, Metropolitan Museum of Art, month, Moonlight Sonata, movement, Mozart, MSO, Music, music critic, narration, Nate Wolley, national, Nazi, necessary, neglected, neglected music, New Music, New York City, night, offerings, often, one, online, opera, oratorio, Orchestra, orchestral, pandemic, Paris, performances, Perle Noir, Perle Noire, Philharmonia Orchestra, Pianist, Piano, piano music, Piano sonata, polonaise, post, posting, Prelude, prints, publish, recital, regional, repertoire, repertory, risqué, Ruth Crawford Seeger, Saad Haddad, schedule, script, seasonal, seasonal music, share, six, skirt, Sonata, soprano, Sorey, Sory, Stephen Fry, String quartet, studies, suggest, suggestions, support, Sweden, tag, Taka Kigawa, take away, takeaway, Takemitsu, Tenet, The Ear, The New York Times, Toru Takemitsu, Tyshawn Sorey, Tyshown Sorey, unfold, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unsual, UW, UW-Madison, vignette, Violin, virtual, vocal group, vocal music, Website, Wisconsin, Wisconsin Union Theater, Wolfgang Amadeus Mozart, world premiere, WUT, YouTube
Classical music: This Saturday night and Sunday afternoon, the Oakwood Chamber Players finish their “Vignettes” season with an American audio-visual work and music by French, Italian and British composers
May 14, 2019
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By Jacob Stockinger
This weekend, the Oakwood Chamber Players — known for highlighting neglected composers and works — perform the last concert of their current season series “Vignettes” with an array of contrasting and generally neglected works from the late 19th to 21st century.
Performances will take place on Saturday night, May 18, at 7 p.m. and on Sunday afternoon, May 19, at 2 p.m. Both concerts will be held at the Oakwood Village Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne Mall.
Tickets can be purchased with cash or personal checks at the door: $25 for general admission, $20 for seniors and $5 for students.
Members of the Oakwood Chamber Players (below) are: Marilyn Chohaney, flute; Nancy Mackenzie, clarinet; Amanda Szyczs, bassoon; Anne Aley, horn; and Maggie Townsend, cello.
They are joined by guest artists: Valree Casey, oboe; Hillary Hempel, violin; Michael Koszewski, percussion; Jason Kutz, piano; and Carrie Backman, conductor.
American composer Michael Gandolfi (below top) collaborated with MIT computer animator Jonathan Bachrach (below bottom) to create a unique musical and visual partnership for his Abridged History of the World in Seven Acts. Six instrumentalists create overlapping textures and rhythmic interplay in response to mesmerizing images.
Four French composers from the late 19th to mid-20th century are featured: The piano, four-hand “Dolly Suite” by Gabriel Fauré (below top) in an arrangement for woodwind quintet and piano; Petite Pièces (Small Pieces) for violin, horn and piano by his student Charles Koechlin (below middle; the sweetly engaging quartet Sérénade (Serenade) by Reynaldo Hahn (below third); and five Pièces en Trio (Trio Pieces) for oboe, clarinet and bassoon by Jacques Ibert (below bottom).
The Piano Trio in One Movement” by British composer Norman O’Neill (below) is full of verve and heart-felt melodies.
The woodwind quintet Piccolo Offerta Musicale” by noted Italian film composer Nino Rota (below), who wrote the scores for many films by Federico Fellini, is a short homage to Johann Sebastian Bach. (You can hear in the YouTube video at the bottom.)
The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years. They perform in other groups, including the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and the Willy Street Chamber Players.
For more information, go to www.oakwoodchamberplayers.com or call (608) 230-4316.
The Oakwood Chamber Players are a professional music ensemble supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.
Posted in Classical music
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Classical music: This Friday night, the UW Symphony Orchestra depicts visual art in sound. Plus, two all-student string orchestras perform Saturday afternoon and the UW Wind Ensemble performs Saturday night
April 25, 2019
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CORRECTION: The concert by Sonata à Quattro TONIGHT at Oakwood Village West is at 7 p.m. — NOT 8 p.m. as mistakenly stated in Tuesday’s blog posting.
By Jacob Stockinger
This weekend, two student orchestras will give FREE concerts at the University of Wisconsin-Madison’s Mead Witter School of Music.
On Friday night, April 26, at 8 p.m. in Mills Hall, the UW Symphony Orchestra (below top) under conductor Chad Hutchinson (below bottom), who has won prizes and acclaim for his programming, will give a FREE “gallery tour” concert exploring how visual art is depicted in sound.
The program opens with “Finding Rothko” (2006), by American composer Adam Schoenberg (below).
The musical work depicts four Abstract Expressionist paintings by the Russian-American master Mark Rothko (below top, above his 1956 painting in Orange. You can hear the “Orange” section of the musical work in the YouTube video at the bottom.)
To read the composer’s notes, go to: https://adamschoenberg.com/works/finding-rothko/
To find out more about the composer, go to: https://en.wikipedia.org/wiki/Adam_Schoenberg
The concert concludes with the dramatic, dark and moody “Pictures at an Exhibition” — in the classic orchestration by Maurice Ravel – by Russian composer Modest Mussorgsky (below).
The musical work is a set of vignettes evoking drawings and watercolors by Viktor Hartmann (below top), including the famous ending with “The Great Gate of Kiev” (below bottom).
SATURDAY
On Saturday afternoon, April 27, at 2 p.m. in Mills Hall, the All-University Strings (below, in a photo by Jeff Miller for University Communications) – made up of non-music majors – will perform a FREE concert.
All-University Strings is comprised of two non-major string orchestras — named Orchestra One and Orchestra Two – that are open to all interested string players who are not music majors. Director Pedro Oviedo will conduct.
No word on the program, which is unfortunate. The Ear suspects that if the public knew the program, the concert might draw a bigger audience.
Posted in Classical music
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Tags: #AbstractExpressionism, #AbstractExpressionist, #AdamSchoenberg, #All-UniversityStrings, #AudienceMembers, #BlogPost, #BlogPosting, #ChadHutchinson, #CharlesIves, #FacebookPost, #FacebookPosting, #FindingRothko, #Fridaynight, #GreatGateofKIev, #JimTerrito, #MarkRothko, #MauriceRavel, #MillsHall, #ModestMussorgsky, #OakwoodVillage, #PaulHindemith, #PedroOviedo, #PercyGrainger, #PicturesatanExhibition, #SaturdayAfternoon, #SonataaQuattro, #SymphonyOrchestra, #TheEar, #UWSymphonyOrchestra, #ViktorHartmann, #VisualArt, #Wikipediabiography, #WilliamSchuman, #WindEnsemble, #WindMusic, #YouTubevideo, Abstract Expressionism, abstract expressionist, acclaim, Adam Schoenberg, American, Art, art gallery, artist, Arts, audience, blog, Cello, Chad Hutchinson, Charles Ives, Classical music, composer, Concert, conductor, correction, dark, depict, director, drama, dramatic, drawing, Early music, ending, evoke, Facebook, famous, Finding Rothko, forward, Friday, gallery, Great Gate of Kiev, Jacob Stockinger, Jim Territo, like, link, Madison, major, Mark Rothko, Master, Maurice Ravel, Mills Hall, Modest Mussorgsky, mood, moody, Music, notes, Oakwood Village West, orange, Orchestra, painting, Paul Hindemith, Pedro Oviedo, Percy Grainger, performer, Pictures at an Exhibition, poetic, prize, program, Russian, Saturday, Schoenberg, share, Sonata, Sonata à Quattro, Sound, symphony, symphony orchestra, tag, The Ear, theme, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW Symphony Orchestra, UW Wind Ensemble, video, vignette, Viktor Hartmann, Viola, Violin, visual, visual art, watercolor, weekend, Wikipedia, William Schuman, wind ensemble, wind music, word, work, YouTube
Classical music: The Oakwood Chamber Players will play music by Russian, British, Canadian and American composers this Saturday night and Sunday afternoon
March 1, 2019
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ALERT: If you attend the concert by the Cuarteto Casals tonight at 7:30 p.m. in Shannon Hall of the Wisconsin Union Theater, you night want to read local writer and amateur cellist Paul Baker’s interview with the Chicago-born violist who analyzes the interpretation of each piece on the program. Here is a link to Baker’s blog “Only Strings” where you can find the interview: https://onlystringswsum.wordpress.com/author/pbaker/
For more information about the group and the concert, go to yesterday’s post: https://welltempered.wordpress.com/2019/02/28/classical-music-this-friday-night-the-wisconsin-union-theater-presents-a-world-class-spanish-string-quartet-and-will-also-announce-the-special-programs-for-its-centennial-anniversary-next-season/
By Jacob Stockinger
This coming weekend, the Oakwood Chamber Players (below) continue their season theme of Vignettes with compositions that depict concepts and stories.
The program includes dances from Panama, a string quartet from Russia and interpretation of the natural world woven into a composition by an American composer.
Performances will take place Saturday night, March 2, at 7 p.m. and Sunday afternoon, March 3, at 2 p.m. Both concerts will be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side not far from West Towne Mall.
Tickets can be purchased with cash or personal checks at the door: $25 for general admission, $20 for seniors, and $5 for students. Visit www.oakwoodchamberplayers.com or call (608) 230-4316 for more information.
Five Novelettes for string quartet by Russian composer Alexander Glazunov (below) showcase the composer’s imagination and romantic writing. From the opening elegance in the Spanish style to the spirited Hungarian character in the finale, each of the five contrasting movements is graceful and captivating.
Red Hills Black Birds was composed by American composer Libby Larsen (below) for clarinet, viola and piano after she viewed contrasting paintings of New Mexico by Georgia O’Keeffe. Many of O’Keeffe’s works embody a sense of perspective, color and horizon. Larsen’s music uses her impressions of O’Keeffe’s art as her compositional focus. She reimagines six paintings of the southwest and shapes her composition to concepts of breadth and timelessness.
Dash for flute, clarinet and piano by American composer Jennifer Higdon (below) is a riotous musical chase. The composer chose these three instruments specifically for their capability of velocity. The unrelenting pulse creates a breath-taking technical sprint for the players.
O Albion by British composer Thomas Adès (below) is excerpted from his string quartet Arcadiana. The music has an ethereal quality and mesmerizes with its slow beauty and simplicity. (You can hear “O Albion” in the YouTube video at the bottom.)
Trio for flute, clarinet and bassoon is an upbeat piece written by Canadian composer, bassoonist and jazz pianist Bill Douglas. His writing brings together both classical and jazz influences.
The concert concludes with Danzas de Panama by William Grant Still (below) for string quintet and flute. A noted 20th century African-American composer, Still based this piece on Panamanian folk tunes collected in the 1920s. He used the lushness of the songs and compelling rhythms with great success. He was a talented orchestrator and it is hard to resist the panache and charm of the four movements: Taborita, Mejorana, Punto and Cumbia y Conga.
Oakwood Chamber Players members are Marilyn Chohaney, flute; Nancy Mackenzie, clarinet; Amanda Szyczs, bassoon; and Maggie Townsend, cello. They will be joined by guest artists Elspeth Stalter-Clouse, violin; Ariel Garcia, viola; Brad Townsend, bass; and Satoko Hayami, piano.
This is the fourth of five concerts in the Oakwood Chamber Players’ 2018-2019 season series entitled Vignettes. Remaining concerts will take place on May 18 and 19.
The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years. They have also played in other local groups, including the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra, and at the University of Wisconsin-Madison.
The Oakwood Chamber Players is a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.
Posted in Classical music
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Classical music: The Oakwood Chamber Players celebrate the holidays this weekend with two performances of seasonal music
November 20, 2018
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By Jacob Stockinger
This weekend the Oakwood Chamber Players (below) continue their 2018-2019 season series “Vignettes” with a holiday concert on this Saturday night, Nov. 24, at 7 p.m. and Sunday afternoon, Nov. 25, at 2 p.m.
On the program is a range of musical styles and a charming story set for chamber ensemble and narrator.
The cheery holiday-themed program will include familiar seasonal music, treasured classical composers, entertaining arrangements, and some delightful musical storytelling.
Both concerts will be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne Mall.
Tickets can be purchased with cash or personal checks at the door: the cost is $25 for general admission, $20 for seniors, and $5 for students. For more information, go to: www.oakwoodchamberplayers.com or call (608) 230-4316.
The program includes music from two beloved classical composers: “Joseph, dearest, Joseph mine” from “Geistliches Wiegenlied” by Johannes Brahms; and Suite of Christmas Songs, Op. 72, by Felix Mendelssohn.
In 1927, “The Adoration of the Magi” (below) by Renaissance painter Sandro Botticelli, who did many scenes of that subject, inspired Italian composer Ottorino Respighi to create an evocative composition that weaves traditional carols into his musical response to the famous painting. This version has been arranged for chamber ensemble of flute, harp and cello. (You can hear the orchestral version in the YouTube video at the bottom.)
The group will be joined by special guest artist baritone Robert “Bobby” Goderich, who has appeared with the Madison Opera and the Four Seasons Theatre. He will sing an upbeat version of the traditional Welsh Gower Wassail as well as performing Silent Night set for the intimate combination of voice, clarinet and harp.
Central to the program, Goderich (below) will narrate Sweep Dreams, an enchanting tale about a lonely man who falls in love with an enchanted broom that dances in the moonlight.
The story by the late and prize-winning author Nancy Willard (below top) was set to music by the late and renowned American choral composer Stephen Paulus (below bottom), who lived in Minneapolis and created the piece while he was composer-in-residence for the Minnesota Orchestra.
Additional works on the concert are “A Winter’s Night” by American composer Kevin McKee (below) for flugelhorn and harp, Australian composer Percy Grainger’s warm-hearted setting of “Sussex Mummers’ Carol,” and two sunny woodwind quintet settings of beloved holiday songs.
The Oakwood Chamber Players will be joined by a significant array of guest artists: Margaret Mackenzie, harp; Wes Luke, violin; Ariel Garcia, viola; Brad Townsend, bass; Jennifer Morgan, oboe; John Aley trumpet and flugelhorn; Robert “Bobby” Goderich, singer/narrator; Nicholas Bonacio, percussion; and Carrie Backman, conductor.
Regular members, who play with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and other local groups, include: Maggie Darby Townsend, cello; Marilyn Chohaney, flute; Nancy Mackenzie, clarinet; Anne Aley, horn; and Amanda Szczys, bassoon.
This is the second of five concerts in the Oakwood Chamber Players’ 2018-2019 season series entitled Vignettes. Remaining concerts will take place in 2019 on Jan. 12 and 13; March 2 and 3; and May 18 and 19.
The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years.
The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.
Posted in Classical music
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Classical music: This weekend the Madison Symphony Orchestra opens its new season with Mendelssohn’s “Reformation” Symphony and music by Bach. It also highlights principal violist in music by Berlioz
September 13, 2017
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By Jacob Stockinger
This coming weekend, the Madison Symphony Orchestra (MSO, below in a photo by Peter Rodgers), with music director John DeMain conducting, opens its 92nd season with a celebration of the 500th anniversary of the Lutheran Reformation.
The season-opening concert also showcases the Madison Symphony Orchestra as an ensemble with no guest soloist. The MSO’s Principal Violist Chris Dozoryst (below) will solo in Hector Berlioz’s “Harold in Italy.”
Also featured is Leopold Stokowski’s famous orchestral arrangement of Johann Sebastian Bach’s Toccata and Fugue in D Minor, and the 500th anniversary of the Lutheran Reformation will be honored with Felix Mendelssohn’s “Reformation” Symphony.
The concerts in Overture Hall of the Overture Center, 201 State Street, are on Friday night, Sept. 15, at 7:30 p.m.; Saturday night, Sept. 16, at 8 p.m., and Sunday afternoon, Sept. 17, at 2:30 p.m.
Ticket information is below.
According to the MSO press release: “The concerts present the music of two composers who shared a deeply spiritual relationship with the Lutheran faith, and passion for music. It is said that Johann Sebastian Bach set faith to music, and Felix Mendelssohn clarified faith for all to hear.
MSO Music Director John DeMain (below, in a photo by Greg Anderson) chose to pair Bach and Mendelssohn specifically for this program.
“Both Bach (below top) and Mendelssohn (below bottom) were devout Lutherans, Mendelssohn having converted from Judaism when he was 12 years old,” DeMain says.
“I decided to open the season with Leopold Stokowski’s great transcription of Bach’s Toccata and Fugue in D Minor for organ, and then give the first performance by the MSO of Mendelssohn’s Symphony No. 5, subtitled the Reformation. Indeed, this symphony quotes extensively from one of the greatest Christian hymns of all time — “A Mighty Fortress Is Our God.””
Bach’s Toccata and Fugue in D minor is a transcription for orchestra by Leopold Stokowski (below) and became well-known after its inclusion in Disney’s film Fantasia. The piece was originally cut from the theatrical release of the film, but was later added back in a 1946 re-release and included Stokowski directing the orchestra at the beginning of the piece. (You can hear the original version for organ, with an unusual graphic display, in the YouTube video at the bottom.)
Hector Berlioz’s “Harold in Italy” is considered an autobiographical vignette recounting the composer’s Italian experience. The piece is filled with youthful vitality, tinged with an appealing Romantic sensibility that Berlioz (below) borrowed freely from literature, most specifically Lord Byron’s poem “Childe Harold’s Pilgrimage.” Playing the solo viola part is MSO’s Principal Violist Chris Dozoryst.
The 2017–18 season will mark Christopher Dozoryst’s 10th season as principal viola with the Madison Symphony Orchestra. In addition to his orchestral duties, Chris also performs with the MSO’s HeartStrings Program as violist with the Rhapsodie Quartet. He also performs and records, working locally and regionally in Madison and Chicago. He has performed numerous engagements with well-known musicians including Tony Bennett, Ray Charles, and Smokey Robinson.
Originally commissioned in 1830 for a celebration of the 300th anniversary of the Augsburg Confession, Mendelssohn honors Martin Luther (below) in his Symphony No. 5 “Reformation” by including in the finale the beloved hymn Ein’ feste Burg is unser Gott (A Mighty Fortress Is Our God) that Luther had written while the Augsburg Confession was in session. This year marks the 500th anniversary of Luther’s Ninety-Five Theses and the establishment of the Lutheran Church.
One hour before each performance, Amy Hartsough (below), acting director of music at Bethel Lutheran Church, will lead a FREE 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.
For more background on the music, please read the Program Notes by MSO trombonist and UW-Whitewater professor Michael Allsen at: http://www.allsenmusic.com/NOTES/1718/1.Sep17.html.
The MSO recommends that concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the pre-concert talk (free for all ticket-holders).
Single Tickets are $18-$90 each and are on sale now at https://www.madisonsymphony.org/singletickets, through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.
Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, go to: https://www.madisonsymphony.org/groups.
Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $18 tickets.
More information is at: https://www.madisonsymphony.org/studentrush
Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
Discounted seats are subject to availability, and discounts may not be combined.
Major funding for the September concerts is provided by: the Wisconsin State Journal and Madison.com, Rosemarie and Fred Blancke, Capitol Lakes, The Gialamas Company, Inc., Marvin J. Levy, Nancy Mohs, and Peggy and Tom Pyle. Additional funding is provided by: DeWitt Ross & Stevens S.C., Forte Research Systems and Nimblify, the Wisconsin Arts Board with funds from the State of Wisconsin, and the federal National Endowment for the Arts.
Posted in Classical music
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Classical music: Cellist Parry Karp plays music by Beethoven, Franck and Sulkan Tsintsadze in a FREE recital this Friday night
February 22, 2017
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By Jacob Stockinger
Cellist Parry Karp (below) will perform a FREE recital this Friday night, Feb. 24, at 8 p.m. in Mills Hall.
Karp, who is the longtime cellist of the Pro Arte Quartet, heads the chamber music program at the University of Wisconsin-Madison School of Music.
Karp will be joined by pianist Eli Kalman (below right with Karp), a longtime partner who did his graduate work at the UW-Madison and now teaches at the UW–Oshkosh.
Their program features two well-known works.
Karp will perform his own transcription of the Sonata in A minor for Violin and Piano (1801) by Ludwig van Beethoven. It is the eighth of the 10 violin sonatas by Beethoven that Karp has transcribed, keeping the violin works in their original key on the cello.
The duo will also play the famous Sonata in A Major for Violin and Piano (1886) by Cesar Franck. It was transcribed by Jules Delsart with some adjustments from Karp.
Then comes a rarity: the 24 Preludes for Cello and Piano (1980) by Sulkhan Tsintsadze (1925-1991, below).
Here are some remarks about these works by Karp, who likes to explore neglected composers and repertoire:
“The 24 Preludes (1980) by Sulkhan Tsintsadze are a wonderful find. Tsintsadze was a composer and cellist from Georgia in the USSR, and was very taken by the 24 prelude format.
“The piece goes through all of the major and minor Keys in the same order as the do the preludes for solo piano by Chopin.”
“Each Prelude is similar to a short story or vignette, and the emotional range of the entire set is compelling.”
Here is more information about the composer:
https://en.wikipedia.org/wiki/Sulkhan_Tsintsadze
And here is a YouTube video – the first of four parts – with samples of the 24 Preludes for Cello and Piano:
Posted in Classical music
Tags: Arts, Beethoven, Cello, Chamber music, Classical music, emotion, Franck, Jacob Stockinger, Jules Delsart, key, Ludwig van Beethoven, Madison, major, minor, Music, Parry Karp, Prelude, Pro Arte Quartet, Republic of Georgia, short story, Sonata, Soviet Union, Sulkhan Tsintsadze, transcription, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, USSR, UW-Oshkosh, vignette, Violin, Wisconsin, YouTube
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