The Well-Tempered Ear

Classical music: The early music, period-instrument group Sonata à Quattro plays a very varied “fringe concert” during the Madison Early Music Festival this Wednesday night

July 9, 2018
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By Jacob Stockinger

The new early music, period-instrument group Sonata à Quattro (below, in a photo by Lori Skelton) will perform a “Fringe Concert” during this year’s Madison Early Music Festival of a program called “The Lübeck Connection.”

The theme of this year’s MEMF, which is taking place all this week, focuses on music in the fabled choir library at St. Mary’s Church in Lübeck (below). All the works on the program were written by composers represented in that library. The program will run 90 minutes with one intermission.

The concert takes place on this Wednesday night, July 11, at 7:30 p.m., at Pres House, 731 State St.

Tickets will be available at the door, for general seating, at $20 for general admission and $10 for seniors, students and MEMF participants. Cash, check or charge will be accepted. A marzipan reception follows.

The first half of the program of Baroque music from the 17th and 18th centuries includes works by Giovanni Gabrieli, Heinrich Schütz, Michael Praetorius, Hermann Schein, Johann Staden, Heinrich Biber, Antonio Vivaldi and Samuel Capricornus.

The second half is all-Dietrich Buxtehude (below). You can hear a section of Buxtehude’s Trio Sonata in B-flat Major, Bux259, which is on the program, in the YouTube video at the bottom.

The ensemble (seen at the top of this story) is composed of violinists Nathan Giglierano and Christine Hauptly Annin; violist Marika Fischer Hoyt; cellist Charlie Rasmussen; and harpsichordist Daniel Sullivan.

Additional musicians include soprano Kristin Knutson, violinist Thalia Coombs, violist Micah Behr, and Phillip Serna and Eric Miller on violas da gamba.

You can get more information and follow the group on Facebook at: https://www.facebook.com/sonataaquattro/

One other performance of this program will take place. It is this coming Sunday, July 15, at 7 p.m. in St. Matthias Episcopal Church, 11 E. Main St., in Waukesha. For information, go to: https://stmatthiasepiscopalchurch.ticketleap.com/the-lubeck-connection


Classical music: This Saturday, the 19th annual Madison Early Music Festival (MEMF) starts a week-long exploration of how the Lutheran Reformation and the invention of printing changed Western music 500 years ago. Part 1 of 2

July 2, 2018
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By Jacob Stockinger

Starting this Saturday and running through the following Saturday, the 19th annual Madison Early Music Festival will explore the profound effects that the Lutheran Reformation had on Renaissance and Baroque music of the time.

The festival, to be held at the UW-Madison’s Mead Witter School of Music, is called “A Cabinet of Curiosities: A Journey to Lübeck.” For a complete listing of programs, lectures, concerts and workshops, with information about tickets, go to the website: https://memf.wisc.edu

Soprano Cheryl Bensman Rowe — who co-directs the festival with UW Arts Institute’s Sarah Marty and with her husband and UW-Madison baritone Paul Rowe — recently agreed to do a Q&A with The Ear about the upcoming festival. Here is Part 1 of 2. The second part will appear tomorrow.

How successful is this year’s festival compared to others in terms of enrollment, budgets, performers, etc.? How does MEMF’s reach nationally or even internationally compare to previous years?

Each year enrollment in the workshop averages 100 students. As of June 15, we have 110 students enrolled. MEMF attracts students of all ages, from 18–91, amateurs and professionals, from all over the country and Canada.

What is new and what is the same in terms of format, students, faculty members and performers?

The ensemble Quicksilver (below, in a photo by Ian Douglas, and located at quicksilverbaroque.com) is returning to Madison after several years to open the MEMF Concert Series.

This will be an incredible virtuosic display of chamber music played at the highest level, and includes violinist Julie Andrijeski, sackbut player Greg Ingles and gambist Lisa Terry; harpsichordist Avi Stein and violinist Robert Mealy are on the faculty at the Juilliard 415 program, which is creating a fantastic opportunity for instrumentalists to study Baroque music with some of the finest early music professionals in the country.

Piffaro, The Renaissance Band, will return to play a live concert of the CD they just released, Back to Bach. For more information, go topiffaro.org

The Tuesday concert is at Luther Memorial Church. Abendmusik (Evening Music) features organists John Chappell Stowe (below top, in a photo by Katrin Talbot), of the UW-Madison, and James Kennerley (below bottom) joined by the MEMF Faculty.

Abendmusik, refers to a series of performances at the Marienkirche in Lübeck, Germany. In the 17th century through 1810, a series of concerts were paid for by local business owners to provide admission for the public. Organists Franz Tunder and his successor Dietrich Buxtehude, organized the Abendmusiken with performances of organ, instrumental and vocal music. For more, go to: https://www.jameskennerley.com/

New to MEMF, Schola Antiqua of Chicago — see schola-antiqua.org — will perform on Friday, July 13, at 7:30 p.m. in Mills Hall. They will sing musical treasures from a program prepared last fall for The Newberry Library’s exhibit “Religious Change 1450-1700” on the occasion of the quincentennial of the Lutheran Reformation.

Printed musical artifacts from the multidisciplinary exhibit testify to a period filled with religious dynamism and struggle with both theological and musical traditions. Their director, Michael Alan Anderson, will give a pre-concert lecture at 6:30 p.m. with projections of the printed music from The Newberry Library.

Why was the theme of “A Cabinet of Curiosities: Journey to Lübeck” chosen for the festival? What composers and works will be highlighted?

We chose the 2018 theme to explore the 500th anniversary of the Reformation, and how the shifts in religion and 16th-century printed materials, including music, changed the world.

The Marienkirche (St. Mary’s Church) in Lübeck was an important musical center at this time. Built with Catholic ritual in mind, it easily was turned into a Lutheran church in the early 16th century as Lübeck changed into a Protestant town due to the Reformation that was inspired by Martin Luther.

The composer Dieterich Buxtehude (below) was the organist at the Marienkirche and was an improvisational genius. He attracted many musicians throughout Europe to come and visit, including Johann Sebastian Bach, Georg Philipp Telemann and George Frideric Handel.

Around this same time collectors were sorting their wide-ranging collections of objects into “cabinets of curiosities,” and sometimes the categorical boundaries were not defined. With new-found compositional freedom, 17th-century composers similarly created many musical wonders and curiosities, stretching the boundaries of musical conversation.

We will be featuring works of Buxtehude, Tunder and Matthias Weckmann, and there will even be a bit of Bach on Sunday night’s concert by Piffaro.

Tomorrow: Part 2 – How did a Reformation in religion and printing technology change music?


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Classical music: The Wisconsin Baroque Ensemble teams up with the new Madison Youth Viol Consort for a concert on Saturday night. Plus a FREE organ recital is Friday night

April 19, 2018
2 Comments

ALERT: On this Friday night at 7 p.m. in Grace Episcopal Church, 116 West Washington Avenue, on the Capitol Square, Grace Presents is offering a FREE organ recital by Jackson Borges of Delaware. Sorry, no word on composers or pieces.

By Jacob Stockinger

The Ear has received the following announcement to post:

The Wisconsin Baroque Ensemble (below) invites you to a concert of baroque chamber music, featuring the Madison Youth Viol Consort.

The concert is this Saturday night, April 21, at 7:30 p.m. in Saint Andrew’s Episcopal Church (below), 1833 Regent Street, Madison

Tickets at the door only are $20 ($10 for students). For more information, go to www.wisconsinbaroque.org

A reception will be held after the concert at 2422 Kendall Ave., second floor.

Regular members of the Wisconsin Baroque Ensemble are Mimmi Fulmer, soprano; Brett Lipshutz, traverse flute; Eric Miller, viola da gamba; Sigrun Paust, recorder; Charlie Rasmussen, baroque cello; Consuelo Sañudo, mezzo-soprano; Monica Steger, traverse flute, harpsichord and recorder; Anton TenWolde, baroque cello; and Max Yount, harpsichord.

The Madison Youth Viol Consort (MYVC) is the brain child of Eric Miller (below, in a photo by Katrin Talbot) and is a part of the Viola da Gamba Society of America’s nationwide Consort Loan Program.

The mission of the MYVC is two-fold: 1. To introduce the viola da gamba, its repertoire and historically informed playing techniques to young musicians in Madison, grades 8-12 through an artistic chamber music experience; and 2. To increase community awareness in Madison of the Viola da Gamba and its repertoire.

The MYVC currently has five instruments on loan: two bass viols, a tenor viol, and two treble viols. Current members are all accomplished student musicians in grades 8-12 from the Madison area: Charles Deck, Mateo Guaio, Nathaniel Johnson, Anika Olson, and Miriam Syvertsen.

The MYVC will be performing two pieces from the English consort song tradition along with WBE’s vocalists, Consuelo Sanudo and Mimmi Fulmer. “Come to me, grief, for ever” by William Byrd, and “The Silver Swan” by Orlando Gibbons.

As for the WBE, they say: “Playing on period instruments from original notation, the Wisconsin Baroque Ensemble brings the sound and character of the 17th and 18th centuries to life, often shedding light upon lesser known compositions and composers.”

Here is the complete program:

Antonio Vivaldi  – “Cento donzelle festose e belle” (A hundred maidens, cheerful and fair)

Georg Philipp Telemann – Fantasia No. 3 for viola da gamba, TWV 40:28 (1735)

Giuseppe Ferdinando Brivio – Trio Sonata for two traversi and basso continuo, Op. 2, No. 4

Unico van Wassenaer – Sonata No. 3 for recorder and basso continuo (ca. 1714)

William Byrd – “Come to me, Grief, forever”

Orlando Gibbons – “The Silver Swan”

INTERMISSION

Luigi Boccherini – Sonata No. 3 for the violoncello, G5

Giovanni Ghizzolo – “Perche piangi, Pastore?” (Why do you weep, shepherd); “Qual di nova bellezza” (As of new beauty..);

Adriano Banchiero – Magnificat (1613)

Michel Pignolet de Montéclair – Duo for traversi without bass

Georg Philipp Telemann – Quartet, TWV 43:G10 (in YouTube video below)


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