The Well-Tempered Ear
Why are Asians dominating Western classical music?
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The month of May is Asian-American and Pacific Islander Heritage month in the U.S.
And here is a perfect story to provide questions and raise issues that pertain to that theme as it figures in classical music.
We have not seen many of them booked for concerts locally, but perhaps you have noticed how so many Asian musicians, particularly pianists, have been winning major competitions.
Those competitions include the Van Cliburn (Korean Yunchan Lim, below top), the Chopin (Chinese-Canadian Bruce Liu, below bottom), the Tchaikovsky, the Arthur Rubinstein, the Queen Elizabeth of Belgium, the Leeds Competition, the Geneva Competition and many others that are less famous.
Perhaps you have also noticed how we hear more Asian opera singers at the Met and more Asian string players in orchestras around the world.
More Asians also seem to be studying and performing in lower and higher educational institutions and organizations.
And perhaps you, like The Ear, have wondered what is behind that trend?
Here is a terrific first-person story — with research, details, photos and performance videos – written by a Canadian musician of Japanese descent that appeared on the Canadian Broadcasting Corporation (CBC).
But The Ear thinks it could easily apply to the United States, Australia and other non-Asian places and cultures.
Here is a link:
Do you think this story applies to Asians and Asian-Americans in the U.S.?
If you yourself are an Asian or Asian-American musician or music student, do the observations and analysis in the story ring true to you own experience?
Do you have other thoughts to add about the cultural reasons for the surge of Western classical music in Asia and among Asians elsewhere?
Are there important lessons here for non-Asian people and places?
The Ear wants to hear.
Tags: #BlogPost, #BlogPosting, #FacebookPost, #FacebookPosting, #World-famous, #YouTubevideo, analysis, apply, approval, Arthur Rubinstein, Arts, Artur Rubinstein, Asia, Asian American, Asians, audience, Bach, Baroque, Beethoven, Belgium, blog, Book, Bruce Liu, Canada, Canadian, cellist, Cello, Chamber music, Chen, Child, China, Chinese, Chopin, Chopin International Piano Competition, choral music, Classical music, Competition, composer, Concert, concerto, conductor, culture, descent, details, discipline, dominate, domination, Early music, Education, experience, Facebook, famous, Focus, Geneva, heritage, institution, Israel, Japan, Japanese, Kevin Chen, Korea, Korean, Lang Lang, Leeds, Leeds Competition, lessons, Lim, Liu, Madison Symphony Orchestra, Margaret Cho, May, Metropolitan Opera, model minority, month, Montreal, Mozart, Music, music student, observation, opera, Orchestra, organization, Ottawa, Overture Center, Pacific Islander, Parent, photo, Pianist, Piano, population, Queen Elizabeth, Queen Elizabeth of Belgium, reason, research, respect, Rubinstein, Seong-Jin Cho, share, singer, Sonata, South Korea, South Korean, stereotype, string player, Student, success, surge, Switzerland, symphony, tag, Tchaikovsky, Tel Aviv, The Ear, the Met, think, thought, Timothy Chooi, Toronto, true, U.S., University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Van Cliburn, Van Cliburn International Piano Competition, video, Viola, Violin, violinist, vocal music, Western, win, Wolfgang Amadeus Mozart, yourself, YouTube, Yuja Wang, Yunchan Lim
Collaborative pianist Ingrid Haebler has died at 93
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Austrian pianist Ingrid Haebler (below) has died at 93.
I call her a collaborative pianist but, like so many other pianists, she was also a soloist.
That is inherent in learning the piano, especially at the beginning.
Here is an obituary, with links, where you can read more about her and her her music-making:
Truth be told, Haebler made quite a few recording as a soloist, include all the piano concertos and piano sonatas by Mozart, as well as other Austrian and German composers, including Haydn, Schubert and Beethoven. The Viennese school was her forte.
But what stands out to The Ear are her early duets (below) with Henry Szeryng and Arthur Grumiaux in the violin sonatas of Beethoven and Mozart. She knew how to blend rather than to stand out, and clearly was more interested in musicality than virtuosity. In fact, critics often praised her gentleness, clarity and transparency rather than her assertiveness or boldness, especially in Mozart. Not for nothing was a tulip named after her.
In a word, she was an ideal collaborative pianist back in the days when they were still called accompanists and received second billing.
Indeed, along with Gerald Moore she was one of the performers who brought currency and respect as the term “accompanist” as it morphed into the more accurate term “collaborative pianist.”
Of course that is just my opinion. You might disagree.
Decide for yourself. You can listen to and sample many of her solo and collaborative recording on YouTube, including the video below one of my favorite violin sonatas by Mozart, the Violin Sonata in e minor, K. 304, played by Haebler and Henryk Szeryng.
Do you know Ingrid Haebler’s playing?
What do you think of her as a soloist and as a collaborative pianist?
Which side of her career do you think is stronger?
The Ear wants to hear.
Tags: #BlogPost, #CollaborativePianist, #FacebookPost, #FacebookPosting, #Music-Making, #YouTubevideo, accompanist, accuracy, accurate, Arthur Grumiaux, Arts, audience, Austria, Austrian, Beethoven, beginning, blog, bold, boldness, career, Chamber music, clarity, Classical music, collaborative, composer, Concert, concerto, critic, currency, death, decide, die, Facebook, favorite, flower, Franz Joseph Haydn, Franz Schubert, gentle, gentleness, Gerald Moore, German, Germany, Haydn, hear, Henryk Szeryng, Ingrid Haebler, Jacob Stockinger, learn, link, listen, Ludwig van Beethoven, morph, Mozart, Music, music critic, musicality, obituary, opinion, Orchestra, performer, Piano, playing, respect, school, Schubert, share, solo, soloist, Sonata, symphony, tag, term, think, transparency, tulip, Vienna, Viennese, Violin, violinist, virtuosity, vocal music, Wolfgang Amadeus Mozart, yourself, YouTube
Ailing superstar maestro and pianist Daniel Barenboim, 80, quits longtime German opera post
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Yesterday — Friday, Jan. 6, 2023 — superstar maestro and pianist Daniel Barenboim, 80, resigned his longtime post of over 30 years as director of the Berlin State Opera.
Barenboim (below) cited ill health — specifically a severe inflammation of blood vessels — as the reason for his resignation.
Local residents might recall his long tenure at the Chicago Symphony Orchestra, where many of them probably heard him conduct and perhaps even perform as a concert pianist.
Here is a long biographical entry in Wikipedia:
https://en.wikipedia.org/wiki/Daniel_Barenboim
Below are links to two news articles about Barenboim’s decision.
In them you can read a lot of details about: his philosophy of interpretation; his childhood as a Jewish child prodigy in Argentina; his training and early career as both pianist and conductor; his performances with marriage to British cellist Jacqueline du Pré, who died young; his love of German music and his role in Germany’s reunification; his controversial criticism of how Israel treats Palestinians; and the orchestra and music school he co-founded with the Palestinian activist and world-famous literary scholar Edward Said.
Here is a story from British newspaper The Guardian:
And here is the story from the German broadcasting network and media conglomerate Deutsche Welle:
https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.dw.com%2Fen%2Fconductor-daniel-barenboim-resigns-as-berlin-state-opera-director-over-ill-health%2Fa-63760683&data=05%7C01%7C%7Ceeb75c8f244542d0496e08daf02ed28b%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0e%7C638086381129033294%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=qmTwyPzkWpJKfAT4ohHJVWWnISE%2BxZS%2FxuM7hrC09zQ%3D&reserved=0
Finally, here is a recent compilation video from the outstanding arts website and streaming service medici.tv to celebrate Barenboim’s recent 80th birthday. It is called “80 Minutes with the Barenboim” and it features many other classical luminaries such as Itzhak Perlman, Pinchas Zukerman and Pierre Boulez who have been vital to his life and global career.
Do you know any of Barenboim’s many recordings?
Do you have a favorite recording to recommend?
Did you ever hear Barenboim in person conduct or play the piano?
What did you think of him? Of his conducting or playing?
The Ear wants to hear.
Tags: #BerlinGermany, #BlogPost, #BlogPosting, #DanielBarenboim, #FacebookPost, #FacebookPosting, #MusicalInterpretation, #TheEar, #Wikipediabiography, #YouTubevideo, activist, Argentina, Argentine, Arts, Bach, Barenboim, Beethoven, Berlin, Berlin State Opera, biography, birthday, blog, career, Cello, Chamber music, Chicago, Chicago Symphony Orchestra, Classical music, Concert, concerto, conductor, culture, Daniel Barenboim, Edward Said, Facebook, German, Germany, global, illness, interpretation, Israel, Israeli, Israeli–Palestinian conflict, Jacob Stockinger, Jacqueline du Pré, Jewish, Johann Sebastian Bach, La Scala, life, link, Ludwig van Beethoven, Maestro, Mozart, Music, news, opera, Orchestra, Palestinian, philosophy, Pianist, Piano, Pierre Boulez, Pinchas Zukerman, Politics, poor health, prodigy, recording, share, sick, superstar, symphony, tag, The Ear, Violin, violinist, vocal music, West-Eastern Divan Orchestra, Wikipedia, Wolfgang Amadeus Mozart, YouTube
The famed International Tchaikovsky Competition has been expelled from the World Federation of International Music Competitions
9 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
One of the granddaddies of all international music competitions — probably the best known and most prestigious — has been disowned.
The International Tchaikovsky Competition — the one that catapulted the young American pianist and first winner Van Cliburn (below, during the competition) to worldwide fame during the height of the Cold War, for which he received the only ticker tape parade in New York City ever given to a musician — has been expelled from the World Federation of International Music Competitions, which was founded in 1957 and represents 110 music competitions and programs to help young musicians build a career.
The move comes in response to recent events in Ukraine — including alleged Russian war crimes during its brutal, deadly and unprovoked invasion.
The famed Tchaikovsky Competition — which started in 1958 and is now for pianists, violinists, cellists, vocalists as well as woodwind and brass players — is held in Moscow and St. Petersburg and is financed and organized by the Russian government. It has launched the careers on many great musicians.
It is co-chaired by the discredited Russian conductor Valery Gergiev (below right, in 2014), a close friend and avid supporter of Russian President Vladimir Putin (below left) and of the conflict in Ukraine.
The expulsion came about because the Tchaikovsky Competition refused to condemn the Russian invasion, as the federation requested.
Here is a link to the story that was published on the website Classical Music, an online publication of the BBC Music Magazine. It contains background on both the competition and the current state of affairs regarding Russian musicians and the Russian conflict in Ukraine. It has a lot of noteworthy links:
And here is the response from the organizers of the Russian competition, which takes place every four years. The 16th competition was held in 2019, and the 17th is still scheduled for 2023. (The announcement of the 2019 piano winners — by the Russian former piano winner Denis Matsuev, who has been boycotted because of Ukraine — is in the YouTube-Medici.TV video at the bottom.)
The response — which accuses the federation of “persecuting” Russian musicians and promises that it will be held as usual and remain open to contestants worldwide — is posted on the competition’s website:
https://tchaikovskycompetition.com/en/news/415.htm
It makes one wonder what the effects on the next Tchaikovsky competition will be.
Will potential jurors outside Russia boycott the competition?
Will non-Russian contestants — with the exception perhaps on Chinese and Belarusian performers — avoid participating?
And what will be the effect on the inaugural Rachmaninoff Competition for pianists, composers and conductors that is scheduled to take place this June in Moscow?
What do you think?
Is it the right call by the international federation?
Or the wrong call?
Why do you think so?
The Ear wants to hear.
Tags: #AnnaNetrebko, #ArmedConflict, #BBCMusicMagazine, #BestKnown, #BlogPost, #BlogPosting, #BrassMusic, #ChineseMusicians, #ColdWar, #DaniilTrifonov, #DenisMatsuev, #DublinIreland, #DublinPianoCompetition, #FacebookPost, #FacebookPosting, #GidonKremer, #InternationalTchaikovskyCompetition, #JacobStockinger, #NewYorkCity, #PeterIlyichTchaikovsky, #PianoConcerto, #RussianFederation, #SergeiRachmaninoff, #SergeiRachmaninov, #StringMusic, #TheEar, #UniversalMusic, #ValeryGergiev, #VanCliburn, #VictoriaMullova, #ViolinConcerto, #VladimirAshkenazy, #VladimirPutin, #VocalMusic, #WarCime, #WoodwindMusic, #WorldFederationofInternationalMusicCompeititions, #YouTubevideo, accuse, Anna Netrebko, announcement, armed conflict, Arts, audience, authoritarian, background, BBC, BBC Music Magazine, Belarus, Belarusian, best-known, blog, Blog post, blog posting, boycott, brass, brutal, build, career, cellist, Cello, China, Chinese, Classical music, classicalmusic, close, Cold War, composer, Concert, concerto, condemn, conductor, conflict, contestant, Daniil Trifonov, deadly, deffect, democracy, Democratic, Denis Matsuev, discredited, Dublin, Dublin Piano Competition, exception, expel, expulsion, Facebook, fame, federation, founded, friend, funance, Gidon Kremer, government, grandaddy, great, hear, International Tchai, International Tchaikovsky Competition, invasion, Jacob Stockinger, June, juror, jury, launch, link, medici.tv, Moscow, move, Music, Musician, New York City, next, now, online, Orchestra, parade, participate, persecute, pianists, Piano, Piano concerto, President, prize, program, publication, publish, Putin, Rachmaninoff, Rachmaninoff Competition, Rachmaninov, represent, response, right, Russia, Russian, Russian Federation, schedule, Sergei Rachmaninoff, Sergei Rachmaninov, share, sing, singer, Singing, St. Petersburg, story, string music, supporter, symphony, tag, Tchaikovsky, The Ear, think, Ukraine, Ukrainian, United States, Universal Music, Valery Gergiev, Victoria Mullova, video, Violin, Violin concerto, violin music, violinist, Vladimir Ashkenazy, Vladimir Putin, vocal music, war, war crime, Website, why, win, winner, Wisconsin, wonder, woodwind, world, World Federation of International Music Competitions, worldwide, wrong, year, young, YouTube
Check out the 2022 classical music Grammys for trends and suggested listening
4 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
No doubt you have already heard about the 64th annual Grammy Awards, which were awarded last Sunday night.
But chances are you haven’t heard much about the classical music Grammys.
That’s just not where the money and publicity are for major record companies and for the music industry in general, compared to other, much more profitable genres such as hip-hop, rock and pop.
But the classical Grammy nominations and winners can be a good source about what composers, performers and music you might want to check out via streaming or by buying a CD.
You can also get a good idea of trends in classical music.
Contemporary or new music is big again this year, dominating the old standard classics.
Just like local, regional, national and international performers, both individuals and groups, the Grammys show an emphasis on female composers and performers, and a similar emphasis on rediscovering composers and performers of color from both the past and the present.
You might also notice that the New Orleans-born, Juilliard-trained jazz pianist and singer Jon Batiste (below) — who plays on CBS’ The Late Show with Stephen Colbert and directs the house band Stay Human and who seems a one-man Mardi Gras — was nominated for a record 11 Grammys and won five in other categories, seems to be the new Wynton Marsalis. Like Marsalis, with whom Batiste worked, Batiste seems perfectly at home in classical music as well as jazz, soul, blues and pop. And his original classical work Movement 11 was nominated for a Grammy this year.
Social activism, in short, has finally brought diversity and inclusion into the Grammys in a way that seems permanent.
Below are the nominations and winners of the 2022 classical music Grammys. Winners are boldfaced. I have also offered a few examples of those musicians who have performed in Madison and for what venue, although there are many more connections than indicated.
If you want to see the nominations and winners in other categories, here is a link:
https://www.npr.org/2022/04/03/1090342877/2022-grammys-full-list-winners-nominees
75. Best Engineered Album, Classical
- Archetypes — Jonathan Lackey, Bill Maylone and Dan Nichols, engineers; Bill Maylone, mastering engineer (Sérgio Assad, Clarice Assad and Third Coast Percussion)
- Beethoven: Cello Sonatas – Hope Amid Tears — Richard King, engineer (Yo-Yo Ma and Emanuel Ax)
- Beethoven: Symphony No. 9 — Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck, Mendelssohn Choir Of Pittsburgh and Pittsburgh Symphony Orchestra)
- Chanticleer Sings Christmas — Leslie Ann Jones, engineer (Chanticleer)
- Mahler: Symphony No. 8, ‘Symphony Of A Thousand’ — Alexander Lipay and Dmitriy Lipay, engineers; Alexander Lipay and Dmitriy Lipay, mastering engineers (Gustavo Dudamel, Fernando Malvar-Ruiz, Luke McEndarfer, Robert Istad, Grant Gershon, Los Angeles Children’s Chorus, Los Angeles Master Chorale, National Children’s Chorus, Pacific Chorale and Los Angeles Philharmonic)
76. Producer Of The Year, Classical
- Blanton Alspaugh
- Steven Epstein
- David Frost
- Elaine Martone
- Judith Sherman (below, who also recorded the UW-Madison Pro Arte Quartet’s centennial commissions)
CLASSICAL
77. Best Orchestral Performance
- “Adams: My Father Knew Charles Ives; Harmonielehre” — Giancarlo Guerrero, conductor (Nashville Symphony Orchestra)
- “Beethoven: Symphony No. 9” — Manfred Honeck, conductor (Mendelssohn Choir Of Pittsburgh and Pittsburgh Symphony Orchestra)
- “Muhly: Throughline” — Nico Muhly, conductor (San Francisco Symphony)
- “Florence Price: Symphonies Nos. 1 and 3″ — Yannick Nézet-Séguin, conductor; Philadelphia Orchestra (below)
- “Strauss: Also Sprach Zarathustra; Scriabin: The Poem Of Ecstasy” — Thomas Dausgaard, conductor (Seattle Symphony Orchestra)
78. Best Opera Recording
- “Bartók: Bluebeard’s Castle” — Susanna Mälkki, conductor; Mika Kares and Szilvia Vörös; Robert Suff, producer (Helsinki Philharmonic Orchestra)
- “Glass: Akhnaten” — Karen Kamensek, conductor; J’Nai Bridges, Anthony Roth Costanzo, Zachary James and Dísella Lárusdóttir; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
- “Janáček: Cunning Little Vixen” — Simon Rattle, conductor; Sophia Burgos, Lucy Crowe, Gerald Finley, Peter Hoare, Anna Lapkovskaja, Paulina Malefane, Jan Martinik & Hanno Müller-Brachmann; Andrew Cornall, producer (London Symphony Orchestra; London Symphony Chorus and LSO Discovery Voices)
- “Little: Soldier Songs” — Corrado Rovaris, conductor; Johnathan McCullough; James Darrah and John Toia, producers (The Opera Philadelphia Orchestra)
- “Poulenc: Dialogues Des Carmélites” — Yannick Nézet-Séguin, conductor; Karen Cargill, Isabel Leonard, Karita Mattila, Erin Morley and Adrianne Pieczonka; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
79. Best Choral Performance
- “It’s A Long Way” — Matthew Guard, conductor (Jonas Budris, Carrie Cheron, Fiona Gillespie, Nathan Hodgson, Helen Karloski, Enrico Lagasca, Megan Roth, Alissa Ruth Suver and Dana Whiteside; Skylark Vocal Ensemble)
- “Mahler: Symphony No. 8, ‘Symphony Of A Thousand'” — Gustavo Dudamel, conductor; Grant Gershon, Robert Istad, Fernando Malvar-Ruiz and Luke McEndarfer, chorus masters (Leah Crocetto, Mihoko Fujimura, Ryan McKinny, Erin Morley, Tamara Mumford, Simon O’Neill, Morris Robinson and Tamara Wilson; Los Angeles Philharmonic; Los Angeles Children’s Chorus, Los Angeles Master Chorale, National Children’s Chorus and Pacific Chorale)
- “Rising w/The Crossing” — Donald Nally, conductor (International Contemporary Ensemble and Quicksilver; The Crossing)
- “Schnittke: Choir Concerto; Three Sacred Hymns; Pärt: Seven Magnificat-Antiphons” — Kaspars Putniņš, conductor; Heli Jürgenson, chorus master (Estonian Philharmonic Chamber Choir)
- “Sheehan: Liturgy Of Saint John Chrysostom” — Benedict Sheehan, conductor (Michael Hawes, Timothy Parsons and Jason Thoms; The Saint Tikhon Choir)
- “The Singing Guitar” — Craig Hella Johnson, conductor (Estelí Gomez; Austin Guitar Quartet, Douglas Harvey, Los Angeles Guitar Quartet and Texas Guitar Quartet; Conspirare)
80. Best Chamber Music/Small Ensemble Performance
- “Adams, John Luther: Lines Made By Walking” — JACK Quartet
- “Akiho: Seven Pillars” — Sandbox Percussion
- “Archetypes” —Sérgio Assad, Clarice Assad and Third Coast Percussion
- “Beethoven: Cello Sonatas – Hope Amid Tears” — Yo-Yo Ma and Emanuel Ax (who have frequently performed individually and together at the Wisconsin Union Theater)
- “Bruits” — Imani Winds
81. Best Classical Instrumental Solo
- “Alone Together” — Jennifer Koh (below, who has performed with the Wisconsin Chamber Orchestra)
- “An American Mosaic” — Simone Dinnerstein
- “Bach: Solo Violin Sonatas and Partitas” — Augustin Hadelich (a favorite of the Madison Symphony Orchestra)
- “Beethoven and Brahms: Violin Concertos” — Gil Shaham; Eric Jacobsen, conductor (The Knights)
- “Mak Bach” — Mak Grgić
- “Of Power” — Curtis Stewart
82. Best Classical Solo Vocal Album
- Confessions — Laura Strickling; Joy Schreier, pianist
- Dreams Of A New Day – Songs By Black Composers — Will Liverman (who has sung with the Madison Opera); Paul Sánchez, pianist (below at in the YouTube video at the bottom)
- Mythologies — Sangeeta Kaur and Hila Plitmann (Virginie D’Avezac De Castera, Lili Haydn, Wouter Kellerman, Nadeem Majdalany, Eru Matsumoto and Emilio D. Miler)
- Schubert: Winterreise — Joyce DiDonato; Yannick Nézet-Séguin, pianist
- Unexpected Shadows — Jamie Barton; Jake Heggie, pianist (Matt Haimovitz)
83. Best Classical Compendium
- American Originals – A New World, A New Canon — AGAVE and Reginald L. Mobley; Geoffrey Silver, producer
- Berg: Violin Concerto; Seven Early Songs and Three Pieces For Orchestra — Michael Tilson Thomas, conductor; Jack Vad, producer
- Cerrone: The Arching Path — Timo Andres and Ian Rosenbaum; Mike Tierney, producer
- Plays — Chick Corea; Chick Corea and Birnie Kirsh, producers
- Women Warriors – The Voices Of Change — Amy Andersson, conductor; Amy Andersson, Mark Mattson and Lolita Ritmanis, producers (below)
84. Best Contemporary Classical Composition
- “Akiho: Seven Pillars” — Andy Akiho, composer (Sandbox Percussion)
- “Andriessen: The Only One” — Louis Andriessen, composer (Esa-Pekka Salonen, Nora Fischer and Los Angeles Philharmonic)
- “Assad, Clarice and Sérgio, Connors, Dillon, Martin & Skidmore: Archetypes” — Clarice Assad, Sérgio Assad, Sean Connors, Robert Dillon, Peter Martin and David Skidmore, composers (Sérgio Assad, Clarice Assad and Third Coast Percussion)
- “Batiste: Movement 11′” — Jon Batiste, composer (Jon Batiste)
- “Shaw: Narrow Sea” — Caroline Shaw, composer (Dawn Upshaw, Gilbert Kalish and Sō Percussion)
Tags: #AlbanBerg, #AlexanderScriabin, #AlfredSchnittke, #AmericanSymphonyOrchestra, #ArtExhibition, #ArvoPärt, #AugustinHadelich, #BelaBartok, #BestPerformance, #BlackComposer, #BlackMusic, #BlogPost, #BlogPosting, #Bluebeard'sCastle, #BluesMusic, #CarolineShaw, #CelloSonata, #CelloSuite, #ChamberChoir, #ChamberMusic, #CharlesIves, #ChickCorrea, #ChoralMusic, #ChristmasMusic, #ClassicalGuitar, #CompactDisc, #ComposersofColor, #ConcertHall, #ContemporaryComposer, #ContemporaryMusic, #CoronavirusPandemic, #CorradoRavaris, #COVID-19, #DavidFrost, #DialoguesoftheCarmelites, #EmanuelAx, #FacebookPost, #FacebookPosting, #FemaleComposers, #FemaleMusicians, #FlorencePrice, #FrancisPoulenc, #FranzSchubert, #GasparCassado, #GilShaham, #GrammyAward, #GrammyAwards, #GrammyNominations, #GuitarMusic, #GustavMahler, #GustavoDudamel, #Hip-hopmusic, #HispanicMusic, #ImaniWinds, #J'NaiBridges, #JacobStockinger, #JakeHeggie, #JenniferKoh, #JohannesBrahms, #JohannSebastianBach, #JohnAdams, #JonBatiste, #JoyceDiDonato, #JudithSherman, #LatinAmerican, #LeosJanacek, #LiveStreaming, #londonSymphonyOrchestra, #LosAngelesPhilharmonic, #LouisAndriessen, #LudwigVanBeethoven, #MadisonOpera, #MadisonSymphonyOrchestra, #ManfredHoneck, #MardiGras, #MattHaimovitz, #MeadWitterSchoolofMusic, #MetropolitanOpera, #MichaelTilsonThomas, #NashvilleSymphony, #NashvilleTennessee, #NewOrleans, #NicoMuhly, #OfColor, #OperaMusic, #OrchestralMusic, #PacificChorale, #PercussionMusic, #PerformersofColor, #PeterIlyichTchaikovsky, #PhiladelphiaOrchestra, #PhilipGlass, #PianoAccompaniment, #PopMusic, #ProArteQuartet, #RacialJustice, #RichardStrauss, #RockMusic, #SaintJohn, #SandboxPercussion, #SanFranciscoSymphony, #SeattleSymphony, #SimoneDinnerstein, #SimonRattle, #SocialActivism, #SocialJustice, #SoulMusic, #SoundEngineer, #SouthKorea, #SouthKorean, #StayHuman, #StephenColbert, #StreamingService, #StringMusic, #SundayNight, #SusannaMalkki, #SymphonyofaThousand, #TexasGuitarQuartet, #TheEar, #TheGrammys, #TheKnights, #TheMet, #TheUW, #TheUW-Madison, #ThirdCoastPercussion, #ThomasDausgaard, #UniverstyofWisconsin, #ViolinMusic, #VocalMusic, #WillLivermore, #WindMusic, #WisconsinChamberOrchestra, #WisconsinPublicRadio, #WisconsinUnionTheater, #WORT-FM89.9, #WyntonMarsalis, #YannickNezet-Seguin, #Yo-YoMa, #YouTubevideo, Activism, activity, African American, Akhnaten, Alban Berg, Alexander Scriabin, Alfred Schnittke, alone, American, annual, arrt, art exhibition, Arts, Arvo Part, asian, Asian American, audience, Augustin Hadelich, Bach, band, Baroque, Bartok, Batiste, Béla Bartók, Beethoven, Berg, best, BIPOC, black, black music, blog, Bluebeard, Bluebeard's Castle, blues, Book, Brahms, Brahms Violin Concerto, brown, buy, Canon, Caroline Shaw, category, CBS, CBS-TV, CD, Cello, chamber, Chamber choir, Chamber music, change, Chanticleer, Charles Ives, checm, Chick Correa, children, China, Chinese, Choir, choral, choral music, chorus, Christmas, Classical, Classical music, classics, collaboration, color, commission, Compact Disc, compendium, compose, composer, composer of color, Composition, Concert, concert hall, concerto, conductor, contemporary, coronavirus, coronavirus pandemic, Corrado Ravaris, covid, David Frost, day, dialogue, Dialogues of the Carmelites, Dinnerstein, diversity, dominate, Dreams, Dudamel, Early music, ecstasy, Emanuel Ax, emphasis, engineer, Estonia, examples, Facebook, female, Florence Price, Franz Schubert, gender, genre, Gil Shaham, Glass, Grammy, Grammy Award for Best Classical Compendium, group, guitar, guitar music, Gustav Mahler, Gustavo Dudamel, Hadelich, hip-hop, Hispanic, Home, hope, House, hymn, idea, Imani Winds, inclusion, indicate, individual, industry, international, Ives, J'Nai Bridges, Jacob Stockinger, Jake Heggie, Janacek, Jazz, Jennifer Koh, Johann Sebastian Bach, Johannes Brahms, John Adams, Jon Batiste, Joyce DiDonato, Judith Sherman, Juilliard, Juilliard School, justice, Koh, Korean, LA, LateShowwithStephenColbert, Latin, Leos Janacek, like, link, liturgy, Livermore, local, London, London Symphony Orchestra, Los Angeles, Los Angeles Guitar Quartet, Los Angeles Philharmonic, Louis Andriessen, Ludwig van Beethoven, Madison, Madison Opera, Madison Symphony, Madison Symphony Orchestra, Magnificat, Mahler, Manfred Honeck, Mardi Gras, Marsalis, Matt Haimovitz, Mead Witter School of Music, Mednelssohn, Met, Metropolitan Opera, Michael Tilson Thomas, mosaic, movement, Mozart, MSO, MTT, Music, Nashville, Nashville Symphony, national, new, New Orleans, Nico Muhly, nomination, nominee, of color, old, one-man, opera, Orchestra, orchestral music, original, Overture Center, Pacific, Pacific Chorale, pandemic, part, partita, pasrt, percussion, performance, performer, performers of color, permanent, Peter Ilyich Tchaikovsky, Philadelphia, Philip Glass, Pianist, Piano, piano accompaniment, piece, pillar, Pitssburgh, poem, Poem of Ecstasy, pop, Poulenc, power, present, price, Pro Arte Quartet, producer, profit, profitable, project, publisher, Publishing, racial justice, Radio, recording, rediscover, regional, Richard Strauss, Rock, sacred, Saint John, San Francisco, San Francisco Symphony, Sandbox Percussion, Schnittke, School of Music, Schubert, Scriabin, sea, Seattle, Seattle Symphony, sex, share, Shaw, show, Simon Rattle, Simone Dinnerstein, sing, singer, Singing, social, social activism, social justice, soldier, solo, solo violin, Sonata, song, soul, source, South Korea, standard, Stay Human, Stephen Colbert, Strauss, streaming, string, string music, subscriber, Sunday night, Susanna Malkki, symphony, Symphony of a Thousand, tag, Tchaikovsky, tears, Tennessee, Texas, Texas Guitar Quartet, The Ear, The Knights, Third Coast Percussion, Thomas Dausgaard, together, trend, TV, United States, University of Wisconsin, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW School of Music, UW-Madison, venue, video, Violin, Violin concerto, violinist, vixen, vocal music, voice, warrior, way, WCO, Will Livermore, wind music, winner, Winterreise, Wisconsin, Wisconsin Chamber Orchestra, wisconsin public radio, Wisconsin Union Theater, Wolfgang Amadeus Mozart, women, work, world, WORT-FM 89.9, WPR, Wynton Marsalis, Yannick Nézet-Séguin, year, Yo-Yo Ma, YouTube
Music con Brio starts an annual Black Composers project with a FREE virtual concert
3 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement from Carol Carlson, the co-founder and Executive Director of the Madison-based Music con Brio (below), who is a violinist and holds a doctorate in music from the UW-Madison:
Hello friends,
Happy summer! I hope you are able to enjoy some rest, relaxation and fun in the sun.
I am emailing you because Music con Brio embarked on an exciting new project this year, and I want to share it with you.
In an effort to diversify our repertoire and guest artists, we have launched our new “Music by Black Composers” project. Last winter, our staff chose four pieces of music by Black composers and made student-accessible arrangements of them.
We then taught these new pieces during our online lessons this spring. On May 8, we gathered together outside at the Goodman Community Center, with four phenomenal local Black guest artists, to professionally record all four pieces.
And now, in lieu of our regular Community Concert Series this year, we are thrilled to present our first-ever Virtual Community Concert!
Click on the link to YouTube video at the bottom to watch and hear the 12-minute performance. Once there, click on Show More to see the composers, pieces and performers.
We are incredibly proud of our students and staff for all their hard work making this so successful. I’m sure you will enjoy their performance!
Please do feel free to pass the video along to anyone else you think might be interested in watching it.
And if you feel so inclined, we would really appreciate a donation in support of this work, which we plan to do every year from now on. To support Music con Brio and our Black Composers project by making a secure, tax-deductible donation, go to: https://www.musicconbrio.org/donate/
Thank you so much for your support! We hope to see you at a live concert again sometime soon!
If you wish to know more about Music con Brio, go to: https://www.musicconbrio.org
Tags: #African-AmericanComposer, #BillWithers, #Blackcomposers, #BlackMusic, #BlogPost, #BlogPosting, #CarolCarlson, #ChamberMusic, #CommunutyConcertSeries, #DaneArts, #EmersonElementarySchool, #FacebookPost, #FacebookPosting, #FlorencePrice, #FranciscaGonzaga, #GoodmanCenter, #GoodmanCommunityCenter, #GuestArtist, #Hard Work, #HardWork, #HomeWebsite, #JacobStockinger, #LeanonMe, #LiveConcert, #LiveMusic, #MadisonArtsCommission, #MadisonWisconsin, #MeadWitterSchoolofMusic, #MusicconBrio, #MusicEducation, #NegroSpiritual, #NewMusic, #OnlineConcert, #OnlineLessons, #RecordedMusic, #SugarMapleMusicFestival, #SwingLow, #TheEar, #TheUW, #UniversityofWisconsin-Madison, #VirtualCommunityConcert, #VirtualConcert, #VocalMusic, #WallaceWillis, #YouTubevideo, accessible, African American, annual, anyone, arrange, arrangement, artist, Arts, audience, Bach, Bill Withers, Black composers, black music, blog, Carol Carlson, Cello, Chamber music, children, choose, Classical music, click, co-founder, community, Community Concert Series, composer, Concert, Dane Arts, diversify, diversity, doctorate, donation, drums, effort, effprt, else, email, embark, Emerson Elementary School, enjoy, exciting, Facebook, Facebook post, Facebook posting, feel, first, first-ever, Florence Price, forward, founder, Francisca Gonzaga, free, friends, fun, gather, Goodman Center, Goodman Community Center, graduate student, guest artist, happy', hard, hear, home website, incredible, Jacob Stockinger, know, launch, Lean on Me, like, link, live concert, live music, local, Madison, Madison Arts Commission, Mead Witter School of Music, Music, Music con Brio, Music education, new, New Music, online, online lessons, Orchestra, orchestral music, pass, percussion, perfomer, performance, performer, phenomenal, Pianist, Piano, piece, plan, players, post, posting, pride, professional, project, proud, record, recorded music, relaxation, repertoire, rest, secure, series, share, spiritual, Spring, staff\, students, success, successful, Sugar Maple Music Festival, summer, sun, support, Sweet Chariot, SweetChariot, Swing Low, symphony, tag, taught, tax-deductible, teach, The Ear, theill, together, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, video, Viola, Violin, violinist, virtual, Virtual Community Concert, vocal music, Wallace Willis, want, watch, Website, winter, Wisconsin, work, year, you, YouTube
Just Bach free concert series seeks Interim Co-Artistic Director. Apply by July 5
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement to post about an interim job at Just Bach:
Do you love the music of Johann Sebastian Bach (below)?
Would you love to perform it every month in one of the most beautiful churches (below, in a photo by Barry Lewis) in Madison?
Are you a professional instrumentalist with training and experience in period performance practice?
Do you have strong organizational skills?
If the answer to all these questions is yes, then Just Bach needs you!
Because Co-Artistic Director Marika Fischer Hoyt (below) will leave on a sabbatical starting in November, Just Bach is looking for an instrumentalist to join the Artistic Team. (You can check out the typical format by using the search engine on this blog or going to Just Bach’s Facebook page or YouTube Channel.)
The popular monthly concert series, which made it to the final round of the 2021 “Best of Madison” awards, seeks an Interim Artistic Co-Director for its upcoming fourth season.
POSITION SUMMARY
The Interim Artistic Co-Director works with the Just Bach team and the staff at Luther Memorial Church to program, produce, promote and perform monthly Bach concerts (below) from September through May.
The Interim Co-Artistic Director helps finalize the programming, contract any remaining needed players, schedule rehearsals and performances, perform in the concerts as needed, and upload the concert video to the Just Bach YouTube channel.
The Co-Artistic Director devotes about 4 hours per month to administrative tasks, on a volunteer basis.
The Co-Artistic Director rehearses and performs as needed in the monthly concerts — and is paid $100 per concert. (You can hear and see the closing concert of this past season in the YouTube video at the bottom. Click on Show More to see other instruments, players, singers and the program.)
The current Artistic Team will provide training for this position, and will be available for assistance once the season begins.
A detailed job description is available at:: https://docs.google.com/document/d/1CDis-RSY5FUnfUGCBvYunWZ1fR4EtyfzSo3xYiMyjUs/edit#
For more information, please contact and apply to Just Bach at: justbachseries@gmail.com
APPLICATION ARE DUE BY JULY 5.
Tags: #ArtisticDirector, #ArtisticTeam, #BachCantatas, #BaroqueMusic, #BestofMadison, #BlogPost, #BlogPosting, #ChamberMusic, #ChoralMusic, #ChristianChurch, #FacebookPage, #FacebookPost, #FacebookPosting, #FinalRound, #HistoricallyInformedPerformancePractices, #HomeWebsite, #InstrumentalMusic, #InstrumentalPlayer, #JacobStockinger, #JesusChrist, #JobDescription, #JohannSebastianBach, #JustBach, #LutherMemorialChurch, #MadisonBachMusicians, #MadisonSymhonyOrchestra, #MadisonWisconsin, #MarikaFischerHoyt, #MeadWitterSchoolofMusic, #PeriodInstruments, #PeriodPerformance, #SearchEngine, #StringInstruments, #TheEar, #TheLord, #TheUW, #TrioSonata, #UniversityofWisconsin-Madison, #VocalMusic, #WisconsinBaroqueEnsemble, #WisconsinChamberOrchestra, #YouTubeChannel, #YouTubevideo, administrative, answer, applications, apply, artistic, Artistic director, Artistici Team, Arts, assistance, audience, available, award, Bach, Baroque, basis, beautiful, begin, Best of Madison, blog, Blog post, blog posting, Cantata, cantatas, cellist, Cello, Chamber music, Chirstianity, choral music, Christ, Christian, Christian church, church, Classical music, co-artistic director, composer, Concert, concerto, contact, contract, deadline, description, Early music, email, experience, Facebook, Facebook page, Facebook post, Facebook posting, final, final round, finalize, forward, free, harpsichord, harpsichordist, historically informed performance practices, home website, hours, instrumental music, instrumental player, instrumentalist, interim, J.S. Bach, Jacob Stockinger, Jesus, job, job description, Johann Sebastian Bach, join, July, July 5, Just Bach, last, leave, like, link, love music, Luther, Luther Memorial Church, Madison, Madison Bach Musicians, Madison Symphony Orchestra, Marika Fischer Hoyt, Mead Witter School of Music, month, Music, need, needed, Orchestra, organizational, paid, past, perform, period instruments, period performance, play, player, popular, position, post, posting, practice, produce, professional, programming, promote, provide, question, questions, rehearsals, rehearse, remaining, sabbatical, schedule, search engine, Season, series, share, sibng, singer, skills, Sonata, starting, string, string music, symphony, tag, task, team, The Ear, The Lord, training, trio sonata, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, upload, UW, UW-Madison, video, Viola, Violin, violinist, violist, vocal music, volunteer, Website, Wisconsin, Wisconsin Baroque Ensemble, Wisconsin Chamber Orchestra, work, yes, you, YouTube, YouTube channel, YouTube video
Madison’s Sonata à Quattro performs TONIGHT online for the prestigious Boston Early Music Festival
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following note from the local early music group, Sonata à Quattro (SAQ):
We have a very exciting announcement to share.
Tonight we will be one of the featured ensembles at the 2021 Boston Early Music Festival Fringe Concerts!
The Boston Early Music Festival (BEMF) is recognized as a national and international leader in the field of early music, and SAQ is thrilled to make its first appearance at this event.
Concert presented during the Boston Early Music Festival’s 2021 Fringe Concerts. Learn more at https://bemf.org/2021-festival/fringe-concerts/
The online premiere of the SAQ concert video will be TONIGHT — Thursday, June 17 — at 7 p.m. ET/6 p.m. CT, and the musicians will be available to chat during and after the recorded performance.
Please join us at this link: https://www.youtube.com/watch?v=tSfzu6Q6DcU
The 50-minute concert, titled “Musical Meditation and Merriment,” features (below, from left) violinists Christine Hauptly Annin and Leanne League; cellist Charlie Rasmussen; and violist Marika Fischer Hoyt.
This period-instrument quartet will perform the following program: Quartet in G Major, TWV 43:G5 by Georg Philipp Telemann (1681-1767); Duo II in D Minor, Op. 19, No. 2, for Violin and Viola by Franz Anton Hoffmeister (1754-1812); Duetto III in G Major, Op. 1, No. 3, for Violin and Cello by Giovanni Battista Cirri (1724-1808, below); and Quartet in D Major, Op. 64, No. “The Lark” by Franz Joseph Haydn (1732-1809).
The concert was live-streamed and recorded at the United Methodist Church in Whitefish Bay, Wis., on April 13, 2021.
From the austere fugal opening of the Telemann to the jaunty Finale of Haydn’s “Lark” Quartet — heard played by the Jerusalem Quartet in the YouTube video at the bottom — this program offers a reflection on the unimaginable year we’ve just experienced, as well as the stirrings of hope, as we awake to a spring and summer of new beginnings.
The slow movements, with their gorgeous string sonorities, range from still, inner contemplation to poignant pleas, while the fast movements outdo one another in wit, verve and sheer joie de vivre.
Tags: #BaroqueMusic, #BejornBerkhout, #BlogPost, #BlogPosting, #BostonEarlyMusicFestival, #BostonMassachusetts, #CentralTime, #ChamberMusic, #CharlieRasmussen, #ChristianChurch, #ChristineHauptlyAnnin, #CityofMadison, #CoronavirusPandemic, #COVID-19, #EasternTime, #FacebookPage, #FacebookPost, #FacebookPosting, #FastMovement, #FranzAntonHoffmeister, #FranzJosephHaydn, #FringeConcerts, #GeorgPhilippTelemann, #GiovanniBatisteCirri, #HistoricallyInformedPerformancePractices, #JacobStockinger, #JerusalemQuartet, #JoiedeVivre, #LarkQuartet, #LeanneLeague, #MadisonWisconsin, #MarikaFischerHoyt, #OnlineConcert, #OnlineFestival, #PeriodInstruments, #RecordedMusic, #SlowMovement, #SonataaQuattro, #StringMusic, #TheEar, #UnitedMethodistChurch, #VirtualConcert, #VirtualFestival, #WhitefishBay, #YouTubeChannel, #YouTubevideo, announcement, appearance, Arts, audience, austere, awake, Baroque, Baroque music, beginning, blog, Boston, Boston Early Music Festival, celiist, cellist, Cello, Central Time, Chamber music, Charlie Rasmussen, chat, Christian, Christian church, Christine Hauptly Annin, church, Classical music, composer, Concert, contemplation, coronavirus, counterpoint, duet, duuo, Early music, Eastern time, ensemble, event, exciting, experience, Facebook, Facebook post, Facebook posting, fast, fast movement, field, finale, first, forward, Franz Anton Hoffmeister, Franz Joseph Haydn, Fringe Concerts, fugal, fugue, Georg Philipp Telemann, George Onslow, Giovanni Battista Cirri, gorgeous, Haydn, help, historically informed performance practices, Hoffmeister, hope, inner, international, Jacob Stockinger, jaunty, Jerusalem, Jerusalem Quartet, joie de vivre, lark, Lark Quartet, leader, Leanne League, learn, like, link, live-stream, local, Madison, Marika Fischer Hoyt, Massachusetts, Meditation, merriment, movement, muisicians, Music, musical, national, new, online, page, pandemic, period instruments, pleas, poignant, post, posting, premiere, present, prestigious, program, recoignize, recorded music, reflection, SAQ, share, Slow movement, Sonata, Sonata à Quattro, sonority, Spring, Still, stirrings, string, string music, summer, tag, Telemann, The Ear, thrilled, tonight, unimaginable, United Methodist Church, United States, vello, verve, video, Viola, Violin, violinist, violist, virtual, Whitefish Bay, Wisconsin, wit, year, YouTube, YouTube channel, YouTube video
Just Bach concludes its season this Wednesday morning with highlights of the past season
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement to post about this season’s final Just Bach online concert this Wednesday:
Greetings from Just Bach!
We hope this finds you all well, enjoying the spring, and ready to experience more of the timeless beauty of Bach’s music.
Our May concert features musical highlights from this extraordinary past season.
The complete program listing is below. It is organized in two parts, corresponding to the two semesters.
Indoor singing was risky during the pandemic, so the bulk of our programming was instrumental, with strings and keyboard for the most part (below in a photo by Barry Lewis).
The Sinfonia from the Christmas Oratorio was recorded at St. Matthias Episcopal Church in Waukesha, because of the Dane County Emergency Order prohibiting indoor gatherings in November and December during the pandemic.
We were back at Luther Memorial Church for the January concert, and by April we were able to include woodwinds (below, in a photo by Barry Lewis)
You can view the May concert here, starting at 8 a.m. this Wednesday, May 19, and then staying available indefinitely: https://justbach.org/concerts/
Please join us for a half-hour live Zoom post-concert reception on Wednesday night, May 19, at 7 p.m. Chat with the performers by following the link: https://us02web.zoom.us/j/85144014343?pwd=RmVURXBBU1hMcloyalJhbUdCQ1NmQT09
Viewing the concerts is FREE, but we ask those who are able, to help us pay our musicians by making a tax-deductible donation at: https://justbach.org/donate
Just Bach will take a break for the summer, and concerts will resume in September.
Here is the May program:
• Welcome
Part I – Fall Semester
• Cantata 146: Sinfonia
• Violin Sonata, BWV 1001: movement 4 Presto
• Double Violin Concerto: movement 3 Allegro (in the YouTube video, with an animated graphic, at the bottom)
• Christmas Oratorio, Part II: Sinfonia
• Christmas Oratorio: Chorale “Ich steh’ an deiner Krippen hier” (I stand here by your crib)
Part II – Spring Semester
• Cantata 35: Sinfonia
• Trio Sonata, BWV 526: movement 2 Largo
• Violin Sonata, BWV 1019: movement 5 Allegro
• Flute Sonata BWV 1034: movement 1 Adagio ma non tanto
• Cantata 42: Sinfonia
• Cantata 149: Chorale “Ach Herr, laß dein lieb Engelein” (O Lord, let your dear little angel)
Performers are: Kangwon Kim, Christine Hauptly Annin, Leanne League, Xavier Pleindoux, Nathan Giglierano and Aaron Yarmel, violin; Marika Fischer Hoyt, viola; Charlie Rasmussen and Lindsey Crabb, cello; Linda Pereksta and Monica Steger, traverse flute; Marc Vallon, bassoon; Grammy-winner Sarah Brailey, soprano; John Chappell Stowe and Jason Moy, harpsichord; Mark Brampton Smith, organ; and Bruce Bengston, organ.
Dave Parminter is the videographer and Barry Lewis is the photographer.
For more information, go to:
youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ
Tags: #AaronYarmel, #AppalachianSpring, #BachCantata, #BaroqueMusic, #BarryLewis, #BlogPost, #BlogPosting, #BruceBengston, #ChamberMusic, #CharlieRasmussen, #ChoralMusic, #ChristianChurch, #ChristineHauptlyAnnin, #ChristmasOratorio, #ClassicalMusician, #CoronavirusPandemic, #DaneCounty, #DaveParminter, #DoubleConcerto, #FacebookPost, #FacebookPosting, #Grammy-winning, #HistoricallyInformedPerformancePractices, #InstrumentalMusic, #JacobStockinger, #Jason Moy, #JesusChrist, #JohannSebastianBach, #JohnChappellStowe, #JustBach, #KangwonKim, #LeanneLeague, #LindaPereksta, #LindseyCrabb, #Lord'sPrayer, #LutherMemorialChurch, #MadisonBachMusicians, #MadisonSymphonyOrchestra, #MarcVallon, #MarikaFischerHoyt, #MarkBramptonSmith, #MeadWitterSchoolofMusic, #MonicaSteger, #MusicFacukty, #NathanGiglierano, #NonprofitOrganization, #OnlineConcert, #OrganMusic, #PeriodInstruments, #SarahBrailey, #SopranoSinger, #St.MatthiasEpiscopalChurch, #StringMusic, #TheEar, #TheLord, #TheUW, #TraversoFlute, #TrioSonata, #UniversityofWisconsin-Madison, #VirtualConcert, #VocalMusic, #WaukeshaWisconsin, #WindMusic, #WisconsinChamberOrchestra, #XavierPleindoux, #YouTubeChannel, #YouTubevideo, #ZoomMeeting, Aaron Yarmel, able, adagio, allegro, angel, animated, animation, Arts, audience, available, Bach, Baroque, Baroque music, Barry Lewis, Bassoon, bassoonist, blog, break, Bruce Bengston, BWV, Cantata, cellist, Cello, Chamber music, Charlie Rasmussen, chat, choral music, Chorale, Christ, Christian, Christianity, Christine Hauptly Annin, Christmas, Christmas Oratorio, church, Classical music, classicalmusic, composer, Concert, concerto, coronavirus, Dane County, Dave Parminter, December, donate, double concerto, Early music, emergency, Episcopal, extraordinary, Facebook, Facebook post, Facebook posting, fall, flauto traverso, flute, free, gathering, Grammy, graphic, harpsichord, harpsichordist, highlights, historically informed performance practices, indefinite, indefinitely, indoor, instrumental, Jacob Stockinger, January, Jesus Christ, Johann Sebastian Bach, John Chappell Stowe, Just Bach, Kangwon Kim, Keyboard, Kim, Largo, league, Leanne League, like, Linda Pereksta, Lindsey Crabb, link, live, Lord, Love, Luther Memorial Church, Lutheran, Madison, Madison Bach Musicians, Madison Symphony Orchestra, Marc Vallon, Marika Fischer Hoyt, Mark Brampton Smith, Mead Witter School of Music, meauty, Monica Steger, morning, most, movement, Music, music faculty, Nathan Giglierano, nonprofit, November, nulk, online, online concert, Orchestra, order, organ, organist, organize, pandemic, part, past, pay, performers, period instruments, photographer, post, post-concert, posting, presto, program, programming, prohibit, Protestant, reception, recorded, Religion, resume, risky, Sarah Brailey, Season, semester, September, share, sinfonia, singer, Singing, Smith, Sonata, soprano, soprano singer, St. Matthias Episcopal Church, string music, strings, summer, tag, tax-deductible, The Ear, timeless, traverso, trio sonata, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, Vallon, videographer, view, Viola, Violin, violinist, violist, virtual, virtual concert, vocal music, Waukasha, Wednesday, welcome, wind music, Wisconsin, Wisconsin Chamber Orchestra, woodwinds, Xavier Pleindoux, YouTube, Zoom
Wisconsin Ensemble Project’s string quartet program to benefit the United Way of Dane County debuts online this Friday night
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This Friday night, May 14, the Wisconsin Ensemble Project will present a recorded concert (below, in an image by Katrin Talbot) in partnership with United Way of Dane County (UWDC).
This is their second in a series of performances to benefit local and international organizations.
This production offers viewers a meaningful program that leads to direct impact with a focus on housing stability and family well-being. You will hear the story and see the face of UWDC woven throughout a chamber music performance.
The program of works for string quartet includes “Park” by Daniel Bernard Roumain (below top); the “Heiliger Dankgesang” (Sacred Hymn of Thanksgiving, which you can hear played by the Alban Berg Quartet in the YouTube video at the bottom) from Beethoven’s Opus 132; and selections from Five Folksongs in Counterpoint by Florence Price (below bottom).
WE Project members and performers are local, professional musicians who work together in the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra: violinists Leanne League and Mary Theodore; violist Jen Paulson; and cellist Karl Lavine.
“The WE Project is rooted in the quartet’s desire not only to delve deeply into chamber music repertoire, but also to address some of the many pressing social justice issues of our time,” says member Mary Theodore.
When exploring organizations to partner with for their second project, the quartet was inspired by the work of United Way of Dane County. The WE Project approached United Way out of their concern over housing security, with the understanding that one of UWDC’s key goals is to help more individuals and families find pathways out of poverty through housing and employment initiatives.
The recorded production will be available by registering at https://www.eventbrite.com/e/wisconsin-ensemble-project-spring-benefit-concert-registration-151923670789 from 6 p.m. this Friday, May 14, for 72 hours. Admission is free and contributions are strongly encouraged.
Contributions can be made through the website and will help to cover basic production costs and get funds directly into the hands of this very worthy organization which, most importantly, brings aid to the people they serve.
Tags: #AaronDworkin, #AfricanAmerican, #AlbanBerg, #AlbanBergQuartet, #BenefitConcert, #BlackComposer, #BlackMusic, #BlogPost, #BlogPosting, #ChamberMusic, #DaneCounty, #DanielBernardRoumain, #FacebookPost, #FacebookPosting, #FlorencePrice, #folksongs, #FreeConcert, #Fridaynight, #HeiligerDankgesang, #HousingInsecurity, #HousingSecurity, #JacobStockinger, #JenPaulson, #LeanneLeague, #LudwigVanBeethoven, #MadisonSymphonyOrchestra, #MaryTheodore, #MusicalDiversity, #NonprofitOrganization, #OnlineConcert, #SacredHymnofThanksgiving, #SocialJustice, #StringQuartet, #TheEar, #TheHomeless, #UnitedWay, #UnitedWayofDaneCounty, #VirtualConcert, #WEProject, #WisconsinChamberOrchestra, #WisconsinEnsembleProject, #YouTubevideo, address, admission, African American, aid, Alban Berg, Alban Berg Quartet, Arts, audience, available, basic, Beethoven, benefit, benefit concert, Berg, black composer, Black composers, black music, blog, cellist, Cello, Chamber music, charity, Classical music, composer, Concert, contribution, cost, counterpoint, Dane County, Daniel Bernard Roumain, deep, delve, desire, diversity, donation, employment, encourage, face, Facebook, Family, Florence Price, Focus, folk song, forwrad, free, Friday, fundraiser, goal, hear, Heiliger Dankgesang, homeless, Homelessness, housing, housing insecurity, housing security, hymn, include, insecurity, international, issue, Jacob Stockinger, Jacob StockingerYesterday, Jen Paulson, Karl Lavine, KarlLavine, key, Lavine, league, Leanne League, like, link, local, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, Mary Theodore, member, members, money, Music, Musician, night, nonprofit, Nonprofit organization, online, Orchestra, organization, Park, partner, People, performance, play, poor, post, posted, posting, poverty, present, price, production, professional, program, recorded, recorded music, register, repertoire, root, Roumain, Sacred Hymn of Thanksgiving, second, series, serve, share, site, social justice, stability, story, String quartet, tag, team members, The Ear, time, together, unemployment, United States, United Way, United Way of Dane County, Viola, Violin, violinist, violist, virtual, we, WE Project, Website, well-being, Wisconsin, Wisconsin Chamber Orchestra, Wisconsin Ensemble Project, work, worthy, YouTube
Recent Comments
 | Ronnie on How do post-pandemic concert a… |
 | welltemperedear on How do post-pandemic concert a… |
 | Polly Kuelbs on How do post-pandemic concert a… |
| welltemperedear on How do post-pandemic concert a… |
 | Ann Boyer on How do post-pandemic concert a… |
The Well-Tempered Ear 
