Then at 7:30 p.m. in Mills Hall, the UW Wind Ensemble (below top), conducted by Scott Teeple (below bottom), will perform a FREE concert of works by Jim Territo, William Schuman, Charles Ives, Percy Grainger and Paul Hindemith.
The Well-Tempered Ear
Library of Congress streams UW pianist Christopher Taylor’s online Liszt-Beethoven symphony recital for free this Thursday night
December 16, 2020
1 Comment
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This Thursday night, Dec. 17, from 7 to 9 p.m. CST, University of Wisconsin-Madison virtuoso pianist Christopher Taylor (below) will close the celebration of the Beethoven Year, marking the 250th anniversary of the composer’s birth, at the Library of Congress. After the concert’s premiere, it will stay posted online.
For the past several years, Taylor has been performing the solo piano transcriptions by Franz Liszt of Ludwig van Beethoven’s nine symphonies both in Russia and at the UW-Madison.
Here is more from the website of the UW-Madison’s Mead Witter School of Music:
“It takes extraordinary skill as an orchestrator to condense an entire symphony by Beethoven (below top) into a version for a solo instrument, but that is just what Franz Liszt (below bottom) accomplished in his piano transcriptions. (You can hear a sample, along with a visual representation, of the Fifth Symphony transcription in the YouTube video at the bottom.)
“Hear virtuoso pianist Christopher Taylor perform three of these transcendent symphony transcriptions, works he describes as a “new perspective on something familiar.” (The Ear, who has heard Taylor’s impressive performances of almost all nine symphonies, finds that comparing the two versions is like looking at the same photograph in color and then black-and-white. Color emphasizes details while black-and-white emphasizes structure. You hear new things by comparing the two.)
The performance was pre-recorded in the Mead Witter Foundation Concert Hall of the Hamel Music Center.
The program is:
BEETHOVEN/LISZT
Symphony No. 1 in C major, Op. 21
Symphony No. 2 in D major, Op. 36
Symphony No. 5 in C minor, Op. 67
You can find more details at: https://loc.gov/concerts/christopher-taylor.html
You can Register on Eventbrite
Hailed by critics as “frighteningly talented” (The New York Times) and “a great pianist” (The Los Angeles Times), Taylor has distinguished himself throughout his career as an innovative musician with a diverse array of talents and interests.
He is known for a passionate advocacy of music written in the past 100 years — Messiaen, Ligeti and Bolcom figure prominently in his performances — but his repertoire spans four centuries and includes the complete Beethoven sonatas, the Liszt Transcendental Etudes, Bach’s Goldberg Variations, and a multitude of other familiar masterworks.
Whatever the genre or era of the composition, Taylor brings to it an active imagination and intellect coupled with heartfelt intensity and grace.
Taylor has concertized around the globe, with international tours taking him to Russia, Western Europe, East Asia and the Caribbean.
At home in the U.S. he has appeared with orchestras such as the New York Philharmonic, Los Angeles Philharmonic, Detroit Symphony, the Madison Symphony and the Milwaukee Symphony. As a soloist he has performed in New York’s Carnegie and Alice Tully Halls, in Washington’s Kennedy Center for the Performing Arts, the Ravinia and Aspen festivals, and dozens of other venues.
In chamber music settings, he has collaborated with many eminent musicians, including Robert McDuffie and the Borromeo, Shanghai, Pro Arte, and Ying Quartets.
His recordings have featured works by Liszt, Messiaen and present-day Americans William Bolcom and Derek Bermel.
Throughout his career, Taylor has become known for undertaking memorable and unusual projects. Examples include: an upcoming tour in which he will perform, from memory, the complete transcriptions of Beethoven symphonies by Liszt; performances and lectures on the complete etudes of Gyorgy Ligeti; and a series of performances of the Goldberg Variations on the unique double-manual Steinway piano (below) in the collection of the University of Wisconsin.
Numerous awards have confirmed Taylor’s high standing in the musical world. He was named an American Pianists’ Association Fellow for 2000, before which he received an Avery Fisher Career Grant in 1996 and the Bronze Medal in the 1993 Van Cliburn International Piano Competition. In 1990 he took first prize in the William Kapell International Piano Competition, and also became one of the first recipients of the Irving Gilmore Young Artists’ Award.
Taylor lives in Middleton, Wis., with his wife and two daughters. He is a Steinway artist.
For more biographical information — including his piano teachers and his education as well as his interest in mathematics and engineering — go to: https://www.music.wisc.edu/event/christopher-taylor-concerts-from-the-library-of-congress/
Posted in Classical music
Tags: "Goldberg" Variations, #AliceTullyHall, #Americancomposers, #AmericanOrchestras, #AmericanPianistsAssociation, #AspenColorado, #AspenFestival, #AveryFisherCareerGrant, #BaroqueMusic, #BeethovenYear, #BlogPost, #BlogPosting, #BronzeMedalist, #CarnegieHall, #ChamberMusic, #ChristopherTaylor, #Contrast-and-Compare, #CoronavirusPandemic, #COVID-19, #DerekBermel, #DetroitMichigan, #DetroitSymphony, #DoubleManual, #EastAsia, #FacebookPost, #FacebookPosting, #FifthSymphony, #FirstPrize, #FranzLiszt, #Goldberg"Variations, #GyorgyLigeti, #HamelMusicCenter, #HarvardUniversity, #HomeWebsite, #husband-and-wife, #InstrumentalMusic, #IrvingGilmoreYoungArtistsAward, #JacobStockinger, #JohannSebastianBach, #KennedyCenter, #LibraryofCongress, #LosAngelesPhilharmonic, #LudwigVanBeethoven, #MadisonSymphonyOrchestra, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #MiddletonWisconsin, #MilwaukeeSymphonyOrchestra, #MilwaukeeWisconsin, #MusicCritic, #NewMusic, #NewThings, #NewYorkCity, #NewYorkPhilharmonic, #NewYorkTimes, #OlivierMessiaen, #OpusNumber, #PianoConcerto, #PianoSonata, #PIanoTeacher, #ProArteQuartet, #RaviniaFestival, #RobertMcDuffie, #RussellSherman, #ShanghaiChina, #ShanghaiStringQuartet, #SteinwayandSons, #StringQuartet, #TheEar, #TheU.S., #TheUW, #TranscendentalEtudes, #U.S.Congress, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #VanCliburn, #VanCliburnInternationalPianoCompetition, #VirtuosoPianist, #WesternEurope, #WilliamBolcom, #WilliamKapell, #WilliamKapellInternaitonalPianoCompetition, #YingQuartet, #YouTubeChannel, #YouTubevideo, 250, accomplish, active, advocacy, Alice Tully Hall, American, American Pianists Association, anniversary, array, artist, Arts, Asia, Aspen Festival, audience, Avery Fisher Career Grant, awards, Bach, Baroque, Beethoven, Beethoven Year, Bermel, biographical, biography, birth, birthday, black-and-white, blog, Bolcom, Borromeo, bronze medal, bronze medalist, California, career, Caribbean, Carnegie Hall, celebration, centuries, century, Chamber music, channel, China, Christopher Taylor, Classical music, close, collaborate, color, Colorado, complete, composer, Composition, Concert, concertize, concerto, condense, conductor, Congress, contrast, coronavirus, daughter, Derek Bermel, details, Detroit, Detroit Symphony, distinguish, diverse, double manual, dozens, Early music, East Asia, Education, eminent, emphasize, engineering, era, etude, Europe, Eventbrite, extraordinary, Facebook, Facebook post, Facebook posting, familiar, festival, Fifth Symphony, figure, find, first prize, Franz Liszt, free, frightening, genre, Georgy Ligeti, globe, grace, hailed, Hamel Music Center, hands, Harvard, Harvard University, hear, heartfelt, Home, home website, imagination, impressive, information, innovative, instrument, intellect, intensity, interests, international, Irving Gilmore Young Artists Award, Jacob Stockinger, Johann Sebastian Bach, Kennedy Center, lecture, library, Library of Congress, Ligeti, Liszt, Los Angeles, Los Angeles Philharmonic, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, mark, Masterworks, mathematics, Mead Witter Foundation Concert Hall, Mead Witter School of Music, memorable, memory, Messiaen, Middleton, Milwaukee, Milwaukee Symphony Orchestra, multitude, Music, music critic, Music education, Musician, named, New Music, new things, New York City, New York Philharmonic, New York Times, Olivier Messiaen, opus, Opus number, Orchestra, orchestras, orchestrator, pandemic, passionate, performance, photograph, photography, Pianist, Piano, Piano concerto, Piano sonata, piano teacher, post, posting, pre-recorded, premiere, Pro Arte Quartet, program, projects, prominent, Ravinia Festival, recipient, register, repertoire, repertory, representation, Robert McDuffie, Russell Sherman, Russia, sample, setting, Shanghai, Shanghai String Quartet, skill, solo, soloist, Sonata, span, Steinway, stream, String quartet, structure, symphonies, symphony, talented, talents, Taylor, The Ear, tour, transcendent, Transcendental Etudes, transcription, U.S., United States, University of Wisconsin, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unusual, UW, UW-Madison, Van Cliburn, Van Cliburn International Piano Competition, venue, venues, version, virtuoso, visual, Washington, Website, Western Europe, wife, WILLIAM BOLCOM, William Kapell, William Kapell International Piano Competition, Wisconsin, world, Ying Quartet, YouTube
Tags: "Goldberg" Variations, #AliceTullyHall, #Americancomposers, #AmericanOrchestras, #AmericanPianistsAssociation, #AspenColorado, #AspenFestival, #AveryFisherCareerGrant, #BaroqueMusic, #BeethovenYear, #BlogPost, #BlogPosting, #BronzeMedalist, #CarnegieHall, #ChamberMusic, #ChristopherTaylor, #Contrast-and-Compare, #CoronavirusPandemic, #COVID-19, #DerekBermel, #DetroitMichigan, #DetroitSymphony, #DoubleManual, #EastAsia, #FacebookPost, #FacebookPosting, #FifthSymphony, #FirstPrize, #FranzLiszt, #Goldberg"Variations, #GyorgyLigeti, #HamelMusicCenter, #HarvardUniversity, #HomeWebsite, #husband-and-wife, #InstrumentalMusic, #IrvingGilmoreYoungArtistsAward, #JacobStockinger, #JohannSebastianBach, #KennedyCenter, #LibraryofCongress, #LosAngelesPhilharmonic, #LudwigVanBeethoven, #MadisonSymphonyOrchestra, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #MiddletonWisconsin, #MilwaukeeSymphonyOrchestra, #MilwaukeeWisconsin, #MusicCritic, #NewMusic, #NewThings, #NewYorkCity, #NewYorkPhilharmonic, #NewYorkTimes, #OlivierMessiaen, #OpusNumber, #PianoConcerto, #PianoSonata, #PIanoTeacher, #ProArteQuartet, #RaviniaFestival, #RobertMcDuffie, #RussellSherman, #ShanghaiChina, #ShanghaiStringQuartet, #SteinwayandSons, #StringQuartet, #TheEar, #TheU.S., #TheUW, #TranscendentalEtudes, #U.S.Congress, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #VanCliburn, #VanCliburnInternationalPianoCompetition, #VirtuosoPianist, #WesternEurope, #WilliamBolcom, #WilliamKapell, #WilliamKapellInternaitonalPianoCompetition, #YingQuartet, #YouTubeChannel, #YouTubevideo, 250, accomplish, active, advocacy, Alice Tully Hall, American, American Pianists Association, anniversary, array, artist, Arts, Asia, Aspen Festival, audience, Avery Fisher Career Grant, awards, Bach, Baroque, Beethoven, Beethoven Year, Bermel, biographical, biography, birth, birthday, black-and-white, blog, Bolcom, Borromeo, bronze medal, bronze medalist, California, career, Caribbean, Carnegie Hall, celebration, centuries, century, Chamber music, channel, China, Christopher Taylor, Classical music, close, collaborate, color, Colorado, complete, composer, Composition, Concert, concertize, concerto, condense, conductor, Congress, contrast, coronavirus, daughter, Derek Bermel, details, Detroit, Detroit Symphony, distinguish, diverse, double manual, dozens, Early music, East Asia, Education, eminent, emphasize, engineering, era, etude, Europe, Eventbrite, extraordinary, Facebook, Facebook post, Facebook posting, familiar, festival, Fifth Symphony, figure, find, first prize, Franz Liszt, free, frightening, genre, Georgy Ligeti, globe, grace, hailed, Hamel Music Center, hands, Harvard, Harvard University, hear, heartfelt, Home, home website, imagination, impressive, information, innovative, instrument, intellect, intensity, interests, international, Irving Gilmore Young Artists Award, Jacob Stockinger, Johann Sebastian Bach, Kennedy Center, lecture, library, Library of Congress, Ligeti, Liszt, Los Angeles, Los Angeles Philharmonic, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, mark, Masterworks, mathematics, Mead Witter Foundation Concert Hall, Mead Witter School of Music, memorable, memory, Messiaen, Middleton, Milwaukee, Milwaukee Symphony Orchestra, multitude, Music, music critic, Music education, Musician, named, New Music, new things, New York City, New York Philharmonic, New York Times, Olivier Messiaen, opus, Opus number, Orchestra, orchestras, orchestrator, pandemic, passionate, performance, photograph, photography, Pianist, Piano, Piano concerto, Piano sonata, piano teacher, post, posting, pre-recorded, premiere, Pro Arte Quartet, program, projects, prominent, Ravinia Festival, recipient, register, repertoire, repertory, representation, Robert McDuffie, Russell Sherman, Russia, sample, setting, Shanghai, Shanghai String Quartet, skill, solo, soloist, Sonata, span, Steinway, stream, String quartet, structure, symphonies, symphony, talented, talents, Taylor, The Ear, tour, transcendent, Transcendental Etudes, transcription, U.S., United States, University of Wisconsin, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unusual, UW, UW-Madison, Van Cliburn, Van Cliburn International Piano Competition, venue, venues, version, virtuoso, visual, Washington, Website, Western Europe, wife, WILLIAM BOLCOM, William Kapell, William Kapell International Piano Competition, Wisconsin, world, Ying Quartet, YouTube
Classical music: The Wisconsin Chamber Orchestra uses a new website and a new brochure to announce its new Masterworks season plus other innovations
May 23, 2020
Leave a Comment
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
In many ways, there is much that is familiar or tried-and-true about the Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) and its new Masterworks season for 2020-21.
But in other ways it seems as if the WCO is reinventing and rebranding itself – perhaps under the direction of its new CEO Joe Loehnis – as the ensemble starts a double anniversary: its 60th season of existence and its 20th year under the baton of music director Andrew Sewell (below in a photo by Alex Cruz).
As in past years, the WCO programs feature a mix of familiar composers and works with new and neglected ones. It also features both new and returning guest soloists.
Start with what’s new.
The new WCO home website – like the new brochure that has been mailed out — has been redesigned, with more visuals and more information about the 34-member orchestra. The Ear finds both the new brochure and the new home page to be more attractive, better organized and easier to use. Take a look for yourself: https://wcoconcerts.org
There also seems to be a heightened emphasis on donations and raising money, including a new organization called “Friends” that brings special benefits for $30 or even more perks at $8 a month.
And the website seems more customer-friendly. There is a section on the website about “What to Expect,” which includes how to choose seats, how to dress, when to applaud and so forth. There is also a portal for streaming events and concerts.
There is more, much more, including the pre-concert dinners for the Masterworks concerts and the culturally diverse programs for the postponed Concerts on the Square (below), to run this summer on Tuesday nights at 6 p.m. (NOT the usual Wednesdays at 7 p.m.) from July 28 to Sept. 1.
There seems to be more emphasis on Sewell, who this year provides extensive first-person notes about each program and the guest artists. (In the YouTube video at the bottom, you can hear Sewell discuss the new Masterworks season with Wisconsin Public Radio host and WCO announcer Norman Gilliland.)
This season will see two performances of Handel’s “Messiah”: one on Saturday, Dec. 19, at the Blackhawk Church in Middleton; and another downtown on Sunday, Dec. 20, at the UW-Madison’s Hamel Music Center.
The Masterworks series of concerts – held on Friday nights at 7:30 p.m. in the Capitol Theater of the Overture Center – will begin in late November rather than in late January. The six concerts include five new ones and the postponed appearance of harpist Yolanda Kondonassis, whose appearance this season was canceled because of the COVID-19 pandemic, on May 14.
Two of the concerts – on two Saturdays, Feb. 20 and April 10 – will also be performed in the Milwaukee suburb of Brookfield at the Sharon Lynn Wilson Center for the Arts (below).
You can read more about the community outreach and music education programs, especially the Youth and Education programs. They include the free Family Series and “Side by Side” concerts (below, in a photo by Mike DeVries for The Capital Times, WCO concertmaster Suzanne Beia, right, tutors a WYSO student); the Super Strings educational program; and the Young Artists Concerto Competition for grades 9-12.
Here are the Masterworks series:
NOV. 20 – Pianist John O’Conor (below) returns in a program of the Piano Concerto No. 5 “Emperor” by Beethoven; the Septet by Igor Stravinsky; and the Symphony No. 1 in D Major by Luigi Cherubini.
JAN. 15 – Cellist Amid Peled (below, in a photo by Lisa Mazzucco) returns in a program of Cello Concerto No. 1 by Dmitry Kabalevsky and the Andante by Jacques Offenbach; plus the Wind Serenade in D minor by Antonin Dvorak; and the Symphony No. 34 by Mozart.
FEB. 19 – Violinist Alexander Sitkovetsky (below) in returns in Antonio Vivaldi’s “Four Seasons” and Astor Piazzolla’s “Four Seasons in Buenos Aires”; plus the Suite for Strings by Leos Janacek.
MARCH 19 – Grammy-winning Spanish guitarist Mabel Millán (below) making her U.S, debut in an all-Spanish program that features the Concierto del Sur (Concerto of the South) by Manuel Ponce; the Sinfonietta in D major by Ernesto Halffter; and the overture “Los Esclavos Felices” (The Happy Slaves) by Juan Crisóstomo Arriaga.
APRIL 9 – Pianist Michael Mizrahi (below), who teaches at the Lawrence University Conservatory of Music in Appleton, Wis., on the Piano Concerto No. 1 by Beethoven plus the Serenade No. 1 by Johannes Brahms.
MAY 14 — Harpist Yolanda Kondonassis (below) in the Harp Concerto by Alberto Ginastera; plus the Sinfonietta by Sergei Prokofiev and the Symphony no. 88 by Franz Joseph Haydn.
Single tickets, which go on sale in July, are $15 to $80. Season subscriptions are available now with seat preference through July 1, bring a discounted price with an extra 10 percent off for first-time subscribers.
For more information, go to the website at https://wcoconcerts.org; call 608 257-0638; or mail a subscription form to the Wisconsin Chamber Orchestra, Attn: Subscriptions; PO Box171, Madison, WI 53701-0171.
Posted in Classical music
Tags: #AlexanderSitkovetsky, #AmitPeled, #AndrewSewell, #AntoninDvorak, #AntonioVivaldi, #AppletonWisconsin, #AstorPiazzolla, #BaroqueMusic, #BBCYoungMusicianoftheYear, #BlackhawkChurch, #BlogPost, #BlogPosting, #CapitolTheater, #CelloConcerto, #ChamberMusic, #ChiefExecutiveOfficer, #ChoralMusic, #ChristianChurch, #ClassicalGuitar, #ClassicalGuitarist, #CommunityOutreach, #ConcertsontheSquare, #COVID-19, #customer-friendly, #DmitriKabalevsky, #DmitryKabalevsky, #EmperorConcerto, #ErnestoHalffter, #FacebookPost, #FacebookPosting, #FamilyEvent, #FourSeasons, #FourSeasonsofBuenosAires, #GeorgeFridericHandel, #GrammyAward, #GuestArtist, #GuestSoloist, #GuitarConcerto, #HamelMusicCenter, #Handel'sMessiah, #HarpConcerto, #HarpMusic, #HighSchool, #HighTechnology, #HomeWebsite, #IgorStravinsky, #JacobStockinger, #JacquesOffenbach, #JoeLoehnis, #JohannesBrahms, #JohnO'Conor, #JuanCrisóstomoArriaga, #LawrenceUniversity, #LawrenceUniversityConservatoryofMusic, #LeosJanacek, #LiveStreaming, #LudwigVanBeethoven, #LuigiCherubini, #MabelMillán, #MasterworksSeason, #MeadWitterSchoolofMusic, #MexicanComposer, #MichaelMizrahi, #MilwaukeeWisconsin, #ModernMusic, #MusicDirector, #MusicEducation, #NewMusic, #NormanGilliland, #OvertureCenter, #PianoConcerto, #RadioHost, #Russianviolinist, #SharonLynneWilsonCenterfortheArts, #SidebySide, #SpanishComposer, #SpecialGuest, #StringMusic, #SuperStrings, #SuzanneBeia, #TheCapitalTimes, #TheEar, #TheHappySlaves, #UniversityofWisconsin-Madison, #VisualArt, #WindSerenade, #WisconsinChamberOrchestra, #WisconsinPublicRadio, #WisconsinYouthSymphonyOrchestras, #WolfgangAmadeusMozart, #WYSOconcerts, #YolandaKondonassis, #YoungArtistConcertoCompetition, #YouTubevideo, 2020, 2021, Alexander Sitkovetsky, Amit Peled, Andante, Andrew Sewell, anniversary, announcer, Antonín Dvořák, Antonio Vivaldi, appearance, applaud, Appleton, April, Arriaga, Art, artist, Arts, attractive, audience, Ástor Piazzolla, Baroque, baton, Beethoven, benefits, better, Blackhawk Church, blog, Brahms, brand, brochure, Brookfield, Capitol Theater, cellist, Cello, CEO, Chamber music, Cherubini, choral music, Christian, church, Classical music, community outreach, Compact Disc, Competition, composer, Concert, concertmaster, concerto, concerts, Concerts on the Square, conductor, conservatory, coronavirus, covid, donate, donation, double, dress, Dvorak, Early music, easier, Education, Emperor Concerto, emphasis, ensemble, Ernesto Halffter, event, existence, expect, expectations, extensive, Facebook, familiar, Family, February, first-person, forgiveness, forward, Four Seasons, Four Seasons of Buenos Aires, free, friend, friends, George Frideric Handel, gift, give, grade, Grammy, Grammy Award, Graphics, guest artist, guest soloist, guitar, guitar concerto, Halffter, Hamel Music Center, Handel, happy', harp, harpist, heightened, hi tech, high school, home website, host, Igor Stravinsky, information, Jacob Stockinger, Jacques Offenbach, Janacek, January, Joe Loehnis, Johannes Brahms, John O'Conor, Juan Crisóstomo Arriaga, July, Kabalevsky, Lawrence University, Lawrence University Conservatory of Music, Leos Janacek, like, link, live streaming, look, Ludwig van Beethoven, Luigi Cherubini, Mabel Millán, Madison, march, masterwork, May, Mead Witter School of Music, member, Messiah, Mexican composer, Michael Mizrahi, Millán, Milwaukee, Mizrahi, modern, money, more, Mozart, Music, Music director, Music education, neglected, new, New Music, Norman Gilliland, notes, November, O'Conor, Offenbach, Orchestra, organization, organized, outreach, Overture, Overture Center, Overture Center for the Arts, pandemic, past, Peled, performance, performer, perk, photo, Pianist, Piano, Piano concerto, Piazzolla, portal, post, posting, postpone, program, Radio, raise, rebrand, redesign, reinvent, return, Season, section, September, septet, Serenade, series, share, Sharon Lynne Wilson Center for the Arts, Side by Side, Sinfonietta, single, Sitkovetsky, slave, south, Spain, Spanish, special, Stravinsky, stream, streaming, strings, subscription, suburb, Suite, summer, Super Strings, Suzanne Beia, symphony, tag, technology, The Capital Times, The Ear, The Happy Slaves, ticket, tutor, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, use, UW, UW-Madison, Violin, violinist, visual, Vivaldi, WCO, Website, Wind Serenade, winds, Wisconsin, Wisconsin Chamber Orchestra, wisconsin public radio, Wisconsin Youth Symphony Orchestras, Wolfgang Amadeus Mozart, woodwinds, works, WPR, WYSO, year, Yolanda Kondonassis, young, Young Artist Concerto Competition, yourself, YouTube
Tags: #AlexanderSitkovetsky, #AmitPeled, #AndrewSewell, #AntoninDvorak, #AntonioVivaldi, #AppletonWisconsin, #AstorPiazzolla, #BaroqueMusic, #BBCYoungMusicianoftheYear, #BlackhawkChurch, #BlogPost, #BlogPosting, #CapitolTheater, #CelloConcerto, #ChamberMusic, #ChiefExecutiveOfficer, #ChoralMusic, #ChristianChurch, #ClassicalGuitar, #ClassicalGuitarist, #CommunityOutreach, #ConcertsontheSquare, #COVID-19, #customer-friendly, #DmitriKabalevsky, #DmitryKabalevsky, #EmperorConcerto, #ErnestoHalffter, #FacebookPost, #FacebookPosting, #FamilyEvent, #FourSeasons, #FourSeasonsofBuenosAires, #GeorgeFridericHandel, #GrammyAward, #GuestArtist, #GuestSoloist, #GuitarConcerto, #HamelMusicCenter, #Handel'sMessiah, #HarpConcerto, #HarpMusic, #HighSchool, #HighTechnology, #HomeWebsite, #IgorStravinsky, #JacobStockinger, #JacquesOffenbach, #JoeLoehnis, #JohannesBrahms, #JohnO'Conor, #JuanCrisóstomoArriaga, #LawrenceUniversity, #LawrenceUniversityConservatoryofMusic, #LeosJanacek, #LiveStreaming, #LudwigVanBeethoven, #LuigiCherubini, #MabelMillán, #MasterworksSeason, #MeadWitterSchoolofMusic, #MexicanComposer, #MichaelMizrahi, #MilwaukeeWisconsin, #ModernMusic, #MusicDirector, #MusicEducation, #NewMusic, #NormanGilliland, #OvertureCenter, #PianoConcerto, #RadioHost, #Russianviolinist, #SharonLynneWilsonCenterfortheArts, #SidebySide, #SpanishComposer, #SpecialGuest, #StringMusic, #SuperStrings, #SuzanneBeia, #TheCapitalTimes, #TheEar, #TheHappySlaves, #UniversityofWisconsin-Madison, #VisualArt, #WindSerenade, #WisconsinChamberOrchestra, #WisconsinPublicRadio, #WisconsinYouthSymphonyOrchestras, #WolfgangAmadeusMozart, #WYSOconcerts, #YolandaKondonassis, #YoungArtistConcertoCompetition, #YouTubevideo, 2020, 2021, Alexander Sitkovetsky, Amit Peled, Andante, Andrew Sewell, anniversary, announcer, Antonín Dvořák, Antonio Vivaldi, appearance, applaud, Appleton, April, Arriaga, Art, artist, Arts, attractive, audience, Ástor Piazzolla, Baroque, baton, Beethoven, benefits, better, Blackhawk Church, blog, Brahms, brand, brochure, Brookfield, Capitol Theater, cellist, Cello, CEO, Chamber music, Cherubini, choral music, Christian, church, Classical music, community outreach, Compact Disc, Competition, composer, Concert, concertmaster, concerto, concerts, Concerts on the Square, conductor, conservatory, coronavirus, covid, donate, donation, double, dress, Dvorak, Early music, easier, Education, Emperor Concerto, emphasis, ensemble, Ernesto Halffter, event, existence, expect, expectations, extensive, Facebook, familiar, Family, February, first-person, forgiveness, forward, Four Seasons, Four Seasons of Buenos Aires, free, friend, friends, George Frideric Handel, gift, give, grade, Grammy, Grammy Award, Graphics, guest artist, guest soloist, guitar, guitar concerto, Halffter, Hamel Music Center, Handel, happy', harp, harpist, heightened, hi tech, high school, home website, host, Igor Stravinsky, information, Jacob Stockinger, Jacques Offenbach, Janacek, January, Joe Loehnis, Johannes Brahms, John O'Conor, Juan Crisóstomo Arriaga, July, Kabalevsky, Lawrence University, Lawrence University Conservatory of Music, Leos Janacek, like, link, live streaming, look, Ludwig van Beethoven, Luigi Cherubini, Mabel Millán, Madison, march, masterwork, May, Mead Witter School of Music, member, Messiah, Mexican composer, Michael Mizrahi, Millán, Milwaukee, Mizrahi, modern, money, more, Mozart, Music, Music director, Music education, neglected, new, New Music, Norman Gilliland, notes, November, O'Conor, Offenbach, Orchestra, organization, organized, outreach, Overture, Overture Center, Overture Center for the Arts, pandemic, past, Peled, performance, performer, perk, photo, Pianist, Piano, Piano concerto, Piazzolla, portal, post, posting, postpone, program, Radio, raise, rebrand, redesign, reinvent, return, Season, section, September, septet, Serenade, series, share, Sharon Lynne Wilson Center for the Arts, Side by Side, Sinfonietta, single, Sitkovetsky, slave, south, Spain, Spanish, special, Stravinsky, stream, streaming, strings, subscription, suburb, Suite, summer, Super Strings, Suzanne Beia, symphony, tag, technology, The Capital Times, The Ear, The Happy Slaves, ticket, tutor, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, use, UW, UW-Madison, Violin, violinist, visual, Vivaldi, WCO, Website, Wind Serenade, winds, Wisconsin, Wisconsin Chamber Orchestra, wisconsin public radio, Wisconsin Youth Symphony Orchestras, Wolfgang Amadeus Mozart, woodwinds, works, WPR, WYSO, year, Yolanda Kondonassis, young, Young Artist Concerto Competition, yourself, YouTube
Classical music: This Sunday afternoon, the Madison Symphony Orchestra takes listeners “Behind the Score” of the Symphony No. 5 by Prokofiev
January 16, 2020
4 Comments
4 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This Sunday afternoon, Jan. 19, at 2:30 p.m. in Overture Hall, the Madison Symphony Orchestra (below, in a photo by Peter Rodgers) and MSO music director John DeMain will present the story behind Prokofiev’s Symphony No. 5 with “Beyond the Score®: Sergei Prokofiev Symphony No. 5: Pure Propaganda?”
The one performance-only concert is a multimedia examination of the Russian composer’s musical celebration of the end of World War II. (You can hear the second movement in the YouTube video at the bottom.)
The presentation stars American Players Theatre actors James Ridge (below top), Colleen Madden (below second), Marcus Truschinski (below third) and Sarah Day (below bottom).
Along with MSO pianist Dan Lyons (below), the concert experience features visual projections, photos and musical excerpts.
Then in the second half comes a full and uninterrupted performance of the Symphony No. 5 by the orchestra conducted by John DeMain (below, in a photo by Prasad).
“This is one of the great offerings of Beyond the Score,” says DeMain. “Three generations of great Russian composers influenced Sergei Prokofiev (below) from childhood into his adult years, helping him create the most popular of his big symphonies, his fifth.
Adds DeMain: “I have so much fun working with the great actors from the American Players Theatre as they interweave the backstory with the orchestra. The visuals for this production are spectacular. After intermission, we play this wonderful symphony in its entirety.”
Prokofiev’s Symphony No. 5 was published in 1944. Taking inspiration from his experiences in America and his return to the Soviet homeland after the war, Prokofiev expresses the heroic, beautiful and strong nature of the music.
This Beyond the Score production joins Prokofiev at the end of World War II and discovers his inspiration for Symphony No. 5.
Incorporating war video footage and propaganda photos, the program presents the historical context behind the classical piece turned masterpiece.
CONCERT, TICKET AND EVENT DETAILS
The lobby opens 90 minutes prior to each concert. The symphony recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations.
Program notes are available online for viewing in advance of the concerts: http://bit.ly/msojan20programnotes
- Single Tickets are $16-$70 each and are on sale now at: https://madisonsymphony.org/event/beyond-the-score-2020-prokofiev/through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
- Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
- Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
Discounted seats are subject to availability, and discounts may not be combined.
ABOUT BEYOND THE SCORE®
For newcomers to classical music and longtime aficionados alike, each Beyond the Score® presentation is a dramatic exploration of a composer’s music.
Through live actors, stunning visual projections and virtuosic fragments of live music performed by members of the orchestra, the compelling story of the composer’s life and art unfolds, illuminating the world that shaped the music’s creation. Beyond the Score presentations weave together theater, music and design to draw audiences into the concert hall and into a work’s spirit.
The popular program seeks to open the door to the symphonic repertoire for first-time concertgoers as well as to encourage an active, more fulfilling way of listening for seasoned audiences.
At its core is the live format of musical extracts, spoken clarification, theatrical narrative, and hand-paced projections on large central surfaces, performed in close synchrony.
After each program, audiences return from intermission to experience the resulting work performed in a regular concert setting, equipped with a new understanding of its style and genesis.
Beyond the Score® is a production of the Chicago Symphony Orchestra. Gerard McBurney, Creative Director for Beyond the Score®
Exclusive funding for this concert is provided by the Pleasant T. Rowland Foundation.
Posted in Classical music
Tags: #AmericanPlayersTheatre, #Beautifulmusic, #BeyondTheScore, #BlogPost, #BlogPosting, #ChicagoSymphonyOrchestra, #ColleenMadden, #ConcertHall, #DanLyons, #FacebookPost, #FacebookPosting, #GerardMcBurney, #HistoricalContext, #JacobStockinger, #JamesRidge, #JohnDeMain, #MadisonSymphonyOrchestra, #MarcusTruschinski, #MusicalStyle, #MusicDirector, #OpeningStatement, #OvertureCenter, #OvertureHall, #PleasantT.Rowland, #ProgramNotes, #RussianComposer, #SarahDay, #SeniorCitizen, #SergeiProkofiev, #SovietUnion, #SpingGreen, #Sundayafternoon, #TheEar, #TheU.S., #UnitedStates, #WarFootage, #WorldWarII, #YouTubevideo, Actor, adult, aficionado, Aftermath of World War II, America, American Players Theatre, Art, Arts, audience, backstory, beautiful, Beyond the Score, blog, celebration, Chicago, Chicago Symphony Orchestra, childhood, classic music, classicalmusic, Colleen Madden, composer, Concert, concert hall, context, Creation, DAN LYONS, discount, discover, door, drama, dramatic, end, equip, excerpts, experience, exploration, express, Facebook, film, format, forward, foundation, fun, generation, Genesis, Gerard McBurney, great, group, heroic, historical, History, homeland, illuminate, incorporate, influence, insight, inspiration, intermission, Jacob Stockinger, James Ridge, John DeMain, life, like, link, listen, lobby, Madison, Madison Symphony Orchestra, Maestro, Marcus Truschinski, masterpiece, movement, movie, multimedia, Music, Music director, musical, narrative, nature, new, newcomer, offering, online, open, Orchestra, Overture Center, Overture Center for the Arts, Overture Hall, perfomer, photos, Pianist, Piano, Pleasant T. Rowland, popular, post, posting, presentation, program notes, projection, Prokofiev, propaganda, pure, repertoire, repertory, Russia, Russian, Sarah Day, savings, seasoned, security, senior, senior citizen, Sergei Prokofiev, shape, share, Soviet, Soviet Union, spectacular, spoken, sponsor, Spring Green, Spring Green Wisconsin, star, story, strong, style, Sunday afernoon, symphony, tag, The Ear, theater, tickets, U.S., understanding, United States, visual, war, Wisconsin, world, World War II, years, YouTube
Tags: #AmericanPlayersTheatre, #Beautifulmusic, #BeyondTheScore, #BlogPost, #BlogPosting, #ChicagoSymphonyOrchestra, #ColleenMadden, #ConcertHall, #DanLyons, #FacebookPost, #FacebookPosting, #GerardMcBurney, #HistoricalContext, #JacobStockinger, #JamesRidge, #JohnDeMain, #MadisonSymphonyOrchestra, #MarcusTruschinski, #MusicalStyle, #MusicDirector, #OpeningStatement, #OvertureCenter, #OvertureHall, #PleasantT.Rowland, #ProgramNotes, #RussianComposer, #SarahDay, #SeniorCitizen, #SergeiProkofiev, #SovietUnion, #SpingGreen, #Sundayafternoon, #TheEar, #TheU.S., #UnitedStates, #WarFootage, #WorldWarII, #YouTubevideo, Actor, adult, aficionado, Aftermath of World War II, America, American Players Theatre, Art, Arts, audience, backstory, beautiful, Beyond the Score, blog, celebration, Chicago, Chicago Symphony Orchestra, childhood, classic music, classicalmusic, Colleen Madden, composer, Concert, concert hall, context, Creation, DAN LYONS, discount, discover, door, drama, dramatic, end, equip, excerpts, experience, exploration, express, Facebook, film, format, forward, foundation, fun, generation, Genesis, Gerard McBurney, great, group, heroic, historical, History, homeland, illuminate, incorporate, influence, insight, inspiration, intermission, Jacob Stockinger, James Ridge, John DeMain, life, like, link, listen, lobby, Madison, Madison Symphony Orchestra, Maestro, Marcus Truschinski, masterpiece, movement, movie, multimedia, Music, Music director, musical, narrative, nature, new, newcomer, offering, online, open, Orchestra, Overture Center, Overture Center for the Arts, Overture Hall, perfomer, photos, Pianist, Piano, Pleasant T. Rowland, popular, post, posting, presentation, program notes, projection, Prokofiev, propaganda, pure, repertoire, repertory, Russia, Russian, Sarah Day, savings, seasoned, security, senior, senior citizen, Sergei Prokofiev, shape, share, Soviet, Soviet Union, spectacular, spoken, sponsor, Spring Green, Spring Green Wisconsin, star, story, strong, style, Sunday afernoon, symphony, tag, The Ear, theater, tickets, U.S., understanding, United States, visual, war, Wisconsin, world, World War II, years, YouTube
Classical music: The Oakwood Chamber Players perform a mini-opera version of “A Christmas Carol” this Saturday night and Sunday afternoon
December 6, 2019
1 Comment
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Over several deuces, the Oakwood Chamber Players have built a solid reputation for their top-notch performances of unusual and neglected repertoire.
So it comes as no surprise that the group will offer one of the newer, more unusual and promising takes on the holiday classic, “A Christmas Carol.”
Twice this weekend, the Madison-based, widely experienced musical theater actor and baritone Robert A. Goderich reprises his tour-de-force performance, last done in 2016, of Charles Dickens’ characters for the Oakwood Chamber Players’ presentation of the mini-opera “The Passion of Scrooge” by New York composer Jon Deak.
A dozen musicians, including ensemble members with special guest artists, provide the platform for Goderich’s characterizations on this coming Saturday night, Dec. 7, at 7 p.m., and Sunday afternoon, Dec. 8, at 2 p.m.
The concerts take place at Oakwood Village University Woods Auditorium at 6209 Mineral Point Road, on Madison’s far west side near West Towne Mall.
Tickets are available at the door and are $25 for adults, $20 for seniors, and $5 for students. Go to https://www.oakwoodchamberplayers.com for more information.
Members of the ensemble for this program are: Marilyn Chohaney (flute), Nancy Mackenzie (clarinet), Anne Aley (horn), Elspeth Stalter Clouse (violin) and Maggie Darby Townsend (cello), and guest musicians Hillary Hempel (violin), Emma Cifrino (viola), Brad Townsend (bass), Mike Koszewski (percussion), and Margaret Mackenzie (harp).
Over the past two decades, New York Philharmonic bassist and composer Jon Deak (below) has created a variety of “concert dramas” that tell stories through words and sound.
Performed annually at the Smithsonian, this two-act musical setting re-imagines Ebenezer Scrooge’s struggle to transform his past, present and future from a life of avarice to warmth and humanity.
As singer and narrator, Goderich, who plays all the parts, is the focal point; but the composer has given the instrumentalists an integral part in the story line, too. Conductor Kyle Knox (below) leads the ensemble through many facets of this humorous work filled with dramatic effects.
Deak requires the musicians to be nimble performers, juggling melodic lines while interjecting entertaining sounds into Dickens’ traditional tale. You can hear the opening introduction by the Storyteller in the YouTube video at the bottom.
One of the score’s important aspects is the varied use of percussion, which provides a broad range of instruments and sound effects. Audiences can enjoy both the aural and visual artistry of chains rattling, doors creaking and footsteps echoing in this holiday classic.
Additionally, the Oakwood Chamber Players will perform a suite of British reels and carols, including songs mentioned in the text of Dickens’ original story.
For example, when the Ghost of Christmas Past reminds Scrooge of his first employer Fezziwig, a fiddler plays the tune “Sir Roger De Coverley.” This Scottish-English country dance, arranged by composer Frank Bridge in 1922, is one of the tunes providing an engaging introduction to “The Passion of Scrooge.”
Posted in Classical music
Tags: #AChristmasCarol, #AnneAley, #BaritoneSinger, #BlogPost, #BlogPosting, #ChamberMusic, #ChamberOpera, #CharlesDickens, #CountryDance, #DoubleBass, #DoubleBassist, #EbenezerScrooge, #FacebookPost, #FacebookPosting, #FocalPoint, #FrankBridge, #GhostofChristmasPast, #GuestArtist, #HilaryHahn'sViolincase, #HolidayClassic, #HomeWebpage, #InstrumentalMusic, #InstrumentalPlayer, #JonDeak, #KyleKnox, #MargaretMackenzie, #MarilynChohaney, #MelodicLine, #MikeKoszewski, #MusicalTheater, #NeglectedMusic, #NeglectedRepertoire, #NewMusic, #NewYorkCity, #NewYorkPhilharmonic, #OakwoodChamberPlayers, #OakwoodVillage, #OperaMusic, #RobertGoderich, #SeniorCitizen, #SmithsonianInstitution, #SoundEffects, #ThePassionofScrooge, #ThePasson ofScrooge, #UniversityWoods, #VocalMusic, #WestSide, #WestTowneMall, #YouTubevideo, A Christmas Carol, acclaim, Actor, adult, Anne Aley, annual, artistry, Arts, audience, aural, avarice, baritone, bass, bassist, blog, British, broad, Carol, Cello, chains, Chamber music, chamber opera, character, Charles Dickens, Christmas, clarinet, clarinetist, classic, Classical music, composer, Concert, conductor, country, country dance, creaking, dance, decades, double bass, double bassist, drama, dramatic, echo, echoing, employer, English, enjoy, ensemble, entertain, entertaining, Facebook, fiddler, flute, flutist, focal point, footsteps, forward, Frank Bridge, future, ghost, Ghost of Christmas Past, guest artist, harp, harpist, Holiday, holiday classic, Horn, hornist, humanity, humorous, instrumental music, instrumental player, instrumentalist, Jacob Stockinger, Jon Deak, juggle, Kyle Knox, life, like, link, Madison, Margaret Mackenzie, Marilyn Chohaney, melodic, melody, Mike Koszewski, Music, Musical theater, musicians, narrator, neglected, new, New Music, New York City, New York Philharmonic, nimble, Oakwood Chamber Players, Oakwood Village, online, opera, opera music, past, percussion, percussionist, performer, player, post, posting, present, presentation, promising, range, reels, repertoire, repetoire, reputation, Robert Goderich, Scottish, Scrooge, senior, senior citizen, setting, share, singer, Smithsonian, Smithsonian Institution, solid, song, songs, Sound, sound effects, standard, story, struggle, Student, Suite, surprise, tag, tale, text, The Passion of Scrooge, ticket, traditional, transform, tune, tunes, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Woods, unusual, Viola, Violin, violinist, violist, visual, vocal music, Website, weekend, west side, West Towne Mall, Wisconsin, words, YouTube
Tags: #AChristmasCarol, #AnneAley, #BaritoneSinger, #BlogPost, #BlogPosting, #ChamberMusic, #ChamberOpera, #CharlesDickens, #CountryDance, #DoubleBass, #DoubleBassist, #EbenezerScrooge, #FacebookPost, #FacebookPosting, #FocalPoint, #FrankBridge, #GhostofChristmasPast, #GuestArtist, #HilaryHahn'sViolincase, #HolidayClassic, #HomeWebpage, #InstrumentalMusic, #InstrumentalPlayer, #JonDeak, #KyleKnox, #MargaretMackenzie, #MarilynChohaney, #MelodicLine, #MikeKoszewski, #MusicalTheater, #NeglectedMusic, #NeglectedRepertoire, #NewMusic, #NewYorkCity, #NewYorkPhilharmonic, #OakwoodChamberPlayers, #OakwoodVillage, #OperaMusic, #RobertGoderich, #SeniorCitizen, #SmithsonianInstitution, #SoundEffects, #ThePassionofScrooge, #ThePasson ofScrooge, #UniversityWoods, #VocalMusic, #WestSide, #WestTowneMall, #YouTubevideo, A Christmas Carol, acclaim, Actor, adult, Anne Aley, annual, artistry, Arts, audience, aural, avarice, baritone, bass, bassist, blog, British, broad, Carol, Cello, chains, Chamber music, chamber opera, character, Charles Dickens, Christmas, clarinet, clarinetist, classic, Classical music, composer, Concert, conductor, country, country dance, creaking, dance, decades, double bass, double bassist, drama, dramatic, echo, echoing, employer, English, enjoy, ensemble, entertain, entertaining, Facebook, fiddler, flute, flutist, focal point, footsteps, forward, Frank Bridge, future, ghost, Ghost of Christmas Past, guest artist, harp, harpist, Holiday, holiday classic, Horn, hornist, humanity, humorous, instrumental music, instrumental player, instrumentalist, Jacob Stockinger, Jon Deak, juggle, Kyle Knox, life, like, link, Madison, Margaret Mackenzie, Marilyn Chohaney, melodic, melody, Mike Koszewski, Music, Musical theater, musicians, narrator, neglected, new, New Music, New York City, New York Philharmonic, nimble, Oakwood Chamber Players, Oakwood Village, online, opera, opera music, past, percussion, percussionist, performer, player, post, posting, present, presentation, promising, range, reels, repertoire, repetoire, reputation, Robert Goderich, Scottish, Scrooge, senior, senior citizen, setting, share, singer, Smithsonian, Smithsonian Institution, solid, song, songs, Sound, sound effects, standard, story, struggle, Student, Suite, surprise, tag, tale, text, The Passion of Scrooge, ticket, traditional, transform, tune, tunes, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Woods, unusual, Viola, Violin, violinist, violist, visual, vocal music, Website, weekend, west side, West Towne Mall, Wisconsin, words, YouTube
Classical music: The UW-Madison School of Music will NOT have a complete brochure for the new season. Use the website and sign up for an email newsletter. The 40th Karp Family Labor Day Concert is Sept. 3
August 19, 2019
Leave a Comment
Leave a Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Summer is almost over and the new concert season is about to begin in just a couple weeks.
Just about all the groups in the Madison area, large and small, have announced their upcoming seasons.
But it you are wondering why the brochure for the hundreds of events that will take place at the University of Wisconsin-Madison’s Mead Witter School of Music hasn’t arrived yet, here is the answer.
There isn’t one this year.
For many years the UW-Madison’s SOM — as the School of Music is often abbreviated – has issued a handsome season brochure (below) with names and dates, if not always complete programs.
In the past couple of years, the brochure has been particularly informative with background about performers and events at the school as well as about students and alumni.
But due to a variety of factors, there will be no season brochure although there will be a special brochure for the opening weekend on the new Hamel Music Center (below), which is Oct. 25-27.
A variety of reasons has caused the lack of a brochure, says Publicist and Concert Manager Katherine Esposito. But the familiar full-season brochure will return for the 2020-21 season.
It the meantime, Esposito recommends that you go to the Concert and Events calendar, which has been updated and made more user-friendly, on the website for the school of music. It also features information about faculty and staff as well as news about the school. Here is a link:
https://www.music.wisc.edu/events/
On the right hand side is a menu that allows you to view the calendar as a running list or by the month, week or day with maps or photos.
On the left hand side is another menu that allows you to search by musical category (performers and ensemble) as well as concert date, time, venue and admission cost, if any.
Esposito always recommends that you subscribe to the email newsletters. You can see past ones and sign up to receive future ones if you go to this part of the home website: https://www.music.wisc.edu/recent-newsletters/
As usual, the season at the UW-Madison will open with 40th FREE Karp Family Labor Day Concert, which now takes place the day after the holiday, on Tuesday, Sept. 3, at 7:30 p.m. in Mills Hall.
Over four decades, the Karps (below are the brothers pianist Christopher Karp with cellist Parry Karp, who will team up again this year) have never repeated a piece on the the Labor Day concerts.
The program this year includes the sublime Piano Quartet No. 2 in E-Flat Major, K. 493, by Wolfgang Amadeus Mozart (you can hear the first movement with a visual schematic in the YouTube video at the bottom); the late Sonata No. 10 for Violin and Piano in G major, Op. 96, by Ludwig van Beethoven, which has been transcribed by Parry Karp for cello and piano; and lesser known works by Robert Schumann and Antonin Dvorak.
For more about the program and the performers, who include guest violinist Suzanne Beia of the Pro Arte Quartet, the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra, go to: https://www.music.wisc.edu/event/40th-karp-family-concert/
Posted in Classical music
Tags: #AntoninDvorak, #BlogPost, #BlogPosting, #ChamberMusic, #ChristopherKarp, #ConcertManager, #EmailNewsletter, #FacebookPost, #FacebookPosting, #FrancesKarp, #FreeAdmission, #GuestArtist, #HamelMusicCenter, #HomeWebpage, #KarpFamily, #KatherineEsposito, #KatrinTalbot, #LaborDay, #LudwigVanBeethoven, #MadisonSymphonyOrchestra, #MadisonWisconsin, #MeadWitterSchoolofMusic, #Musicfaculty, #NewsReleases, #OrchestralMusic, #ParryKarp, #PianoQuartet, #RobertSchumann, #StringQuartet, #SuzanneBeia, #TheInternet, #UniversityofWisconsin-Madison, #ViolaMusic, #ViolinVirtuoso, #WisconsinChamberOrchestra, #WolfgangAmadeusMozart, #YouTubevideo, admission, alumni, anniversary, announce, Antonín Dvořák, arrange, arrangement, arrive, artist, Arts, audience, background, Beethoven, blog, brochure, brother, calendar, category, celllist, Cello, Cello Sonata, Chamber music, chamber orchestra, Christopher Karp, Classical music, composer, Concert, concert manager, cost, date, day, decade, diagram, Dvorak, Early music, email, ensemble, event, Facebook, factor, Family, forwrad, Frances Karp, graphic, group, guest, guest artist, Hamel Music Center, handsome, Holiday, Home, informative, Internet, Karp, Karp Family, Katherine Esposito, Katrin Talbot, known, Labor Day, like, link, list, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, map, Mead Witter School of Music, menu, month, Mozart, Music, music school, musical, name, news, newsletter, opening, Orchestra, Parry Karp, performer, photo, Pianist, Piano, Piano Quartet, post, posting, program, publicist, publicity, Robert Schumann, schematic, School of Music, Schumann, search, share, Sonata, String quartet, sublime, subscribe, summer, Suzanne Beia, symphony, tag, transcribe, transcription, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, variety, venue, Viola, Violin, violinist, violist, visual, visual schematic, web, web page, Website, weekend, Wisconsin, Wisconsin Chamber Orchestra, Wolfgang Amadeus Mozart, works, year, YouTube
Tags: #AntoninDvorak, #BlogPost, #BlogPosting, #ChamberMusic, #ChristopherKarp, #ConcertManager, #EmailNewsletter, #FacebookPost, #FacebookPosting, #FrancesKarp, #FreeAdmission, #GuestArtist, #HamelMusicCenter, #HomeWebpage, #KarpFamily, #KatherineEsposito, #KatrinTalbot, #LaborDay, #LudwigVanBeethoven, #MadisonSymphonyOrchestra, #MadisonWisconsin, #MeadWitterSchoolofMusic, #Musicfaculty, #NewsReleases, #OrchestralMusic, #ParryKarp, #PianoQuartet, #RobertSchumann, #StringQuartet, #SuzanneBeia, #TheInternet, #UniversityofWisconsin-Madison, #ViolaMusic, #ViolinVirtuoso, #WisconsinChamberOrchestra, #WolfgangAmadeusMozart, #YouTubevideo, admission, alumni, anniversary, announce, Antonín Dvořák, arrange, arrangement, arrive, artist, Arts, audience, background, Beethoven, blog, brochure, brother, calendar, category, celllist, Cello, Cello Sonata, Chamber music, chamber orchestra, Christopher Karp, Classical music, composer, Concert, concert manager, cost, date, day, decade, diagram, Dvorak, Early music, email, ensemble, event, Facebook, factor, Family, forwrad, Frances Karp, graphic, group, guest, guest artist, Hamel Music Center, handsome, Holiday, Home, informative, Internet, Karp, Karp Family, Katherine Esposito, Katrin Talbot, known, Labor Day, like, link, list, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, map, Mead Witter School of Music, menu, month, Mozart, Music, music school, musical, name, news, newsletter, opening, Orchestra, Parry Karp, performer, photo, Pianist, Piano, Piano Quartet, post, posting, program, publicist, publicity, Robert Schumann, schematic, School of Music, Schumann, search, share, Sonata, String quartet, sublime, subscribe, summer, Suzanne Beia, symphony, tag, transcribe, transcription, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, variety, venue, Viola, Violin, violinist, violist, visual, visual schematic, web, web page, Website, weekend, Wisconsin, Wisconsin Chamber Orchestra, Wolfgang Amadeus Mozart, works, year, YouTube
Classical music: Today is the 75th anniversary of D-Day. Here is a sonic and visual “D-Day Symphony” to mark the event – as well as two moving pieces to honor the day and the dead. What music would you choose?
June 6, 2019
Leave a Comment
Leave a Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
Today is the 75th anniversary of D-Day, that deadly day – June 6, 1944 — when massive Allied forces (below, seen gathering on Omaha Beach) invaded the Normandy coast of France in Nazi-occupied Europe, beginning the liberation from Hitler’ Germany and the end of World War II.
In searching for music to mark the occasion, The Ear returned to two of the best pieces of memorial music he knows of and which are below: the “Nimrod” Variation from Edward Elgar’s “Enigma” Variations, a piece that was used in Ken Burn’s celebrated TV documentary about World War II; and Samuel Barber’s “Adagio for Strings.”
It seems only fitting to the occasion to have works by an American composer and a British composer.
But in searching for music, The Ear also stumbled by chance across a little-known piece that uses a work by a French composer, which also seems fitting for the occasion and the day. It is a sonic and visual symphony of remembrance – a “D-Day Symphony,” if you will — that uses the second movement from the Symphony No. 3 by Arthur Honegger. It is in the YouTube video at the bottom.
The Ear hopes you also find the work moving and a welcome, if largely unknown, addition to musical remembrances for this historic event. Tell us what you think.
And if there is another work you would listen to while marking the anniversary of D-Day, please leave your comment along with the composer and title and, if possible, a YouTube link in the COMMENT section.
The Ear wants to hear.
Posted in Classical music
Tags: #AdagioforStrings, #AdolfHitler, #AmericanComposer, #ArthurHonegger, #BlogPost, #BlogPosting, #BritishComposer, #ChamberMusic, #EdwardElgar, #EnigmaVariations, #FacebookPost, #FacebookPosting, #Frenchcomposer, #KenBurns, #Nazi-occupied, #NaziGermany, #NimrodVariation, #NormandyCoast, #NormanyFrance, #OmahaBeach, #SamuelBarber, #TheEar, #TVdocumentary, #WorldWarII, #YouTubevideo, 75th, Adagio for Strings, Adolf Hitler, Allied, American, American composer, anniversary, Arthur Honegger, Arts, audience, blog, British, Chamber music, Classical music, coast, comment, composer, D-Day, day, dead, deadly, documentary, Edward Elgar, Enigma Variations, Europe, exposure, Facebook, fitting, force, forward, France, French, gather, gathering, German, Germany, Hitler, June, Ken Burns, liberation, like, link, moving, musical, name, Nazi, Nimrod, Normany, occasion, occupation, occupied, Omaha Beach, Orchestra, peace, performer, photo, photograph, piece, remembrance, Samuel Barber, section, share, sonic, symphony, tag, Television, The Ear, title, today, TV, United States, visual, war, welcome, word, work, works, World War II, YouTube
Tags: #AdagioforStrings, #AdolfHitler, #AmericanComposer, #ArthurHonegger, #BlogPost, #BlogPosting, #BritishComposer, #ChamberMusic, #EdwardElgar, #EnigmaVariations, #FacebookPost, #FacebookPosting, #Frenchcomposer, #KenBurns, #Nazi-occupied, #NaziGermany, #NimrodVariation, #NormandyCoast, #NormanyFrance, #OmahaBeach, #SamuelBarber, #TheEar, #TVdocumentary, #WorldWarII, #YouTubevideo, 75th, Adagio for Strings, Adolf Hitler, Allied, American, American composer, anniversary, Arthur Honegger, Arts, audience, blog, British, Chamber music, Classical music, coast, comment, composer, D-Day, day, dead, deadly, documentary, Edward Elgar, Enigma Variations, Europe, exposure, Facebook, fitting, force, forward, France, French, gather, gathering, German, Germany, Hitler, June, Ken Burns, liberation, like, link, moving, musical, name, Nazi, Nimrod, Normany, occasion, occupation, occupied, Omaha Beach, Orchestra, peace, performer, photo, photograph, piece, remembrance, Samuel Barber, section, share, sonic, symphony, tag, Television, The Ear, title, today, TV, United States, visual, war, welcome, word, work, works, World War II, YouTube
Classical music: This Saturday night and Sunday afternoon, the Oakwood Chamber Players finish their “Vignettes” season with an American audio-visual work and music by French, Italian and British composers
May 14, 2019
1 Comment
1 Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
This weekend, the Oakwood Chamber Players — known for highlighting neglected composers and works — perform the last concert of their current season series “Vignettes” with an array of contrasting and generally neglected works from the late 19th to 21st century.
Performances will take place on Saturday night, May 18, at 7 p.m. and on Sunday afternoon, May 19, at 2 p.m. Both concerts will be held at the Oakwood Village Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne Mall.
Tickets can be purchased with cash or personal checks at the door: $25 for general admission, $20 for seniors and $5 for students.
Members of the Oakwood Chamber Players (below) are: Marilyn Chohaney, flute; Nancy Mackenzie, clarinet; Amanda Szyczs, bassoon; Anne Aley, horn; and Maggie Townsend, cello.
They are joined by guest artists: Valree Casey, oboe; Hillary Hempel, violin; Michael Koszewski, percussion; Jason Kutz, piano; and Carrie Backman, conductor.
American composer Michael Gandolfi (below top) collaborated with MIT computer animator Jonathan Bachrach (below bottom) to create a unique musical and visual partnership for his Abridged History of the World in Seven Acts. Six instrumentalists create overlapping textures and rhythmic interplay in response to mesmerizing images.
Four French composers from the late 19th to mid-20th century are featured: The piano, four-hand “Dolly Suite” by Gabriel Fauré (below top) in an arrangement for woodwind quintet and piano; Petite Pièces (Small Pieces) for violin, horn and piano by his student Charles Koechlin (below middle; the sweetly engaging quartet Sérénade (Serenade) by Reynaldo Hahn (below third); and five Pièces en Trio (Trio Pieces) for oboe, clarinet and bassoon by Jacques Ibert (below bottom).
The Piano Trio in One Movement” by British composer Norman O’Neill (below) is full of verve and heart-felt melodies.
The woodwind quintet Piccolo Offerta Musicale” by noted Italian film composer Nino Rota (below), who wrote the scores for many films by Federico Fellini, is a short homage to Johann Sebastian Bach. (You can hear in the YouTube video at the bottom.)
The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years. They perform in other groups, including the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and the Willy Street Chamber Players.
For more information, go to www.oakwoodchamberplayers.com or call (608) 230-4316.
The Oakwood Chamber Players are a professional music ensemble supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.
Posted in Classical music
Tags: #19thCentury, #21stCentury, #AmericanComposer, #AnneAiley, #BaroqueMusic, #BassoonMusic, #BlogPost, #BlogPosting, #BritishComposer, #CelloMusic, #ChamberMusic, #CharlesKoechlin, #ClarinetMusic, #FacebookPost, #FacebookPosting, #FedericoFellini, #FilmComposer, #FilmScore, #FilmSoundtrack, #FluteMusic, #Frenchcomposer, #FrenchMusic, #GabrielFaure, #GuestArtist, #HornMusic, #InstrumentalMusic, #InstrumentalPlayer, #italianComposer, #JacquesIbert, #JasonKutz, #JohannSebastianBach, #JonathanBachrach, #MadisonSymphonyOrchestra, #MaggieTownsend, #MarilynChohaney, #MassachusettsInstituteofTechnology, #MeadWitterSchoolofMusic, #MichaelGandolfi, #NancyMackenzie, #NeglectedComposers, #NeglectedMusic, #NeglectedRepertoire, #NinoRita, #NormanO'Neill, #OakwoodChamberPlayers, #OakwoodVillage, #OboeMusic, #PercussionMusic, #PersonalCheck, #PianoMusic, #PianoTrio, #PrincipalCellist, #ReynaldoHahn, #SaturdayNight, #SeniorCitizen, #Sundayafternoon, #UniversityofWisconsin-Madison, #ViolinMusic, #WestTowneMall, #WillyStreetChamberPlayers, #WindMusic, #WisconsinChamberOrchestra, #WoodwindInstruments, #WoodwindMusic, #WoodwindQuintet, #YouTubevideo, 19th century, 21st century, abridged, acts, admission, afternoon, American, animate, animation, animator, Anne Ailey, array, Arts, audio-visual, Bach, Baroque, Bassoon, bassoonist, blog, British, cash, Cello, Chamber music, Charles Koechlin, clarinet, clarinetist, Classical music, collaborate, composer, computer, Concert, conductor, contrast, create, current, Dolly, door, Early music, ensemble, Facebook, feature, Federico Fellini, film, flute, flutist, forward, foundation, French, full, funding, Gabriel Fauré, group, guest artist, heart, highlight, History, homage, Horn, images, information, instrumentalist, interplay, Italian, Jacob Stockinger, Jacques Ibert, Jason Kutz, Johann Sebastian Bach, Jonathan Bachrach, like, link, Lutheran, Madison, Madison Symphony Orchestra, Marilyn Chohaney, Mead Witter School of Music, melodies, melody, mesmerizing, Michael Gandolfi, ministry, MIT, movement, movie, Music, musical, Nancy Mackenzie, night, Nino Rota, Norman O'Neill, Oakwood Chamber Players, Oakwood Village, Oboe, oboist, one, partnership, percussion, percussionist, perform, performer, personal, Pianist, Piano, Piano Trio, pieces, professional, purchase, quintet, rehearse, response, Reynaldo Hahn, rhythm, Saturday, score, Season, senior, Serenade, series, share, short, small, soundtrack, Student, students, Suite, Sunday, support, sweet, tag, texture, tickets, trio, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, variety, verve, vignette, Violin, violinist, visual, west, west side, West Towne Mall, Willy Street Chamber Players, winds, Wisconsin, Wisconsin Chamber Orchestra, woodwind, work, world, YouTube
Tags: #19thCentury, #21stCentury, #AmericanComposer, #AnneAiley, #BaroqueMusic, #BassoonMusic, #BlogPost, #BlogPosting, #BritishComposer, #CelloMusic, #ChamberMusic, #CharlesKoechlin, #ClarinetMusic, #FacebookPost, #FacebookPosting, #FedericoFellini, #FilmComposer, #FilmScore, #FilmSoundtrack, #FluteMusic, #Frenchcomposer, #FrenchMusic, #GabrielFaure, #GuestArtist, #HornMusic, #InstrumentalMusic, #InstrumentalPlayer, #italianComposer, #JacquesIbert, #JasonKutz, #JohannSebastianBach, #JonathanBachrach, #MadisonSymphonyOrchestra, #MaggieTownsend, #MarilynChohaney, #MassachusettsInstituteofTechnology, #MeadWitterSchoolofMusic, #MichaelGandolfi, #NancyMackenzie, #NeglectedComposers, #NeglectedMusic, #NeglectedRepertoire, #NinoRita, #NormanO'Neill, #OakwoodChamberPlayers, #OakwoodVillage, #OboeMusic, #PercussionMusic, #PersonalCheck, #PianoMusic, #PianoTrio, #PrincipalCellist, #ReynaldoHahn, #SaturdayNight, #SeniorCitizen, #Sundayafternoon, #UniversityofWisconsin-Madison, #ViolinMusic, #WestTowneMall, #WillyStreetChamberPlayers, #WindMusic, #WisconsinChamberOrchestra, #WoodwindInstruments, #WoodwindMusic, #WoodwindQuintet, #YouTubevideo, 19th century, 21st century, abridged, acts, admission, afternoon, American, animate, animation, animator, Anne Ailey, array, Arts, audio-visual, Bach, Baroque, Bassoon, bassoonist, blog, British, cash, Cello, Chamber music, Charles Koechlin, clarinet, clarinetist, Classical music, collaborate, composer, computer, Concert, conductor, contrast, create, current, Dolly, door, Early music, ensemble, Facebook, feature, Federico Fellini, film, flute, flutist, forward, foundation, French, full, funding, Gabriel Fauré, group, guest artist, heart, highlight, History, homage, Horn, images, information, instrumentalist, interplay, Italian, Jacob Stockinger, Jacques Ibert, Jason Kutz, Johann Sebastian Bach, Jonathan Bachrach, like, link, Lutheran, Madison, Madison Symphony Orchestra, Marilyn Chohaney, Mead Witter School of Music, melodies, melody, mesmerizing, Michael Gandolfi, ministry, MIT, movement, movie, Music, musical, Nancy Mackenzie, night, Nino Rota, Norman O'Neill, Oakwood Chamber Players, Oakwood Village, Oboe, oboist, one, partnership, percussion, percussionist, perform, performer, personal, Pianist, Piano, Piano Trio, pieces, professional, purchase, quintet, rehearse, response, Reynaldo Hahn, rhythm, Saturday, score, Season, senior, Serenade, series, share, short, small, soundtrack, Student, students, Suite, Sunday, support, sweet, tag, texture, tickets, trio, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, variety, verve, vignette, Violin, violinist, visual, west, west side, West Towne Mall, Willy Street Chamber Players, winds, Wisconsin, Wisconsin Chamber Orchestra, woodwind, work, world, YouTube
Classical music: This Friday night, the UW Symphony Orchestra depicts visual art in sound. Plus, two all-student string orchestras perform Saturday afternoon and the UW Wind Ensemble performs Saturday night
April 25, 2019
1 Comment
1 Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
CORRECTION: The concert by Sonata à Quattro TONIGHT at Oakwood Village West is at 7 p.m. — NOT 8 p.m. as mistakenly stated in Tuesday’s blog posting.
By Jacob Stockinger
This weekend, two student orchestras will give FREE concerts at the University of Wisconsin-Madison’s Mead Witter School of Music.
On Friday night, April 26, at 8 p.m. in Mills Hall, the UW Symphony Orchestra (below top) under conductor Chad Hutchinson (below bottom), who has won prizes and acclaim for his programming, will give a FREE “gallery tour” concert exploring how visual art is depicted in sound.
The program opens with “Finding Rothko” (2006), by American composer Adam Schoenberg (below).
The musical work depicts four Abstract Expressionist paintings by the Russian-American master Mark Rothko (below top, above his 1956 painting in Orange. You can hear the “Orange” section of the musical work in the YouTube video at the bottom.)
To read the composer’s notes, go to: https://adamschoenberg.com/works/finding-rothko/
To find out more about the composer, go to: https://en.wikipedia.org/wiki/Adam_Schoenberg
The concert concludes with the dramatic, dark and moody “Pictures at an Exhibition” — in the classic orchestration by Maurice Ravel – by Russian composer Modest Mussorgsky (below).
The musical work is a set of vignettes evoking drawings and watercolors by Viktor Hartmann (below top), including the famous ending with “The Great Gate of Kiev” (below bottom).
SATURDAY
On Saturday afternoon, April 27, at 2 p.m. in Mills Hall, the All-University Strings (below, in a photo by Jeff Miller for University Communications) – made up of non-music majors – will perform a FREE concert.
All-University Strings is comprised of two non-major string orchestras — named Orchestra One and Orchestra Two – that are open to all interested string players who are not music majors. Director Pedro Oviedo will conduct.
No word on the program, which is unfortunate. The Ear suspects that if the public knew the program, the concert might draw a bigger audience.
Posted in Classical music
Tags: #AbstractExpressionism, #AbstractExpressionist, #AdamSchoenberg, #All-UniversityStrings, #AudienceMembers, #BlogPost, #BlogPosting, #ChadHutchinson, #CharlesIves, #FacebookPost, #FacebookPosting, #FindingRothko, #Fridaynight, #GreatGateofKIev, #JimTerrito, #MarkRothko, #MauriceRavel, #MillsHall, #ModestMussorgsky, #OakwoodVillage, #PaulHindemith, #PedroOviedo, #PercyGrainger, #PicturesatanExhibition, #SaturdayAfternoon, #SonataaQuattro, #SymphonyOrchestra, #TheEar, #UWSymphonyOrchestra, #ViktorHartmann, #VisualArt, #Wikipediabiography, #WilliamSchuman, #WindEnsemble, #WindMusic, #YouTubevideo, Abstract Expressionism, abstract expressionist, acclaim, Adam Schoenberg, American, Art, art gallery, artist, Arts, audience, blog, Cello, Chad Hutchinson, Charles Ives, Classical music, composer, Concert, conductor, correction, dark, depict, director, drama, dramatic, drawing, Early music, ending, evoke, Facebook, famous, Finding Rothko, forward, Friday, gallery, Great Gate of Kiev, Jacob Stockinger, Jim Territo, like, link, Madison, major, Mark Rothko, Master, Maurice Ravel, Mills Hall, Modest Mussorgsky, mood, moody, Music, notes, Oakwood Village West, orange, Orchestra, painting, Paul Hindemith, Pedro Oviedo, Percy Grainger, performer, Pictures at an Exhibition, poetic, prize, program, Russian, Saturday, Schoenberg, share, Sonata, Sonata à Quattro, Sound, symphony, symphony orchestra, tag, The Ear, theme, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW Symphony Orchestra, UW Wind Ensemble, video, vignette, Viktor Hartmann, Viola, Violin, visual, visual art, watercolor, weekend, Wikipedia, William Schuman, wind ensemble, wind music, word, work, YouTube
Tags: #AbstractExpressionism, #AbstractExpressionist, #AdamSchoenberg, #All-UniversityStrings, #AudienceMembers, #BlogPost, #BlogPosting, #ChadHutchinson, #CharlesIves, #FacebookPost, #FacebookPosting, #FindingRothko, #Fridaynight, #GreatGateofKIev, #JimTerrito, #MarkRothko, #MauriceRavel, #MillsHall, #ModestMussorgsky, #OakwoodVillage, #PaulHindemith, #PedroOviedo, #PercyGrainger, #PicturesatanExhibition, #SaturdayAfternoon, #SonataaQuattro, #SymphonyOrchestra, #TheEar, #UWSymphonyOrchestra, #ViktorHartmann, #VisualArt, #Wikipediabiography, #WilliamSchuman, #WindEnsemble, #WindMusic, #YouTubevideo, Abstract Expressionism, abstract expressionist, acclaim, Adam Schoenberg, American, Art, art gallery, artist, Arts, audience, blog, Cello, Chad Hutchinson, Charles Ives, Classical music, composer, Concert, conductor, correction, dark, depict, director, drama, dramatic, drawing, Early music, ending, evoke, Facebook, famous, Finding Rothko, forward, Friday, gallery, Great Gate of Kiev, Jacob Stockinger, Jim Territo, like, link, Madison, major, Mark Rothko, Master, Maurice Ravel, Mills Hall, Modest Mussorgsky, mood, moody, Music, notes, Oakwood Village West, orange, Orchestra, painting, Paul Hindemith, Pedro Oviedo, Percy Grainger, performer, Pictures at an Exhibition, poetic, prize, program, Russian, Saturday, Schoenberg, share, Sonata, Sonata à Quattro, Sound, symphony, symphony orchestra, tag, The Ear, theme, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW Symphony Orchestra, UW Wind Ensemble, video, vignette, Viktor Hartmann, Viola, Violin, visual, visual art, watercolor, weekend, Wikipedia, William Schuman, wind ensemble, wind music, word, work, YouTube
Classical music: The Madison Opera stages its first-ever production of Dvorak’s fairy tale opera “Rusalka” next Friday night and Sunday afternoon. A preview roundtable is this Sunday afternoon
April 20, 2019
Leave a Comment
Leave a Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
The Madison Opera will stage its production of Antonin Dvorak’s luxurious masterpiece Rusalka on Friday night, April 26, at 8 p.m. and Sunday afternoon, April 28, at 2:30 p.m. in Overture Hall at the Overture Center, 201 State Street.
Running time is 3 hours with two intermissions, and will feature projected supertitles with English translations of the original Czech that will be sung.
Tickets are $18-$131 with discounts available for students and groups. Go to: https://www.madisonopera.org/tickets/
Inspired by the classic fairy tale The Little Mermaid, the story travels from a mythical forest to a palace and back again. Its lush score includes the famous “Song to the Moon.” (You can hear Renée Fleming sing”Song to the Moon” in the YouTube video at the bottom.)
Set in a mythical realm, Rusalka is about a water nymph who falls in love with a human prince. She tells her father Vodnik that she wishes to become human and live with the Prince on land. Horrified, Vodnik tells her that humans are full of sin, but reluctantly suggests she enlist the help of Jezibaba, a witch. Jezibaba agrees to make her human, but cautions that Rusalka will lose her power of speech. Further, if the Prince betrays her, she will be cursed forever.
The Prince falls in love with Rusalka and plans to marry her, but her silence unnerves him, and a Foreign Princess interrupts the wedding festivities with evil intent. Rusalka returns to the lake as a spirit that lures men to their death – and the Prince follows her.
“Rusalka is one of the most gorgeous operas in the repertoire,” says Kathryn Smith, Madison Opera’s general director (below, in a photo by James Gill). “I fell in love with it when I first saw it over 20 years ago, and listening to the score is a pure pleasure. I am so delighted to share this opera with Madison, so that everyone can learn how brilliant an operatic composer Dvorak was, and experience an opera that is justifiably popular around the world.”
Rusalka’s story was inspired by multiple sources, including Slavic mythology and the fairy tales of Karel Jaromir Erben, Hans Christian Andersen, and Friedrich de la Motte Fouqué.
The opera premiered on March 31, 1901 in Prague and quickly became a massive success, hailed as Dvorak’s masterpiece.
But it was not initially widely performed outside of Czech territories; the first U.S. performance was in 1975. But in recent decades, the opera by Dvorak (below) has become a regular part of the opera repertoire, due to its beautiful music and lovely story.
This production is not only a Madison Opera premiere, but also the company’s first-ever opera in Czech.
Madison Opera’s cast features both returning artists and debuts.
Soprano Emily Birsan (below) returns to Madison Opera in the title role, following successes here as Gounod’s Juliet and Musetta in Puccini’s La Bohème. Last month, she sang Violetta in Verdi’s La Traviata at the Lyric Opera of Chicago. The Chicago Tribune has praised her singing for her “amazing clarity of diction, accuracy of intonation and fineness of expression.”
Tenor John Lindsey (below) returns to Madison Opera as The Prince, after singing in last summer’s Opera in the Park.
Making their debuts with Madison Opera are soprano Karin Wolverton as the Foreign Princess, contralto Lindsay Amman as the witch Jezibaba and bass William Meinert as Rusalka’s father, Vodnik. Emily Secor, Saira Frank and Kirsten Larson play the three wood sprites; Benjamin Liupaogo sings the Hunter.
The Madison Opera Chorus and Madison Symphony Orchestra round out the musical forces, all under the baton of John DeMain (below, in a photo by Greg Anderson), Madison Opera’s artistic director.
Keturah Stickann (below) directs her first opera for Madison Opera; she has directed both traditional and contemporary repertoire across all of the U.S., most recently for San Francisco Opera and Washington National Opera.
This production originated at Minnesota Opera and features projections (below) by Wendall K. Harrington, who has been described as “the godmother of modern projection design.”
In reviewing the Minnesota production, theTwin Cities Arts Reader praised “the stunning visuals on display, which only serve to enhance and elaborate on the action and the music.”
Madison Opera’s production of “Rusalka” is sponsored by the National Endowment for the Arts, Kay & Martin Barrett, Millie & Marshall Osborn, Sally & Mike Miley, Kato Perlman, Charles & Martha Casey, John Lemke & Pam Oliver, and The Ann Stanke Fund.
RELATED EVENTS
You can learn more about “Rusalka” at the events leading up to the performances.
Opera Up Close will take place this Sunday, April 21, 1-3 p.m. at the Margaret C. Winston Opera Center (below) 335 West Mifflin Street, $20 general admission; free for full-season subscribers; $10 for two-show subscribers.
This event features a multimedia behind-the-scenes preview of Rusalka. General director Kathryn Smith will discuss Antonin Dvorak and the history of his fairy-tale opera. Principal artists, stage director Keturah Stickann and conductor John DeMain will participate in a roundtable discussion about Madison’s production and their own takes on this masterpiece.
Pre-Show Talks by Kathryn Smith take place on Friday, April 26, at 7 p.m. and Sunday, April 28, at 1:30 p.m. at Wisconsin Studio at Overture Center, and are free to ticket holders.
Post-Opera Q&A’s are on Friday, April 26, and Sunday, April 28, immediately following the opera in the Wisconsin Studio at Overture Center, and are free to ticket holders.
More information — including cast biographies and a blog with Q&A interviews with some cast members — is available at https://www.madisonopera.org and https://www.madisonopera.org/2018-2019-season/rusalka/.
Posted in Classical music
Tags: #AntoninDvorak, #ArtisticDirector, #BassSinger, #Beautifulmusic, #BenjaminLiupaogo, #BlogPost, #BlogPosting, #CharlesGounod, #ChicagoIllinois, #ChoralMusic, #ContemporaryOpera, #ContemporaryRepertoire, #ContraltoSinger, #CzechRepublic, #EmilyBirsan, #EnglishTranslation, #FacebookPost, #FacebookPosting, #FairyTale, #FriedrichdelaMotteFourqué, #GiacomoPuccini, #GiuseppeVerdi, #HansChristianAndersen, #JohnDeMain, #JohnLIndsey, #KarelJaromirErben, #KathrynSmith, #KatoPerlman, #KeturahStickann, #LaTraviata, #LyricOperaofChicago, #MadisonOpera, #MadisonOperaCenter, #MadisonOperaChorus, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #MinnesotaOpera, #MusicDirector, #NationalEndowmentfortheArts, #OperaCenter, #OperaInThePark, #OperaMusic, #OperaRepertoire, #OvertureCenter, #OvertureHall, #PreludeDiscussion, #RenéeFleming, #RomeoandJuliet, #SanFranciscoOpera, #Sin, #SongtotheMoon, #SopranoSinger, #StageDirector, #TenorSinger, #TheChicagoTribune, #TheLittleMermaid, #TraditionalMusic, #TraditionalRepertoire, #TwinCities, #UnitedStates, #UniversityofWisconsin-Madison, #WashingtonNationalOpera, #WaterNymph, #WendallK.Harrington, #WisconsinStudio, #WoodSprite, #WorldPremiere, #YouTubevideo, accuracy, action, admission, afternoon, amazing, Antonín Dvořák, Artistic director, artists, Arts, bass, beautiful, beauty, Benjamin Liupaogo, biographies, biography, blog, brilliant, cast, Charles Gounod, Chicago, choral music, clarity, classic, Classical music, company, composer, Concert, conductor, contemporary, contralto, curse, Czech, Czech Republic, deace, death, debut, delight, design, diction, director, discount, discussion, donor, Dvorak, elaborate, Emily Birsan, enhance, event, evil, expression, Facebook, fairy tale, famous, father, firest, foreign, Friday, Friederich de la Motte Fourqué, funding, general, General director, Giuseppe Verdi, godmother, gorgeous, group, Hans Christian Andersen, History, hour, human, hunter, intent, intermission, interview, intonation, Jacob Stockinger, John DeMain, John Lindsey, Karel Jaromir Erben, Kathryn Smith, Kato Perlman, Keturah Stickann, La Traviata, land, Love, lovely, lure, lush, Lyric Opera of Chicago, Madison, Madison Opera, Madison Opera Center, Madison Opera Chorus, Madison Symphony Orchestra, marry, massive, masterpiece, Mead Witter School of Music, men, Minnesota, Minnesota Opera, moon, multimedia, multiple, Musetta, Music, Music director, musical, mythical, mythology, National Endowment for the Arts, NEA, night, nymph, opera, opera center, Opera in the Park, operatic, Orchestra, original, Overture Center, Overture Hall, palace, part, pleasure, popular, power, Prague, Prelude, Prelude Discussion, premiere, preview, prince, princess, principal, production, project, projection, Puccini, pure, Q&A, realm, recent, regular, Renée Fleming, repertoire, returning, Romeo and Juliet, roundtable, Rusalka, San Francisco Opera, score, silence, sing, Singing, Slavic, song, Song to the Moon, soprano, source, speech, sprite, stage director, story, Student, stunning, subscriber, success, summer, Sunday, sung, supertitle, tenor, terrioty, territories, The Chicago Tribune, The Little Mermaid, ticket, traditional, translation, Twin Cities, U.S., United States, University of Wisconsin, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, Verdi, Violetta, visual, vocal music, Washington National Opera, water, water nymph, wedding, Wendall K. Harrington, Wisconsin, Wisconsin Studio, witch, wood, world, world premiere, YouTube
Tags: #AntoninDvorak, #ArtisticDirector, #BassSinger, #Beautifulmusic, #BenjaminLiupaogo, #BlogPost, #BlogPosting, #CharlesGounod, #ChicagoIllinois, #ChoralMusic, #ContemporaryOpera, #ContemporaryRepertoire, #ContraltoSinger, #CzechRepublic, #EmilyBirsan, #EnglishTranslation, #FacebookPost, #FacebookPosting, #FairyTale, #FriedrichdelaMotteFourqué, #GiacomoPuccini, #GiuseppeVerdi, #HansChristianAndersen, #JohnDeMain, #JohnLIndsey, #KarelJaromirErben, #KathrynSmith, #KatoPerlman, #KeturahStickann, #LaTraviata, #LyricOperaofChicago, #MadisonOpera, #MadisonOperaCenter, #MadisonOperaChorus, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #MinnesotaOpera, #MusicDirector, #NationalEndowmentfortheArts, #OperaCenter, #OperaInThePark, #OperaMusic, #OperaRepertoire, #OvertureCenter, #OvertureHall, #PreludeDiscussion, #RenéeFleming, #RomeoandJuliet, #SanFranciscoOpera, #Sin, #SongtotheMoon, #SopranoSinger, #StageDirector, #TenorSinger, #TheChicagoTribune, #TheLittleMermaid, #TraditionalMusic, #TraditionalRepertoire, #TwinCities, #UnitedStates, #UniversityofWisconsin-Madison, #WashingtonNationalOpera, #WaterNymph, #WendallK.Harrington, #WisconsinStudio, #WoodSprite, #WorldPremiere, #YouTubevideo, accuracy, action, admission, afternoon, amazing, Antonín Dvořák, Artistic director, artists, Arts, bass, beautiful, beauty, Benjamin Liupaogo, biographies, biography, blog, brilliant, cast, Charles Gounod, Chicago, choral music, clarity, classic, Classical music, company, composer, Concert, conductor, contemporary, contralto, curse, Czech, Czech Republic, deace, death, debut, delight, design, diction, director, discount, discussion, donor, Dvorak, elaborate, Emily Birsan, enhance, event, evil, expression, Facebook, fairy tale, famous, father, firest, foreign, Friday, Friederich de la Motte Fourqué, funding, general, General director, Giuseppe Verdi, godmother, gorgeous, group, Hans Christian Andersen, History, hour, human, hunter, intent, intermission, interview, intonation, Jacob Stockinger, John DeMain, John Lindsey, Karel Jaromir Erben, Kathryn Smith, Kato Perlman, Keturah Stickann, La Traviata, land, Love, lovely, lure, lush, Lyric Opera of Chicago, Madison, Madison Opera, Madison Opera Center, Madison Opera Chorus, Madison Symphony Orchestra, marry, massive, masterpiece, Mead Witter School of Music, men, Minnesota, Minnesota Opera, moon, multimedia, multiple, Musetta, Music, Music director, musical, mythical, mythology, National Endowment for the Arts, NEA, night, nymph, opera, opera center, Opera in the Park, operatic, Orchestra, original, Overture Center, Overture Hall, palace, part, pleasure, popular, power, Prague, Prelude, Prelude Discussion, premiere, preview, prince, princess, principal, production, project, projection, Puccini, pure, Q&A, realm, recent, regular, Renée Fleming, repertoire, returning, Romeo and Juliet, roundtable, Rusalka, San Francisco Opera, score, silence, sing, Singing, Slavic, song, Song to the Moon, soprano, source, speech, sprite, stage director, story, Student, stunning, subscriber, success, summer, Sunday, sung, supertitle, tenor, terrioty, territories, The Chicago Tribune, The Little Mermaid, ticket, traditional, translation, Twin Cities, U.S., United States, University of Wisconsin, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, Verdi, Violetta, visual, vocal music, Washington National Opera, water, water nymph, wedding, Wendall K. Harrington, Wisconsin, Wisconsin Studio, witch, wood, world, world premiere, YouTube
Recent Comments
The Well-Tempered Ear 
Classical music: During the COVID-19 pandemic, hosts at Wisconsin Public Radio suggest music that expresses gratitude and hope
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The various hosts of Wisconsin Public Radio (WPR) — an indispensable companion during self-isolation at home — listen to a lot of music and think a lot about it, especially about its meaning and appeal to the public.
So it comes as no surprise that they have once again suggested music to listen to during the coronavirus pandemic and the mounting toll of COVID-19.
Almost two months ago, the same radio hosts suggested music that they find calming and inspiring. They did so on the WPR home page in an ongoing blog where they also included YouTube audiovisual performances.
Here is a link to that earlier posting, which is well worth reading and following: https://welltempered.wordpress.com/?s=Wisconsin+Public+Radio
This time, the various hosts – mostly of classical shows but also of folk music and world music – suggest music that inspires or expresses hope and gratitude. (Below is Ruthanne Bessman, the host of “Classics by Request,” which airs at 10 a.m. on Saturdays.)
Here is the genesis of the list and public service project:
“At a recent WPR music staff meeting, we talked about the many ways music can unite us and about how music can express the gratitude we feel for people and things that are important to us, often much better than words.
“That discussion led to this collection of music, which we wanted to share with you. It’s eclectic and interesting, just like our music staff.”
The composers cited include some familiar names such as Johann Sebastian Bach, Peter Ilyich Tchaikovsky, Benjamin Britten and John Williams.
But some new music, based on historical events and written by contemporary or modern composers, is also named. It includes works by the American composer Daniel Gawthrop (b. 1949, below top) and the Israeli composer David Zehavi (1910-1977, below bottom). Here are links to their biographies.
https://en.wikipedia.org/wiki/Daniel_E._Gawthrop
https://www.encyclopedia.com/religion/encyclopedias-almanacs-transcripts-and-maps/zehavi-david
Sound-wise, it is quite an eclectic list that runs from solo harpsichord music to orchestral and choral music as well as chamber music.
Many of the performers have played in Madison at the Overture Center, with Wisconsin Chamber Orchestra, at the Wisconsin Union Theater, at the UW-Madison and on the Salon Piano Series at Farley’s House of Pianos.
They include: the Milwaukee Symphony Orchestra and Chorus; cellist Amit Peled and pianist Eli Kalman, who received his doctorate from the UW-Madison and now teaches at the UW-Oshkosh; conductor-composer John Rutter and the Cambridge Singers; and superstars violinist Itzhak Perlman, cellist Yo-Yo Ma along with Venezuelan pianist-improviser Gabriela Montero in a quartet that played at the inauguration of President Barack Obama.
Here is a link to the new WPR suggestions: https://www.wpr.org/wpr-hosts-share-music-gratitude-and-hope
Happy listening!
If you read the blog or listen to the music, let us know what you think in the Comment section.
The Ear wants to hear.
Share this:
Like this:
Tags: #AmericanComposer, #AmitPeled, #BarackObama, #BaroqueMusic, #BenjaminBritten, #BlogPost, #BlogPosting, #CambridgeSingers, #CambridgeUniversity, #CelloMusic, #ChamberMusic, #ChoralMusic, #ClassicsByRequest, #COVID-19, #DanielGawthrop, #DavidZehavi, #EclecticMusic, #EliKalman, #EnglishComposer, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FolkMusic, #GabrielaMontero, #GayComposer, #GayHistory, #GreatBritain, #HarpsichordMusic, #IsraeliComposer, #IsraeliMusician, #ItzhakPerlman, #JacobStockinger, #JewishComposer, #JewishReligion, #JohannSebastianBach, #JohnRutter, #JohnWilliams, #LivingComposer, #MeadWitterSchoolofMusic, #MilwaukeeSymphonyOrchestra, #ModernComposers, #NaziGermany, #NewMusic, #OrchestralMusic, #OvertureCenter, #PabloCasals, #PeterIlyichTchaikovsky, #PresidentObama, #PublicService, #RadioHost, #RuthanneBessman, #SalonPIanoSeries, #Self-Isolation, #TheEar, #TheHolocaust, #TheUK, #UniversityofWisconsin-Madison, #UniversityofWisconsin-Oshkosh, #VocalMusic, #Wikipediabiography, #Wikipediaentry, #WisconsinChamberOrchestra, #WisconsinPublicRadio, #WisconsinUnionTeater, #WolfgangAmadeusMozart, #WorldMusic, #WorldWarll, #Yo-YoMa, #YouTubevideo, African American, air, airs, American, Amit Peled, appeal, Arts, audience, Audio, audiovisual, Auschwitz, Auschwitz concentration camp, Bach, Barack Obama, Baroque, Baroque music, Benjamin Britten, better, biography, blog, Britten, calm, calming, Cambridge Singers, Cambridge University, Capriccio, cellist, Cello, cello music, Chamber music, choral music, chorus, Classical music, classicalmusic, classics, Classics by Request, collection, comment, companion, composer, Concert, conductor, contemporary, coronavirus, Daniel Gawthrop, David Zehavi, discussion, doctorate, Early music, eclectic, Eli Kalman, encyclopedia, England, English, event, expresses, Facebook, Farley's House of Pianos, feel, folk, Folk music, forward, Gabriela Montero, Gawthrop, gay, gay composer, Genesis, German, Germany, gratitude, Great Britain, harpsichord, hear, historical, History, Holocaust, Home, honor, hope, host, important, improvise, inauguration, indispensable, inspiration, inspires, inspiring, isolation, Israel, Israeli, Itzhak Perlman, Jacob Stockinger, Jewish, Johann Sebastian Bach, John Rutter, John Williams, Kalman, know, LGBT, LGBTQ, like, link, list, listen, Living composer, Ma, Madison, Mead Witter School of Music, meaning, Milwaukee Symphony Orchestra, modern, Montero, Mozart, Music, Musician, Nazi, New Music, Orchestra, orchestral music, Oshkosh, Overture Center, Overture Center for the Arts, Pablo Casals, pandemic, Peled, People, performer, Perlman, Peter Ilyich Tchaikovsky, Pianist, Piano, post, posting, President, President Obama, project, public, public service, Quartet, Radio, read, reading, Religion, request, Russian, Ruthanne Bessman, Rutter, Salon Piano Series, Saturday, section, share, show, singer, solo, Sound, staff\, subscriber, suggest, superstar, symphony, tag, Tchaikovsky, The Ear, things, think, U.S., UK, unite, United States, university, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University of Wisconsin–Oshkosh, US, UW-Madison, Venezuela, Venezuelan, venue, Violin, violinist, visual, vocal, vocal music, war, Wikipedia, Williams, Wisconsin, Wisconsin Chamber Orchestra, wisconsin public radio, Wisconsin Union Theater, Wolfgang Amadeus Mozart, words, World music, World War II, WPR, Yo-Yo Ma, YouTube, Zehavi