The Well-Tempered Ear

Classical music: The future looks brighter for the Wisconsin Chamber Orchestra and Madison Ballet, which just received $30,000 from the Madison Community Foundation to see if they should work jointly

May 23, 2016
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A REMINDER: Tonight at 8 p.m., Wisconsin Public Television will air a one-hour broadcast of the 50th anniversary concert in Overture Hall by the various groups in the Wisconsin Youth Symphony Orchestras.

For more information, here is a link:

https://welltempered.wordpress.com/2016/05/21/classical-music-education-the-50th-anniversary-gala-concert-by-the-wisconsin-youth-symphony-orchestras-wyso-will-air-on-wisconsin-public-television-monday-night-at-8/

By Jacob Stockinger

The Ear has received the following news release, which should interest a lot of local arts fans. Unfortunately, it contains some grant jargon. But the bottom line is clear: Both the Wisconsin Chamber Orchestra and Madison Ballet will use the money see if and how they can share their resources and thereby become more secure, efficient and financially stable. You may recall that Madison Ballet had to abruptly cancel its past season when donations for its production of “Peter Pan” fell short:

The Wisconsin Chamber Orchestra and Madison Ballet have been awarded a $30,000 Community Impact grant from Madison Community Foundation to explore an innovative and shared resource business model for the two organizations.

WCO new Logo 2016 Square

The award will fund a comprehensive feasibility study that will assess the resources of each organization and identify opportunities for efficiency and growth.

Madison Ballet and the Wisconsin Chamber Orchestra, both well-established arts organizations, have long been providing world-class performances and creative programming in the community.

But as competition for non-profit funding increases, these two organizations are looking for creative business solutions to maintain excellence, support program growth, and ensure long-term sustainability.

“We are so pleased that Madison Community Foundation is supporting this project,” says Madison Ballet’s General Manager Gretchen Bourg. “All businesses—especially those in the non-profit sector—are realizing the need for new models for success and sustainability. This study is an exciting first step toward a truly innovative way of serving our community.”

The feasibility study represents Phase 1 of a larger project that could result in a business model in which the Wisconsin Chamber Orchestra and Madison Ballet share key administrative functions, minimizing redundant costs and leveraging each organization’s unique strengths.

Each would retain the signature artistic and outreach programs for which they are known.

Mark Cantrell, CEO of the WCO says “This grant provides a wonderful opportunity to explore ways for our two organizations to come together to help build a better community.”

“I have worked together with Earle [Smith] for the past 16 years. We arrived in Madison within a year of each other and have always maintained an excellent artistic and working relationship,” says Andrew Sewell (below), music director of the WCO. “Our two organizations have performed together for their annual Nutcracker performances, as well as collaborated on special projects such as the Halloween concert, Concerts on the Square® and most recently the 10th anniversary concert of Overture Center. I’m excited to explore the benefits this unique arts organizational model may represent for both groups.”

andrewsewell

Madison Ballet’s Artistic Director, W. Earle Smith (below), echoes support for the project: “I am very grateful to the Madison Community Foundation for this opportunity to find better ways to engage our audiences and support our artists.”

w. earle smith

The boards of directors of Madison Ballet and Wisconsin Chamber Orchestra expect to select a consulting firm to conduct the study by the end of May. Data from the study will be used to identify next steps in strategic planning for long-term sustainability.

The Wisconsin Chamber Orchestra, led by Maestro Andrew Sewell, is a vibrant and thriving professional orchestra dedicated to advancing Wisconsin communities through the transformative power of music.

The WCO performs for over 240,000 people per year, including Concerts on the Square (below)®, Masterworks, Holiday Pops, Handel’s Messiah, Youth Concerts, and other performances across the state.  For more information, visit wcoconcerts.org.

ConcertsonSquaregroupshot

Madison Ballet touches the lives of 50,000 individuals in the community each year through engaging outreach programs and unforgettable performances.

Its annual presentation of The Nutcracker remains an essential part of many families’ holiday traditions, and it has broken new ground with innovative productions like the original rock ballet, Dracula.

The School of Madison Ballet is one of the premier training academies in the Midwest, providing quality dance education for dancers of all ages. For more information, visit madisonballet.org.

 


Classical music: A critic “unwraps” the holiday gift of Tchaikovsky’s music and other mysteries in “The Nutcracker.” The production by the Madison Ballet and the Wisconsin Chamber Orchestra opens this Friday and runs through Dec. 27.

December 6, 2015
2 Comments

By Jacob Stockinger

Perhaps it is because it is so popular, especially at holiday time when it has become an annual tradition almost everywhere.

Perhaps it is because it is basically a story about children and the holidays, especially Christmas.

Whatever the reason, the ballet “The Nutcracker” by Peter Ilyich Tchaikovsky is usually seen as a largely naïve work, an innocent fairy tale or fantasy with some darker undertones.

Madison Ballet The Nutcracker title screen

But the truth is that, if you dig into it, “The Nutcracker” is far more complex than most people usually think.

Of course it was meant to be more about dance — classical ballet — than about the music.

Yet it is the beautiful music by one of history’s greatest melody writers that draws so many people to the work.

Madison Ballet Nutcracker WCO playing

And according to one writer for The New York Times, of the many mysteries layered in “The Nutcracker,” the music remains one of the biggest mysteries. (In a YouTube video at the bottom, you can hear a 2012 performance by conductor Valery Gergiev at the Mariinsky Theatre in St, Petersburg, Russia.)

It is always especially relevant at this time of the year.

So The Ear is posting about the production by the Madison Ballet and Wisconsin Chamber Orchestra, which opens this coming Friday night for nine performances in Overture Hall of the Overture Center.

It features the choreography of Madison Ballet’s artistic director W. Earle Smith (below top) and the live music by the WCO under the baton of its longtime music director Andrew Sewell (below bottom).

w. earle smith

AndrewSewellnew

Here are performance dates:

December 12  |  2 p.m. and 7:30 p.m. Saturday

December 13  |  2 p.m. Sunday

December 19  |  2 p.m. and 7:30 p.m. Saturday

December 20  |  2 p.m. Sunday

December 24  |  1 p.m. Thursday

December 26  |  2 p.m. Saturday

December 27  |  2 p.m. Sunday

Here are links with detail of the performances and the production, including tickets, which start at $14:

http://www.wcoconcerts.org/performances/nutcracker/

http://www.madisonballet.org/nutcracker/

Madison Ballet The Nutcracker

And here is a link to a story in The New York Times with some excellent background about various productions and their interpretations:

http://www.nytimes.com/2015/11/22/arts/dance/the-nutcracker-and-its-many-mysteries.html?_r=0

If you go see and hear “The Nutcracker,” enjoy — and solve or at least appreciate — some of the mysteries in this evergreen holiday work!

 


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