ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features oboist Laura Medisky and pianist Vincent Fuh in sonatas by Paul Hindemith, Henri Dutilleux and Malcolm Arnold. The concert runs from 12:125 to 1 p.m. On Saturday night at 7 p.m., the same performers will repeat the same program in a FREE concert at Oakwood Village West auditorium, 6201 Mineral Point Road, on Madison’s far west side near West Towne.
By Jacob Stockinger
The Ear’s friends at the Willy Street Chamber Players (below), which The Ear named as Musicians of the Year for 2016, write:
We wanted to let you know about the upcoming kickoff of the Willy Street Chamber Players’ “Community Connect” series. We are committed to our mission of making classical music accessible to all.
The Willy Street Chamber Players’ Northside Community Connect Concert is on this coming Sunday, Feb. 19, at noon at the Warner Park Community Recreation Center.
Enjoy hot coffee, exciting classical music and great conversation with the Willy Street Chamber Players.
This program is FREE, family-friendly and will last about 60 minutes. All are welcome.
The program is: String Quartet in C Major, K. 157, by Wolfgang Amadeus Mozart; String Quartet No. 5, “Rosa Parks” by Daniel Bernard Roumain; “Entr’acte” for String Quartet by Pulitzer Prize-winner Caroline Shaw (you can hear the piece, which The Ear loves for its pulsing and hypnotic rhythm plus unusual and interesting string textures, in the YouTube video at the bottom); and “Four, for Tango” by Astor Piazzolla.
There was an announcement about this series in the January string quartet program at A Place to Be (below, in a photo by John W. Barker), and it included a couple more concerts. But we have decided to make Community Connect a self-produced series.
We are planning a second Community Connect concert in July during our regular summer series, and have listed our other free appearances on our regular calendar.
The concert is made possible in part by Willy Street Co-Op and the North/Eastside Senior Coalition (NESCO).
For more information go to: www.willystreetchamberplayers.org
By Jacob Stockinger
Tonight, Wednesday, July 3, at 7 p.m. on the King Street corner of the downtown Capitol Square in Madison, the Wisconsin Chamber Orchestra’s second Concert of the Square (below), under conductor Andrew Sewell — a native New Zealander who is now a naturalized American citizen — will celebrate the Fourth of July.
Also tonight, with fireworks beginning at 9:30 p.m., the radio-broadcast soundtrack for the gigantic regional celebration Rhythm and Booms show (below) in Madison’s Warner Park will no doubt include the same piece, or at least its finale.
For more information about that event, including the official traffic plans, here is a link: http://www.rhythmandbooms.com
And tomorrow night, Thursday, July 4, at 7 p.m., Wisconsin Public Television will also broadcast PBS’ live coverage of “A Capitol Fourth,” the Fourth of July concert from Capitol Hill and the National Mall in Washington, D.C. Here is a link with information about the event and the performers, who include singers Neil Diamond, Barry Manilow and Jackie Evancho as well as composer John Williams conducting the National Symphony Orchestra.
And like Fourth of July concerts all over the country, all of those concerts or musical celebrations will likely once again end with a rousing version of the “1812 Overture” by Tchaikovsky (below) with cannon shots booming and church bells ringing – perhaps with a Sousa march for an encore. (At bottom is the most popular YouTube video of The 1812 Overture that has more than 1.5 million hits.)
The rest of tonight’s Wisconsin Chamber Orchestra’s “Red, White and Blue” program features piano soloist Michael Mizrahi (below) playing what The Ear calls The Gershwin Card. (Next spring, the Madison Symphony Orchestra will also play The Gershwin Card to close its upcoming season that will mark the 20th anniversary of maestro John DeMain‘s tenure.)
I use the term The Gershwin Card to mean a kind of appealing crossover programming of the tuneful and jazzy music by George Gershwin (below) that draws big audiences like pops and is easy to digest like pops, but also has a more serious side and is closer to having a classical pedigree than being pops.
In particular, the WCO concert features Gershwin’s “Rhapsody in Blue” and “I Got Rhythm” Variations as well as Robert Lowden’s “Armed Forces Salute.”
So far, so American!
But how did music celebrating a Russian victory over Napoleon (below, seen in painting retreating in defeat from Moscow) and the French army in 1812 become so emblematic of the Fourth of July and American independence?
Well, like the American Revolution itself, the musical tradition started in Boston.
Only much, much later.
Care to take a guess?
Here is a link to the story as told to NPR’s Scott Simon on last Saturday morning’s “Weekend Edition”:
For more information about this second Concert on the Square go to this page, which also has information about the entire series and the remaining four concerts: