The Well-Tempered Ear

Wisconsin Public Radio needs timely online playlists and other fixes

March 15, 2023
17 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

March 8 was International Women’s Day.

To its credit, Wisconsin Public Radio (WPR) celebrated the event all-day long by airing music composed and performed by women. 

The Ear heard some very memorable and noteworthy pieces that were new to him.

But when he went to the WPR website and looked for online listings to find out specifics about the composers, the pieces, the performers and the record labels, he found — nothing.

Today is March 15.

And one week later The Ear still finds nothing — no playlist for the March 8 broadcasts.

In fact, there are no online listings going back more than a month — to February 5.

You will find just a longstanding apology with a promise to fix it and some boilerplate warning about federal regulations that really have nothing to do with such a prolonged delay.

Take a look for yourself: https://www.wpr.org/classical-music-lists

That is disappointing and frustrating. Some might even say unacceptable.

The digital technology fixes that have been promised and, one assumes, already paid for can’t be THAT difficult to implement. WPR used to post the playlist information as soon as the piece started airing. (And, curiously, the non-WPR overnight service still offers that.)

Why not again? Technological updates are supposed to make things work better, not worse.

Fixing the playlist is especially important right now because WPR and its outstanding hosts have taken on the admirable mission of exploring music of women composers and performers; of composers and performers of color; and of neglected composers and works.

But without a playlist to consult, that mission remains unfinished. How else is the unfamiliar supposed to become more familiar?

That is not the only troubling thing at WPR.

The station did a superb job during the pandemic with home broadcasting.

But ever since then, there seems to be more dead air, miscues, interruptions and repeated programs than ever before. 

Yet you also hear many more promotions and pleas for public financial support in between quarterly membership drives than ever before.

WPR would be wise to attract and serve its supporters and listeners by focusing on completing the fixes, whether it requires hardware, software or staff training.

And correcting the disservice of not posting daily playlists online seems an excellent place to start. After all, The Ear was told that the problem of incompatible software “would be rectified soon.”

That was over a year ago.

And if it can’t be corrected?

Hope they kept the receipt.

Do you miss WPR’s daily online playlists?

Have you noticed other problems at WPR?

What about WPR would you like to praise? To criticize?

The Ear wants to hear.


Classical music: The 10th anniversary concert of the Middleton Community Orchestra hit all the right notes – including a surprise of high beauty

October 13, 2019
3 Comments

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

Last Wednesday night at the Middleton Performing Arts Center, the mostly amateur but critically acclaimed Middleton Community Orchestra (below, in a photo by Brian Ruppert) celebrated its 10th anniversary.

The MCO hit all the right notes. And there were many of them, both big and small.

But perhaps the biggest one was also the quietest one.

It came during the repetition section near the end of the heart-rending slow movement of the Clarinet Concerto in A Major, K. 622, by Mozart.

The Ear knows the piece and considers it one of the most perfect compositions ever written. But suddenly he heard the familiar work in a fresh way and with a new appreciation, thanks to the talented guest soloist J.J. Koh, who is principal clarinet of the Madison Symphony Orchestra. (You can hear the slow movement in the YouTube video at the bottom.)

The movement was going beautifully when suddenly, Koh (below) brought the dynamics down to almost a whisper. It felt prayer-like, so quiet was the sound. Yet it was completely audible. The tone was rich and the notes on pitch, even though Koh sounded as if he were barely breathing. It was a heart-stopping, breathtaking moment of high beauty.

It takes a virtuoso to play that softly and that solidly at the same time. And Koh was backed up with the same subtlety by the fine accompaniment provided by the scaled-down orchestra under conductor Steve Kurr.

The sublime result was nothing short of haunting, a musical moment that The Ear will remember and cherish as long as he lives.

And he wasn’t alone. A complete silence fell over the appreciative audience as Koh and the MCO were playing, and at intermission it was what everybody was talking about and wondering at. You just had to be there. It was the kind of musical experience that makes a live performance so engaging and unforgettable.

That moment of communion between soloist and ensemble by itself was enough to tell you how very much the MCO, which improves with each performance, has accomplished in its first decade.

There were other noteworthy moments too.

Of course tributes had to be paid.

So the evening started off with some brief background and introductory words from the co-founders and co-artistic directors Larry Bevic and Mindy Taranto (below).

Then Middleton Mayor Gurdip Brar (below) came on stage to read his official 10th anniversary proclamation and to urge people to applaud. He proved a jovial, good-natured cheerleader for the large audience of “good neighbors” that included many children.

When the music finally arrived, conductor Kurr (below) raised the curtain with his own original 14-minute episodic composition celebrating the “Good Neighbor City” of Middleton. It proved a fitting work for the occasion that evoked both the Midwestern harmonies of Aaron Copland and the brassy film scores of John Williams.

After intermission, the full 90-member MCO under Kurr returned and turned in a performance of Antonin Dvorak’s popular “New World” Symphony that did them all proud.

The tempo was energetic with a strong, constant pulse that didn’t falter. As usual, the string and wind sections proved outstanding – and still seem to get better each time.

But the real star this time was the brass, whose prominent part in the Dvorak symphony is hard to play. Playing consistently on pitch and expressively – they were clearly well-rehearsed — the brass boosted the whole performance and raised it to a new level. Which is exactly what the anniversary concert demanded and received.

The Ear wasn’t alone in being impressed.

A professional musician visiting from San Francisco said simply:  ”They are much better than our community orchestra.”

Is there better homage to pay to a 10th anniversary concert and to make listeners look forward to hearing more? If you aren’t going to MCO’s affordable and appealing concerts, you are only cheating yourself.

For more information about the complete season, including programs, performers, guest soloists and how to join or support the MCO, go to: http://middletoncommunityorchestra.org

If you went, what did you think of the opening anniversary concert?

Leave your opinions and good wishes in the comment section.

The Ear wants to hear.


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Classical music: Antonio Vivaldi and Joshua Bell evoke the summer storms that Wisconsin now waits for and fears for the next week

September 1, 2018
1 Comment

By Jacob Stockinger

So much of Wisconsin is already so flooded after the past week or 10 days that an open-ended state of emergency has been officially declared for the entire state.

And now the weather predictions for the next week or so are for more rainstorms and thunderstorms every day — complete with watches, alerts and warnings from the National Weather Service.

Will those storms swell the rivers and lakes even more?

Will more streets be closed and bridges destroyed?

Will more basements and even whole homes and buildings be ruined?

Will more businesses be forced to close?

The Ear knows a lot of music about water, especially by Claude Debussy. But so much of the water music from Handel and Smetana to Wagner and Debussy seems restorative or calm or redemptive or simply descriptive.

But the water Wisconsin faces makes us edgy and nervous while we wait to see what happens because the weather could bring more devastation and destruction.

The closest music comes to the right mood is the frenetic and even violent quality of the summer storm in “The Four Seasons” by Antonio Vivaldi and the energetic violin playing by Joshua Bell.

If you can think of a better piece, let The Ear know.

In the meantime, let’s all hope for the best and here is Vivaldi’s musical summer storm in a YouTube video:


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