The Well-Tempered Ear

Classical music: The founders and co-artistic directors of the Token Creek Chamber Music Festival explain the origins of the upcoming “water music” programs

August 25, 2016
Leave a Comment

By Jacob Stockinger

In the essay below, John and Rose Mary Harbison (below, in a photo by Katrin Talbot), the founders and co-artistic directors of the Token Creek Chamber Music Festival, explain the origins of the upcoming “water music” programs that mark the 27th festival.

You can hear that famous “trout” theme of the original song used in Franz Schubert‘s “Trout” Piano Quintet, which will be performed at the festival, in the YouTube video at the bottom.

Here is a link to a posting earlier this week with much more information about the concerts, the programs and the performers:

https://welltempered.wordpress.com/2016/08/22/classical-music-this-years-token-creek-chamber-music-festival-celebrates-local-ecological-restoration-with-water-music/

John and Rose Mary Harbison Katrin Talbot

ECOLOGICAL RESTORATION: THE BROOK AT TOKEN CREEK — WHY NOW?

By John and Rose Mary Harbison

In 1932 Dan and Alice Pedersen, Rose Mary Harbison’s parents, came from Chicago to Madison and purchased a small farm on State Highway 19, then a seldom travelled dirt road. (Below is a photo by Jess Anderson of a more recent barn built on the farm property.)

Token Creek land:barn Jess Anderson

The farm eventually became a producer of organic vegetables for sale, and a place of contemplation, leading to Dan’s life as a Swedenborgian pastor, wartime fireman and early sustainable farmer; and Alice’s as a Sunday school teacher and eventually a much published anti-Vietnam War activist. (Below is a photo by Jess Anderson of a field on the farm.)

Token Creek land 2 Jess Anderson

But it was just three years into their tenure on the farm that the State of Wisconsin came up with a plan to raise carp for New York markets, and by eminent domain seized four acres of land from the Pedersen farm, building a 400-foot carp pond, and routing the tributary trout stream on the Pedersen farm into it. (Historic photos are from the Token Creek Watershed Association.)

Token Creek Watershed 1

This was a loss from which the couple never really recovered, since it cost the stream, which had originally flowed into Token Creek, much loss of vitality, swiftness and natural flow.

Within a decade the State had lost interest in the original project, but the Pedersens were never able to persuade the necessary agencies to undertake restoration of the trout stream and repair the damage.

Token Creek watershed 2

The 2012 Token Creek Festival season included a forum, “Listen to the Land,” with an eminent group of ecologists commenting on our attempt to redevelop as prairie a large set-aside field.

As it turned out, the best outcome of this gathering, in spite of the expensive and to this point discouraging track of that project, was the unanimous view of that forum that the restoration of the tributary trout stream, and the elimination of the carp pond, would dynamically and radically upgrade the entire ecology of the area, one that is an extremely important component of the Cherokee Marsh and Lake Mendota watershed. (below is a picnic by Token Creek.)

Token Creek picnic

This year’s festival, “Water Music,” celebrates the unlikely achievement of that goal. Unable to find civic partners, the transformation was a private initiative, brilliantly realized by the river restoration firm Inter-Fluve, and spearheaded by the participants in our opening forum. (Below is a mill on the creek.)

Token Creek mill

Art and Nature are already familiar partners; Art and Technology increasingly so. One common impulse seems to be to increase harmony and invention; to limit pointless destruction; and to preserve enhance and develop, positively, some of the forces we cannot control, or fully understand.


Classical music: This year’s Token Creek Chamber Music Festival celebrates local ecological restoration with “water music”

August 22, 2016
3 Comments

By Jacob Stockinger

Here is an overview of the upcoming 27th Token Creek Chamber Music Festival, which starts this Saturday, Aug. 27, and runs through Sunday, Sept. 4.

TOKEN CREEK, WIS. – Years in the planning, summer 2016 marks the completion of a major ecological restoration project on the Token Creek Festival property in the northeast corner of Dane County, part of the watersheds vital to the hydrology of Madison and southeastern Wisconsin.

TokenCreekentrance

TokenCreekbarn interior

During the 1930s, one of the most important feeder streams in the area, and its only cold-water trout stream, was ruined when it was widened to support short-lived commercial interests and development. Now, decades later, in a monumental effort, that stream has at long last been relocated, restored and rescued.

Festival-goers will be able to experience the project firsthand on the opening weekend, when each concert is preceded by an optional stroll along the new stream, with conversation guided by restoration ecologists and project managers.

Celebrating this monumental ecological project, the season theme of this year’s Token Creek Chamber Music Festival is: Water Music. Virtually all of the works programmed evoke brooks and streams and rivers and water in its many forms, with its ritual meanings, associations, allusions, and as metaphor.

In keeping with the theme, the Festival has adopted Franz Schubert (below) as the summer’s featured composer. His poetic, melancholic, ultimately organic and inevitable relationship to the natural world was expressed in composition after composition, wedded to his intense involvement with the poetry of his era, itself so infatuated with birds, fields, clouds and streams.

Franz Schubert big

The second program emphasis continues the festival’s most persistent theme: the music of Johann Sebastian Bach.

Bach1

Three strands of Bach’s music previously explored at Token Creek will be taken up again. We will present our third complete cantata performance, O heiliges Geist und Wasserbad, a mysterious and poetic piece from early in the composer’s career, with soloists from the Madison Choral Project (below).

Madison Choral Project color

We will conclude our survey of the three Bach violin concertos, this year the E major, co-artistic director Rose Mary Harbison (below top) again as soloist. And we take up our sequence of fugues from The Art of Fugue, co-artistic director and composer John Harbison (below bottom), who has won the Pulitzer Prize and a MacArthur “genius grant,” adding three more to his personal odyssey with this work, due to conclude in 2030.

RosemaryHarbison

JohnHarbisonatpiano

NEW ARTISTS

Token Creek is pleased to introduce several new artists this season, including Grammy Award-nominated mezzo-soprano Margaret Lattimore, who has been praised for her “glorious instrument” and dubbed an “undisputed star…who has it all – looks, intelligence, musicianship, personality, technique, and a voice of bewitching amber color.”

Ms. Lattimore will offer works of Franz Schubert and John Harbison on the Festival’s opening concerts, By the Brook (August 27 and 28), where she will be joined by pianist Molly Morkoski.

www.margaretlattimore.net

Margaret Lattimore

Ms. Morkoski (below), who last appeared at Token Creek in 2013, consistently garners praise for her refined virtuosity and “the bold confidence and interactive grace one wants in a devoted chamber music maker.” In addition to the opening program, Morkoski will also be heard on the season finale in Schubert’s “Trout” Quintet (Sept. 2 and 4).

http://www.mollymorkoski.com/

molly morkoski

On that same concert, tenor William Hite and pianist Kayo Iwama join forces in Schubert’s devastating and tragic song cycle, Die Schöne Müllerin (The Beautiful Miller’s Daughter), in which a brook functions prominently as the protagonist’s confidante. (You can hear the legendary baritone Dietrich Fischer-Dieskau sing “The Miller and the Brook” from the flowing song cycle in the YouTube video at the bottom.)

New York Times critic Anthony Tommasini has called Hite (below) a “breathtaking communicator of spoken nuance” for his ability to reveal the meaning and emotion embodied in the text and the music, solidifying his reputation as an engaging and expressive artist.

http://www.williamhitetenor.com/

william hite

Kayo Iwama (below) is associate director of the Bard College Conservatory of Music graduate vocal arts program, the master’s degree program for classical singers, and she also coordinates the vocal studies program at the Tanglewood Music Center. Her frequent concert partners include Dawn Upshaw and Lucy Shelton.

http://www.bard.edu/academics/faculty/details/?action=details&id=1838

Kayo Iwama

VIOLS AND WILLIAM WARTMANN

Finally, the “technically faultless and consistently sensitive and expressive,” consort of viols, Second City Musick (below), based in Chicago, will offer a guest recital on Tuesday, Aug. 30, anchored by John Harbison’s The Cross of Snow.

Craig Trompeter, Russell Wagner, Anna Steinhoff at the Planetarium, Chicago, May 30, 2013

Craig Trompeter, Russell Wagner, Anna Steinhoff at the Planetarium, Chicago, May 30, 2013

Commissioned by local businessman and philanthropist William John Wartmann (below) in memory of his wife, mezzo-soprano Joyce Wartmann, this evocative new piece, on texts of Henry Wadsworth Longfellow, blends the ethereal lushness of violas da gamba with the haunting clarity of the countertenor voice, here Nathan Medley (below bottom), to explore the emotions of grief, loss and love.

wiiliam wartmann

Nathan Medley

At its first performance in Chicago last May, a local critic praised both the work and the musicians: “The Chicago-based ensemble was ideally suited to premiere this profoundly affecting work, and the shared sensibility between composer and performers was noticeable.”

Tuesday’s program will also include works of Henry Purcell, William Byrd, John Jenkins and Johann Sebastian Bach.

www.secondcitymusick.org

Other festival artists this season include vocalists Rachel Warricke, Sarah Leuwerke, Daniel O’Dea, and Nathan Krueger; violinists Rose Mary Harbison, Laura Burns, and Isabella Lippi; Jen Paulson, viola; Karl Lavine, cello; Ross Gilliland, bass; Linda Kimball, horn; and John Harbison, piano.

HERE ARE FESTIVAL PROGRAMS AT A GLANCE:

Program 1: By the Brook – Schubert, Bach and Harbison

Saturday, Aug. 27: 6:45 p.m. – optional guided stream stroll*; 8 p.m. – concert

Sunday, Aug. 28:  2:45 p.m. – optional guided stream stroll*; 4 p.m. – concert

*(The stream stroll is free, but reservations are recommended)

Program 2: Music for Viols, Then & Now

Tuesday, Aug. 30, at 7:30 p.m.

Program 3: Water Colors = Two Schubert Masterworks

Friday, Sept. 2 at 7:30 p.m.

Sunday, Sept. 4 at 4 p.m.

Concert tickets are $32 (students $12). The preview stream stroll on opening weekend is free to concertgoers, but advance reservations are recommended.

Reservations can be made in several ways:

  • Online:    https://www.eventbrite.com/e/token-creek-chamber-music-festival-2016-tickets-26070692142
  • Website (printable order form): www.tokencreekfestival.org
  • Phone: 608-241-2525 (voicemail only, please leave a message)
  • Email: info@tokencreekfestival.org
  • U.S. mail: P.O. Box 5201, Madison WI, 53705

Performances take place at the Festival Barn, on Highway 19 near the hamlet of Token Creek (10 minutes north of Madison) with ample parking available. The venue, indoors and air-conditioned, is invitingly small—early reservations are recommended.

Token Creek 2011 Mozart Trio, Levin, Harbison, Ryder

More information about the Token Creek Festival and all events and artists can be found at the website, www.tokencreekfestival.org or by calling 608 241-2525.


    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,212 other followers

    Blog Stats

    • 2,101,144 hits
%d bloggers like this: