The Well-Tempered Ear
Just Bach concludes its season this Wednesday morning with highlights of the past season
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By Jacob Stockinger
The Ear has received the following announcement to post about this season’s final Just Bach online concert this Wednesday:
Greetings from Just Bach!
We hope this finds you all well, enjoying the spring, and ready to experience more of the timeless beauty of Bach’s music.
Our May concert features musical highlights from this extraordinary past season.
The complete program listing is below. It is organized in two parts, corresponding to the two semesters.
Indoor singing was risky during the pandemic, so the bulk of our programming was instrumental, with strings and keyboard for the most part (below in a photo by Barry Lewis).
The Sinfonia from the Christmas Oratorio was recorded at St. Matthias Episcopal Church in Waukesha, because of the Dane County Emergency Order prohibiting indoor gatherings in November and December during the pandemic.
We were back at Luther Memorial Church for the January concert, and by April we were able to include woodwinds (below, in a photo by Barry Lewis)
You can view the May concert here, starting at 8 a.m. this Wednesday, May 19, and then staying available indefinitely: https://justbach.org/concerts/
Please join us for a half-hour live Zoom post-concert reception on Wednesday night, May 19, at 7 p.m. Chat with the performers by following the link: https://us02web.zoom.us/j/85144014343?pwd=RmVURXBBU1hMcloyalJhbUdCQ1NmQT09
Viewing the concerts is FREE, but we ask those who are able, to help us pay our musicians by making a tax-deductible donation at: https://justbach.org/donate
Just Bach will take a break for the summer, and concerts will resume in September.
Here is the May program:
• Welcome
Part I – Fall Semester
• Cantata 146: Sinfonia
• Violin Sonata, BWV 1001: movement 4 Presto
• Double Violin Concerto: movement 3 Allegro (in the YouTube video, with an animated graphic, at the bottom)
• Christmas Oratorio, Part II: Sinfonia
• Christmas Oratorio: Chorale “Ich steh’ an deiner Krippen hier” (I stand here by your crib)
Part II – Spring Semester
• Cantata 35: Sinfonia
• Trio Sonata, BWV 526: movement 2 Largo
• Violin Sonata, BWV 1019: movement 5 Allegro
• Flute Sonata BWV 1034: movement 1 Adagio ma non tanto
• Cantata 42: Sinfonia
• Cantata 149: Chorale “Ach Herr, laß dein lieb Engelein” (O Lord, let your dear little angel)
Performers are: Kangwon Kim, Christine Hauptly Annin, Leanne League, Xavier Pleindoux, Nathan Giglierano and Aaron Yarmel, violin; Marika Fischer Hoyt, viola; Charlie Rasmussen and Lindsey Crabb, cello; Linda Pereksta and Monica Steger, traverse flute; Marc Vallon, bassoon; Grammy-winner Sarah Brailey, soprano; John Chappell Stowe and Jason Moy, harpsichord; Mark Brampton Smith, organ; and Bruce Bengston, organ.
Dave Parminter is the videographer and Barry Lewis is the photographer.
For more information, go to:
youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ
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This Wednesday’s FREE Just Bach virtual online concert features holiday music from the Christmas Oratorio and other works
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By Jacob Stockinger
The Ear has received the following announcement from the organizers of Just Bach:
The program for Just Bach’s holiday concert this Wednesday, Dec. 16, opens with Chorale Prelude settings of Advent melodies from the Orgelbüchlein (Little Organ Book) by Johann Sebastian Bach (below), with Mark Brampton Smith on organ and soprano Sarah Brailey singing the melodies.
Violinist Nathan Giglierano follows with the beautiful, contemplative Largo from the third solo violin Sonata, along with two pieces – Two-Part Invention No. 13 and the Sinfonia from Cantata 156 — arranged for violin and viola, which he plays with his wife Gillian.
The second half of the program features selections from the Christmas Oratorio, BWV 248. The Madison-based early music group Sonata à Quattro (SAQ, below in a photo by Barry Lewis) plays the luminous Sinfonia – in an arrangement for string quartet and organ– that opens the second Cantata in this work. The performance was recorded at St. Matthias Episcopal Church in Waukesha, Wis., where SAQ is ensemble-in-residence. (You can hear the Sinfonia in the YouTube video at the bottom.)
Members of SAQ (below, in a photo by Barry Lewis) are: Christine Hauptly Annin and Leanne League, violins; Marika Fischer Hoyt, viola; Charlie Rasmussen, cello; and Mark Brampton Smith, organ.
Soprano and UW-Madison graduate student Sarah Brailey (below) — who was just nominated for a Grammy Award — returns with three chorales from the Christmas Oratorio, singing all four parts in a multi-track recording and bringing the holiday program to a high-tech conclusion.
We are thrilled to participate in the weekly ‘Music at Midday’ concert series by Luther Memorial Church. Here is a link: https://www.luthermem.org/music-at-midday.
As part of this series, Just Bach concerts take place on the third Wednesday of each month. Remaining concerts are Dec. 16, Jan. 20, Feb. 17, March 17, April 21 and May 19. Each program lasts approximately 30 minutes.
It is still too risky to have in-person audiences, so these concerts are posted on the Just Bach and Luther Memorial YouTube Channels.
Please note: Now that concerts are online instead of in person, the videos are published early Wednesday mornings, instead of at noon. Then the online post will remain up and accessible for an indefinite time.
Here is a link: https://www.youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ?
Viewing the concerts is free, but we ask those who are able, to help us pay our musicians with a tax-deductible donation. https://www.paypal.com/donate/?cmd=_s-xclick&hosted_button_id=7A4R7CA8VDRMG&source=url
Concert viewers are invited to a half-hour live Zoom post-concert reception on Wednesday night, Dec. 16, at 7:30 p.m. Those who would like to join us and chat with the performers can follow this link: https://us02web.zoom.us/j/88960952122?pwd=NTNQY21HZmxNSEh0ODRWdmQvVTlsQT09
Just Bach concerts are typically performed in Luther Memorial’s beautiful nave (below), but that was not possible this month. The recent Emergency Order barring indoor gatherings in Dane County of people from different households inspired some special creativity.
The program was recorded by musicians in their respective homes, and at a church in Waukesha County, and in some cases, some high technology was involved.
Dave Parminter was the videographer.
Just Bach’s social media links are:
youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ?
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Classical music: This week brings Baroque music from Just Bach this Wednesday at noon and Sonata a Quattro next Sunday afternoon
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This week brings authentic Baroque music from two newer groups that employ period instruments and historically informed performance practices: Just Bach and Sonata a Quattro.
The concert for November by Just Bach (below, in a photo by John W. Barker, takes place this Wednesday, Nov. 20, from noon to 12:30 p.m. at Luther Memorial Church, 1021 University Ave, in Madison.
The performance is free and open to the public, with a good will offering collected.
Performers are: Sarah Brailey, soprano; Lindsey Meekhof, mezzo-soprano; Thore Dosdall, tenor; Paul Rowe, baritone; Linda Pereksta, flute; Kangwon Lee Kim and Nathan Giglierano, violins; Marika Fischer Hoyt, viola; James Waldo, cello; and Mark Brampton Smith, organ.
The program opens with the six-minute instrumental Sinfonia from Cantata 209. Just Bach favorite Linda Pereksta will be the featured flute soloist, backed up by the strings-and-organ band. (You can hear the Sinfonia in the YouTube video at the bottom.)
Cantata 151 ‘Süßer Trost, mein Jesus kommt‘ (Sweet comfort, my Jesus comes) closes the program. Each of the first four movements of this cantata features a different vocal soloist — the serene soprano aria also boasts a lovely flute obbligato — concluding with the chorale in which all take part.
Those who attend are invited to “bring your lunch, bring your ears and your voice, bring a friend, but most of all bring yourself to this stirring program of J.S. Bach.”
The next Just Bach program is Wednesday, Dec. 18, at noon.
For more information, go to:
https://www.facebook.com/events/451732972120968/
SONATA A QUATTRO
This week the Madison-based group Sonata à Quattro (below) will give two performances of its program “A Dark and Stormy Night”:
- Saturday, Nov. 23, at 7 p.m. at the St. Matthias Episcopal Church, 11 East Main St. in., Waukesha. Tickets for the general public, seniors and students are $15, $10 and $5 in advance; and $20, $15 and $10 at the door. Go to: stmatthiasepiscopalchurch.ticketleap.com/sonata-a-quarttro
- Sunday, Nov. 24 at 2:30 p.m. at the Madison Chinese Christian Church, 1510 Madison St., in Madison. Tickets $15 in advance or at the door. Online, go to: www.brownpapertickets.com/event/4429975
The program is:
- Motet: “In furore iustissimae irae” (In the fury of most righteous wrath), RV 626 by Antonio Vivaldi
- Quartet No. 1 in D Major by Johann Joachim Quantz
- Cello Sonata in C Minor, Book II No. 6 by Jean-Baptiste Barrière
- Concerto for 4 in D Minor, TWV 43:d2 by Georg Philipp Telemann
- Cantata 209: “Non sa che sia dolore” (He does not know what sorrow is) by Johann Sebastian Bach
Sonata à Quattro performers are: Christine Hauptly Annin and Nathan Giglierano, violins; Marika Fischer Hoyt, viola; Charlie Rasmussen, cello; Daniel Sullivan, harpsichord; and Kristin Knutson, soprano. Special guest artist is flutist Linda Pereksta (below, in a photo by Katrin Talbot).
Says founder and violist Marika Fischer Hoyt (below): “Join us for a program of dark and stormy pieces, on period-instruments. Sonata à Quattro’s third season opens with a program exploring the darker side of human experience, from Vivaldi’s motet, burning with godly rage, to Bach’s secular Cantata, deploring the departure of a beloved friend.
“Quantz’ bubbly Flute Quartet in D Major provides some needed moments of optimism, before we turn to the poignant, brooding Cello Sonata by Barrière. Even the viola gets a turn, in the Telemann, to unfold a haunting saga of tragic beauty.
“But the composers do not leave us in despair; each one leads the listener through the dark night of the soul, to the morning after.”
The Bach Cantata opens with an instrumental Sinfonia, heard in the YouTube video at the bottom, that features flutist Linda Pereksta, who also plays in the works by Quantz and Telemann.
For more information, go to:
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Classical music: This week brings three period-instrument concerts — two of them FREE — of early music from the Baroque and Classical eras including works by Bach, Telemann and Haydn
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CORRECTION: The concert listed below by Sonata à Quattro on Thursday night at Oakwood Village West, near West Towne Mall, is at 7 p.m. — NOT at 8 as erroneously first listed here. The Ear regrets the error.
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
This week features three concerts of music from the Baroque and early Classical eras that should attract the attention of early music enthusiasts.
WEDNESDAY
This Wednesday, April 24, is the penultimate FREE Just Bach concert of the semester. It takes place at 1 p.m. in Luther Memorial Church, 1021 University Avenue.
This month’s program, featuring the baroque flute, presents the program that was canceled because of the blizzard in January.
First on the program is the Trio Sonata in G Major, BWV 1038, for flute, violin and continuo, a gorgeous example of baroque chamber music.
Following that comes the Orchestral Suite No. 2, BWV 1067, for flute, strings and harpsichord, really a mini flute concerto.
The program ends with Cantata 173 “Erhoehtes Fleisch und Blut” (Exalted Flesh and Blood), scored for two flutes, strings and continuo, joined by a quartet of vocal soloists: UW-Madison soprano Julia Rottmayer; mezzo-soprano Cheryl Bensman-Rowe; tenor Wesley Dunnagan; and UW-Madison bass-baritone Paul Rowe.
The orchestra of baroque period-instrument specialists, led by concertmaster Kangwon Kim, will include traverse flutists Linda Pereksta and Monica Steger.
The last Just Bach concert of this semester is May 29. For more information, go to: https://justbach.org
THURSDAY
On Thursday night, April 25, at 7 p.m. — NOT 8 as mistakenly listed here at first –at Oakwood Village West, 6209 Mineral Point Road, the Madison group Sonata à Quattro (below) will repeat the Good Friday program it performed last week at a church in Waukesha.
The one-hour concert – featuring “The Seven Last Words of Christ” by Franz Joseph Haydn — is FREE and OPEN TO THE PUBLIC. (You can sample the first part of the Haydn work in the YouTube video at the bottom.)
Commissioned by the southern Spanish episcopal city of Cadiz, this piece was originally scored for orchestra, but it enjoyed such an immediate, widespread acclaim, that the publication in 1787 also included arrangements for string quartet, and for piano. In nine movements beginning with an Introduction, Haydn sets the phrases, from “Father, forgive them, for they know not what they do” to “Into Thy hands I commend my spirit,” concluding with one final movement depicting an earthquake.
Performers for this program are: Kangwon Kim, Nathan Giglierano, Marika Fischer Hoyt and Charlie Rasmussen. Modern string instruments will be used, but played with period bows.
The period-instrument ensemble Sonata à Quattro was formed in 2017 as Ensemble-In-Residence for Bach Around The Clock, the annual music festival in Madison.
The ensemble’s name refers to baroque chamber music scored for three melody lines plus continuo. The more-familiar trio sonata format, which enjoyed great popularity in the 17th and 18th centuries, employs a continuo with only two melody instruments, typically treble instruments like violins or flutes.
In contrast, a typical sonata à quattro piece includes a middle voice, frequently a viola, in addition to the two treble instruments and continuo; this scoring has a fuller, richer sonority, and can be seen as a precursor to the string quartet. For more information, go to: https://www.facebook.com/sonataaquattro/
SATURDAY
On Saturday, April 27, at 7:30 p.m. at Saint Andrew’s Episcopal Church, 1833 Regent Street, the veteran Wisconsin Baroque Ensemble (below) will perform a concert of baroque chamber music.
Tickets are at the door only: $20 for the public, $10 students.
Performers are: Brett Lipshutz, traverse flute; Sigrun Paust, recorder; Monica Steger, traverse; Anton TenWolde, baroque cello; and Max Yount, harpsichord.
The program is:
Johann Baptist Wendling – Trio for two flutes and bass
Johann Pachelbel – Variations on “Werde Munter, mein Gemuethe” (Be Happy, My Soul)
Friedrich Haftmann Graf – Sonata or Trio in D major for two German flutes and basso continuo
Daniel Purcell – Sonata in F Major for recorder
INTERMISSION
Georg Philipp Telemann – Trio for recorder, flute,and basso continuo TWV 42:e6
Franz Anton Hoffmeister – Duo for two flutes, Opus 20, No. 1
Joseph Bodin de Boismortier – Trio Sonata, Op. 37, No. 5
Telemann – Trietto Methodicho (Methodical Sonata) No 1. TWV 42: G2
After the concert, a reception will be held at 2422 Kendall Avenue, second floor.
For more information, go to: https://wisconsinbaroque.weebly.com
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