The Well-Tempered Ear

Classical music: Tonight brings an all-Bach organ recital at Overture Hall. At the UW-Madison, this week brings music for band, brass and strings

October 23, 2018
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By Jacob Stockinger

TONIGHT, Tuesday, Oct. 23

At 7:30 p.m. in Overture Hall, Paul Jacobs (below) will perform an all-Bach program. Jacobs, who is the only organist to have won a Grammy Award, is the chair of the organ department at the Juilliard school in New York City and was the teacher and mentor of Greg Zelek, who is the new organist for the Madison Symphony Orchestra.

Heralded as “one of the major musicians of our time” by Alex Ross of The New Yorker and as “America’s leading organ performer” by The Economist, the internationally celebrated Jacobs combines a probing intellect and extraordinary technical mastery with an unusually large repertoire, both old and new. He has performed to great critical acclaim on five continents and in each of the 50 United States.

Jacobs made musical history at age 23 when he played Bach’s complete organ works in an 18-hour marathon performance on the 250th anniversary of the composer’s death. (You can hear Jacobs play Bach in the YouTube video at the bottom.) Jacobs has premiered works by Samuel Adler, Mason Bates, Michael Daugherty, Wayne Oquin, Stephen Paulus, Christopher Theofanidis and Christopher Rouse, among others.

During the 2018-19 season, Jacobs will perform the world premiere of John Harbison’s “What Do We Make of Bach?” for organ and orchestra with the Minnesota Orchestra under conductor Osmo Vanska; with the Cleveland Orchestra he will give the American premiere of Austrian composer Bernd Richard Deutsch’s “Okeanos” for organ and orchestra.

For more details about Jacobs, his complete all-Bach program and tickets ($20), go to: https://madisonsymphony.org/event/paul-jacobs/

WEDNESDAY, Oct. 24

At 7:30 p.m. in Mills Hall, the UW Concert Band will perform a FREE concert of music by Leonard Bernstein (excerpts from “Candide”), Vincent Persichetti, Percy Grainger, Mark Markowski and Steven Bryant.

For more information about the performance and the program, go to: https://www.music.wisc.edu/event/uw-concert-band-fall-concert-2/

THURSDAY, Oct. 25

At 7:30 p.m. in Mills Hall, the Wisconsin Brass Quintet and special guest UW percussionist Anthony DiSanza (below, in a photo by Katherine Esposito) will perform a ticketed concert of genre-bending music by Michael Tilson Thomas, Pat Metheny, Modest Mussorgsky, Alan Ferber, James Parker and David Sanford.

Admission is $17 for adults, $7 for students and children.

For more information about the performers, the program and how to purchase tickets, go to:

https://www.music.wisc.edu/event/wisconsin-brass-quintet-with-anthony-disanza-professor-of-percussion-2/

Members of the Wisconsin Brass Quintet (below, from left, in a photo by Michael R. Anderson) are: Daniel Grabois, horn; Mark Hetzler, trombone; Matthew Onstad, trumpet; Tom Curry, tuba; and Alex Noppe, trumpet.

SATURDAY, Oct. 27

At 8 p.m. in Mills Hall, the Pro Arte Quartet will perform a FREE concert.

The program features: the String Quartet in C Major, D. 46 (1813), by the young Franz Schubert; Three Rags for String Quartet (“Poltergeist” from 1971, “Graceful Ghost” from 1970, and “Incinteratorag” from 1967) by William Bolcom; and the String Quartet in E minor, Op. 44, No. 2 (1837), by Felix Mendelssohn.

For more information about the Pro Arte Quartet and its long, historic and fascinating background, go to: https://www.music.wisc.edu/event/pro-arte-quartet-3/

Members of the Pro Arte Quartet (below, from left, in a photo by Rick Langer, are: David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.)


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Classical music: The Wisconsin Chamber Choir will celebrate the Americas with two world premieres this Friday night

April 10, 2018
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By Jacob Stockinger

The Wisconsin Chamber Choir (below) will give two performances — one in Madison and one in Milwaukee — of the program “I Hear America Singing.”

The Madison program features two world premieres: Alleluia by Wayne Oquin and Shenandoah by Jae Lee. The Madison performance will also include a special guest ensemble: The University of Wisconsin–Whitewater Chamber Singers.

The local performance on this Friday, April 13, is at 7:30 p.m. in Grace Episcopal Church (below), 116 West Washington Ave., on the Capitol Square.

On next Saturday, April 21, at 7:30 p.m., the WCC will perform at St. Paul’s Episcopal Church, 914 East Knapp Street, Milwaukee.

The concert is a musical celebration of all the Americas — North and South — and all Americans.

Also, in recognition of Robert Gehrenbeck’s 10th anniversary as artistic director, the WCC presents the world premiere of Alleluia by New York composer and Juilliard School faculty member Wayne Oquin.

Inspired by Randall Thompson’s classic setting of the same one-word text, Oquin’s new version updates Thompson’s musical style in his own harmonic language, which has been compared to Morten Lauridsen’s.

An extremely versatile musician, Oquin (below) boasts recent commissions and performances by the Philadelphia Orchestra, the Danish National Symphony, the United States Air Force Band, the Houston Chamber Choir, and the King’s Singers.

At the Madison concert the WCC will be joined by the UW-Whitewater Chamber Singers performing their own world premiere, Shenandoah, by New York composer, organist and former jazz pianist Jae Lee (below).

The remainder of the program spans music of four centuries and multiple nationalities. Masterpieces of the U.S. choral repertoire — Samuel Barber’s Reincarnations and Charles Ives’s Psalm 67 — share billing with a diverse selection of works from throughout the hemisphere.

They include music by Mexican Baroque master Manuel de Samaya (below top); Argentinian tango composer Astor Piazzolla; African-American composers Bobby McFerrin, Hall Johnson, W. C. Handy, and Rosephanye Powell; and Native-American composer and longtime friend of the WCC, Brent Michael Davids (below bottom).

(You can hear a work that Robert Gehrenbeck commissioned for the UW-Whitewater Chamber Singers from Wayne Oquin in the YouTube video at the bottom, performed by the Houston Chamber Choir.)

The WCC’s award-winning organist, Mark Brampton Smith (below), will perform Samuel Barber’s virtuosic Wondrous Love: Variations On a Shape-Note Hymn on two amazing pipe organs: the 1987, 38-rank Casavant at Grace Episcopal Church in Madison, and the 2012, 51-rank Schantz at St. Paul’s Episcopal Church in Milwaukee.

Founded in 1998, the Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Bach, Handel, Mozart and Brahms; a cappella works from various centuries; and world premieres.

Artistic director Robert Gehrenbeck (below), who directs choral activities at the UW-Whitewater, has been hailed by critics for his vibrant and emotionally compelling interpretations of a wide variety of choral masterworks.

Advance tickets for the April 13 performance in Madison are available for $20 ($10 for students) from www.wisconsinchamberchoir.org, via Brown Paper Tickets, or at Orange Tree Imports and Willy Street Coop (all three locations).

The April 21 performance in Milwaukee will be presented for a free-will offering.


Posted in Classical music
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