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By Jacob Stockinger
This Sunday from 11:30 a.m. to 1 p.m. in Firemen’s Park, the mostly amateur but critically acclaimed Middleton Community Orchestra (MCO) will give the second of its FREE four summer outdoors concerts.
Besides the fact that the day is Father’s Day holiday, weather predictions also call for a good chance of rain or even thunderstorms.
Updates on whether the concert will take place, be cancelled or postponed to a later date, can be found by checking the MCO’s website at 10 a.m.: https://middletoncommunityorchestra.org
Meanwhile, here are the programs, conductors and soloists for the remaining three concerts. All concerts take place in Firemen’s Park in Middleton close to Middleton High School:
CONCERT – SUNDAY, JUNE 20, 11 a.m.-1 p.m. (revised program)
Sergei Pavlov (below), conductor and professor at Edgewood College
George Walker – “Lyric for Strings”
Ralph Vaughan Williams – “Fantasia on a Theme of Thomas Tallis” (heard in the YouTube video at the bottom)
Giacomo Puccini – Lauretta’s aria from “Gianni Schicchi”; Mimi’s aria in Act 3 and Musetta’s aria in Act 2 from “La Boheme” with soprano Yanzel Rivera (below).
Selections from the Pixar movie COCO (piano and strings)
CONCERT – SUNDAY, JULY 25, 11:30 – a.m.-1 p.m.
Chris Ramaekers (below), conductor and professor at the University of Wisconsin-Whitewater
Peter Illyich Tchaikovsky – “March Slav”
Carl Maria von Weber — Clarinet Concerto No. 2 with soloist and Madison Symphony Orchestra principal clarinetist JJ Koh (below)
Tchaikovsky — Symphony No. 2 “Little Russian”
CONCERT 4 – SUNDAY, AUG. 15, 11:30-1 p.m.
Sergei Pavlov, conductor
Brahms Piano Concerto No. 1 with soloist and UW-Madison graduate Thomas Kasdorf (below)
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
As they have done for previous months during the coronavirus pandemic, the classical music critics for The New York Times have named their top 10 choices of online concerts to stream in February, which is also Black History Month, starting this Thursday, Feb. 4.
Also predictably, they focus on new music – including a world premiere — new conductors and new composers, although “new” doesn’t necessarily mean young in this context.
For example, the conductor Fabio Luisi (below) is well known to fans of Richard Wagner and the Metropolitan Opera. But he is new to the degree that just last season he became the new conductor of Dallas Symphony Orchestra and its digital concert series.
Similarly, the Finnish composer Magnus Lindberg (below top, in a photo by Saara Vuorjoki) and the American composer Caroline Shaw (below bottom, in a photo by Kait Moreno), who has won a Pulitzer Prize, have both developed reputations for reliable originality.
But chances are good that you have not yet heard of the young avant-garde cellist Mariel Roberts (below top) or the conductor Jonathon Heyward (below bottom).
Nor, The Ear suspects, have you probably heard the names and music of composers Angélica Negrón (below top), who uses found sounds and Tyshawn Sorey (below bottom). (You can sample Negrón’s unusual music in the YouTube video at the bottom.)
Of course, you will also find offerings by well-known figures such as the Berlin Philharmonic and its Kurt Weill festival; conductor Alan Gilbert; pianists Daniil Trifonov and Steven Osborne; violinist Leonidas Kavakos; and the JACK Quartet.
Tried-and-true composers are also featured, including music by Beethoven, Schnittke, Weber, Ravel and Prokofiev. But where are Bach, Vivaldi, Telemann and Handel? No one seems to like Baroque music.
WYSO will hold its second concert series of the year with the Diane Ballweg Winterfest Concerts on this Saturday, March 18.
Nearly 500 young musicians will display their great talents to the community during the concerts, which are dedicated to music teachers. (See below for times and programs. And listen to WYSO members talk about WYSO in the YouTube video at the bottom.)
The concert series will feature all five orchestras including the debut performance of WYSO’s newest string orchestra, Opus One.
Under the direction of Geri Hamilton, Opus One consists of string players ages 8 to 12. This ensemble focuses more on technique than on performance, incorporating instruction on fundamentals of scales, shifting and bowing, in addition to formative ensemble skills experience.
The Youth Orchestra concert will also feature two of the winners from the Youth Orchestra Concerto Competition: Violinist, Mary Deck and Percussionist, Adam Goren.
Mary Deck (below), age 16, is a junior at Madison West High School, and has been a part of WYSO since 2011. She will be performing the first movement of the Violin Concerto No. 4 in D minor, Op. 31, by Henri Vieuxtemps.
Adam Goren (below), age 18, is a senior at Middleton High School and has been a part of WYSO since 2013. He will be performing the third movement of Concertino for Marimba by Paul Creston.
The Diane Ballweg Winterfest Concerts will be held in Mills Concert Hall in the UW-Madison George Mosse Humanities Building, 455 North Park Street.
WYSO concerts are generally about an hour and a half in length, providing a great orchestral concert opportunity for families.
Tickets are available at the door, $10 for adults and $5 for youth 18 and under.
This project is supported by Dane Arts with additional funds from the Endres Manufacturing Company Foundation, the Evjue Foundation, Inc., a charitable arm of The Capital Times, the W. Jerome Frautschi Foundation and the Pleasant T. Rowland Foundation. Generous funding was also provided from the American Girl’s Fund for Children. This project is also funded in part by a grant from the Madison Arts Commission with additional funds from the Wisconsin Arts Board.
SCHEDULE AND PROGRAMS
Opus One and Sinfonietta – 11:30 a.m.
Sinfonietta (below)
Longfield (b.1947), Black Diamond
Smetana (1824-1884), Themes from The Moldau, arr. Frost
Mosier, Kirt N., American Reel
Traditional Irish, The Salley Gardens
Richard Stephan (b. 1929), Variations On A Well-Know Sea Chantey,
Grundman (1934-1996), Kentucky 1800
Leyden (1917-2014), Serenade for String Orchestra: Prelude, Fugue, Nocturne, Cakewalk
Dvorak (1841-1904), Themes From The New World Symphony arr. Gruselle
Opus One
Richard Meyer (b.1957), Night Shift
Follow the Drinking Gourd – African-American Folk Song arr. Carrie Lane Gruselle
Ewazen (b.1951), Four Royal Dances: The Lord
Brian Balmages (b.1975), A Beethoven Lullaby
For the Star of County Down –
Richard Meyer (b.1957) Dragonhunter
Concert Orchestra and Harp Ensemble (below top) – 1:30 p.m.
Sad news comes to The Ear via his good friends Renee and Tim Farley, who own and operate Farley’s House of Pianos, on Madison’s far west side.
It concerns the death this past week of the Wisconsin-born and Maine-based American concert pianist and piano teacher Frank Glazer (below), who taught as an artist-in-residence for decades at Bates College. He continued performing in public right up until the end.
You may recall that the Farley store not only sells pianos but also features a distinguished piano recital series, which has featured Glazer.
Here are links to three stories and reviews that appeared on this blog about the legendary Frank Glazer playing in Madison:
The new season of piano recital at Farley’s — the Salon Piano Series — kicks off next weekend at 4 p.m. on Sunday afternoon with Russian pianist Ilya Yakushev (below), who is also in town to solo in two piano concertos – in D Minor by Johann Sebastian Bach and in G Minor by Felix Mendelssohn – with the Wisconsin Chamber Orchestra next Friday night at 8.
“He also had concerts planned around this time in Maine, Boston, Paynesville, Winston-Salem and one in Janesville that was co-sponsored by Farley’s House of Pianos.
“Frank told Tim that he understood that there were other pianists playing concerts at around age 100 but none of them played the difficult literature – like Beethoven’s “Hammerklavier” Sonata and “Diabelli” Variations — that he played. (See the impressive list of a recent concert tour below.)
2012-2013 Season
A retrospective of piano repertoire in eight concerts performed by Frank Glazer during the course of his 32 years as Artist-in-Residence at Bates College (1980 – 2012).
Liszt, Franziscus-Legende No. 1 (St. Francis Preaching to the Birds)
Verdi-Liszt, Rigoletto: Paraphrase
Encore: Schubert-Liszt, Soirées de Vienne, No. 6
Friday, March 8, 2013 at 7:30 p.m.
VII. Haydn, Variations in F minor, Hob. XVII:6 (Sonata – Un Piccolo Divertimento)
Schubert, Sonata in B-flat major, D. 960
Brahms, Three Intermezzi, Op. 117
Schumann, Fantasy in C major, Op. 17
Encore: Schumann “Träumerei”
Friday, April 5, 2013 at 7:30 p.m.
VIII. Beethoven, 33 Variations on a Waltz by Anton Diabelli, Op. 120
Beethoven, Hammerklavier Sonata, Op. 106
“Tim called Frank late one evening and asked if he had called too late. Frank told Tim that he was usually up every night until midnight playing the piano.
“Tim asked him how much playing he did every day. He said that he usually played six hours, but on the days he went to his yoga class, he only played four hours. He said this was how he was able to keep a concert schedule like the 2012-2013 season, which featured big and technically difficult works.
“Frank was so enthused about preparing the concerts for his 100th birthday that he already projecting what he might play for his 101st birthday!
“We feel so fortunate to have been able to get to know this remarkable person and to hear him play.
“There will be a memorial gathering announced at a later date.
“Best regards,
“Renee and Tim Farley”
Editor’s Note: Below is a YouTube video of Glazer playing the “Trois Gymnopedies” of the eccentric French composer Erik Satie. They possess the right contemplative and slightly sorrowful mood for memorial thoughts about the end of a great life and great career. And if you click on Show More on the YouTube site, you can read the impressive biography of Glazer, who was born in Wisconsin and who studied with Artur Schnabel and Arnold Schoenberg in Berlin, Germany.
New York Times critics choose 10 online classical music concerts to stream in February, starting this Thursday
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
As they have done for previous months during the coronavirus pandemic, the classical music critics for The New York Times have named their top 10 choices of online concerts to stream in February, which is also Black History Month, starting this Thursday, Feb. 4.
Also predictably, they focus on new music – including a world premiere — new conductors and new composers, although “new” doesn’t necessarily mean young in this context.
For example, the conductor Fabio Luisi (below) is well known to fans of Richard Wagner and the Metropolitan Opera. But he is new to the degree that just last season he became the new conductor of Dallas Symphony Orchestra and its digital concert series.
Similarly, the Finnish composer Magnus Lindberg (below top, in a photo by Saara Vuorjoki) and the American composer Caroline Shaw (below bottom, in a photo by Kait Moreno), who has won a Pulitzer Prize, have both developed reputations for reliable originality.
But chances are good that you have not yet heard of the young avant-garde cellist Mariel Roberts (below top) or the conductor Jonathon Heyward (below bottom).
Nor, The Ear suspects, have you probably heard the names and music of composers Angélica Negrón (below top), who uses found sounds and Tyshawn Sorey (below bottom). (You can sample Negrón’s unusual music in the YouTube video at the bottom.)
Of course, you will also find offerings by well-known figures such as the Berlin Philharmonic and its Kurt Weill festival; conductor Alan Gilbert; pianists Daniil Trifonov and Steven Osborne; violinist Leonidas Kavakos; and the JACK Quartet.
Tried-and-true composers are also featured, including music by Beethoven, Schnittke, Weber, Ravel and Prokofiev. But where are Bach, Vivaldi, Telemann and Handel? No one seems to like Baroque music.
Here is a link to the events with links and descriptions. All times are Eastern: https://www.nytimes.com/2021/01/28/arts/music/classical-music-streaming.html
Do you have other virtual and online concerts to suggest? Please leave details in the Comment sections.
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