The Well-Tempered Ear

Classical music: Award-winning British composer Cecilia McDowall to headline a three-day residency this week, with public workshops and concerts, at the University of Wisconsin-Madison School of Music.

February 17, 2015
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ALERT:  On this Wednesday, Feb. 18, at noon, British composer Cecilia McDowall will be featured live on Wisconsin Public Radio’s “Midday” show with host Norman Gilliland (88.7 FM). On this Thursday morning on WORT Radio (89.9 FM), host Rich Samuels plans a half-hour special on McDowall that he pre-recorded with organizer UW-Madison professor of trumpet John Aley. It will be broadcast at 7:15 a.m.

By Jacob Stockinger

A major event involving new music and contemporary music is taking place this week at the University of Wisconsin-Madison School of Music:

Here is a round-up provided by the UW-Madison School of Music and concert manager Kathy Esposito: 

British composer Cecilia McDowall (below), who in December was awarded the 2014 British Composer Award  (BCA) for Choral Composition, will visit UW-Madison’s School of Music this week for a three-day series of concerts and discussions.

Cecilia McDowall

The visit, to take place Thursday through Saturday, marks McDowall’s first United States residency and will include one colloquium and two concerts, all open to the public.

McDowall won the BCA prize for “Night Flight,” a work for a cappella choir and solo cello that honors Harriet Quimby (below), an aviatrix who was the first woman to fly over the English Channel. Download a BCA news release here. 

Harriet Quimby

“Night Flight” was premiered by the Phoenix Chorale, an Arizona ensemble that included a McDowall work on its 2008 Grammy-award winning CD, “Spotless Rose: Hymns to the Virgin Mary.”

Cecilia McDowall’s music has been commissioned and performed by leading choirs and instrumental groups, including the BBC Singers, the Westminster Abbey Choir, the City of Canterbury Chamber Choir, and the Royal Scottish National Orchestra. She came to composition later in life, after raising two children, teaching and singing in choirs for many years. She holds a master’s degree in composition from Trinity College in London and is now a composer-in-residence at the Dulwich College, a pre-college school in London.

Listen to selected McDowall works on SoundCloud.  

You can also listen to a sample in a YouTube video at the bottom.

Cecilia McDowall 2

Writes Guy Rickards of Gramophone magazine: “Cecilia McDowall is another of the new generation of highly communicative musicians who, though often inspired by extra-musical influences, favors writing which, without being in any way facile, is brightly cogent, freshly witty and expressive in its own right.

“She often uses minimalist ostinatos – the spirit of Steve Reich hovers – but constantly tweaks the ear with her range of spicy rhythms and colors, then suddenly produces a highly atmospheric and grippingly expressive interlude which is just as compelling. Each of the individual movements within her works is titled, sometimes descriptively, sometimes perhaps with tongue in cheek.”

On Friday, Feb. 20, in Mills Hall at UW-Madison, a student and faculty chamber orchestra (conducted by James Smith, below top), coupled with the university’s Madrigal Singers, conducted by Bruce Gladstone (below bottom), will perform the U.S. premiere of her work “Seventy Degrees Below Zero.” (Read a review here.)

Smith_Jim_conduct07_3130

BruceGladstoneTalbot

“Seventy Degrees” is a cantata for solo voice (to be sung by faculty tenor James Doing, below), which McDowall composed in 2012 to commemorate the voyage of British explorer Robert Falcon Scott to the Antarctic. Scott and crew members died while on that expedition; one hundred years later, the City of London Sinfonia and the Scott Polar Research Institute commissioned the music to honor Scott and his men.

James Doing color

As a twist, the concert will extend the polar theme with a slideshow and lobby presentation linking Antarctic research of yesterday with today’s, presented by Michael Duvernois (below) of UW-Madison’s IceCube Particle Astrophysics Center.

Michael Duvernois

McDowall’s residency will also feature the piano playing of UW-Madison’s Christopher Taylor (below) performing McDowall’s “Tapsalteerie,” described by Gramophone as “ingenious play with a cradle song by the turn-­of-the-­century Aberdeenshire fiddler James Scott Skinner.”

Many other UW-Madison faculty musicians will also perform. Here is a link with details about other performers:

http://www.music.wisc.edu/cecilia-mcdowall/

Taylor_Chris_piano01

Events include:

THURSDAY

At noon in Mills Hall.

Meet the composer at a free public colloquium.

The topic will be “The Effects of Extra-Musical Influences”: McDowall will discuss how she interweaves composition with events, past or present; with real, imagined or visual images; or as a response to the physical environment or written text.

FRIDAY

At 8 p,m. in Mills Hall.

Concert and Presentation: UW Madrigal Singers and Concert Choir, with a faculty/student chamber orchestra, featuring the U.S. premiere of “Seventy Degrees Below Zero.” With Michael Duvernois of the UW IceCube Particle Astrophysics Center.

Meet the composer and performers at a reception to follow in Mills Hall lobby.

Tickets: $20 adults, free for students. Tickets available via the Wisconsin Union Theater prior to show (online and in person) and on the day of show at Mills Hall.

Box office: http://www.uniontheater.wisc.edu/location.html

SATURDAY

At 8 p.m. in Mills Hall.

Concert: Cool It — The Chamber Music of Cecilia McDowall.

Free concert.

For a link to this festival on our website, please see: http://www.music.wisc.edu/cecilia-mcdowall/ 

For an interview:

http://www.boardroommum.com/interviews-archive/cecilia-mcdowall/


Classical music: Friday night is another big Train Wreck that offers lots of great classical music choices: the Westminster Abbey Choir of London, the UW-Madison Pro Arte String Quartet and Edgewood College’s Fall Choir Concert as well as the opening night of University Opera’s production of “Albert Herring.”

October 21, 2014
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By Jacob Stockinger

This Friday night is, as The Wise Critic likes to call them, another big “Train Wreck.”

That is because there are so many fine but conflicting concerts to choose from.

Yesterday, The Ear posted an interview with David Ronis, who talked about his own background and about the University Opera’s production of Benjamin Britten’s comic opera “Albert Herring.” It opens Friday night at 7:30 p.m. in Music Hall with repeat performances at 3 p.m. on Sunday and 7:30 p.m. on Tuesday night.

Here is a link:

https://welltempered.wordpress.com/2014/10/20/classical-music-qa-meet-opera-director-david-ronis-who-makes-his-local-debut-in-the-university-operas-production-of-benjamin-brittens-albert-herring-this-frid/

But that opera opening night is just the beginning.

Here are three other events that merit your attention and consideration:

The WESTMINSTER ABBEY CHOIR

On Friday night at 7:30 p.m. in Overture Hall of the Overture Center, The Westminster Abbey Choir of London, England opens the 10th anniversary season of the Overture Concert Organ (below), custom built by Klais of Bonn, Germany.

Overture Concert Organ overview

From the Madison Symphony Orchestra: “For nearly 1,000 years, inspiring choral music has filled the vast cathedral of London’s Westminster Abbey, the site of every British coronation since 1066. (At the bottom in a popular YouTube video, you can hear the choir singing British composer John Rutter’s “The Lord Bless You and Keep You” at the 60th wedding anniversary of Queen Elizabeth II and Prince Philip.)

“Now, this renowned 40-voice choir (below) comes to Madison to sing with the Overture Concert Organ in a program of music from the 11th century to the Renaissance and 20th century, featuring the works of Orlando Gibbons, George Frideric Handel, Sir Hubert Parry and William Walton.

“Praised by the Sydney Morning Herald as “…One of the great choral powerhouses of our time,” The Choir of Westminster Abbey has performed for numerous notable events including, Evening Prayer in the presence of Pope Benedict XVI in 2010 and the wedding of the Duke and Duchess of Cambridge in 2011, which was seen by a worldwide television audience of over two billion people. In June 2012, the Choir made a historic visit to Rome, when it sang, at the Pope’s invitation, alongside the Sistine Chapel Choir.

Westminster Abbey 3

“When not touring the world with destinations such as Sydney, Hong Kong, Washington, D.C., and Moscow, The Choir of Westminster Abbey works on a celebrated series of recordings for Hyperion. Their critically acclaimed recording Mary and Elizabeth at Westminster Abbey received the Gramophone Critics’ Choice Award and has been hailed as “a showcase for English choral singing at its most charismatic.”

Westminster Abbey in abbey 2

General admission for the concert is $20 and tickets can be purchased at www.madisonsymphony.org/westminster, the Overture Center Box Office or (608) 258-4141. Student rush tickets are $10 on the day of show with a valid student ID (see www.madisonsymphony.org/studentrush).

This concert is sponsored by Pleasant T. Rowland Foundation, W. Jerome Frautschi Foundation, and Alfred P. and Ann M. Moore.

To see the Overture Concert Organ series of concerts for 2014-15 or to subscribe at a 25 percent savings, visit:

www.madisonsymphony.org/organseason14-15 or call (608) 257-3734.

Westminster Abbey in abbey CR Bill Prentice

PRO ARTE QUARTET

On Friday night at 7:30 p.m.in Mills Hall, the Pro Arte Quartet (below, in a photo by Rick Langer), which has been artists-in-residence at the University of Wisconsin-Madison School of Music since 1941, will perform a FREE concert.

The program is: String Quartet in D Major, Op. 71 No. 2 (1793) by Franz Joseph Haydn; String Quartet No. 4 (1936) by Alexander Zemlinsky (1936); and the popular String Quartet in F Major, Op. 96 “American” (1893) by Antonin Dvorak.

Pro Arte Quartet new 2 Rick Langer

EDGEWOOD COLLEGE

On Friday night at 7 p.m., Edgewood College will present its Fall Choral Concert in the St. Joseph Chapel, 1000 Edgewood College Drive. Admission is FREE.

The Edgewood Chamber Singers, under the direction of Albert Pinsonneault (below top), will be joined by the Women’s Choir, under the direction of Kathleen Otterson (below bottom) and the Men’s Choir, under the direction of Sergei Pavlov.

There is no admission charge.

Sorry, The Ear has received no word about specific works on the program.

Albert Pinsonneault 2

Kathleen Otterson 2


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