The Well-Tempered Ear

Classical music: Steve Kurr talks about his new work celebrating Middleton that will be premiered Wednesday night by the Middleton Community Orchestra alongside Mozart and Dvorak

October 8, 2019
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By Jacob Stockinger

This Wednesday night, Oct. 9, the mostly amateur but highly praised Middleton Community Orchestra (below) will open its 10th anniversary season, which is dedicated to retired critic John W. Barker for his help in championing the ensemble.

The concert is at 7:30 p.m. in the comfortable and acoustically excellent Middleton Performing Arts Center (below, in a photo by Brian Ruppert), which is attached to Middleton High School, 2100 Bristol Street.

Admission is $15 for the public, free for students. Tickets are available from the Willy Street Coop West and at the door. The box office opens at 6:30 p.m. Auditorium doors open at 7 p.m. 

The appealing program features J.J. Koh (below), principal clarinet of the Madison Symphony Orchestra, as guest soloist in the beautiful and poignant Clarinet Concerto in A Major, K. 622. (In the YouTube video at the bottom, you can hear the sublime slow movement, which may sound familiar from when it was used in the soundtrack to the film “Out of Africa.”)

Also on the program is the popular Symphony No. 9 – “From the New World” – by Antonin Dvorak.

But raising the curtain will be the world premiere of a work that was written specifically for this orchestra on this occasion in its own city.

The piece was composed by Steve Kurr, who teaches at Middleton High School and who is the resident conductor of the MCO.

For more information about the MCO’s season along with critical reviews and information about how to join it or support it and how to enter its new youth concerto competition, go to:

http://middletoncommunityorchestra.org

Kurr, below, will conduct the premiere of his own work, which he recently discussed via email with The Ear:

How much do you compose and why do you compose?

When I do compose, which is not often, it is usually with a specific event in mind. I have written several things for the musicians at Middleton High School, including a four-movement string symphony, a piece for a retiring colleague, and several works we have taken on tour.

In this case, the 10th season of the Middleton Community Orchestra provided a great reason to write. I always enjoy the process, but it can be time-consuming, so I don’t do it as often as I might like.

How does composing fit in with your teaching and conducting?

Most of the composing I do comes in the summer because it is when I can devote larger chunks of time. This new work was germinating in some form for several years, but almost all of the notes-on-the-page work came this past June.

How do you compose?

I approach composition in an analytical way, which will come as no surprise to anyone who knows me. I think about structure early on in the process, both at the full work scale and in the smaller sections.

Most of my work comes on the computer in the notation software Finale, and some comes on the piano or on a string instrument.

I run ideas past my wife Nancy for her input and for this piece I also got a huge amount of advice and help from composer and MCO violist Neb Macura (below). (Thanks, Neb! You were invaluable!) Most of the melodic material came to me in the car on the way to school.

How would you describe your musical or tonal style?

I would say that my style is mostly tonal and not all that adventurous in terms of harmony. The fact that I have spent much of my musical career studying the works of the Classical and Romantic periods shows through. And yet you might find some moments that hint at more recent styles.

Can you briefly tell the public about the new piece to be premiered?

“Good Neighbors” is subtitled “Episodes for Orchestra” and the connected episodes describe various aspects of the Middleton community.

Episode 1 depicts the city of Middleton and its bustling energy within a small town feel. Episode 2 is about all of the water around, including the creeks, ponds and Lake Mendota. Episode 3 is the Good Neighbor Festival, appearing at the end of summer for so many years. Episode 4 describes the land around, including the rolling farmland, the driftless area, and the Ice Age Trail.

The final episode brings together tunes from the previous four, combining them to demonstrate that the Good Neighbor City is more than the sum of its parts. The opening theme shows up in several different versions throughout, including most notably the theme from Episode 4.

Is there anything else you would like to say?

At first I considered the endeavor almost self-indulgent as I set a piece of my own in front of the ensemble. Then I started to feel presumptuous. It is a humbling experience to see my name on a program with Mozart and Dvorak, two of my favorite composers.

It has been a terrific experience working with these fine musicians as we realize this new work together. My thanks go to them for their willingness to help me present this gift to the Middleton community.


Posted in Classical music
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Classical music: The third annual Madison New Music Festival features three world premieres and 25 composers, and takes place this weekend with three concerts

August 7, 2018
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By Jacob Stockinger

It has been a good year for new music in Madison, which has often seemed inhospitable to that music in the past.

Among major contributors have been the LunART Festival of contemporary women composers; programs by the UW Symphony Orchestra and other UW-Madison groups and individuals; the Madison Opera; the Bach Dancing and Dynamite Society; the Willy Street Chamber Players; and the Oakwood Chamber Players. Plus, The Ear is sure there are many other contributors he is overlooking.

But the largest share of the credit has to go to a three-day annual festival of living composers that will take place for the third year this coming weekend. (Photos from last year’s well-attended festival are by Max Schmidt.)

Here is an announcement from the festival with the details:

The third annual Madison New Music Festival will take place this coming Friday, Aug. 10, Saturday, Aug. 11, and Sunday, Aug. 12.

The Madison New Music Festival is an annual weekend-long concert series dedicated to strengthening Madison’s cultural vitality through the celebration of fresh classical music from our lifetimes.

Founded by Madison native composer Zachary Green (below bottom), the festival presents new works by some of the world’s leading living composers, shines a spotlight on new music created in Wisconsin, and shares underplayed music of the 20th and 21st centuries with the Madison community.

Every concert will also have a world premiere of music that has never been heard before. On the opening night, Conduit is performing a new piece by Kyle Tieman-Strauss called Abject. The next day, organist Tyler Jameson Pimm premieres his new piece Psalm 22. Then on Sunday, listeners get to hear the premiere of They’re Still Here by BC Grimm, featuring music for nine different instruments (all of which will be played by Grimm himself).

Over the course of three concerts around town, we are featuring a total of 17 musicians playing the works of 25 composers, all of which were written in the last 50 years.

Though each concert has a different theme, every performance features music by Wisconsin composers, composers of color, and both men and women.

Fifteen of our musicians were born, raised or currently reside in Wisconsin, but we’re bringing several back to town just for the festival. They include members of the Madison, Milwaukee and Quad City symphonies; and graduates of Juilliard, the Manhattan School of Music, Mannes Conservatory, Northwestern University, and, of course, the UW-Madison.

We invite you to join us for the following three concerts:

CONCERT 1: Sounds of the ‘60s and Beyond – Friday, Aug. 10, at 7:30 p.m.

Hear sounds born out of the ’60s counterculture with works exploring minimalism, social and political engagement, and electronic experimentation, as well as the music they inspired for decades to come. There will be a cash bar, as well as opportunities to explore the exhibits.

Where: Madison Museum of Contemporary Art (MMOCA), 227 State Street

Who: Caitlin Mead, soprano; Heather Zinninger Yarmel, flute; Kristina Teuschler, clarinet; Jeremy Kienbaum, viola; Alex Norris, violin, and Zou Zou Robidoux, cello; and Conduit (below, Zach Manzi, clarinet and Evan Sadler, percussion).

Program: Music by Melissa Dunphy, Angelica Negron, Evan Williams, Steve Reich, Gilda Lyons, Anna Meadors, Kyle T. Strauss, David Lang and Andy Akiho

CONCERT 2: Sounds of Reflection – Saturday, Aug. 11, at 2 p.m.

The festival continues with an afternoon program invoking spirituality, morality and reflection. Organ interludes will be interspersed throughout the program of vocal and instrumental music.

Where: Bethel Lutheran Church, 312 Wisconsin Ave.

Who: Greg Zelek, Madison Symphony Orchestra organist (below); Jeremy Kienbaum, viola; Satoko Hayami, piano; Tyler Pimm; organ; Kristina Teuschler, clarinet; Alex Norris, violin; Micah Cheng, cello; Caitlin Mead, soprano; and Scott Gendel, piano.

Program: Music by Toru Takemitsu, Trevor Weston, Morton Feldman, Daniel Ficarri, John Weaver, Tyler Pimm, Tania Leon, John Musto and Scott Gendel

CONCERT 3: Festival Closing Party 2018 – Sunday, Aug. 12, at 7:30 p.m.

Kick back a drink as local musician BC Grimm plays his original works for instruments from cello to Chinese Guqin zither, followed by a set of music for solo strings. Then, the musicians from all three concerts come together for a performance of the 1973 piece “Stay On It” — heard in the YouTube video the bottom — by Julius Eastman (below).

Where: Robinia Courtyard, 829 East Washington Avenue

Who: BC Grimm, Jeremy Keinbaum, Aaron Yarmel, and All Festival Performers

Program: BC Grimm, Philip Glass, Ursula Mamlok, Aaron Yarmel, and Julius Eastman

All individual concerts are $15 for general admission, $5 for students. You can also subscribe to all three concerts for $35.

For more information, please visit our website http://madisonnewmusic.org or find us on Facebook (@Madison New Music Festival) or Instagram (@madisonnewmusic).


Posted in Classical music
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