ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features oboist Laura Medisky and pianist Vincent Fuh in sonatas by Paul Hindemith, Henri Dutilleux and Malcolm Arnold. The concert runs from 12:125 to 1 p.m. On Saturday night at 7 p.m., the same performers will repeat the same program in a FREE concert at Oakwood Village West auditorium, 6201 Mineral Point Road, on Madison’s far west side near West Towne.
By Jacob Stockinger
The Ear’s friends at the Willy Street Chamber Players (below), which The Ear named as Musicians of the Year for 2016, write:
We wanted to let you know about the upcoming kickoff of the Willy Street Chamber Players’ “Community Connect” series. We are committed to our mission of making classical music accessible to all.
The Willy Street Chamber Players’ Northside Community Connect Concert is on this coming Sunday, Feb. 19, at noon at the Warner Park Community Recreation Center.
Enjoy hot coffee, exciting classical music and great conversation with the Willy Street Chamber Players.
This program is FREE, family-friendly and will last about 60 minutes. All are welcome.
The program is: String Quartet in C Major, K. 157, by Wolfgang Amadeus Mozart; String Quartet No. 5, “Rosa Parks” by Daniel Bernard Roumain; “Entr’acte” for String Quartet by Pulitzer Prize-winner Caroline Shaw (you can hear the piece, which The Ear loves for its pulsing and hypnotic rhythm plus unusual and interesting string textures, in the YouTube video at the bottom); and “Four, for Tango” by Astor Piazzolla.
There was an announcement about this series in the January string quartet program at A Place to Be (below, in a photo by John W. Barker), and it included a couple more concerts. But we have decided to make Community Connect a self-produced series.
We are planning a second Community Connect concert in July during our regular summer series, and have listed our other free appearances on our regular calendar.
The concert is made possible in part by Willy Street Co-Op and the North/Eastside Senior Coalition (NESCO).
For more information go to: www.willystreetchamberplayers.org
By Jacob Stockinger
The weekend always seems like a good time for a reader survey or poll.
So this week, here is what The Ear wants to know:
What was the first piece of chamber music that you loved and that really hooked you on chamber music?
There are so many pieces to choose from in such a rich repertoire that covers all instruments and the human voice as well.
There are sonatas and duos for violin and cello with piano, for example, and songs for voice and piano or other accompaniment, There are piano trios and string trios. There are string quartets and piano quartets. There are wind quintets, string quintets and brass quintets as well as piano quintets. And there are even wonderful sextets, septets and octets. (Below are UW faculty members pianist Christopher Taylor and violinist Soh-Hyun Park Altino.)
So what pieces or performers or qualities hooked you on chamber music?
And what pieces or performers or qualities keep you listening?
The “Trout” Quintet or the string quartets or the piano trios by Franz Schubert? For The Ear it was a magical and entrancing performance of the beautiful Piano Trio No. 1 in B-flat Major by Schubert, performed outdoors. (You can hear it in the YouTube video at the bottom.)
Was it the Baroque trio sonatas by Johann Sebastian Bach and George Frideric Handel? Or various Classical-era sonatas and string quartets by Franz Joseph Haydn, Wolfgang Amadeus Mozart or Ludwig van Beethoven? Maybe more Romantic string quartets by Antonin Dvorak and Johannes Brahms. Or more modern ones by Sergei Prokofiev or Dmitri Shostakovich? Perhaps even contemporary string quartets by Philip Glass? (Below are the Willy Street Chamber Players, who regularly program new music.)
Leave word in the COMMENT section with link to a YouTube performance if possible.
Maybe your choices will even help win over new converts to chamber music.
And be sure to tell us what appeals to you about chamber music versus other music genres such as operas and orchestral works.
The Ear wants to hear.
By Jacob Stockinger
Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT-FM 89.9. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. Barker also provided the performance photo.
By John W. Barker
A Place to Be, at 911 Williamson Street, is a former store converted into a kind of near East Side clubhouse. Amid the chaos and entanglements of this weekend, it has been, indeed, the place to be for lovers of chamber music.
Just as last year, the Willy Street Chamber Players gave a concert in this intimate “chamber” on last Saturday and Sunday afternoons.
The string quartet fielded from the larger group consisted of violinists Paran Amirinazari and Eleanor Bartsch (who alternated recurrently in the first and second chairs), violist Beth Larson and cellist Mark Bridges.
Their program mixed music of two traditional classical composers with that of two contemporaries.
Later came Felix Mendelssohn’s “Four Pieces for String Quartet,” dating from 1843 to 1847 and published as a set designated Op. 81. These called for a richer playing style, which the Willys managed easily, and with strong feeling for the extensive fugal writing in two of the movements.
For more recent material, the group offered a tango tidbit by the Argentinian Astor Piazzolla, and a recent work (2005) by Hawaiian-American, Harlem-based, crossover composer, string player and band leader Daniel Bernard Roumain.
The piece by Piazzolla (below), Four for Tango (1988, presumably scored for him by somebody else), is a kind of anti-quartet venture, requiring defiant employment of unconventional string sounds.
Even more unconventional is the three-movement String Quartet No. 5 (2005) by Roumain (below). Given the subtitle of “Rosa Parks,” it pays tribute to the heroic African-American civil rights leader who sparked the desegregation of buses in Montgomery, Alabama.
Roumain is a classically trained musician who draws upon a range of Black music styles in his compositions. He too asks the players to break norms by using hand-clapping and foot-stomping as well as exaggerated bowings.
His musical ideas are interesting but few, and developed only in constant, almost minimalist, repetition. I was impressed, however, by his command of quartet texture, and by how the instruments really could work both together and in oppositions, especially in the long first movement. (You can hear the String Quartet No. 5 “Rosa Parks” by Daniel Bernard Roumain in the YouTube video at the bottom. It is performed by the Lark Quartet, for which it was composed.)
The four Willys dug into this novel repertoire with zest and careful control. In the entire program, indeed, they displayed an utter joy in making music together. Their artistry and their exploratory adventurism mark the group, more than ever, as Madison cultural treasures, richly deserving of their designation by The Ear as “Musicians of the Year for 2016.”
They will be giving FREE and PUBLIC performances at: Edgewood High School’s Fine Arts Fest (Feb. 14); the Northside Community Connect Series at the Warner Park Community Center (Feb. 19); the Marquette Waterfront Fest (June 11); and at Frank Lloyd Wright’s Taliesin compound in Spring Green (June 12). And we await impatiently their announcement of plans for their third series of Friday concerts this July.
For more information about concerts and about the group, go to: http://www.willystreetchamberplayers.org
Then click on concerts or events.
By Jacob Stockinger
The second half of the current concert season is getting off to a terrific, if crowded and competitive, start.
Take this weekend.
At least five individuals and groups are playing very appealing concerts. In some cases, there is time to get from one to another.
But there is also a good chance you will have to pick and choose, then be disappointed at what you miss as well as pleased with what you go to.
Here is a roundup:
From 8:30 a.m. until 7 p.m., the University of Wisconsin-Madison School of Music will hold the 54th annual Wisconsin Day of Percussion. It features workshops, clinics, presentations and concerts for percussionists and fans of percussion at all levels.
All-day admission is $15 and is available at the door. For more information about attending and participating, go to:
At 1:30 p.m. in the relaxed and cozy venue of A Place to Be, 911 Williamson Street, the Willy Street Chamber Players (below) will offer a 90-minute program of string quartets by Franz Joseph Haydn (String Quartet in D Major, Op. 20, No. 4), Felix Mendelssohn Four Pieces for String Quartet), Astor Piazzolla (Four for Tango) and Daniel Bernard Roumain String Quartet No. 5 “Rosa Parks”) as a prelude to the group’s third summer season this July. Admission is $20.
You may recall that last month The Ear named the Willys as Musicians of the Year for 2016. That post had details about the program and the group’s history. Here is a link:
For more information about this quartet concert (below is a photo of last year’s concert in the same place), go to:
And here is a link to the group’s home website with more specifics:
Finally, one of the Willys assures The Ear that the Sunday performance will be over early enough to allow audience members to go watch the Green Bay Packers championship football game.
At 7 p.m. the Oakwood Chamber Players will give an adventurous concert of unusual works by Maurice Ravel, Arnold Schoenberg, Byron Adams, Gabriel Jackson and Francis Poulenc at the Oakwood Village West Auditorium, 6002 Mineral Point Road on Madison far west side.
Here is a link to a story with more details about the program and how it fits into the yearlong series of concerts:
At 1:30 p.m., the Willy Street Chamber Players repeat their Saturday concert. See the information above for Saturday.
Also at 1:30 p.m., the Oakwood Chamber Players repeat their concert. See the information above for Saturday.
At 4 p.m. in Mills Hall, UW-Madison faculty members violinist Soh-Hyun Park Altino (below top) and pianist Christopher Taylor (below bottom) will give a recital of two violin sonatas: Sonata No. 1 in A major, Op. 13, by Gabriel Faure and the prize-winning 1963 Sonata for Violin and Piano by the contemporary American composer John Corigliano. (You can hear the lovely slow movement of the Corigliano sonata in the YouTube video at the bottom.)
Admission is $15, $5 for children and non-UW School of Music students.
Here is a link with more information:
Tickets can be bought at the door or by visit this site:
Also at 4 p.m., pianist Catherine Kautsky (below) will perform a Schubert-themed program on the Salon Piano Series at Farley’s House of Pianos, 6522, Seybold Road, on Madison’s far west side near West Towne.
Her program includes the Sonata in D major and Twelve German Dances by Schubert; the Schubert-inspired “Valses nobles et sentimentales” (Noble and Sentimental Waltzes) by Maurice Ravel; Prelude and Fugue in E Major, from Book 2 of “The Well-Tempered Clavier” by Johann Sebastian Bach; and “Idyll and Abyss: Six Schubert Reminiscences” (20213) by the German composer Jeorg Widmann.
Admission is $45.
Kautsky has concertized on five continents. You may recall, she came to teach for several years at the UW-Madison from Lawrence University Conservatory of Music in Appleton, Wisconsin, and then returned to Lawrence where she heads the keyboard department and this year received an Excellence in Teaching award.
Call more information and tickets, call (608) 271-2626.
You can also go to this link to get more information about this concert and forthcoming concerts in the Salon Piano Series:
By Jacob Stockinger
You may recall that several days ago, The Ear named the Willy Street Chamber Players (below) as Musicians of the Year for 2016.
He also mentioned that although there were not yet any YouTube videos of the group, which will have its third season this summer, the alternative radio station WORT-FM 89.9 has broadcast recordings of live performances.
Here is a link to that posting:
If you haven’t yet heard the Willy Street Chamber Players live, you can hear them this Thursday morning on WORT FM 89.9.
Here is what Rich Samuels, radio host and friend of the Willys, writes:
“Thursday morning, Jan. 5, at 7:28 a.m. on my WORT “Anything Goes” broadcast, I’ll be airing the Willy Street Chamber Players performing the Clarinet Quintet in A Major, K. 581, by Wolfgang Amadeus Mozart, which I recorded last July 29 at Madison’s Immanuel Lutheran Church.
(In the YouTube video at the bottom, you can hear the opening movement of Mozart’s beautiful Clarinet Quintet performed by the Emerson String Quartet with clarinetist David Shifrin of the Lincoln Center Chamber Music Players in New York City.)
“Michael Maccaferri is the clarinet soloist (below). He’s a member of the eighth blackbird ensemble of Chicago. He’s participated in four eighth blackbird Grammy-winning releases on the Cedille label, the local nonprofit recording label that is also in Chicago and that recently turned 25.
“Violinist Eleanor Bartsch (below), who presently freelances in Chicago, recruited Maccaferri for this event. In addition to Eleanor, this performance features Willy Street violinist Beth Larson, violist Rachel Hauser and cellist Lindsay Crabb.
“It was my privilege to record most of the first two seasons of the Willy Street Chamber Players for broadcast on WORT.
“Hopefully I’ll be able to continue that tradition in 2017.”
Here is a link about upcoming strong quartet concert on Jan. 21 and 22 and about the Willy Street Chamber Players in general:
By Jacob Stockinger
It can’t be easy to start a new classical music group in a city that already has so many outstanding classical music groups and events.
Yet that is exactly what The Willy Street Chamber Players (below) have done – and with remarkable success.
To be honest, The Ear thought of awarding the same honor to them last year.
But that was their inaugural year. And launching a new enterprise is often easier than continuing and sustaining it.
But continue and sustain it they have – and even improved it.
The main season for The Willy Street Players is in July,, usually around noon or 6 p.m.
But they also usually offer a preview concert in the winter, and will do so again at 1:30 p.m. on Saturday, Jan. 21, and Sunday, Jan. 22, when they will perform string quartets by Franz Joseph Haydn, Felix Mendelssohn, Astor Piazzolla and Daniel Bernard Roumain at A Place to Be, 911 Williamson Street. Admission is $20.
For tickets and more information about that concert as well as the group in general, go to: http://www.willystreetchamberplayers.org
The Ear finds so much to like about The Willy Street Chamber Players.
To start, the quality of the playing of the mostly string players and pianists — most of whom are products of the UW-Madison — is unquestionably superb. So are their guest artists such as Suzanne Beia. They have never disappointed The Ear, and others seem to agree.
The programming is ideal and adventurous, combining beloved classics, neglected works and new music from contemporary composers. And it all seems to fit together perfectly.
The ensemble’s repertoire ranges from the Baroque era through the Classical, Romantic and modernist eras to today. They have performed an impressively eclectic mix of music by Johann Sebastian Bach, George Frideric Handel, Ludwig van Beethoven, Wolfgang Amadeus Mozart, Johannes Brahms, Peter Tchaikovsky, Pietro Mascagni, Arnold Schoenberg, George Crumb, Philip Glass, Pulitzer Prize-winner Caroline Shaw and UW-Madison composer Laura Schwendinger.
The concerts are very affordable.
The concerts are short, usually running only about an hour or 75 minutes. That allows you both to fully focus or concentrate on the performance but then also to do something else with your precious leisure time.
The group of sonic locavores stays true to its name and mission, playing at various venues on or near Williamson Street on Madison’s near east side – including the Immanuel Lutheran Church (below) on Spaight Street and at the Wil-Mar Neighborhood Center on Jenifer Street. But they have also collaborated with the Madison Museum of Contemporary Art.
At the post-concerts receptions, they even offer outstanding snack food from local purveyors in the Willy Street area. And it’s there that you can also meet the performers, who are fun, informative and congenial whenever they talk to the public, whether before and after a performance.
Most of all, The Ear has never heard anything dull or second-rate from the Willy Street Chamber Players. They are a fantastic breath of fresh air who invest their performances of even well-known works, such as the glorious Octet by Mendelssohn, with energy and drive, zest and good humor.
They are exactly what classical music – whether chamber music or orchestral music, choral or vocal music –needs to attract new and younger audiences and well as the usual fans. They have just the right balance of informality and professionalism.
The many musicians, all of them young, work hard but make the results seem easy. That is the very definition of virtuosity. Small wonder that many of them play with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Middleton Community Orchestra and the Madison Bach Musicians among other groups. But this group seems special to them, and it shows.
If you don’t already know the Willy Street Chamber Players, you should get to know them. You should attend their concerts and, if you can, support them. They are a new gem, and constitute an outstanding and invaluable addition to Madison’s music scene.
NOTE: The Ear offers one piece of advice to The Willy Street Chamber Players: Since he can’t find a sample of you in action, please post some of your outstanding performances, which have been recorded by radio host Rich Samuels and broadcast on WORT-FM 89.9, on YouTube. The public needs a way to hear them and whet its appetite for your live performances.
In any case, The Ear wishes them well and hopes that, despite the inevitable personnel changes that will surely come in the future, The Willy Street Chamber Players stay on the Madison music scene for many years to come.
The Ear sends his best wishes for the New Year and another great season, the group’s third, to The Willy Street Chamber Players as Musicians of the Year for 2016.
By Jacob Stockinger
You had to be there to believe it.
That’s just how good the Willy Street Chamber Players are. (Actually, this season the music is being streamed live, so you don’t have to be there, and Rich Samuels of WORT-FM 89.9 recorded this concert for later airing.)
The Willys, as critic John W. Barker of Isthmus likes to call them, set themselves a high bar to clear, given the spectacular debut they made last summer in a series of July concerts that propelled them to the top of the list of classical music news in the area for the entire season.
The Ear is happy to report that in last Friday night’s opening concert of their second season, the Willy Street Chamber Players (below) met and surpassed that bar.
There was really only one small disappointment: Despite promises to bring the concert in with enough time to allow people to get over the fourth annual Handel Aria Competition at the UW-Madison, they ran late.
But at least they tried. And an effort at cooperation seems in perfect keeping with the nature of this outstanding ensemble. So do the local post-concert treats of food and sweets they offer.
The concert started with a piece that reminds one how a beautiful melody sticks in the ear and is never out of date, no matter what some modernists say.
In this case, it was the Intermezzo from the Romantic opera “Cavalleria Rusticana” (1880) by Italian composer Pietro Mascagni, as arranged for string sextet by Beth Larson (below, front left), the group’s own violist and violinist. As a welcoming opener and mood-setter, it proved a sheer delight.
Let’s jump to the end, which was a stupendous reading of the Big Work: the “Souvenir de Florence” (Memory of Florence) by Peter Tchaikovsky that featured guest violinist Suzanne Beia (below, front left).
Beia, you may recall, is a concertmaster with the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra as well as member of the Pro Arte Quartet at the University of Wisconsin-Madison School of Music. And this summer, she sizzled in her virtuosic reading of “The Four Seasons” by Antonio Vivaldi for the closing concerts of the Bach Dancing and Dynamite Society. And boy, can she fiddle!
In the Tchaikovsky, there was plenty of lyricism. But the force and energy of the brisk, upbeat tempi kept the work from becoming the kind syrupy and repetitive sentimentalism that inferior Tchaikovsky playing can produce.
It was an exciting and dynamic, even thrilling, performance. The audience leapt to its feet with good reason.
But for The Ear, the standout piece was the centerpiece: the “Entr’acte” for string quartet (below) by the young American composer Caroline Shaw.
This is The Ear’s kind of new music. Inspired by a minuet from an Op. 77 string quartet by Franz Joseph Haydn, Shaw’s work quietly pulsed and throbbed with a hypnotic rhythm. (You can hear a different performance of the work in a the YouTube video at the bottom.)
There were some dissonances and some strange sounds made by rubbing strings as well as plucking and snapping strings. But overall this was new music that had melody, rhythm and harmony, and it proved accessible on the first hearing. Plus it was short and possessed both emotion and elegance. Eat your hearts out, Pierre Boulez and Karlheinz Stockhausen!
The Ear hopes that the Willy Street Chamber Players continue their exploration of works by the Pulitzer Prize-winning Shaw (below) in future summer seasons and prove to be her ambassador to Madison audiences.
In any case, based on last season and now this concert the Ear has no reluctance in recommending the four concerts by the Willys that remain, three on Friday nights at 6 p.m. and one at noon.
NOTE: A word of warning is in order. Give yourself extra time to get there. Construction downtown plus major construction and street repairs on the streets around the Immanuel Lutheran Church, 1021 Spaight St., pose obstacles.
Here is a link to the rest of the season:
All The Ear can add is that last summer’s success was no fluke.
So let’s hear a Big Bravo for the fact that the Willys are Winners!
ALERT: The Ear reminds you that TODAY is the monthly “Sunday Live From the Chazen” chamber music concert. The program today features UW-Madison soprano Mimmi Fulmer, violinist Tyrone Greive (retired concertmaster of the Madison Symphony Orchestra) and pianist Michael Keller in music by Edvard Grieg and other Norwegian composers, including songs and sonatas. The live concert starts at 12:30 p.m. in Brittingham Gallery 3. Admission is FREE. You can also stream it live by using this link:
By Jacob Stockinger
Probably the premiere musical event of 2015 was the summer debut of the new group the Willy Street Chamber Players (below).
The critics and audiences agreed: The programs and performances were simply outstanding. Many of the players perform with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, there Middleton Community Orchestra, the Madison Bach Musicians and other acclaimed local groups.
Now the second season of five concerts – including one noontime lunch concert — will begin on this coming Friday night, July 8, at 6 p.m. at Immanuel Lutheran Church, 1021 Spaight Street, on Madison’s near east side.
The first program features regular members and guest violinist Suzanne Beia (below).
Beia plays second violin in the Pro Arte Quartet at the University of Wisconsin-Madison School of Music, and also serves at concertmaster of the Wisconsin Chamber Orchestra and assistant concertmaster of the Madison Symphony Orchestra. In addition, she performs in the Rhapsodie Quartet of the Madison Symphony Orchestra.
The program includes the lovely “Souvenir of Florence” (1892) by Peter Tchaikovsky and the haunting Entr’acte for String Quartet (2011) by Pulitzer Prize-winning composer Caroline Shaw (below, in a photo by Dashon Burton). You can hear the Entr’acte in the YouTube video at the bottom. (The Ear hopes one day the group will do Shaw’s “By and By” with strings and a vocalist.)
It’s too bad that the fourth annual Handel Aria Competition is on the same night. You would hope that such conflicts could be avoided in the summer.
Theoretically you can make it to both concerts since the aria competition starts at 7:30 p.m. in Mills Hall. But it will probably be a hectic scurry from one to the other.
Here is a link to more information about the Handel Aria Competition:
In any case, here is the schedule of the entire second season of the Willy Street Chamber Players.
It is varied and impressive, especially in how it combines old masterpieces with modern and contemporary works. It features pieces by Philip Glass, Arnold Schoenberg, UW-Madison composer Laura Schwendinger, George Crumb, Dmitri Shostakovich, Franz Schubert, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Arcangelo Corelli and Georges Enescu :
A season subscription is $50. Individual concerts are $15 except for the Black Angels video art concert, which is $20.
By Jacob Stockinger
The Ear has received the following announcement:
It will feature local classical and jazz musicians in the inspiring natural setting of the stately English Garden at Allen Centennial Garden at 620 Babcock Drive, on the campus of the University of Wisconsin-Madison in the heart of Madison.
The concerts will take place on every other Sunday through Sept. 18 from 4 to 5:30 p.m. They are sponsored by the Friends of Allen Centennial Garden.
Attendees are encouraged to bring a blanket or lawn chair for these free concerts.
Families are welcome.
Established in 1989, Allen Centennial Garden is situated on 2.5 acres surrounding the historic landmarked “Dean’s Residence (below),” adjacent to the Lake Mendota Lakeshore Nature Preserve and path.
This public botanical garden is open to the public free of charge 365 days a year, dawn to dusk.
Although located on the UW-Madison campus, the garden is supported entirely by private funds. In 2013, the Friends of Allen Garden formed to enhance the educational and cultural mission of the gardens and to increase awareness of this “hidden gem” by expanding programming initiatives to better serve the public.
Summer Sundays in the Garden, one of many programs developed by the Friends, is the first public concert series at Allen Centennial Gardens, now in its 26th year.
Sponsored by the Friends, the series is supported by grants from the Madison Arts Commission, with additional support from the Wisconsin Arts Board; from Dane Arts, with funds from the Overture Foundation and the Pleasant T. Rowland Foundation; and from the Evjue Foundation of The Capital Times. In the event of inclement weather, concerts will be cancelled.
For more information, please visit www.allencentennialgarden.org
Summer Sundays in the Garden. Afternoon Concerts in the English Garden. June 26 – Sept. 18. 4–5:30 p.m.
June 26 – Johannes Wallmann’s Quartet West. Known as a “remarkable pianist and composer” (Downbeat Magazine) and “a truly international kind of cat” (Midwest Record), Johannes Wallmann, Director of Jazz Studies at UW-Madison, opens SUMMER SUNDAYS with a quartet of top-notch guest artists from Los Angeles and San Francisco to offer up a high-energy, imaginative, and infectious kickoff for the new summer concert series.
July 10 – Quartessence (below). One of Madison’s most often heard society quartets, award-winning Quartessence String Quartet brings a stylish sophistication to a wide range of repertoire including jazz, golden oldies, and imaginative covers of current rock and pop hits, from Bach to the Beatles, Puccini to Pops, Classics to Covers.
July 24 – Doug Brown Group. Acoustic jazz guitarist Doug Brown brings his infectious spirit and imagination to irrepressibly joyous, finely honed swing-era jazz standards.
Aug. 7 – Willy Street Chamber Players (below). Fun and sassy chamber music by one of Madison’s newest groups, bringing a fresh, imaginative take to classical music that is appealing to both lifelong classical music fans and newcomers to the genre. Expect some serious fun!
Aug. 21 – Clocks in Motion (bel0w). Breaking down barriers of a traditional concert performance, this groundbreaking percussion ensemble serves up virtuosic performances that include theater and art and consistently offer a joyous entertainment experience.
Sept. 4 – Harmonious Wail. Smoldering vocals laced among jazzy mandolin and guitar, Harmonious Wail offers an infectious blend of continental jazz, swing, gypsy music, and melodic vocals.
Sept. 18 – Paul Muench Quartet. Now firmly established in the Madison jazz scene, Paul Muench’s group offers up imaginative improvs and creative modern arrangements of timeless jazz standards.
By Jacob Stockinger
The Green Lake Festival of Music sent the following news to The Ear:
“Get Read, Set, Play!” is the theme of Green Lake Festival of Music’s 10th Thomas E. Caestecker Free Family Concert Series at the Ripon Public Library (Tuesday, June 14), Caestecker Public Library (Tuesday, June 21), and the Princeton Public Library (Tuesday, June 19).
These family-friendly concerts are appropriate for ages 5 to 95—virtually anyone who desires a lively introduction to fine music presented in an entertaining format by the Festival’s outstanding artists, the Ancora String Quartet (below top).
Members of the critically acclaimed string quartet are Robin Ryan and Leanne Kelso League, violins; Marika Fischer Hoyt, viola; and Benjamin Whitcomb, cello. Wes Luke (below bottom) is substituting for League, who is participating in an out-of-state festival. Some of the members teach at the UW-Whitewater and perform with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Willy Street Chamber Players and other ensembles.
For more information about the Ancora, visit: http://ancoraquartet.com/about-us/
A special feature of this series is the coordinated programs that the libraries of Green Lake, Princeton and Ripon are offering in conjunction with the concerts. These three free 45-minute concerts start at 2 p.m. All children must be accompanied by an adult. No tickets are required, and seating begins at 1:30 p.m.
The 45-minute program includes short works and excerpts by Franz Schubert (the Quartettsatz or Quartet Movement); Felix Mendelssohn; Peter Tchaikovsky (Andante Cantabile); Dmitri Shostakovich; Sir Arthur Sullivan (Romance); Joaquin Turina (“Bullfighter’s Prayer”); and Joachim Raff.
The Ancora String Quartet will perform on Ripon College’s quartet of stringed instruments built by Madison Luthier Lawrence LaMay in the 1960’s. The late Ripon College conductor Ray Stahura acquired these notable instruments in the late 1990’s.
Teaming up with the National Library theme, “Wholeness, fitness, sports,” the Ancora String Quartet will talk about the physicality, discipline, and sheer fun of playing a stringed instrument. And we will share stories about Lawrence LaMay from people who knew him and play his instruments. The audience is encouraged to bring their own stringed instruments to show the quartet.”
This series is made possible by the generous sponsorship of Tom Caestecker (below) as a free service to the community. The concerts and related library programs are designed to reach out to parents, kids and seniors. They offer a brief, lighthearted introduction to music with an up close and personal experience with the performers. Tom Caestecker said, “I can’t think of a better pairing than music and books.”
Other free sponsored community concerts include the Ancora String Quartet at the Berlin Public Library (Tuesday, June 28), Oshkosh Public Library (Tuesday, July 12), and the Children’s Museum of Fond du Lac (Tuesday, July 26).
The Green Lake Chamber Music Camp and concert series is funded in part by the Arts Midwest Touring Arts Fund, a program of Arts Midwest, funded by the National Endowment for the Arts, with additional funding from the Wisconsin Arts Board, the Crane Group and General Mills Foundations. Other funding comes from the Horicon Bank, Oshkosh Area Community Foundation, and private/corporate donations. Wisconsin Public Radio provides promotional support.
Please visit www.greenlakefestival.org for the most current calendar of events or to purchase tickets. Tickets to other Festival concerts are also available by calling the office at 920-748-9398. You can also stop by one of the following ticket outlets: Green Lake Bank (Green Lake) and Ripon Drug (Ripon).
Discount packages and single tickets can also be purchased in person at the new Green Lake Festival of Music office in the Thrasher Opera House (below) at 506 Mill St. in Green Lake. The Festival entrance is the left door off the parking lot, and the reception area is down the hall. Tickets bought in advance will save the $5 surcharge added to a ticket bought at the concert.