The Well-Tempered Ear

Classical music: After opening on Friday night, the Willy Street Chamber Players will perform a FREE and PUBLIC concert at Oakwood Village West on Saturday night at 7

July 10, 2019
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By Jacob Stockinger

You might recall that this Friday night, July 12, at 6 p.m., the critically acclaimed Willy Street Chamber Players will open their fifth summer season at Immanuel Lutheran Church at 1021 Spaight Street on the near east side. (Tickets are $15.)

https://welltempered.wordpress.com/2019/07/02/classical-music-the-critically-acclaimed-and-popular-willy-street-chamber-players-start-their-fifth-summer-series-with-a-free-community-concert-this-friday/

Core members of the Willys (below, from front left) are: violist Rachel Hauser, violinist Eleanor Bartsch, cellist Lindsay Crabb, cellist Mark Bridges and violinist Paran Amirinazari.

Rachel Hauser will not play. But the others will be joined by two guest violists and University of Wisconsin-Madison alumni: prize-winning Danny Kim (below top) of the Boston Symphony Orchestra; and Nicholas Jeffery (below bottom) of Chicago’s Ursa Ensemble. Here are links to more information about each of them:

https://www.bso.org/strings/danny-kim-viola.aspx

http://jefferyviola.com/about

For more information and biographies of the local performers, go to the website: http://www.willystreetchamberplayers.org/2019-summer-series.html

Put your cursor first on ABOUT and then on PLAYERS.

But The Ear has now received word that the Willys will also perform a FREE concert that is open to the public on Saturday night at 7 p.m. in the auditorium of the Oakwood Village West (now called University Woods) retirement center,  6205 Mineral Point Road. The concert is sponsored by Kato Perlman (below), a well-known and generous supporter of classical music in Madison.

The program is the same as the previous night’s except for the contemporary work “Study for String Instrument No. 1” (2007) by Simon Steen-Andersen: the String Quintet No. 1 in A minor (1826), Op.18, by Felix Mendelssohn (1826), and the String Quintet No. 2 in C minor (1787), K. 406/516b by Wolfgang Amadeus Mozart. (You can hear the first movement of the Mozart quintet, played by the Dover Quartet, in the YouTube video at the bottom.)

Now in their fifth season, the Willy Street Chamber Players (WSCP) has become an established part of the vibrant Williamson Street neighborhood on Madison’s east side.

Recently recognized in Madison Magazine’s prestigious “Best of Madison” reader poll in the category of “Best Classical Music Group,” WSCP has received numerous accolades for its accessible and exciting performances, intelligent and fun programming, and community partnerships.


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Classical music: The never-fail Willy Street Chamber Players and guest artists will perform works by Elvis Costello, Ralph Vaughan Williams and Dmitri Shostakovich this Friday night

July 20, 2017
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By Jacob Stockinger

This Friday night at 6 p.m., the acclaimed and adventurous Willy Street Chamber Players (below) return to their home base at Immanuel Lutheran Church (below middle and bottom), 1021 Spaight Street, on Madison’s near east side.

The 90-minute program, the second of three subscription concerts this summer — the last one is next Friday — is a typically eclectic one that mixes new music with established repertoire.

It features “The Juliet Letters” by rock star Elvis Costello (below top, in a photo by James Omaha) with local tenor Adam Shelton (below middle), who will also sing the song cycleOn Wenlock Edge” by Ralph Vaughan Williams; and pianist Jason Kutz (below bottom) in the Piano Quintet by Dmitri Shostakovich. (You can hear Elvis Costello sing one of the Juliet Letters with the Brodsky String Quartet in the YouTube video at the bottom.)

There will also be a post-concert reception with east-side snacks from Monty’s Blue Plate Diner and Madison Sourdough.

Admission is $15.

In addition, The Willys have inaugurated a Community Connect series to reach new audiences and perform around the city.

The Ear recently went to one of those concerts and came away grateful not only for the superb performances of great old and new music, but also very appreciative of alternative venues in the city.

But more about that tomorrow.


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