The Well-Tempered Ear
A busy weekend of online concerts features the UW Symphony, Edgewood College, Madison Opera, Wisconsin Chamber Orchestra, Bach Around the Clock and more
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By Jacob Stockinger
With only a little over a month left before the academic year ends at the University of Wisconsin-Madison, it’s not surprising that the last weekend in March is very busy with noteworthy – and competing – online concerts.
Each morning at 8 through Friday, Bach Around the Clock will release the last concerts of its 10-day online festival. You can find the programs – including the finale Friday night at 7 with Brandenburg Concerto No. 6 — and link for streaming here: https://bachclock.com/concert-schedule
The weekend starts tonight with one of The Ear’s favorite groups during the Pandemic Year: the UW-Madison Symphony Orchestra
Here is a day-by-day lineup. All times are Central Daylight Time:
TONIGHT, MARCH 25
The UW-Madison Symphony Orchestra (below) performs a FREE virtual online concert TONIGHT starting at 7:30 p.m.
The concert will be preceded by a 7 p.m. talk about Igor Stravinsky with modern musicologist and Penn State Professor Maureen Carr as well as conductor Oriol Sans and Susan Cook, UW musicologist and director of the Mead Witter School of Music.
The program is: Suite from the opera “Dido and Aeneas” by Henry Purcell, with student conductor Alison Norris; Duet for Two Violins and String Orchestra by the contemporary American composer Steve Reich; and the Neo-Classical “Apollon musagète” (Apollo, Leader of the Muses) by Stravinsky. (In the YouTube video at the bottom, you can hear an excerpt of the Stravinsky played by the Berlin Philharmonic with Simon Rattle conducting.)
Here is the link to the talk and concert. Click on more and you can also see the members of the orchestra and the two violin soloists: https://youtu.be/2rgHQ4lWTV8
For more information about the program, including notes, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra/
FRIDAY, MARCH 26
At 7:30 p.m. the Wisconsin Chamber Orchestra will post for three days the third of its four online chamber music concerts (below). There will be excerpts of music by Beethoven and Brahms as well as complete works by Jessie Montgomery and Alyssa Morris.
Tickets to the online on-demand event are $30, with some discounts available, and are good through Monday evening.
Here is a link to more about this concert, including program notes by conductor and music director Andrew Sewell, and how to purchase tickets: https://wcoconcerts.org/events/winter-chamber-series-no-iii
At 8 p.m., the music department at Edgewood College will give a FREE online Spring Celebration concert. It will be livestreamed via music.edgewood.edu
The performers include: the Chamber Orchestra, under the direction of Sergei Pavlov (below); the Guitar Ensemble, under the direction of Nathan Wysock; and the Chamber Winds, directed by Carrie Backman.
Highlights include the Guitar Ensemble’s performance of Wish You Were Here, by David Gilmour and Rogers Waters, and the Chamber Winds epic Star Wars: The Force Awakens. The Chamber Orchestra, which will perform live, will feature Musical moment No. 3, by Franz Schubert and Peer Gynt Suite by Edvard Grieg.
SATURDAY, MARCH 27
At noon, in Grace Episcopal Church on the Capitol Square downtown, there will be a FREE online concert. Grace Presents: “A Patient Enduring”: This early music program of medieval conductus (a musical setting of metrical Latin texts) and ballade, English lute song, and duets from the early Italian Baroque features two sopranos, Grammy-winnner Sarah Brailey (below) and Kristina Boerger, with Brandon Acker on lute and theorbo.
Here is a link: YouTube.com/GracePresentsConcerts
You can also go to this webpage for a link: https://www.music.wisc.edu/event/grace-presents-a-patient-enduring/
At 3 p.m. the Perlman Trio, a piano trio that is made up of UW-Madison graduate students, will give a FREE online concert. The program includes piano trios by Haydn, Beethoven and Schubert.
Here is a link to the YouTube video: https://youtu.be/EAjK0DfWB3A
Here is a link to the complete program plus background, names and photos of the performers as well as to the performance: https://www.music.wisc.edu/event/perlman-piano-trio/
At 7 p.m. the UW-Madison’s Wingra Wind Quntet (below) will perform a FREE pre-recorded online concert. Here is a link to the video https://www.youtube.com/watch?v=Bn7eobSnfr8
And here is a link to the page with more background information about the faculty members – including bassoonist Marc Vallon (below top) and flutist Conor Nelson (below bottom) – and to the complete program: https://www.music.wisc.edu/event/wingra-wind-quintet/
SUNDAY, MARCH 28
From 4 to 5:30 p.m., guest mezzo-soprano Julia Ubank (below) will give a free online recital with pianist Thomas Kasdorf.
The program features songs by Mahler, Debussy, deFalla, Jake Heggie and Ellen Cogen.
Here is the complete program plus a link to the recital: https://www.music.wisc.edu/event/julia-urbank-voice-recital/
From 4 to 5:30 p.m. the Madison Opera will host a Opera Up Close cocktail hour discussion with four general directors of opera companies. Here is the website’s description:
“Four opera general directors walk into a chat room…. Stepping outside the Madison Opera family, Kathryn Smith (below, in a photo by James Gill) is joined by three colleagues: Michael Egel of Des Moines Metro Opera, Ashley Magnus of Chicago Opera Theater, and Lee Anne Myslewski of Wolf Trap Opera.
“From how they got into opera, to the ups and downs of running an opera company, their favorite productions, funniest moments, and more, it will be a unique and entertaining afternoon.
Here is a link with more information including the cost of a subscription: https://www.madisonopera.org/class/general-directors/?wcs_timestamp=1616947200
At 6 p.m., Rachel Reese, a UW-Madison doctoral student in violin, will give a lecture-concert about the Violin Concerto No. 2 by the rediscovered African-American composer Florence Price (below). She will be accompanied by pianist Aubrie Jacobson.
Here is a link to the concert plus background about Rachel Reese: https://www.music.wisc.edu/event/rachel-reese-lecture-recital/
Tags: #African-AmericanComposer, #AlyssaMorris, #AndrewSewell, #BachAroundtheClock, #BaroqueMusic, #BerlinGermany, #BerlinPhilharmonic, #BlackComposer, #BlogPost, #BlogPosting, #BrandenburgConcerto, #CapitolSquare, #CarrieBackman, #CentralDaylightTime, #CentralTime, #ChamberMusic, #ChamberOrchestra, #ChamberWinds, #ChicagoIllinois, #ChicagoOperaTheater, #ChristianChurch, #ClassicalGuitar, #ClaudeDebussy, #CocktailHour, #ConorNelson, #CoronavirusPandemic, #DesMoines, #DesmoinesIowa, #DesMoinesMetroOpera, #EdgewoodCollege, #EdvardGrieg, #EllenCogen, #FacebookPost, #FacebookPosting, #FemaleComposer, #FlorencePrice, #FranzJosephHaydn, #FranzSchubert, #GeneralDirector, #GracePresents, #GraduateStudent, #Grammy-winning, #GrammyAward, #GustavMahler, #HenryPurcell, #HomeWebsite, #IgorStravinsky, #ItalianBaroque, #JacobStockinger, #JakeHeggie, #JessieMontgomery, #JohannesBrahms, #JohannSebastianBach, #JuliaUrbank, #LatinLanguage, #LiveStreaming, #LivingComposer, #LudwigVanBeethoven, #MadisonOpera, #ManuelDeFalla, #MarcVallon, #MaureenCarr, #MedievalMusic, #Mezzo-sopranoSinger, #MusicDirector, #MusicEducation, #Musicfaculty, #NathanWysock, #OnlineConcert, #OnlineFestival, #OriolSans, #PanelDiscussion, #PeerGynt, #PeerGyntSuite, #PennState, #PerlmanTrio, #PianoAccompanist, #Pre-concertTalk, #ProgramNotes, #SarahBrailey, #SimonRattle, #SopranoSinger, #StarWars, #SteveReich, #StringMusic, #SusanCook, #TheEar, #TheForceAwakens, #TheUK, #TheUW, #TicketPrice, #UniversityofWisconsin-Madison, #UW-MadisonSymphonyOrchestra, #UWSymphonyOrchestra, #ViolinConcerto, #VirtualConcert, #VocalMusic, #WebPage, #WindQuintet, #WingraWindQuintet, #WisconsinChamberOrchestra, #WolftrapOpera, #WomenComposer, #YouTubeChannel, #YouTubevideo, academic, African American, Alyssa Morris, America, American, Andrew Sewell, Apollo, Arts, audience, Bach, Bach Around the Clock, background, Ballade, Baroque, Bassoon, bassoonist, BATC, Beethoven, Berlin, Berlin Philharmonic, black composer, blog, Blog post, blog posting, Brahms, Brailey, Brandenburg Concerto, British, busy, Capitol, Capitol Square, Carrie Backman, CDT, celebration, Cello, central, Central Daylight Time, Central Time, Chamber music, chamber orchestra, Chamber Winds, channel, Chicago, Chicago Opera Theater, Christian, church, classical guitar, Classical music, Claude Debussy, click, cocktail, cocktail hour, Cogen, companies, competing, complete, composer, Concert, concerto, conductor, conductus, Conor Nelson, coronavirus, coronavirus pandemic, de Falla, Debussy, Des Moines Metro Opera, discount, discussion, downtown, duet, Early music, Edgewood College, Edvard Grieg, Ellen Cogen, end, England, English, excerpts, Facebook, faculty, female, festival, Florence Price, flute, flutist, Franz Joseph Haydn, Franz Schubert, free, Friday, General director, Germany, Grace Episcopal, Grace Episcopal Church, Grace Presents, graduate student, Grammy, Grammy Award, Grave Presents, Grieg, guitar, Gustav Mahler, Haydn, Heggie, Henry Purcell, Igor Stravinsky, information, Iowa, Italian, Italy, Jacob Stockinger, Jake Heggie, Jessie Montgomery, Johann Sebastian Bach, Johannes Brahms, Julia Urbank, Latin, lecture, like, lineup, link, Living composer, Ludwig van Beethoven, lute, Madison, Madison Opera, Mahler, Manuel DeFall, Marc Vallon, march, Maureen Carr, Medieval, member, metrical, Mezzo-soprano, minimalism, minimalist, Monday, Montgomery, morning, Morris, Music, Music director, Music education, music faculty, musicology, name, names, Nathan Wysock, Nelson, neo-Classical, noteworthy, oiano, on-demand, online, online festival, opera, Orchestra, Oriol Sans, Overture Center, pandemic, Peer Gynt, Penn State, perform, performer, Perlman Trio, photo, Pianist, Piano, Piano accompanist, Piano Trio, post, pre-concert, price, program, program notes, Purcell, purchase, recital, Reich, releaseconcert, Sarah Brailey, Saturday, Schubert, series, setting, Sewell, share, Simon Rattle, sing, Singing, soloist, song, soprano, Spring, Star Wars, Steve Reich, Stravinsky, stream, streaming, string music, strings, Suite, Sunday, surprising, Susan Cook, symphony, tag, talk, text, The Ear, The Force Awakens, theater, theorbo, third, Thursday, tickets, tonight, trio, UK, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW Symphony Orchestra, UW-Madison, UW-Madison Symphony Orchestra, Vallon, video, Viola, Violin, Violin concerto, violinist, virtual, vocal music, web, Website, weekend, wind music, Wind quintet, winds, Wingra Wind Quintet, Wisconsin Chamber Orchestra, Wolf Trap Opera, women, women composer, works, year, YouTube
The Wisconsin Chamber Orchestra cancels its first Masterworks concert and launches an online virtual Winter Chamber Series in January
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By Jacob Stockinger
With the surge in the coronavirus pandemic, the dominos are starting to fall again — this time for the spring series of live, in-person concerts that had been planned.
Friday night brought important news from the Wisconsin Chamber Orchestra (below, in photo by Mike Gorski).
The Wisconsin Chamber Orchestra (WCO) has canceled its first Masterworks concert, with guest cellist Amit Peled, in late January. In its place the WCO is launching its first-ever digital Winter Chamber Series.
The virtual, online series of digital concerts will feature the ensemble’s 34 players in smaller groups of four to eight, That will be safer for both players and audiences during the COVID-19 pandemic.
Four home-viewable virtual online concerts are planned: Jan. 22, Feb. 26, March 26, and April 16. Programs are not available except for the first concert.
Also included are a pre-concert talk with WCO music director and maestro Andrew Sewell (below top, in a photo by Alex Cruz) and Wisconsin Public Radio host Norman Gilliland (below bottom), and post-concert reflections with musicians of the WCO.
The ticket price for each concert, which will run 60-75 minutes, is $30 per household. A ticket entitles you to one viewing of the concert between Friday, Jan. 22, and Monday, Jan. 25. The concert will start streaming at 7:30 p.m. on Friday.
Patrons who have already purchased season subscription tickets can apply that to the full series of four concerts.
Tickets are available online at the Overture Center box office. See below.
The program for the first Winter Chamber Concert on Jan. 22 is:
Four Canzonas by the Baroque Italian composer Giovanni Gabrieli (below):
“Tzigane” (a term for music by Hungarian gypsies or Romani) for Wind Quintet by the contemporary American composer Valerie Coleman (below):
The first movement of the famed String Quintet in C major, D. 956, by the Austrian Romantic composer Franz Schubert (below):
Four Octets by the 20th-century American composer and jazz musician Alec Wilder (below), which you can sample in the YouTube video at the bottom.
To see more background about the composers, more details about the concert and purchase tickets, go to: https://www.overture.org/events/wco-chamber-series
You can also check out the series as it progressively gets announced on the WCO home website: https://wcoconcerts.org/concerts-tickets/winter-chamber-series
The concert series sounds like a terrific substitution for the regular concerts that cannot yet take place.
But The Ear wonders if the price per concert is a bit steep, given that comparable concerts by UW-Madison Mead Witter School of Music , the Wllly Street Chamber Players and Just Bach are free – although they do ask for donations — and that the Madison Opera charged $50 for its entire fall digital series while the Wisconsin Union Theater charges between $10 and $20 per virtual concert.
The Ear likes the eclectic programming, but also thinks it is kind of teasing and unsatisfying to offer just the first movement of such an organic masterpiece and profoundly beautiful work as the Schubert Cello Quintet. Doing one movement of a chamber music work somehow seems very different from doing one movement of a symphony.
It would also be nice to see the programs for all the concerts plus a series discount as an incentive.
What do you think about the WCO’s Winter Chamber Series?
What do you think about the price and the programming?
The Ear wants to hear.
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Classical music: A busy week brings FREE concerts of violin, orchestra, percussion, band, cello and bassoon music to the UW-Madison
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ALERT: This afternoon at 2:30 p.m. in Overture Hall is your last chance to hear John DeMain lead the Madison Symphony Orchestra with guest soloists violinist Pinchas Zukerman and cellist Amanda Forsyth in music by Brahms, Berlioz and Copland. Here is a positive review from Michael Muckian for Isthmus: https://isthmus.com/music/masterful-sounds-on-a-miserably-cold-night/
For more information about the program, soloists and tickets, go to: https://welltempered.wordpress.com/2020/02/10/classical-music-this-weekend-the-madison-symphony-orchestra-celebrates-valentines-day-with-violinist-pinchas-zukerman-and-cellist-amanda-forsyth-in-the-romantic-double-concerto/
By Jacob Stockinger
The coming week at the UW-Madison will be busy with FREE concerts of violin, orchestral, percussion, band, cello and bassoon music.
Here is the lineup:
MONDAY
At 6:30 p.m. in the Collins Recital Hall at the new Hamel Music Center, 740 University Ave., you can hear a FREE performance of the popular Violin Concerto by Beethoven.
It is a student performance of the entire Beethoven Violin Concerto with the orchestra. The conductor is doctoral candidate Ji Hyun Yim (below) who is studying with UW conducting professor Oriol Sans. It is a concert of friends who enjoy playing together. The violinist soloist is Rachel Reese.
Then at 7:30 p.m. in the Mead Witter Foundation Concert Hall, the Chamber Percussion Ensemble (below) – formerly the Western Percussion Ensemble – will give a FREE concert of contemporary music.
The conductor is director and UW-Madison percussion professor Anthony DiSanza, who is also the principal percussionist with the Madison Symphony Orchestra.
The program is “A Forest from a Seed.” Featured is post-minimalist music by composers not named Steve Reich. No specific works or composers are named.
Says DiSanza (below, in a photo by Katherine Esposito): “From the seed of minimalism (1964-1972), a deep and exhilarating repertoire has blossomed. Join us as we explore 40 years of diverse and engaging post-minimalist percussion chamber music.”
The Chamber Percussion Ensemble, he adds, “is dedicated to the performance of significant and engaging works for the Western percussion ensemble tradition, emphasizing core repertoire and works by emerging composers.”
TUESDAY (not Wednesday, as originally and incorrectly posted)
At 7:30 in the Mead Witter Foundation Concert Hall, the UW Concert Band (below) will give a FREE concert under director and conductor Corey Pompey. For the complete program, go to: https://www.music.wisc.edu/event/uw-concert-band-3/
THURSDAY
At 7:30 p.m. in Collins Recital Hall, UW cello professor Parry Karp (below), who plays in the UW’s Pro Arte Quartet, will give a FREE recital.
Piano accompanists are Bill Lutes; Martha Fischer; Frances Karp, the mother of Parry Karp; and Thomas Kasdorf.
The program is:
Robert Schumann: “Five Pieces in Folk Style” for Piano and Cello, Op. 102 (You can hear the first of the five pieces in the YouTube video at the bottom.)
Johannes Brahms: Sonata in F Minor for Piano and Clarinet, Op. 120 No. 1 (arranged for piano and cello by Parry Karp)
Robert Kahn (below): Three Pieces for Piano and Cello, Op. 25
Richard Strauss: Andante from “Le Bourgeois Gentilhomme” (The Bourgeois Gentleman), Op. 60
Ernest Bloch: “Schelomo” – a Hebraic Rhapsody for Cello and Orchestra
FRIDAY
At 8 p.m. in Collins Recital Hall, UW-Madison bassoon professor Marc Vallon (below) and friends – fellow faculty members and students — will perform a FREE concert of chamber music.
Joining Vallon, who plays in the acclaimed UW Wingra Wind Quintet, are: pianist Satoko Hayami; percussionist Todd Hammes; bassoonist Midori Samson; flutist Iva Ugrcic, clarinetist Alicia Lee; trumpeters Jean Laurenz and Gilson Luis Da Silva; trombonist Cole Bartels; and Travis Cooke.
Composers to be performed are: Robert Schumann; Alexander Ouzounoff; Sophia Gubaidulina (below); and Igor Stravinsky. No word about titles of specific works on the program.
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Classical music: Here is the corrected program for the Oakwood Chamber Players, who open the new year with music by Mozart and Stravinsky plus new music by living composers this Saturday night and Sunday afternoon
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CORRECTION: By mistake, The Ear earlier posted the wrong program for the Oakwood Chamber Players this weekend. Here is the correct information. The Ear apologizes for the error and any inconvenience.
By Jacob Stockinger
The first concerts for the new year by the Oakwood Chamber Players (below) will be take place this Saturday night, Jan. 11, at 7 p.m., and Sunday afternoon, Jan. 12, at 2 p.m., at the Oakwood Village University Woods Center for Arts and Education at 6209 Mineral Point Road in Madison, on Madison far west side near West Towne Mall.
The program begins with a witty opener, “L’Heure de Berger” by French composer Jean Francaix (below) for woodwind quintet and piano. The piece’s three movements cleverly depict the quirky personalities of patrons observed at a Parisian restaurant.
“Y Deryn Pur” for oboe, violin, viola and cello — by the award-winning British composer Cecilia McDonald (below) is based on an expressive Welsh folk tune, “The Gentle Dove.”
Written early in his career, Russian composer Igor Stravinsky’s “Pastorale” is a soothing song without words for a mixed quintet of winds and strings. It is a delicate piece originally written for voice and piano, then re-orchestrated for the sustained sonorities of a chamber ensemble.
“Silver Dagger” is a plaintive tale told through a traditional Appalachian folk song and re-envisioned emotionally and dramatically for violin, cello and piano by American composer Stacy Garrop (below).
The “Suite Belle Epoque in Sud-America” was written for the Berlin Woodwind Quintet by Brazilian composer and conductor Julio Medaglia (below). It bursts with vitality and expressive melodies while celebrating a variety of South American musical styles. (You can hear his suite in the YouTube video at the bottom.)
The perennial simplicity, beauty and warmth of Mozart are showcased in his “Adagio in F,” performed by bassoon and string trio.
The program concludes with “Ralph’s Old Records” by Kenji Bunch (below) – a fresh and humorous composition for flute, clarinet, violin, viola, cello and piano that takes listeners through a series of brief movements inspired by an old family record collection.
Tickets are available at the door and are priced at $25 for adults, $20 for seniors, and $5 for students, or at www.oakwoodchamberplayers.com
The Oakwood Chamber Players are a professional music ensemble supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation
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Classical music: Today at noon you can hear Japanese marimba music. At the UW-Madison, tonight offers a FREE concert of Eastern European music by the Wingra Wind Quintet. Tomorrow night is a FREE concert of vocal music by UW Chorale
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ALERT: TODAY, Nov. 8, from 12:15 to 1 p.m. at the FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, the veteran international marimbist Rebecca Kite (below) — who teaches and concertizes — will perform a program that features music of Handel, herself and contemporary Japanese composers including Keiko Abe and Minoru Miki. Kite recently moved to Madison.
By Jacob Stockinger
Tonight and tomorrow night feature two noteworthy and FREE concerts of chamber music for winds and choral music at the University of Wisconsin-Madison Mead Witter School of Music.
Here are details:
WINGRA WIND QUINTET
TONIGHT, Nov. 8, at 8 p.m. in the Collins Recital Hall of the new Hamel Music Center, 740 University Ave., the UW-Madison’s Wingra Wind Quintet performs a FREE concert of music from Eastern Europe.
Works by Bela Bartok, Leos Janacek, Gyorgy Kurtag and Endre Szervanszky will be featured.
The guest artist is clarinetist Brian Gnojek (below).
For more information about the concert, the works on the program and background of the Wingra Wind Quintet (below, in 2018, in a photo by Katrin Talbot) as an acclaimed faculty chamber music ensemble, go to: https://www.music.wisc.edu/event/wingra-wind-quintet-2/2019-11-08/
UW CHORALE
This Saturday night, Nov. 9, in the Mead Witter Foundation Concert Hall of the Hamel Music Center, the UW Chorale (below) will perform a FREE concert with an eclectic theme.
The program is called “How to Spice Up Your Life.” Selections include works about music, dance, chat, sports, love, outings and cooking.
The concert includes a performance of PDQ Bach’s The Seasonings, a parody of baroque oratorios, featuring faculty soloists Julia Rottmayer and Paul Rowe with student soloists Angela Peterson and Charles Hancin. (You can hear Part I of “The Seasonings” in the YouTube video at the bottom.)
For more information, go to: https://www.music.wisc.edu/event/uw-chorale-3/
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Classical music: The LunART Festival of women musicians will perform chamber music by all-female composers this Saturday night
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By Jacob Stockinger
The LunART Festival will be part of the Arts @ First Series when it performs “A Wintry Mix Chamber Music Collective” on this Saturday night, Feb. 23, at 7 p.m. at the First United Methodist Church, 203 Wisconsin Avenue.
The concert will features the Arbor Ensemble (below) and Black Marigold.
Admission is $15 for adults, $5 for students and free for children under 12. Advance tickets are $12 at: lunartwintrymix.brownpapertickets.com
The LunART Festival is dedicated to promoting and celebrating women in the arts through public performances, exhibitions, workshops and interdisciplinary collaboration. After a very successful inaugural season, the second LunART festival will take place in Madison, from June 6 through June 9.
While the main focus of LunART is a summer festival, LunART also presents events throughout the year, such as this midwinter collaborative concert.
The Madison-based ensembles Arbor Ensemble and Black Marigold (below, in a photo by Vincent Fuh) will perform an array of works for strings, winds and piano from the past 100 years, showcasing both historically notable women composers and introducing less familiar female pioneers of today.
The Arbor Ensemble will premiere their newly commissioned “Trio Cerulean” by Cherise Leiter (below top), in addition to their arrangement of the Piano Trio for flute, viola and piano by Germaine Tailleferre (below bottom).
Arbor members Berlinda Lopez (flute), Marie Pauls (viola) and Stacy Fehr-Regehr (piano) seek to connect with audiences through their personal sound and colorful instrumentation. Their innovative programming highlights lesser known chamber works, and the group has developed a niche promoting music of women composers.
The highly regarded, award-winning Quintet for Wind Instruments of Grazyna Bacewicz (below top) will be performed by Black Marigold (below bottom), a dynamic wind quintet known for their captivating and energetic performances. Members are Iva Ugrcic (flute), Laura Medisky (oboe), Bethany Schultz (clarinet), Juliana Mesa (bassoon) and Kia Karlen (horn).
Advocates of new music and living composers, Black Marigold fosters fresh perceptions of new music by programming pieces that are equally enjoyable for performers and audiences.
The ensembles will collaborate by mixing members and instrumentation, rounding out the program with Duo for Oboe and Viola by Hilary Tann (below top); “Doppler Effect” for flute, clarinet and piano by Adrienne Albert; “D’un Matin de Printemps” (From A Morning in Spring) by Lili Boulanger; and the Quartet for Strings, Op. 89, by Amy Beach (below bottom). You can hear the piece by Lili Boulanger in the YouTube video at the bottom.
Guest artists Laura Mericle (violin), Shannon Farley (violin) and Samantha Sinai (cello) will join Arbor violist Marie Pauls for the performance of the Beach. The quartet was a featured ensemble at the inaugural season of the LunART Festival this past summer.
For more information, go to:
firstunitedmethodistmadison.org/artsatfirst
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Classical music: Prize-winning composer John Harbison has turned 80. In February, Madison will see many celebrations of his birthday, starting this Friday night with the Imani Winds
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By Jacob Stockinger
This Friday night, Feb. 1, a month-long celebration in Madison of the 80th birthday of critically acclaimed and prize-winning composer John Harbison (below) gets underway.
The festivities start with a concert by the Grammy-nominated Imani Winds (below), which will perform this Friday night at 7:30 p.m. – with a pre-concert lecture at 6 p.m. — in Shannon Hall at the Wisconsin Union Theater. The program includes Harbison’s popular Wind Quintet.
Here is a link with more information about the group, the program and tickets: https://union.wisc.edu/events-and-activities/event-calendar/event/imani-winds/
Among America’s most distinguished artistic figures, Harbison is the recipient of numerous awards and honors, among them a MacArthur ”genius grant’ and a Pulitzer Prize. His work encompasses all genres, from chamber music to opera, sacred to secular. (You can hear Harbison discuss his approach to composing in the YouTube video at the bottom.)
He has composed for most of America’s premiere musical institutions, including the Metropolitan Opera, the symphony orchestras of Chicago, Boston, Los Angeles, Seattle and New York; and the Chamber Music Society of Lincoln Center and the Santa Fe Chamber Music Festival.
Institute Professor at MIT, Harbison serves as composer, conductor, performer, teacher and scholar. He divides his time between Cambridge, Mass., and Token Creek, Wis., where he co-founded and co-directs a summer chamber music festival with his violinist wife Rose Mary Harbison.
Other local birthday events include a performance by the Madison Symphony Orchestra; several chamber music and choral concerts at the First Unitarian Society of Madison, including one by the Mosaic Chamber Players; an exhibition of books and manuscripts at the Mills Music Library at UW-Madison’s Memorial Library.
There are also several concerts, including the world premiere of a new Sonata for Viola, and a composer residency at the University of Wisconsin-Madison’s Mead Witter School of Music; and the world premiere of a new motet by the Madison Choral Project.
Harbison will also be featured in radio interviews and broadcast retrospectives by both Wisconsin Public Radio and WORT community radio.
National and international celebrations include other world premieres of commissions, many new recordings and the publication of Harbison’s autobiographical book about Johann Sebastian Bach, “What Do We Make of Bach?”
For more details about the many local celebrations, you can go to the following two links. Schedules, programs and updates – events are subject to change — will be posted at www.tokencreekfestival.org and www.johnharbison.com.
To receive “Harbison Occasions,” an intermittent e-newsletter, write to arsnova.artsmanagement@gmail.com
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Classical music: Wind music is in the spotlight this coming week at the UW-Madison
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By Jacob Stockinger
Last weekend brought the fifth annual Brass Fest to the University of Wisconsin-Madison’s Mead Witter School of Music.
This week, wind music takes center stage at the UW-Madison.
Here is a listing of the FREE events — except for the concert in Baraboo on Friday — that are open to the public:
WEDNESDAY
On this Wednesday, Oct. 3, at 7:30 p.m. in Mills Hall, the veteran Wingra Wind Quintet (below), made up of UW faculty members, will perform a FREE program called “I Hate Music,” taken from the title of a song cycle by Leonard Bernstein. (You can hear a song, sung by Barbara Bonney, from “I Hate Music” in the YouTube video at the bottom.)
The composers are all American and include Bernstein as well as Aaron Copland, Lukas Foss, David Diamond and Walter Piston.
The guest artist is soprano Sarah Brailey, a UW-Madison alumna, who just excelled last week in Baroque music by Johann Sebastian Bach and who has established a national reputation while winning high praise from The New York Times.
For details about the specific pieces on the program as well as more background about the Wingra Wind Quintet (below, in a photo by Katrin Talbot), which was founded in 1965, go to:
https://www.music.wisc.edu/event/wingra-wind-quintet-4/
FRIDAY
On Friday, Oct. 5, at 7:30 in the Al Ringling Theatre in Baraboo, the Wingra Wind Quintet will team up with the celebrated Pro Arte Quartet (below in a photo by Rick Langer) and guest double bassist Kris Saebo, to perform Franz Schubert’s Octet for winds and strings, D. 803. For more information, including purchasing tickets, go to: http://www.alringling.org/events
This coming Friday, Oct. 5, at 8 p.m. In Mills Hall, the UW Wind Ensemble (below), under conductor Scott Teeple and two graduate student conductors –- Ross Wolf and Cole Hairston — will perform a FREE concert of varied music from Giovanni Gabrieli and Johann Sebastian Bach to Peter Ilyich Tchaikovsky and Ralph Vaughan Williams.
For more the complete program, go to: https://www.music.wisc.edu/event/uw-wind-ensemble-3/
SUNDAY
On Sunday afternoon, Oct. 7, at 2 p.m. in Mills Hall, UW professor of composition and jazz saxophone Les Thimmig (below) will present a FREE 10-year retrospective of his compositions for different kinds of clarinets.
Also performing are his faculty colleagues clarinetist Alicia Lee (below) and pianist Jessica Johnson.
For information about Thimmig and the concert’s program, go to: https://www.music.wisc.edu/event/faculty-recital-compositions-of-les-thimmig-solo-and-duo/
At 4 p.m. on Sunday, Oct. 7, in Morphy Recital Hall, guest flutist John Bailey (below), who teaches at the University of Nebraska-Lincoln, gives a FREE lecture and recital of music by Wolfgang Amadeus Mozart, Philippe Gaubert and Theodor Blumer. Sorry, no specific works are mentioned.
Bailey will be joined by UW pianist Daniel Fung.
For extensive background about Bailey, who is a member of the Moran Woodwind Quintet, go to: https://www.music.wisc.edu/event/guest-artist-recital-and-lecture-john-bailey-flute/
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Classical music: Last spring’s inaugural LunART Festival of women composers and creators in Madison wins a national prize
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By Jacob Stockinger
Some hearty applause and major congratulations are in order, especially in the #MeToo society and culture!
The inaugural LunART Festival that took place this past spring and celebrated women composers and creators just took First Prize from the National Flute Association.
Below is a photo of co-founder and co-director Iva Ugrcic holding the certificate that she received in Orlando, Florida:
And here is what she has to say, as passed along on the festival’s Facebook site, which has hundreds of congratulations and comments as well as photos:
“Over the moon for winning the 1st prize at the The National Flute Association C.R.E.A.T.E. Competition with my baby project LunART Festival”
In case you don’t recall what went into the inaugural three-day festival and what participants took part and what events resulted from it — including the combining of spoken word and music, which you can see in the YouTube video at the bottom — here is a reminder in the form of an extended festival preview:
The festival was the brainchild of two local performers and graduates of the University of Wisconsin-Madison’s Mead Witter School of Music.
They are the flutist Iva Ugrcic, who is the new head of the Rural Musicians Forum in Spring Green, and the oboist Laura Medisky (below), who performs with the local wind quintet Black Marigold. Both musicians also play with the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra.
The project proved savvy in how it used social media to launch it with success.
Here are some other links to keep you current with the festival as it looks forward to its second year:
Here is the festival’s home page and website:
https://www.lunartfestival.org
Here is the festival’s page on Facebook:
https://www.facebook.com/lunartfestival/
This is the festival’s entry on Twitter:
https://twitter.com/lunartfestival
And you can also follow the LunART festival on Instagram.
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The Well-Tempered Ear 
Classical music: This week the UW-Madison hosts a faculty horn recital and two orchestral concerts – one by the visiting and innovative chamber orchestra The Knights and the other by UW students
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By Jacob Stockinger
This week is a busy one at the UW-Madison’s Mead Witter School of Music with concerts on Wednesday, Thursday and Saturday.
There are also FREE and PUBLIC master classes on Friday.
Here are details:
WEDNESDAY, FEB. 5
At 7:30 p.m. in the Collins Recital Hall of the new Hamel Music Center, 740 University Ave., UW horn professor Daniel Grabois (below, in a photo by James Gill) – a member of the acclaimed Wisconsin Brass Quintet – will perform a FREE faculty recital.
Grabois will be accompanied by pianist Shuk-Ki Wong.
No specific program has been posted. But composers on the program include Eugene Bozza, Charles Gounod, Francis Poulenc, Wolfgang Plagge and a world premiere by Daniel Kessner.
THURSDAY, FEB. 6
At 7:30 p.m. in the Mead Witter Foundation Concert Hall, also in the Hamel Music Center, the UW Symphony Orchestra (below, with the UW Choral Union in the background) will give a FREE concert.
UW professor Oriol Sans (below), who is new to campus this year, will be the main conductor with Michael Dolan serving as a guest conductor.
The program is the “Appalachian Spring” Suite by Aaron Copland and the Symphony No. 9 by Dmitri Shostakovich.
SATURDAY, FEB. 8
At 8 p.m. in the Mead Witter Foundation Concert Hall, guest artists The Knights will give a concert that features UW clarinetist Alicia Lee (below), who is a member of the Wingra Wind Quintet and who toured with The Knights chamber orchestra during the decade she lived and worked in New York City.
Says Lee: “We are excited to bring a group with a fresh perspective that is run in perhaps a less traditional way,” Lee says of the residency. “This is a group of people with interesting, diverse approaches to a life in music. Many have been making music together for nearly 20 years, so the roots of both friendship and musical values run very deep.”
On Friday, Feb. 7, The Knights (below) will offer a one-day, on-campus residency that is FREE and OPEN TO THE PUBLIC.
Opportunities include access to strings, wind, percussion and horn master classes; a workshop on music business; a side-by-side orchestral reading; and attendance at their rehearsal. All activities will take place in the Hamel Music Center. For a day-long schedule, go to: https://www.music.wisc.edu/the-knights/
You can hear rehearsals and commentaries by The Knights in the YouTube video at the bottom.
According to program notes: “The Knights is a collective of adventurous musicians, dedicated to transforming the orchestral experience and eliminating barriers between audiences and music.
“Driven by an open-minded spirit of camaraderie and exploration, they inspire listeners with vibrant programs that encompass their roots in the classical tradition and passion for artistic discovery.
“The orchestra has toured and recorded with renowned soloists including Yo-Yo Ma, Dawn Upshaw, Bela Fleck and Gil Shaham, and have performed at Carnegie Hall, Tanglewood and the Vienna Musikverein. Read more at: https://theknightsnyc.com”
The program for The Kreutzer Project concert on Saturday night is:
Colin Jacobsen: World premiere of a new work
Ludwig van Beethoven: Kreutzer Concerto (based on the famous Kreutzer Sonata) arranged by The Knights for solo violin and chamber orchestra
INTERMISSION
Leos Janacek: The “Kreutzer Sonata” String Quartet arranged by The Knights for chamber orchestra
Johannes Brahms: Hungarian Dances arranged by The Knights for chamber orchestra
General admission tickets are $30 and are available at the Campus Ticketing Office in the Memorial Union and by calling (608) 265-ARTS (2787) or visiting: https://artsticketing.wisc.edu/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=83A6D957-B006-4ABC-AFB2-6485A8C4D94C.
Free rush tickets for UW-Madison students and music faculty are subject to availability. Visit the Hamel box office one hour before the concert.
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