The Well-Tempered Ear

Classical music: This afternoon is your last chance to hear twin-sister pianists Christina and Michelle Naughton play Mozart with the Madison Symphony Orchestra. Here are three reviews. There will also be poetry inspired by the Symphony No. 5 by Shostakovich, which is also on the program. Plus, a FREE concert of choral music takes place tonight at the UW-Madison

November 13, 2016
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ALERT: Tonight at 8 p.m. in Mills Hall is a FREE concert of choral music by the UW-Madison group Chorale under its director Bruce Gladstone. Sorry, no word on the program.

By Jacob Stockinger

This afternoon at 2:30 p.m. in Overture Hall is your last chance to hear twin-sister, Madison-born pianists Christina and Michelle Naughton (below top) perform a Mozart concerto with the Madison Symphony Orchestra (below bottom). Works by Claude Debussy and Dmitri Shostakovich are also on the program conducted by MSO music director John DeMain.

christina-and-michelle-naughton-2016

The program has received fine reviews from the critics:

Here is a review written by John W. Barker for Isthmus:

http://isthmus.com/music/familial-spirit/

Here is the review by Greg Hettmansberger for his blog “What Greg Says”:

https://whatgregsays.wordpress.com/2016/11/12/a-perfectly-timed-homecoming/

And here is a review written by Jessica Courtier for The Capital Times:

http://host.madison.com/ct/entertainment/music/concert-review-mso-delivers-heart-wrenching-performance-of-shostakovich-s/article_e3fc410e-3e15-543b-b323-fee9ac6ec552.html

For more information about the concert and program, go to:

https://welltempered.wordpress.com/2016/11/08/classical-music-twin-sister-pianists-the-naughtons-return-to-their-hometown-this-weekend-to-perform-a-mozart-concerto-with-the-madison-symphony-orchestra-the-famous-symphony-no-5-by-shostakovich-i/

John DeMain and MSO from the stage Greg Anderson

NEW MSO POETRY PROGRAM “COUNTERRPOINTS” DEBUTS TODAY

In addition, as a part of its 2016-17 season offerings, the Madison Symphony Orchestra (MSO) will today launch The Counterpoint Readings, a special event series where poets will respond to a selected symphonic piece, culminating in a reading in Overture Center’s Promenade Lounge the weekend the piece is performed. It is scheduled to start after the performance, at around 4:30 p.m. today.

NOTE: There is a $10 admission charge to the poetry reading, which includes a wine and cheese reception. But because notice was given late, the original deadline of Nov. 10 for reservations will be overlooked.

The first reading focuses on Dmitri Shostakovich’s Symphony No. 5 by Soviet composer Dmitri Shostakovich (below), performed by the MSO as part of its “Paired to Perfection” concerts this weekend. (You can hear the famous finale of the Shostakovich symphony performed by Leonard Bernstein and the New York Philharmonic Orchestra in the YouTube video at the bottom.)

dmitri shostakovich

The Counterpoint Readings debut will happen following today’s performance, beginning at approximately 4:30 p.m. Eight poets will perform original works— world premieres for each artist.

Coordinated by MSO violist and poet Katrin Talbot (below, writing poetry in a photo by Isabel Karp), the series seeks to expand the audience’s musical experience and bring Madison’s poetry into a new light. Another such music-based poetry reading, to take place in the Madison Museum of Contemporary Art, is scheduled for March, according to Talbot.

Katrin Talbot shares her vision of the how the power of words can respond to this significant historical composition, “Stalin is trumpeting out Soviet dominance. Yet somehow, he (Shostakovich) overcame it to generate art. Deception to get his voice heard.”

katrin-talbot-writing-poems-cr-isabel-karp

Among the poets slated to appear include MSO bassist August Jirovec, former Wisconsin Poet Laureate Marilyn Taylor, former Madison Poet Laureate Sarah Busse, Richard Merelman, Eve Robillard, Timothy Walsh, Marilyn Annucci and Rita Mae Reese.

Here is a preview: August Jirovec’s inspiration leading up to the reading:

“If there be meaning in this world askew,

let toils and rhyming gripes slide—disappear

your cross of blood drawn in the dirt austere

and lavish canvases of nascent hue

with brilliant visions! Let your whimsy brew

brash, crazen potions inspired by this tier

of music hefted from chests, as time’s spear

pierces the heart that must love art—through you.”

And here is a link to a long interview with Talbot by Lindsay Christians for The Capital Times:

http://host.madison.com/ct/entertainment/arts-and-theatre/people-turn-to-the-poets-writers-respond-to-a-symphony/article_d6010935-abc3-556c-96db-3a9eea4619d9.html

For more information go to:

The Counterpoint Readings, direct link: http://www.madisonsymphony.org/counterpointreadings

Paired to Perfection concerts: http://www.madisonsymphony.org/naughtons


Classical music: UW-Madison opera students are on display at a concert this Sunday afternoon along with guest professional and UW opera graduate Lindsay Metzger

September 15, 2016
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By Jacob Stockinger

The Ear has received the following announcement from UW Opera Props, the support organization for University Opera at the University of Wisconsin-Madison School of Music.

We invite you to attend a benefit concert showcasing the University of Wisconsin-Madison opera program’s talented students, along with special guest artist, distinguished alumna and mezzo-soprano, Lindsay Metzger (below top) who will be accompanied by pianist Daniel Fung (below bottom).

lindsay-metzger-1

daniel-fung

Please join us for a program of songs and arias, followed by a reception. Enjoy conversation with the singers, faculty and other musical friends, along with light refreshments including artisanal cheeses, fruit, wine, juices and chocolatier Gail Ambrosius’s delicious creations.

The concert is this Sunday, Sept. 18, at 3 p.m. followed by light refreshments and conversation. Sorry, no word about the composers or works to be sung.

The concert will take place in the Landmark Auditorium at the Frank Lloyd Wright-designed First Unitarian Society of Madison Meeting House, 900 University Bay Drive, Madison

Admission is a contribution of $25 in advance ($30 at the door), and $10 for students. All proceeds go to UW Opera student scholarships.

For more information, visit:

https://www.facebook.com/events/1838139499750385

http://www.uwoperaprops.org/uw-opera-props-student-showcase-concert/

Lindsay Metzger (below) hails from Mundelein, Illinois. She spent two summers as an apprentice artist with Des Moines Metro Opera and was a studio artist in 2014-15 with Milwaukee’s Florentine Opera (Gannett in Donizetti’s L’elisir d’amore).

lindsay-metzger-2

Among her other recent portrayals have been Daphne/Marc-Antoine Charpentier’s La descente d’Orphée aux enfers (Chicago’s Haymarket Opera Company), Cherubino in Mozart’s Le nozze di Figaro (La Musica Lirica in Novafeltria, Italy), Nella in Puccini’s Gianni Schicchi (DuPage Opera Theatre), the title role in Handel’s Ariodante, Béatrice in Berlioz’ Béatrice et Bénédict, and Beppe in Mascagni’s L’amico Fritz (all at the University of Wisconsin-Madison).

With Lyric Unlimited’s community-engagement program “Opera in the Neighborhoods,” Metzger was heard in the title role in Rossini’s La Cenerentola.

A soloist featured frequently in numerous Chicago-area venues, Metzger debuted with the Grant Park Symphony singing the soprano solo in Gabriel Fauré’s Requiem.

She was awarded the Paul Collins Fellowship from University of Wisconsin-Madison, the Virginia Cooper Meier Award from the Musicians’ Club of Women, and an Encouragement Award from the Metropolitan Opera National Council District Auditions.

Metzger is an alumna of the University of Wisconsin-Madison and DePaul University. Last season at Lyric she was featured in Mozart’s Le nozze di Figaro (debut) and Richard Strauss’ Der Rosenkavalier. In the 2016-17 season the mezzo-soprano will perform in Massenet’s Don Quichotte and Bizet’s Carmen.


Classical music: The Malt House craft beer tavern is seeking classical musicians to perform chamber music. A guitarist performs this afternoon

January 23, 2016
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By Jacob Stockinger

The Ear has received the following message from Bill Rogers, the owner of The Malt House tavern on Madison’s near east side. It fits in with the national and international trend of performing classical music in non-traditional venues such as bars, cafes and coffee houses, much like what the Classical Revolution movement does here and Le Poisson Rouge does in New York City do. So The Ear thinks what Rogers says will interest both performers and listeners.

Hi Jake,

Thanks for calling and asking about classical music at The Malt House (below). I love the name of your blog!

Malt House exterior

malt house interior

I put up a flier in Metcalfe’s seeking musicians who’d like a place to perform. I’ve got three bookings from that flier, and I will try other locations soon.

Upcoming performances include:

Jeff Larsen (below) — Classical Guitar – TODAY, Saturday Jan. 23, 3-5 p.m.

Jeff Larsen 2 guitar

Yahara String Quartet (below) —  (classical and love songs, “pops-style”) – Saturday, Feb. 13, 3-5 p.m.

Yahara String Quartet

Jeff Larsen and Inna Larsen — Classical Guitar and Violin — Saturday March 12, 3-5 p.m.

Karl von Huene (below)– Solo Cello – Saturday, March 26, 3-5 p.m.

Karl von Huene cello

Unfortunately, there is no piano to use. And patrons seem to prefer instrumental music to vocal music.

The musicians play 2 hours, including a beer break. Alas, these are not paid gigs. They play for tips and beer. People DO tip.

I don’t play, but I’ve been a fan of classical music since high school (40 years ago). I subscribed a few years ago to the Madison Symphony Orchestra at the Overture Center, but I found the atmosphere stifling although the music was amazing. Nobody bobbed their heads, tapped their toes or fingers, nobody “air conducted.” Meh. There was no life in the room!

I’m also not likely to seek out concerts in churches either, because I like a drink while I listen.

I wanted a more vibrant and intimate experience and, as a bar owner, I happen to have a small performance space.

So … I’m looking for chamber music-style experiences for our customers, and lively feedback for performers.

Chamber music is party music. That’s what it was written for, yes? It belongs in parties, bars, etc.

Malt House party drinking

I think there’s an unmet need for intimate, relaxed, classical performances. I want my bar to be the place people come for weekend classics. A lot of University of Wisconsin faculty, staff, technicians and others who live near us come here, and they seem to respond well to these shows.

The Yahara String Quartet has played at The Malt House several times before. Attendance was decent, we sold a fair number of drinks, and everyone had a great afternoon. They’ve received a few wedding bookings because people heard them here.

I’m seeking other musicians because they’re often busy with other performances, and normal family life. I can’t book them as often as I’d like. Incidentally, I found them because one of the violinists also plays fiddle for the Oak Street Ramblers, a bluegrass band playing here monthly.

About the bar: We’ve been in business almost 8 years. Isthmus Readers voted us best craft beer bar five consecutive years, Madison Magazine named us 2nd best beer bar twice, and we’ve been named one of the 10 hottest places in America to drink whiskey by Zagat. Besides a great beer and whiskey selection, we have a full bar setup, so wine, cocktails, cider and other beverages are all available.

We’re at the corner of East Washington Avenue and Milwaukee Street. Red Letter News is kitty-corner from us, and that’s the landmark people recognize when asking “where are you on East Wash?”

OLYMPUS DIGITAL CAMERA

Cheers,

Bill Rogers, Owner,

The Malt House

2609 East Washington Avenue

Madison, WI 53704

MaltHouseTavern@gmail.com


Classical music: What pieces of classical music and what kinds of beer best go together? See the answers from an expert in both brews and music from NPR’s “Deceptive Cadence” blog.

August 19, 2012
1 Comment

By Jacob Stockinger

Yesterday it was wine; today it is BEER.

We all know the game of matching the right food with the right wine – though there does some to be some disagreement over whether white really is required with fish and about when rose is appropriate.

Anyway, a while ago NPR’s “Deceptive Cadence” asked  someone is very experienced in both wine and classical music to come up with a list of complements – with which wine goes with which composer of which piece of classical music.

I showed in my post yesterday some of the matches made by Alex Sherman – who is a professional sommelier (wine steward) for a prestigious Chicago hotel and also plays percussion in the  acclaimed Chicago Symphony Orchestra — proved expected.

But The Ear found some others very intriguing and unanticipated.

Now, the NPR blog has asked Sherman to do the same thing for beer.

My reaction is much the same except that there is even a local Wisconsin angle featured in the form of a microbrew from New Glarus. (The photo below comes from iStock.)

So once again, take a look – as well as a sip and a listen – for yourself.

Here a link:

http://www.npr.org/blogs/deceptivecadence/2012/07/25/157357229/the-classical-kegerator-pairing-beer-with-music

And feel free to make your own suggestions for similar match-ups by leaving something in the COMMENT section.


Classical music: What pieces of classical music and what kind of wines best go together? See the answers from an expert in both wine and music from NPR’s “Deceptive Cadence” blog.

August 18, 2012
2 Comments

By Jacob Stockinger

We all know the game of matching the right food with the right wine – although there does some to be some disagreement over whether white really is required with fish and about when rose wine is appropriate.

Anyway, NPR’s “Deceptive Cadence” asked someone who is very experienced in both wine and classical music to come up with a list of complements – with which wine goes with which composer of which piece of classical music. (The photo below come s from iStock.)

Some of the matches made by Alex Sherman – who is a professional sommelier or wine steward for a prestigious Chicago hotel and also plays percussion in the acclaimed Chicago Symphony Orchestra — proved expected.

But The Ear found some other very intriguing and unanticipated.

Take a look – as well as a sip and a listen – for yourself.

Here a link:

http://www.npr.org/blogs/deceptivecadence/2011/11/21/142590064/perfect-pairings-programming-wine-with-music

And feel free to make your own suggestions for similar match-ups by leaving something in the COMMENT section.


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